The unlikely narrator through this tale of misadventures is one Curt Marder: gambler, drinker, cheat, and would-be womanizer. It's 1871, and he's lost his farm, his wife, and his dog to a band of marauding hooligans. With nothing to live on but a desire to recover what is rightfully his, Marder is forced to enlist the help of the best tracker in the West: a black man named Bubba.

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From Dawoud Bey and Lorna Simpson to Sondra Perry and Kerry James Marshall, a multiethnic group of artists explores what it means to be seen, not seen or erased in the world through formal experimentations with the figure

Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure—representations that are partially (or fully) obscured, including, in some cases, literally darkened—and suggests that the concept of going dark is a tool that has been used by artists for decades to probe enduring questions surrounding both the potential and the discontents of social visibility. Across mediums—painting, photography, sculpture, video and installation—Going Dark names, charts and makes meaning of the semi-visible figure, arguing for its significance in contemporary art as a genre of unique conceptual and formal power. More than 125 works in all of these mediums by more than 25 artists are featured.
Essays by such curators as Legacy Russell and Jordan Carter, and professor Abbe Schriber, among others, contextualize the histories that inspired these works. In addition, four award-winning poets and three acclaimed graphic designers have contributed works.
Artists include: American Artist, Kevin Beasley, Rebecca Belmore, Dawoud Bey, John Edmonds, Ellen Gallagher, David Hammons, Lyle Ashton Harris, Tomashi Jackson, Titus Kaphar, Glenn Ligon, Kerry James Marshall, Tiona Nekkia McClodden, Joiri Minaya, Sandra Mujinga, Chris Ofili, Sondra Perry, Farah Al Qasimi, Faith Ringgold, Doris Salcedo, Lorna Simpson, Sable Elyse Smith, Stephanie Syjuco, Hank Willis Thomas, WangShui, Carrie Mae Weems and Charles White.

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For fans of Hidden Figures comes a nonfiction picture book about the Green Book, a travel guide written and published by a Black postal worker from Harlem who wanted African Americans to stay safe while traveling around the United States during segregation.

Award-winning author Tonya Bolden and acclaimed illustrator Eric Velasquez shine a light on this lesser-known history of Victor Hugo Green and the deep impact of his incredible book on generations of Black families in America.

As a mail carrier, Victor Hugo Green traveled across New Jersey every day. But with Jim Crow laws enforcing segregation since the late 1800s, traveling as a Black person in the US could be stressful, even dangerous.

So in the 1930s, Victor created a guide—The Negro Motorist Green-Book, also known as the Green Book—compiling all the information he could find to help Black travelers know where to go and what places to avoid in order to have a pleasant and safe time. While the Green Book started out small, over the years it became an expansive, invaluable resource for Black people throughout the country—all in the hopes that one day such a guide would no longer be needed.

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“There’s no way not to suffer. But you try all kinds of ways to keep from drowning in it.” The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water.

It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.

By turns haunting, heartbreaking, and horrifying—and informed throughout by Baldwin’s uncanny knowledge of the wounds racism has left in both its victims and its perpetrators—Going to Meet the Man is a major work by one of our most important writers.

A groundbreaking collection about Afropioneerism past and present from Pushcart Prize-nominated poet and New York Times bestselling author Rio Cortez

From a visionary writer praised for her captivating work on Black history and experience, comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures. 
 
In poems that range from wry, tongue-in-cheek observations about contemporary life to more nuanced meditations on her ancestors—some of the earliest Black pioneers to settle in the western United States after Reconstruction—Golden Ax invites readers to re-imagine the West, Black womanhood, and the legacies that shape and sustain the pursuit of freedom. 

Cultivate your inner power, resilience, and essential magic with Golden Mantras, a stunning deck and guidebook set from creator Destiny Taylor and illustrated by artist Cat Willett. 

Do you feel clouded by all of the perspectives shared on social media? Are you looking to tap into your own deeper power? Take your spiritual practice off of the internet and invite Golden Mantras into your home. This beautiful collection deck and guidebook set features 52 powerful affirmations—curated with intention. Allow the stunningly illustrated cards and inspiring guidebook to become vessels of inspiration and tools to help you further connect to your higher self and nourish the empress within. 

This set includes:
* Illustrated mantra cards. 52 illustrated mantra cards, enhanced with gold metallic ink. 
* Companion guidebook with rituals and sample spreads. A 96-page, illustrated paperback guidebook describes the process of the cards' creation and includes rituals, mantra reflections, example spreads, and ideas for use with tarot and oracle decks. 
* Magnetic closure travel case. The illustrated magnetic closure travel case folds open to reveal the guidebook on one side, and a secure spot for cards on the other. A sturdy magnet makes this set durable and perfect for taking your spiritual practice on the go.

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In her first middle-grade novel, award-winning author Amber McBride explores Black pain, trauma, and ultimately, healing through the story of what might happen if white supremacists ceded from the rest of the country.

In the future, a Black girl known only as Inmate Eleven is kept confined—to be used as a biological match for the president's son, should he fall ill. She is called a Blue—the color of sadness. She lives in a small-small room with her dog, who is going wolf more often—he’s pacing and imagining he’s free. Inmate Eleven wants to go wolf too—she wants to know why she feels so blue and what is beyond her small-small room.

In the present, Imogen lives outside of Washington DC. The pandemic has distanced her from everyone but her mother and her therapist. Imogen has intense phobias and nightmares of confinement. Her two older brothers used to help her

Blank Inside

A7 size (5" x 7")

Printed on 120lb Pure White recycled, archival and acid-free paper

Comes with Kraft envelope and protective sleeve

The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the New York Times bestselling author of Black Cake, a Read with Jenna Book Club Pick

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well.

The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart without any explanation, that's exactly what they get.

So Ebby flees to France, only for her past to follow her there. And as she tries to process what's happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family's history—it might also hold the key to unlocking her own future.

In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.

Following the tradition of Nikky Finney, Krista Franklin, and Morgan Parker, Good Dress documents the extravagant beauty of Black relationships, language, and community.

In her debut poetry collection, Brittany Rogers explores the audacity of Black Detroit, Black womanhood, class, luxury and materialism, and matrilineage. A nontraditional coming-of-age, Good Dress witnesses a speaker coming into her own autonomy and selfhood as a young adult, reflecting on formative experiences.

With care and incandescent energy, the poems engage with memory, time, interiority, and community. The collection also nudges tenderly toward curiosity: What does it mean to belong to a person, to a city? Can intimacy and romance be found outside the heteronormative confines of partnership? And in what ways can the pursuit of pleasure be an anchor that returns us to ourselves?

An electric debut novel about the daughter of Afghan refugees and her year of self-discovery—“a stunning coming-of-age story” (Publishers Weekly, starred review) and a portrait of the artist as a young woman set in a Berlin that can’t escape its history

A girl can get in almost anywhere, even if she can’t get out.

“A no-bullsh*t, must-read debut.”—Kaveh Akbar
“Kaleidoscopic, full of style and soul.”—Raven Leilani
“I loved this book.”—Leslie Jamison
 
In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. 
 
Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be?
 
A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

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For fans of My (Not So) Perfect Life and Jasmine Guillory’s While We Were Dating, a disarmingly fun debut novel follows Carlisa Henton as her life comes undone after a chance meeting with a rising pop star.

Carlisa “Carli” Henton is a musician and songwriter hoping to follow in her father’s musical footsteps. But, biding her time until she makes it big in the music industry, she works as a junior account manager at a big-name media company to cover her New York City rent. Carli meticulously balances her work with her musical endeavors as a songwriter—until a chance meeting with rising star Tau Anderson sends her calculated world into a frenzy. Their worlds collide and quickly blur the strict lines Carli has drawn between her business and her personal life, throwing Carli’s reputation—and her burgeoning songwriting career—into question.

A smart, timely, energizing romance, Good Morning, Love shows us what the glamorous New York’s music scene is really like and takes us into the lives of a rising but somewhat troubled R&B star and a promising protégé who knows her job better than she knows herself.

With fresh and honest prose, Good Morning, Love examines the uncertainty of being a new professional looking to chase a dream while also trying to survive in a world that’s not always kind to ambitious women.

We all deserve sex that's great for everyone involved. Let sexual liberation be your guide to a truly satisfying sex life.

How we define good sex and the conditions that facilitate it will require a liberatory approach, because intersecting oppressions impose impossible sexual standards on most of us. Instead of intimate justice, we experience blocks to accessing the ingredients for erotic equity.

Good Sex presents the ingredients to revolutionize your sexual menu in a way that works well for you, including intimacy, fun, pleasure, nastiness, and connection. Each chapter offers more than just theory and science. Good Sex outlines action steps to understand, define, and practice sexual liberation in your personalized way, replacing the unseasoned sexual menu most of us were socialized into.

From the #1 Sunday Times best-selling author and self-love writer Vex King—a motivational page-a-day calendar bringing guidance into your home or workspace so you can welcome growth, gratitude, and good vibes all year round.

Invite positivity, joy, and self-healing into your life with daily inspirational messages and affirmations to help you achieve success, manifest your goals, and live a high-vibe life!

The Good Vibes, Good Life 2025 Calendar offers daily advice, prompts, and actionable wisdom on topics like manifestation, appreciation, and self-acceptance to help you to cultivate better lifestyle habits, welcome great opportunities into your life, and discover your higher purpose.

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His white teacher tells her all-black class, You'll all wind up porters and waiters. What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.

An expanded edition of Parks’ classic account of race relations in America, with previously unpublished images and texts

This expanded edition of Gordon Parks: Segregation Story includes around 30 previously unpublished photographs, as well as enhanced reproductions created from Parks’ original color transparencies; newly discovered descriptions Parks wrote for the photographs; a manuscript of film-developing instructions and captions Parks authored with Samuel F. Yette; previously published texts by the late art historian Maurice Berger and the esteemed journalist and civil rights activist Charlayne Hunter-Gault; and a new essay by artist Dawoud Bey.
After the photographs were first presented in a 1956 issue of Life magazine, the bulk of Parks’ assignment was thought to be lost. In 2011, five years after Parks’ death, the Gordon Parks Foundation found more than 200 color transparencies belonging to the series. In 2014 the series was first published as a book, and since then new photographs have been uncovered.
In the summer of 1956, Life magazine sent Gordon Parks to Alabama to document the daily realities of African Americans living under Jim Crow laws in the rural South. The resulting color photographs are among Parks’ most powerful images, and, in the decades since, have become emblematic representations of race relations in America. Pursued at grave danger to the photographer himself, the project was an important chapter in Parks’ career-long endeavor to use the camera as a weapon for social change.
Gordon Parks (1912–2006) was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.

A nuanced profile, in image and text, of the great Black Power leader at the exhilarating moment of the movement’s ascendancy

Gordon Parks’ 1967 Life magazine essay “Whip of Black Power” is a nuanced profile of the young, controversial civil rights leader Stokely Carmichael. As chairman of the Student Nonviolent Coordinating Committee, Carmichael gained national attention and inspired media backlash when he issued the call for Black Power in Greenwood, Mississippi, in June 1966. Parks shadowed him from the fall of 1966 to the spring of 1967, as Carmichael gave speeches, headed meetings and promoted the growing Black Power movement. Parks’ photos and writing addressed Carmichael’s intelligence and humor, presenting the whole man behind the headline-making speeches and revealing his own advocacy of Black Power and its message of self-determination and love.
Stokely Carmichael and Black Power delves into Parks’ groundbreaking presentation of Carmichael, with analysis of his images and accompanying text about the charismatic leader. Lisa Volpe explores Parks’ complex understanding of the movement and its leader, and Cedric Johnson frames Black Power within the heightened political moment of the late 1960s. Carmichael’s own voice is represented through a reprint of his important 1966 essay “What We Want.”
Gordon Parks (1912–2006) was a photographer, filmmaker, musician and author whose 50-year career focused on American culture, social justice, the civil rights movement and the Black American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was awarded the Julius Rosenwald Fellowship in 1942, which led to a position with the Farm Security Administration. In 1969 he became the first Black American to write and direct a major feature film, The Learning Tree, and his next directorial endeavor, Shaft (1971), helped define a film genre.

“Words carry the dead like henchmen,” in Joshua Burton’s extraordinary debut volume, Grace Engine. These spare and powerful poems are like pallbearers, like eulogists, like survivors, like battered souls hoping and dreaming for a future that may never be. Grappling head-on with the history of lynchings, mental illness, and the endurance of black bodies and psyches against impossible odds, Burton writes, “I spent so many years being afraid to be black, that now / I am only afraid of silence, / / or the silence that it brings.”

Burton experiments with spaces, absences, and forms in navigating the tensions between shame and accountability, guilt and forgiveness, to understand how one finds the ability to cope under the worst of conditions. With patience and ferocity, he delves into generational and familial trauma to question whether black strength is inherent to blackness and to build a mechanism to survive and heal.
 
I love all the dead,
both at the moment they unwed 

themselves of shame
and before that.
—Excerpt from “Grace Engine”

A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer

This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
Grace Wales Bonner (born 1990) is the founder and artistic director of Wales Bonner. While she sees herself primarily as a researcher, her practice extends to curation, filmmaking and publishing. In 2019 she curated her first institutional exhibition, A Time for New Dreams, at the Serpentine Gallery, London. She has received numerous awards, including the LVMH Young Designer Prize (2016) and the CFDA International Men’s Designer of the Year (2021). She has also collaborated with brands including Adidas and Dior.

When Grandma Mimi comes to visit, she always brings warm hugs, sweet treats…and her purse. You never know what she’ll have in there—fancy jewelry, tokens from around the world, or something special just for her granddaughter. It might look like a normal bag from the outside, but Mimi and her granddaughter know that it’s pure magic!

“A fine addition to book collections about families, food, counting, and joyous gatherings." —The Horn Book

This sweet, rhyming-counting board book introduces young readers to numbers one through fifteen as Grandma’s family and friends fill her tiny house on Brown Street. Neighbors, aunts, uncles, nieces, nephews, and grandkids crowd into the house and pile it high with treats for a family feast.
 
But when the walls begin to bulge and nobody has space enough to eat, one clever grandchild knows exactly what to do.

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A little girl learns Jamaican recipes and self-confidence from her Granny in this warm, sweet picture book debut.

Shelly-Ann lives with her Granny on the beautiful island of Jamaica. When Shelly-Ann becomes hungry, she asks her Granny for something to eat. Granny tells her “Gyal, you betta can cook!” and teaches Shelly-Ann how to get in touch with her Jamaican roots through the process of cooking.

As Shelly-Ann tries each recipe, everything goes wrong. But when Granny is too tired to cook one morning, Shelly-Ann will have to find the courage to try one more time and prepare the perfect Jamaican breakfast.

Accompanied by Ken Daley's vibrant, sun-soaked artwork, Sadé Smith's debut picture book Granny's Kitchen is the perfect readaloud for budding chefs everywhere.

In this extraordinary memoir—a story of hardship, loss, redemption, faith, and ultimately reclaiming your power—Sabrina Greenlee, the mother of NFL star DeAndre Hopkins, shares her experience growing up Black and poor in South Carolina, how she survived domestic violence and coped with the loss of her sight, and how she continued to remain strong even in the face of despair.

Sabrina Greenlee has known darkness. Born in South Carolina to Black teenaged parents, Sabrina grew up in a family that lacked the means—financial and emotional—to offer her and her two brothers the safety, comfort, and love every child deserves. Growing up Black and poor in the South, she endured years of sexual and domestic violence and suffered tragedy after tragedy, including the death of her younger brother during a drunk driving accident, and surviving another car accident that claimed the life of her one true love. Coupled with the pain of her childhood, she faced crushing heartbreak, including an abusive relationship that endured for years and later, the loss of her sight in a brutal public attack.

But the trauma that Sabrina experienced and eventually overcame is what makes her life truly remarkable. After years of tremendous setbacks, Sabrina was able to built herself back up again and achieved the kind of life she always dreamed. She became the loving and dependable mother she wished she’d had, raising four children—including star athletes—who attended college and are successful in their chosen fields. She also found the courage to break the silence that enshrouded her life, ending the generational trauma that had damaged her family for generations.

Grant Me Vision is her riveting story—a memoir of faith and resilience in the face of life’s most difficult challenges. At its heart, it is a story of claiming your power by making peace with your past and finding the faith to have strength even when the future seems hopeless.

Dive in to an exciting nonfiction graphic novel series about some of the greatest Black lives in history!

This fun and accessible graphic novel for middle grade readers brings to light the lives of great but lesser-known Black scientists. Great Minds of Science is a kid-friendly introduction to some of the greatest scientists in history—doctors, engineers, mathematicians, and biologists.

Each of them faced challenges as they rose to the top of their professions, but they didn’t back down. They kept experimenting and questioning and learning, and they made significant contributions in each of their scientific fields.

Black Lives is the new graphic novel series from award-winning author Tonya Bolden and illustrator David Wilkerson that celebrates the lives of Black innovators and legends and helps bring these histories to life.

Celebrate the lives and contributions of Black scientists throughout history with the inspiring Great Minds of Science.

Grief expert Marisa Renee Lee’s incisive and compassionate guide on how to manage grief after the loss of a loved one, with special insight for women and African American communities, which also provides timely wisdom and care for the millions who have suffered loss during the pandemic

In Grief is Love, author Marisa Renee Lee reveals that healing does not mean moving on—healing means learning to acknowledge and create space for your grief. She guides you through the pain of early grief and shows you how to to honor your loss. It’s common to plow through our feelings in the name of being “OK,” but grief is so inextricably tied to love that you don’t just “get over it.” Grief is Love is about making space for the transformation that this constant state of learning requires. It is about learning to love yourself and the one you lost with the same depth, passion, joy, and commitment you did when they were alive, perhaps even more.
 
Lee shows that there isn’t only one way to grieve, and so your expression of it should be unique. She shepherds you through your grief as it arises and falls again and again. The transformation we each undergo after loss is the indelible imprint of the people we love on our lives, which is the true meaning of legacy. Healing after loss is not about burying pain but about acknowledging it and allowing grief to move through you in order to be whole. How do you manage the holidays, birthdays, and anniversaries? How do you get through the next year or even tomorrow?
 
In beautiful, compassionate prose, Lee elegantly offers wisdom about what it means to authentically and defiantly claim space for these complicated feelings and emotions. And Lee is no stranger to grief herself, after losing her mother, her fertility, a pregnancy, and, most recently, a cousin to the COVID-19 pandemic. In this book, she also explores the unique impact of grief on Black people, Black women in particular, and reveals the key factors that proper healing requires: acknowledgement, rest, community, reflection, support, care and more.
 
At its core, Grief is Love explores what comes after death, and shows us that if we are able to own and honor what we’ve lost, we can have a beautiful and joyful life in the midst of grief. 

Attend a grief focused writing workshop with award winning author, Renee Watson in honor of the release of All the Blues in Sky! 

EVENT DEETS

When: Tuesday, February, 11 @ 7PM

Where: 2310 Elgin Street, HTX, 77004

How:  RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK

Sage's thirteenth birthday was supposed to be about movies and treats, staying up late with her best friend and watching the sunrise together. Instead, it was the day her best friend died. Without the person she had to hold her secrets and dream with, Sage is lost. In a counseling group with other girls who have lost someone close to them, she learns that not all losses are the same, and healing isn't predictable. There is sadness, loneliness, anxiety, guilt, pain, love. And even as Sage grieves, new, good things enter her life—and she just may find a way to know that she can feel it all.

In accessible, engaging verse and prose, this is a story of a girl's journey to heal, grow, and forgive herself. To read it is to see how many shades there are in grief, and to know that someone understands.

ABOUT THE AUTHOR

Renée Watson is a #1 New York Times bestselling author. Her novel, Piecing Me
Together, received a Newbery Honor and Coretta Scott King Award. Her books include
the Ryan Hart series, Some Places More Than Others, This Side of Home, What Momma
Left Me, Betty Before X, cowritten with Ilyasah Shabazz, Watch Us Rise, cowritten with
Ellen Hagan, and Love Is a Revolution, as well as acclaimed picture books: Maya's Song,

The 1619 Project: Born on the Water, written with Nikole Hannah-Jones, A Place Where
Hurricanes Happen, and Harlem's Little Blackbird, which was nominated for an NAACP
Image Award. Renée splits her time between Portland, Oregon and New York City.
http://www.reneewatson.net | @harlemportland (Instagram) | @reneewauthor (X)

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A tale of what happens when we can no longer ignore what has been lost in this world.

Grievers is the story of a city so plagued by grief that it can no longer function.

Dune’s mother is patient zero of a mysterious illness that stops people in their tracks—in mid-sentence, mid-action, mid-life—casting them into a nonresponsive state from which no one recovers. Dune must navigate poverty and the loss of her mother as Detroit’s hospitals, morgues, and graveyards begin to overflow. As the quarantined city slowly empties of life, she investigates what caused the plague, and what might end it, following in the footsteps of her late researcher father, who has a physical model of Detroit’s history and losses set up in their basement. She dusts it off and begins tracking the sick and dying, discovering patterns, finding comrades in curiosity, conspiracies for the fertile ground of the city, and the unexpected magic that emerges when the debt of grief is cleared.

Steve Cannon’s cult classic novel returns to print

Despite decades of notoriety as one of the “filthiest books in the world,” Steve Cannon’s first and only piece of longform fiction, Groove, Bang and Jive Around, has hardly been read since first being published in 1969. In the words of American poet Ishmael Reed, Cannon’s debut work inspired a generation by breaking with staid literary modernism. Its publication “signaled a resurfacing of the irreverent, underground trickster tradition of Black orature.” This erotic farce follows Annette, a teenage runaway, from the outhouse of a New Orleans juke joint to the psychedelic paradise of Oo-bla-dee―an idyllic country possibly founded by Dizzy Gillespie―by way of bacchanalian voodoo ritual. As Ophelia Press, its original publisher, wrote, Groove, Bang and Jive Around is an absolute necessity “for everyone who wants to know where and how the action takes place in Sex and Soul.”
Steve Cannon (1935–2019) moved to New York City in 1962 and joined the Umbra Workshop. He worked with and was a mentor to many artists and writers. In 1990 he founded the magazine and gallery A Gathering of the Tribes in New York City’s East Village.