A historical and philosophical exploration of the impact of design on underserved communities, examining the field’s shortcomings as well as its potential to create positive change. Through essays that delve into history and practice, and case studies that demonstrate practical strategies, Design Against Racism explores how designers of all disciplines can address, through their work, the legacies of racism and oppression.

Design profoundly influences culture. The heart of this book is its powerful blend of essays on design history, illustrated case studies, and discussions of practical methods to approach design work, adapted from the restorative justice movement. It explores how design as a professional practice and academic discipline directly affects historically excluded communities, offering frameworks and examples that foster collective improvement.

Topics from author Omari Souza, founder of the annual State of Black Design conference, and contributing design professionals include:
* Unveiling the White Gaze: The Narrative of Whiteness and Colonial Nostalgia
* Language as a Tool for Marginalization—and Resistance
* Hip-Hop Architecture: Transforming Spaces through Culture and Innovation
* Afrofuturism as a Design Strategy
* Whose Knowledge Is It? Reclaiming Histories, Narratives, and the Plurality of Knowledge
* Nonhierarchical Engagement with Communities—Anti-Racist Design Community Pop-Up

This is a critique of design and a practical handbook that will teach designers and educators how a restorative justice approach can transform their design practice to counteract and fight racism.

TIMELY AND ESSENTIAL TOPICS: Thought-provoking essays from leaders in design diversity offer an anti-racist approach to design practice based in an understanding of history, a focus on community building, and a commitment to inclusion.

AUTHOR & CONTRIBUTORS: Omari Souza is an Assistant Professor of Communication Design at the University of North Texas and co-host of the highly acclaimed minisode podcast The Design of Business | The Business of Design. Contributors include preeminent design professionals George Fourlas, Shamika Klassen, Kaleena Sales, Zariah Cameron, Lesley-Ann Noel, Cassini Nazir, Yolanda A. Rankin, Soniyah Robinson, and Danielle Lake.

Perfect for:
* Student and professional design practitioners of all disciplines, including graphic designers, product designers, architects, and more
* Course adoption for design programs
* Anyone eager to explore the themes of anti-racism and decolonizing design

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Discover design strategies for using your own unique social identities and experiences as inspiration to challenge the status quo and create the kind of lasting change that leads to greater equity and social justice, from Stanford University's d.school.

Who are you? What motivates you as a changemaker? What forces are preventing you (and others) from thriving? These questions are essential to the work of creating social change, and they are exactly what Design Social Change asks you to explore.

Designer and design educator Lesley-Ann Noel shares the essential design strategies for making a lasting impact. This work starts with knowing yourself and builds outward into making change in your community and the larger world. Design Social Change gives you tools to tailor your approach to design, taking into account your history, personality, ethics, and goals for a better future.

The strategies for change are based on equity and fairness, understanding your own role in these systems of both justice and inequity. These strategies demonstrate how to use anger, joy, and empathy as inspiration for understanding what people need to thrive. Using the tools of design, these new approaches will help you craft projects that are relevant to you and create more just, equitable futures. The time is always right to work toward a fair and just society.

Invitation Only:

What if what you drew came to life? Destiny Ink uses her imagination and love of drawing to overcome her worries in this first book of a highly illustrated series for newly emerging readers.

Destiny can't wait to go on her first ever sleepover, it's going to be INK-TASTIC!

But she can't help feeling a little nervous. She and her best friend, Olivia, are going to camp outside-in the backyard in the dark! Destiny uses her sketchbook to doodle her ideas and work through her worries. She builds a blanket tent in her bedroom to practice, and that night a monster shows up. He's come for a sleepover, but he's not sure he's ready. Can Destiny help him?

The eloquent story of Eileen Harris Norton's collection and its pivotal role in championing the work of women artists, artists of color, and changing narratives of contemporary art.

Since she acquired her very first artwork from Los Angeles printmaker Ruth Waddy in 1976, Eileen Harris Norton's collection has bloomed into a beautiful reflection of her interest in the practices of women and artists of color, and work made in California. Alongside the eponymous exhibition Hauser & Wirth Los Angeles, Destiny Is a Rose celebrates fifty years of Harris Norton's remarkable collection, taking its title from a painting in the collection by Kerry James Marshall and featuring numerous iconic works of contemporary art by Mark Bradford, Felix Gonzalez-Torres, David Hammons, Glenn Ligon, Yoshimoto Nara, Adrian Piper, Betye Saar, Lorna Simpson, Carrie Mae Weems, and more. Texts by art historian Kellie Jones and curator Ingrid Schaffner delve into the critical role that education and philanthropy, representation and identity, and personal relationships with artists and curators have played in shaping Harris Norton's visionary collecting practice. Offering deep insight into the act and impact of collecting, Destiny Is a Rose is a tribute to Harris Norton's ongoing role as a vital agent of change and growth within the contemporary art world.

The Princess Diaries meets From the Desk of Zoey Washington in this story about a girl who is reconnected with her birth family, only to discover that she is an African princess and the key to unlocking an ancient curse.

For her twelfth birthday, the only thing Zahara-Grace wants is to figure out who she is. She knows she has the best mom and grandpa around, she knows she loves her friends, and she knows she likes to make a difference in her community. But she also knows she's adopted, and she wants to learn more about that side of herself. Zahara-Grace is thrilled when her mom let's her take a DNA test, but she never could have imagined that her biological grandfather would find her. And she definitely never imagined he'd be the king of a small African country!

Now torn between two worlds, Zahara-Grace is even less sure of who she is. Her worlds collide when a mummy exhibit opens at the local museum, showcasing the history and legends of her biological family's country-including an ancient cult who believes with the help of a living heir, they can awaken the mummified remains of a powerful king and conquer the world. Learning she's a princess may have turned Zahara-Grace's life upside down, but now her life is in actual danger. And in order to survive, she must find a way to embrace both sides of herself.

The Destruction of Black Civilization took Chancellor Williams sixteen years of research and field study to compile. The book, which was to serve as a reinterpretation of the history of the African race, was intended to be "a general rebellion against the subtle message from even the most 'liberal' white authors (and their Negro disciples): 'You belong to a race of nobodies. You have no worthwhile history to point to with pride.'" The book was written at a time when many black students, educators, and scholars were starting to piece together the connection between the way their history was taught and the way they were perceived by others and by themselves. They began to question assumptions made about their history and took it upon themselves to create a new body of historical research. The book is premised on the question: "If the Blacks were among the very first builders of civilization and their land the birthplace of civilization, what has happened to them that has left them since then, at the bottom of world society, precisely what happened? The Caucasian answer is simple and well-known: The Blacks have always been at the bottom." Williams instead contends that many elements--nature, imperialism, and stolen legacies-- have aided in the destruction of the black civilization.

The Destruction of Black Civilization is revelatory and revolutionary because it offers a new approach to the research, teaching, and study of African history by shifting the main focus from the history of Arabs and Europeans in Africa to the Africans themselves, offering instead "a history of blacks that is a history of blacks. Because only from history can we learn what our strengths were and, especially, in what particular aspect we are weak and vulnerable. Our history can then become at once the foundation and guiding light for united efforts in serious[ly] planning what we should be about now." It was part of the evolution of the black revolution that took place in the 1970s, as the focus shifted from politics to matters of the mind.

After her husband’s unexpected death eighteen months ago, Kausar Khan never thought she’d receive another phone call as heartbreaking—until her thirty-something daughter, Sana, phones to say that she's been arrested for killing the unpopular landlord of her clothing boutique. Determined to help her child, Kausar heads to Toronto for the first time in nearly twenty years.

Returning to the Golden Crescent suburb where she raised her children and where her daughter still lives, Kausar finds that the thriving neighborhood she remembered has changed. The murder of Sana’s landlord is only the latest in a wave of local crimes which have gone unsolved.

And the facts of the case are troubling: Sana found the man dead in her shop at a suspiciously early hour, with a dagger from her windowfront display plunged in his chest. And Kausar—a woman with a keen sense of observation and deep wisdom honed by her years—senses there’s more to the story than her daughter is telling.

With the help of some old friends and her plucky teenage granddaughter, Kausar digs into the investigation to uncover the truth. Because who better to pry answers from unwilling suspects than a meddlesome aunty? But even Kausar can’t predict the secrets, lies, and betrayals she finds along the way…

The world's cutest cat detective is back on the case in this indie bestselling series. Li Chen's newest Detective Beans adventures are a must-read for anyone who loves mystery stories, cute animals, and hilarious original storytelling.

Detective Beans is back on the case! In this series of mysteries and adventures, the world's cutest cat detective comes to the aid of her fellow villagers, searching for a cooky thief (with surprising results!), aiding a deceptive duck in the recovery of lost goods, and even doing his best to help a confused bear prove that the moon is made of cheese. In addition to these small capers, Adventures in Cat Town features behind-the-scenes footage of the crime-solving documentary directed by Beans best friend, Biscuits, as well as comics, stories, and even horoscopes illustrated by Beans himself. Called a "must-read" by School Library Journal and "absurdly funny and clever" by Kirkus, it's no mystery why this new series is such a hit!

First published in 1974 and even more relevant today, a natural and whole foods guide the voice of black consciousness, cultural icon Dick Gregory, the incomparable satirist, human rights and environmental activist, health advocate, social justice champion, and author of the NAACP Image Award–winning Defining Moments in Black History: Reading Between the Lies and the classic bestseller Nigger: An Autobiography.

Written with Dick Gregory’s irreverent wit and informed by his deep intelligence, Dick Gregory’s Natural Diet for Folks Who Eat is for real people who are concerned about their health and wellness. Gregory offers an enlightening introduction to natural foods, and offers a wickedly amusing and informative assessment of how our modern diet damages the human digestive tract, and raises our consciousness about the political power of food.

Gregory argues that how you treat yourself and your body reflects how you treat others. He discusses various fasts and the ones he’s done for both political and health reasons, hunger in America, navy beans, and how Americans are changing the way they eat—the beginning of a movement in the 1970s that is still felt today. He offers suggestions on diets to help you gain or lose pounds and offers advice on natural substitutes for favorite alcoholic drinks. You are what you eat—with Dick Gregory’s Natural Diet for Folks Who Eat you can laugh your way to better health. 

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How can we make the world a better place?

This inspiring resource for middle-grade readers is organized as a dictionary; each entry presents a word related to creating a better world, such as ally, empathy, or respect. For each word, there is a poem, a quote from an inspiring person, a personal anecdote from the authors, and a "try it" prompt for an activity.

This second poetic collaboration from Irene Latham and Charles Waters builds upon themes of diversity and inclusiveness from their previous book Can I Touch Your Hair? Poems of Race, Mistakes, and Friendship. Illustrations from Iranian-British artist Mehrdokht Amini offer readers a rich visual experience.

"Latham and Waters's personal stories are plainspoken and relatable . . . and the suggested actions, accessible. . . The approach creates multiple pathways for engagement. Extensive supplementary materials include an index of poetic forms."―starred, Publishers Weekly

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Jay Ellis, star of HBO’s Insecure, tells the story of growing up with an imaginary best friend you will never forget—part Dwayne Wayne from A Different World, part Will Smith from The Fresh Prince of Bel-Air—in this hilarious, vulnerable memoir.

What to do when you’re the perpetual new kid, only child, and military brat hustling school to school each year and everyone’s looking to you for answers? Make some shit up, of course! And a young Jay Ellis does just that, with help from his imaginary friend, Mikey.

A testament to the importance of invention, trusting oneself, and making space for creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a kid who confided in his imaginary sidekick to navigate parallel pop culture universes (like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews) to a lifetime of birthday disappointment (being a Christmas-season Capricorn will do that to you) and hoop dreams gone bad. Mikey also guides Ellis through tragedies, like losing his teenage cousin in a mistaken-target drive-by and the shame and fear of being pulled over by cops almost a dozen times the year he got his driver’s license.

As his imaginary friend morphs into adult consciousness, Ellis charts an unforgettable story of looking inward to solve to some of life’s biggest (and smallest) challenges, told in the roast-you-with-love voice of your closest homey.

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From the author of the PEN/Faulkner Award winner Delicious Foods comes the raucous, irreverent, and harrowing story of a trans woman's reentry into life on the outside after more than twenty years in prison, over one consequential Fourth of July weekend

Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards, and often placed in solitary.

In her fifth appearance before the parole board, Carlotta is at last granted conditional freedom and returns to a much-changed New York City. Over a whirlwind Fourth of July weekend, she struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid any minor parole infraction that might get her consigned back to lockup.

Written with the same astonishing verve of Delicious Foods, which dazzled critics and readers alike, Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the reader through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. The novel sings with brio and ambition, delivering a fantastically entertaining read and a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a prison system that continues to punish people long after their time has been served.

“I'm obsessed.” —Ali Hazelwood

"I never wanted [it] to end...Stunning." —Lyla Sage

What my eyes are showing me can’t be possible. Can’t be real. Because if they are, then I have to accept that Julian Conrad has been alive for a very long time.

Too long to be human.

A stay-up-all-night, smart, spicy romance following a doctor who finds herself falling for an alluring, much-younger man with a deadly secret

Sean’s not in the market for love. The only female, let alone Black, interventional cardiologist at her hospital, she’s watched too many of her male colleagues divorce their first wives to marry younger models—and then there’s the abusive relationship she’s spent the better part of her early 30s healing from. Her passions are reserved for her best friend, her goddaughter, and her job.

Then she meets Julian. Brooding, beautiful and eleven years her junior. In short: A bad idea.

Julian pursues her in a way that sets off alarm bells in her mind, but she finds herself unable to resist their undeniable chemistry—even starts fantasizing about him in dreams that feel altogether too real. They also have a lot in common despite their age gap. So, to hell with it: If men can date younger, why can’t she? But the more Sean gets to know him, the more impossible Julian seems: He has a depth and sorrow to him that’s beyond his years, and sometimes there’s a look in his eyes that’s less than human, and leaves her feeling more like prey. Plus, Sean herself has been exhibiting odd symptoms—memory lapses, a lack of restraint that's unlike her, persistent exhaustion—that all trace back to Julian, making Sean feel more than a little afraid. Who—or what—is she falling, irrevocably, in love with?

Extraordinarily transfixing, suspenseful, and addictive, Die for Me is nothing short of a seduction.

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A common-sense guide to living rich . . . instead of dying rich

Imagine if by the time you died, you did everything you were told to. You worked hard, saved your money, and looked forward to financial freedom when you retired.

The only thing you wasted along the way was . . . your life.

Die with Zero presents a startling new and provocative philosophy as well as practical guide on how to get the most out of your money—and out of your life. It’s intended for those who place lifelong memorable experiences far ahead of simply making and accumulating money for one’s so-called “golden years.”

In short, Bill Perkins wants to rescue you from over-saving and under-living. Regardless of your age, Die with Zero will teach you Perkins’s plan for optimizing your life, stage by stage, so you’re fully engaged and enjoying what you’ve worked and saved for.

You’ll discover how to maximize your lifetime memorable moments with “time-bucketing,” how to convert your earnings into priceless memories by following your “net worth curve,” and how to navigate decisions about whether to invest in, or delay, a meaningful adventure with your “fulfillment curve” and “personal interest rate.”

Using his own life experiences as well as the inspiring stories and cautionary tales of others—and drawing on eye-opening insights about time, money, and happiness from psychological science and behavioral finance—Perkins makes a timely, convincing, and contrarian case for living large.

From debut author Chandra Blumberg comes a playful, heartfelt romance about chasing your dreams and finding love in the process.

Alisha Blake works her magic in the kitchen, creating delectable desserts for her grandfather’s restaurant in rural Illinois. Though Alisha relishes the close relationship she has with her family, she can’t help but dream about opening a cookie shop in Chicago. She may be a small-town baker, but Alisha has big ambitions.

Then a dinosaur bone turns up in her grandparents’ backyard. When paleontologist Quentin Harris arrives to see the discovery for himself, he’s hoping that the fossil will distract him from a recent painful breakup. Instead, he finds Alisha―and sparks fly. The big-city academic and the hometown baker seem destined for a happily ever after.

But Alisha is scared to fall in love. And Quentin’s trying to make a name for himself in a competitive field, which gets even more complicated when the press shows up at the dig site. For love to prevail, the two may have to put old bones aside―and focus on the future.

The much-anticipated follow up to the groundbreaking anthology Disability Visibility: another revolutionary collection of first-person writing on the joys and challenges of the modern disability experience, and intimacy in all its myriad forms. What is intimacy? More than sex, more than romantic love, the pieces in this stunning and illuminating new anthology offer broader and more inclusive definitions of what it can mean to be intimate with another person. Explorations of caregiving, community, access, and friendship offer us alternative ways of thinking about the connections we form with others—a vital reimagining in an era when forced physical distance is at times a necessary norm. But don't worry: there's still sex to consider—and the numerous ways sexual liberation intersects with disability justice. Plunge between these pages and you'll also find disabled sexual discovery, disabled love stories, and disabled joy. These twenty-five stunning original pieces—plus other modern classics on the subject, all carefully curated by acclaimed activist Alice Wong—include essays, photo essays, poetry, drama, and erotica: a full spectrum of the dreams, fantasies, and deeply personal realities of a wide range of beautiful bodies and minds. Disability Intimacy will free your thinking, invigorate your spirit, and delight your desires.

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From #1 New York Times bestselling author Terry McMillan comes an honest look at a modern romance, from love at first sight to painful reality to working toward a happy ending....

Franklin Swift was a sometimes-employed construction worker and a not-quite-divorced dad of two. Zora Banks was a teacher, singer, and songwriter. They met in a Brooklyn brownstone, and there could be no walking away....

In this funny, gritty love story, Franklin and Zora join the ranks of fiction’s most compelling couples as they move from Scrabble to sex, from layoffs to the limits of faith and trust. Disappearing Acts is about the mystery of desire and the burdens of the past. It’s about respect—what it can and can’t survive. And it’s about the safe and secret places that only love can find.

Two homicide detectives track a brazen killer who's dropping bodies at historical Philadelphia landmarks in this action-packed crime thriller.

Two homicide detectives track a brazen killer who's dropping bodies at historical Philadelphia landmarks in this action-packed crime thriller.

"Marc did a great job setting the table. Looking forward to the next course." -K'WAN, national bestselling author of Animal

"Avery delivers a heart-stopping thriller. Giuseppe "Discipline" Cain is a one-man crime wave." -Dennis Tafoya, author of Dope Thief, an Apple+ TV series

"Discipline is everything you want in a buddy cop story. Gritty, action-packed, clever, and funny." -Delaware Today Magazine

"Has Netflix series written all over it." -Philadelphia Magazine

Giuseppe "Discipline" Cain is a cold-hearted, calculated, and resentful murderer who turns Philadelphia into his own personal killing ground. As the death toll rises, city officials and the police department clamor to calm the fears of the citizens about this brazen serial killer. When an elected official's family member is found dead, no one in the city is safe.

Detective Aaden Bravo is a highly decorated officer with a legendary clearance rate. Detective Christian Bennett is flashy, reckless, and a serial womanizer. After Christian's transfer to the Philadelphia Police Department's homicide division, these two starkly contrasting officers are forced to work together. Despite their disdain for each other, Aaden and Christian's skill sets complement each other. While Aaden is all about the job and Christian is all about the women, their next case is all about survival.

Will they succumb to the pressure of maintaining their partnership, or can they cast aside their differences and stay alive long enough to bring Discipline to justice?

A young woman discovers that dancers at a local discotheque are being driven to acts of insane violence.

“The place was full of swarming, pugnacious, dangerous missellneous reptile’s… Teenager’s everywhere pounded their way on top of each other crazily strangling, biting and slashing each other’s with broken glass, smashed records or sharpened blades… ”

16-year-old Jennifer Gibbons (1963–1993) wrote Discomania in 1980, alongside her twin sister June-Alison, who was also writing her own novel, The Pepsi Cola Addict, in the bedroom that they shared.

Jennifer offered Discomania to the same English vanity press who would publish June-Alison’s book, but Discomania was turned down for being “too violent, too sexual, and too futuristic.”

Long thought to have been lost or destroyed, June-Alison had in fact preserved the typescript of this unique, furious, funny, and strange novel, which we present with her blessing, alongside additional texts from June-Alison, and editors David Tibet and Ania Goszczyńska.

A radical new treatise on time, quantum physics, and racial justice from world-renowned artist and advocate Rasheedah Phillips of Black Quantum Futurism.

Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master’s Clock expands the horizons of what can be imagined and, ultimately, achieved.

Critical conversations and reflections about lessons learned at the intersection of social movements and artist production.

Diversity of Aesthetics collects powerful and timely conversations among leading cultural critics, artists, and organizers to connect the threads between some of the most pressing social struggles and conflicts of our time: policing, war, borders and migration, economic crisis.

Across three themes—infrastructure, migration, and riots—militant thinkers, artists, educators, and others discuss aesthetic production, forms of social organization, modes of struggle against gendered and racialized capitalism, and revolutionary theory. Common to all three conversations is a commitment to rethinking the relationship between forms of critique and forms of struggle undertaken by collective social practices, offering lessons for tactics, strategies, and practices.

Do the Work! is a hands-on workbook for anyone overwhelmed by racial injustice, who feels shocked by all the American histories they never learned, and who keeps asking the question “what can I DOOOOOO?!” Packed with humorous, thought-provoking activities—all are rooted in history and contemporary social justice concepts—the book helps readers move from "What can I do?" to... you know... actually doing the work.

Revelatory and thought-provoking, this highly illustrated, highly informative interactive workbook gives readers a unique, hands-on understanding of systemic racism—and how we can dismantle it.
Packed with activities, games, illustrations, comics, and eye-opening conversation, Do the Work! challenges readers to think critically and act effectively. Try the “Separate but Not Equal” crossword puzzle. Play “Bootstrapping, the Game” to understand the myth of meritocracy. Test your knowledge of racist laws by playing “Jim Crow or Jim Faux?”

Have hard conversations with your people (scripts and talking points included). Be open to new ideas and diversify your “feed” with a scavenger hunt. Team up with an accountability partner and find hundreds of ideas, resources, and opportunities to DO THE WORK!

A modern-day writer and a Harlem Renaissance artist are connected by a painting with a deadly secret in this gripping dual-timeline gothic thriller. 
 
Shanice Pierce knows better than to heed bad omens. But she has a hard time ignoring the signs when she finds herself newly single and out of a job on the same seemingly cursed day.

Then, while cleaning out her grandmother’s house, Shanice comes across a painting she hasn’t seen in years. Drawn to the haunting portrait in a way she can't explain, Shanice accepts her grandmother’s offer to keep the family heirloom.

She soon uncovers the story of the artist, a Harlem Renaissance painter named Estelle Johnson. The young woman was taken under wing by the wealthy art patron Maude Bachmann—or “Godmother” as she insisted her artists call her—and vanished shortly after Bachmann’s brutal murder a century ago.

As Shanice digs deeper, a paranoia that’s haunted her for years returns. She becomes convinced she’s being stalked, and that the deaths happening around her are connected to the staggering offer she turned down for the painting.

But the truth hiding in plain sight is even more shocking—and deadly—than Shanice could possibly have imagined . . .

"Do You Take This Man has one of the steamiest, most addictive, most satisfyingly hard-earned happily-ever-after I’ve read in ages!"—Ali Hazelwood, New York Times bestselling author of Love on the Brain

A wedding officiant who doesn't believe in love and an event planner who's been burned agree to say "I do" to being enemies with benefits.

Divorce attorney RJ would never describe herself as romantic. But when she ends up officiating an unplanned wedding for a newly engaged couple in a park, her life is turned upside down. The video of the ceremony goes viral, and she finds herself in the unlikely position of being a sought-after local wedding officiant. Spending her free time overseeing “I dos” isn’t her most strategic career move, but she enjoys it, except for the type A dude-bro wedding planner she’s forced to work with.
 
Former pro-football event manager Lear is a people person, but after his longtime girlfriend betrayed him, he isn’t looking for love. He knows how to execute events and likes being in control, so working with an opinionated and inflexible officiant who can’t stand him is not high on his list. He’s never had trouble winning people over, but RJ seems immune to his charms.
 
Surrounded by love at every turn, their physical attraction pulls them together despite their best efforts to stay an arm’s length apart. Lear refuses to get hurt again. RJ refuses to let herself be vulnerable to anyone. But when it comes to happily ever after, their clients might not be the only ones saying “I do.”