Journey through the vibrant world of the African Diaspora with this captivating exploration of movement and culture. With each letter, uncover fascinating stories of legendary dancers, iconic styles, and the powerful cultural expressions that unite us all. Perfect for young readers, educators, and dance enthusiasts, this book is a joyful celebration of movement, history, and the enduring legacy of African diasporic traditions. Get ready to step, spin, and soar through the alphabet-one dance at a time!

D’Vaughn and Kris have six weeks to plan their dream wedding.

Their whole relationship is fake.

Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.

D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.

All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.

But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.

Carina Adores is home to highly romantic contemporary love stories where LGBTQ+ characters find their happily-ever-afters. Discover a new Carina Adores book every month!

What’s February without a little sex?  Well, we can at least talk bout it!

Join Kindred Stories’ first D.A.T.E Night in partnership with Normal Anomaly as we discuss safer sex options when it comes to consent, communication, and pleasure. This is a safer space that will be facilitated by Joelle Bayaa-Uzuri & Jordan Edwards. Feel free to bring questions, comments, boos, and/or concerns. Kindred Stories staff member, Kadie,  will be in attendance offering titles that support the conversation! There will be complimentary cocktails and non-alcohol beverages and MUCH to discuss!

Email kadie@kindredstorieshtx.com if you have any questions.

About the facilitators:

Jordan J Edwards is a Program Director at the BQPlus center of Libertarian at the Normal Anomaly Initiative. Jordan serves the black queer plus community by increasing opportunities for sustainable employment, linkage to care services for those living with HIV and those interested in PrEP. His first experience with HIV was when he watched a family member pass away of AIDS complications in early 2000, talked down a friend down from planning attempted suicide from receiving an HIV positive diagnosis, but the shift in his life changed once he got his HIV positive results in 2013. Jordan became a Heavy Hitter Pride ambassador in 2019, received
an Emerging Leader award from AASOTF and Impulse Group Houston 2019. In 2021 he received the Phoenix Rising award from the Mahogany Project. He can be found in the Advocate, VoyageHouston, and Outsmart. Jordan spends most of his time being creative, gaming, in an animal shelter, and spending time with family and friends.

Joelle Bayaa-Uzuri Espeut (she/her/hers), Director of Programming, oversees the ancillary programs of The Normal Anomaly Initiative, including P.O.W.R. (Positives Organizing Wellness and Resilience), T.A.C. (Transgender Ally Collective), and Project Liberate.  Joelle’s social advocacy experience includes assisting with program planning and implementation as well as serving as Communications Manager for The Mahogany Project, Inc. since 2018.  Aside from her work with the Mahogany Project, Joelle has worked with AIDS United, GLAAD, Gilead/Compass Initiative, and Emory University.  She has also been awarded the Rising Star Phoenix Award in 2020. 

 When Joelle is not fighting for liberation and social justice, you can catch her thrift shopping, blogging/writing, or being a plant mom. 

It's May Masturbation Month!  So join Kindred Stories for another D.A.T.E. Night with Normal Anomaly as we discuss safer sex options when it comes to consent, communication, and pleasure. This is a safer space that will be facilitated by Joelle Bayaa-Uzuri & Jordan Edwards. Feel free to bring questions, comments, boos, and/or concerns. Kindred Stories staff member, Kadie,  will be in attendance offering titles that support the conversation! There will be complimentary cocktails and non-alcohol beverages and MUCH to discuss!

Email kadie@kindredstorieshtx.com if you have any questions.

About the facilitators:

Jordan J Edwards is a Program Director at the BQPlus center of Libertarian at the Normal Anomaly Initiative. Jordan serves the black queer plus community by increasing opportunities for sustainable employment, linkage to care services for those living with HIV and those interested in PrEP. His first experience with HIV was when he watched a family member pass away of AIDS complications in early 2000, talked down a friend down from planning attempted suicide from receiving an HIV positive diagnosis, but the shift in his life changed once he got his HIV positive results in 2013. Jordan became a Heavy Hitter Pride ambassador in 2019, received
an Emerging Leader award from AASOTF and Impulse Group Houston 2019. In 2021 he received the Phoenix Rising award from the Mahogany Project. He can be found in the Advocate, VoyageHouston, and Outsmart. Jordan spends most of his time being creative, gaming, in an animal shelter, and spending time with family and friends.

Joelle Bayaa-Uzuri Espeut (she/her/hers), Director of Programming, oversees the ancillary programs of The Normal Anomaly Initiative, including P.O.W.R. (Positives Organizing Wellness and Resilience), T.A.C. (Transgender Ally Collective), and Project Liberate.  Joelle’s social advocacy experience includes assisting with program planning and implementation as well as serving as Communications Manager for The Mahogany Project, Inc. since 2018.  Aside from her work with the Mahogany Project, Joelle has worked with AIDS United, GLAAD, Gilead/Compass Initiative, and Emory University.  She has also been awarded the Rising Star Phoenix Award in 2020. 

 When Joelle is not fighting for liberation and social justice, you can catch her thrift shopping, blogging/writing, or being a plant mom. 

In March 2017, Bob Lee—freelance writer, community organizer, social worker, social justice warrior, child of Houston’s Fifth Ward and its advocate, former Chicago Black Panther—died at the age of 74. Alongside his larger legacy, he left behind this collection of fourteen stories published in the Houston Chronicle’s Sunday Texas Magazine between 1989 and 2000.

Framed by journalist and scholar Michael Berryhill, these youthful recollections and tales of his East Texas relatives reveal Lee’s shock at learning that his elderly aunt and uncle, who lived in Jasper, Texas, were lifelong Republicans; recount his discovery at the age of 19 that white people, too, could be poor; recall integrating a small-town restaurant with the help of the white rancher who hired him; explore the world of Black longshoremen and offer meditations on the mysteries of death. 

As he lay suffering from cancer, Lee told Berryhill that he wasn’t thinking about dying, but focusing on love. Berryhill, who was Lee’s first editor at the Houston Chronicle, has lovingly collected and edited Lee’s stories, which are complemented by an introduction and biographical essay. Treasured storyteller Bob Lee’s essays offer to readers the experience of Black history in both urban and rural settings by invoking the simple details and events of everyday life.

Winner of the Barbara DiBernard Prize in Fiction

Daddy Issues is a collection of moving and complex—yet simply and directly told—stories of queer Asian American experiences in Los Angeles. In many of these stories, the protagonists are artists and writers and other creative thinkers living on the fringe of survival, attempting to align a life of the imagination with the practical considerations of career, income, and family: a gay father who hasn’t come out to his young son; a social worker, numbed by the destitution of his clients, who finds himself lost in self-destruction; a trans man who returns home to a father with dementia to help his family pack as they are pushed out by gentrification; a husband who can only stand aside as his wife heals from a miscarriage; and a broke writer who learns to love his stories again.

The stories in Daddy Issues offer different contemplations on solitude—the good and the bad of it. Ultimately, this collection by Eric C. Wat is full of hope, and it shows how we can find the connections we need once we allow ourselves to become vulnerable.

A moving tribute to the joy and grounding that fathers bring to their children’s lives.

What does a daddy do? From day one, this daddy speaks love to his little one. And along with that love, his words and actions speak many other things, too: like truth, joy, comfort, and pride. Like many dads, he answers a million questions and tries to make sure that days are full of fun adventures, giggles, and hugs. Dads are good at scaring away imaginary monsters, and honest about how to confront the real ones too. They set an example for the future, speaking out for equality and justice, while sharing lessons from the past. But most of all, daddies encourage their young ones to fight for a better world, with the comfort of knowing their dads are right beside them. Daddy Speaks Love speaks to that everlasting bond between children and their fathers and is a perfect gift for special occasions including Father’s Day, Valentine’s Day, birthdays, baby showers, and more!

*Ships in 7-10 Business Days*

With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company's amazing history, its fascinating daily workings, and the visionaries who made its legacy. Here you’ll discover how the company’s founders—African-American maestro Arthur Mitchell of George Balanchine’s New York City Ballet, and Nordic-American Karel Shook of The Dutch National Ballet--created timeless works that challenged Eurocentric mainstream ballet head-on—and used new techniques to examine ongoing issues of power, beauty, myth, and the ever-changing definition of art itself.
 
Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents. Dance Theatre of Harlem details this momentous era as well as the company's difficult years, its impressive recovery as it partnered with new media's most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space.
 
Alive with stunning photographs, including many from the legendary Marbeth, this incomparable book is a must-have for any lover of dance, art, culture, or history. 

The acclaimed, definitive and essential guide to 1980s Jamaican Dancehall—featuring hundreds of photographs with interviews and biographies

This widely admired book, back in print with a new introduction, captures a previously unseen era of musical culture, fashion and lifestyle. With unprecedented access to the incredibly vibrant music scene during this period, Beth Lesser’s photographs are a unique way into a previously hidden part of Jamaican culture. Born in the 1950s out of the neighborhood sound systems of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many.
Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology and more. Many of today’s music and fashion styles can be traced back to Dancehall culture and continue to be influenced by it today.
Dancehall is an essential reference book for anyone interested in reggae, as well as a unique photographic and textual sourcebook of the musical, cultural and political life of Jamaica.
In the early 1980s, as Jamaica was in the throes of political and gang violence, Beth Lesser ventured where few other dared, documenting the producers, singers, DJs and sound systems who all made a living out of the slums of Kingston. This book is a thrilling record of the exciting, dangerous and vibrant world of Dancehall.

A “deeply spiritual and socially radical” (Dr. Obery Hendricks, PhD) guide to uplift our spirits as we work for justice in these politically turbulent times—from Reverend Otis Moss, III, Senior Pastor at Chicago’s Trinity United Church of Christ and one of the country’s most renowned and beloved spiritual and civil rights leaders.

Once again, as Dr. Martin Luther King, Jr. first observed in the 1960s, it is midnight in America—a dark time of division and anxiety, with threats of violence looming in the shadows. In 2008, the Trinity United Church in Chicago received threats when one of its parishioners, Senator Barack Obama, ran for president. “We’re going to kill you” rang in Reverend Otis Moss’s ears when he suddenly heard a noise in the middle of the night. He grabbed a baseball bat to confront the intruder in his home. When he opened the door to his daughter’s room, he found that the source of the noise was his own little girl, dancing. She was simply practicing for her ballet recital.

At that moment, Pastor Moss saw that the real intruder was within him. Caught in a cycle of worry and anger, he had allowed the darkness inside. But seeing his daughter evoked Pslam 30: “You have turned my mourning into dancing.” He set out to write the sermon that became this inspiring and transformative book.

Dancing in the Darkness is a “life-affirming” (Dr. Teresa L. Fry Brown) guide to the practical, political, and spiritual challenges of our day. Drawing on the teachings of Dr. King, Howard Thurman, sacred scripture, southern wisdom, global spiritual traditions, Black culture, and his own personal experiences, Dr. Moss instructs you on how to practice spiritual resistance by combining justice and love. This collection helps us tap into the spiritual reserves we all possess but too often overlook, so we can slay our personal demons, confront our civic challenges, and reach our highest goals.

*Ships in 7-10 business days*

Sassy worries that her too-large feet, too-long legs, and even her big mouth will keep her from her dream of becoming a star ballerina. So for now she's just dancing in the wings, watching from behind the curtain, and hoping that one day it will be her turn to shimmer in the spotlight. When the director of an important dance festival comes to audition her class, Sassy's first attempts to get his attention are, well, a little wobbly. But Sassy just knows, somehow, that this is her time to step out from those wings, and make her mark on the world. Actress/choreographer Debbie Allen and Kadir Nelson collaborated on Brothers of the Knight, about which School Library Journal raved, "the strutting high-stepping brothers are full of individuality, attitude, and movement."

The first book from artist Danielle Mckinney, featuring 50 prompts for self-reflection written by her mother and a 44-page journal for the reader to respond

Danielle Mckinney is a rising star in the art world. Her tender, intimate representations of Black women at rest have garnered her a broad and devoted following. 

This innovative debut book is a mother-daughter collaboration: 50 of Mckinney’s paintings appear in dialogue with journal prompts written by the artist’s mother, Barbara Mckinney, an educator who embraces the art of creative expression. Journal pages in the back of the book offer readers a chance to write out their responses to the prompts, inspiring a meditative practice. 

Beautifully designed and produced, Danielle Mckinney: Beyond the Brushstroke draws new inspiration from the work of this fresh voice in contemporary American art.

Her parents had big plans for her life. The daughter of Nigerian immigrants, Zim Flores was uprooted from her community as a young girl, marking the beginning of her quest for true identity. Though she experienced unprecedented worldly success as a teenager and young adult, Zim declares that even when we feel pressured by the world around us, our true identity is never at risk.

In Dare to Bloom, Zim offers practical and hard-won truths about:

• How to reclaim your true identity
• How to surrender your desired outcomes to God
• How to move forward after broken friendships
• How to find comfort during your darkest hours
• How to navigate new beginnings with hope for whatever is next
• How to joyfully participate in your own story--even when you don't know what the future holds

A crucial book that calls for community, solidarity, and joy, even in—especially in—these dark days

In his debut work of nonfiction, award-winning poet Roger Reeves finds new meaning in silence, protest, fugitivity, freedom, and ecstasy. Braiding memoir, theory, and criticism, Reeves juxtaposes the images of an opera singer breaking the state-mandated silence curfew by singing out into the streets of Santiago, Chile, and a father teaching his daughter to laugh out loud at the planes dropping bombs on them in Aleppo, Syria. He describes the history of the hush harbor—places where enslaved people could steal away to find silence and court ecstasy, to the side of their impossible conditions. In other essays, Reeves highlights a chapter in Toni Morrison’s Beloved to locate common purpose between Black and Indigenous peoples; he visits the realities of enslaved people on McLeod Plantation, where some of the descendants of those formerly enslaved lived into the 1990s; and he explores his own family history, his learning to read closely through the Pentecostal church tradition, and his passing on of reading as a pleasure, freedom, and solace to his daughter, who is frightened the police will gun them down.

Together, these groundbreaking essays build a profound vision for how to see and experience the world in our present moment, and how to strive toward an alternative existence in intentional community underground. “The peace we fight and search for,” Reeves writes, “begins and ends with being still.”

A groundbreaking investigation of the Caribbean as both an idyll in the American imagination and a dark laboratory of Western experimentation, revealing secrets to racial and environmental progress that impact how we live today.

“Dark Laboratory is a gargantuan, soulful work. It obliterates most of what I thought I knew about the Caribbean’s utility to Western Wealth.”
—Kiese Laymon, New York Times bestselling author of Heavy

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory, Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.

Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.

A haunting anthology of vampire fiction—one that brings a colorful new dimension to one of the world's most erotic and enduring myths.

Featuring stories from some of the most popular African American writers:

Omar Tyree writes about The Old South, which falls prey to a handsome young vampire with a taste for beautiful women—love at first bite never hurt so good.

In Angela C. Allen’s story, the mafia is no match for the wicked charms of a beautiful young vampire once she's let loose on the New York City streets.

Can a pair of fangs help a sister burn more calories? A full-figured woman goes on a thirst-quenching search for the perfect low-carb diet in Monica Jackson’s story.

In Linda Addison’s story, it's a matter of life and the living dead for a half-vampire whose greatest wish is to save lives...and become human again.

Donna Hill writes about a sensuous vampire thirsts for something more...but can she find it without getting a dagger in her own heart?

Kevin S. Brockenbrough’s tale features a vengeful vampire pushes one woman to the edge, though she’s unaware that her family secret gives her the power to fight back.

An epic tale of love and political violence set in earthquake-ravaged Darkmotherland, a dystopian reimagining of Nepal, from the Whiting Award–winning author of Arresting God in Kathmandu

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne.

At its heart are two intertwining narratives: one of Kranti, a revolutionary’s daughter, who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power.

Darkmotherland is a romp through the vast space of a globalized universe where personal ambitions are inextricably tied to political fortunes, where individual identities are shaped by family pressures and social reins, and where the East connects to and collides with the West in brilliant and unsettling ways.

Du Bois' foundational investigation of social justice and civil rights by means of essay, poetry, prayer and short science fiction.

A new edition with a new introduction, Du Bois' radical text is a rare statement of values formed around the vision of a collective life, where the humanity of black women and men is treated with dignity and equality. He expresses his themes through a series of literary forms: polemic essay, spirituals, poetry and short science fiction, each of which forms a pulse of social justice from a time when a true understanding of intersections between poverty, work, racism and feminism was rare. A new title in the Foundations of Black Science Fiction series.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.

More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them. 

In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

A bold multi-generational debut novel exploring themes of queerness, revolution and Islamic sisterhood.

Paris, 1940. The course of Fatiha Bin-Khalid’s life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women’s rights, she struggles to reconcile her political ideals with the realities of motherhood.

Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha’s daughter is faced with an impossible decision. Should Yasminah accept a life she didn’t choose, or will she leave her home and country in pursuit of independence?

Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it’s too late.

Following the lives of three women from the Bin-Khalid family, Daughters of the Nile is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.

The first in-depth analysis of the stunning designs of one of the world’s most captivating and prominent architects

Born in Tanzania, David Adjaye (b. 1966) is rapidly emerging as a major international figure in architecture and design—and this stunning catalogue serves only to cement his role as one of the most important architects of our time. His expanding portfolio of important civic architecture, public buildings, and urban planning commissions spans Europe, the United States, Africa, Asia, and the Middle East. He transforms complex ideas and concepts into approachable and innovative structures that respond to the geographical, ecological, technological, engineering, economic, and cultural systems that shape the practice of global architecture. The publication of this compendium of work and essays coincides with the scheduled opening of Adjaye’s National Museum of African American History and Culture on the National Mall in Washington, D.C. Adjaye’s completed work in the United States includes the Museum of Contemporary Art in Denver, a pair of public libraries in D.C., and several private residences. He is also known for his collaborations with artists, most recently with the British painter Chris Ofili (b. 1968).
 
Following an introduction by Zoë Ryan, Adjaye writes on his current and future work, with subsequent essays by an extraordinary cadre of architectural scholars on Adjaye’s master plans and urban planning, transnational architecture, monuments and memorials, and, finally, the forthcoming museum in D.C. Portfolios of Adjaye’s work thread throughout this comprehensive volume.

Distributed for the Art Institute of Chicago and Haus der Kunst

Exhibition Schedule:

Haus der Kunst, Munich
(01/30/15–06/28/15)

The Art Institute of Chicago
(09/19/15–01/03/16)

Hammons' body prints, flags and found-object sculptures come together in this artist's book documenting his thought-provoking conceptual exhibition

This post-exhibition catalog revisits David Hammons’ 2019 show at Hauser & Wirth Los Angeles. A singular book created entirely under the artist’s direction, this publication illustrates the most expansive exhibition of this legendary artist’s work to date.
Said critic Jonathan Griffin of the original exhibition, "Alongside finished artworks, including framed examples of Hammons’s sublime drawings made with bounced basketballs and powdered Kool-Aid, there are plenty of apparently ad hoc, readymade interventions, installations in which it is unclear where one ends and the next begins. … Hammons, it seems, wants his viewers to relax, historiography be damned."
Born in 1943 in Springfield, Illinois, David Hammons moved to Los Angeles in 1963 at the age of 20 and began making his body prints several years later. He studied at Otis Art Institute with Charles White and became part of a younger generation of Black avant-garde artists loosely associated with the Black Arts Movement. In Los Angeles, Hammons was a cofounder of Studio Z, a group which included Senga Nengudi, Maren Hassinger, Joe Ray and others. Hammons has lived in New York since 1978.

In the future, nuclear war has destroyed nearly all humankind. An alien race intervenes, saving the small group of survivors from certain death. But their salvation comes at a cost.

The Oankali are able to read and mutate genetic code, and they use these skills for their own survival, interbreeding with new species to constantly adapt and evolve. They value the intelligence they see in humankind but also know that the species -- rigidly bound to destructive social hierarchies -- is destined for failure. They are determined that the only way forward is for the two races to produce a new hybrid species -- and they will not tolerate rebellion.

Akin looks like an ordinary human child. But as the first true human-alien hybrid, he is born understanding language, then starts to form sentences at two months old. He can see at a molecular level and kill with a touch. More powerful than any human or Oankali, he will be the architect of both races' future. But before he can carry this new species into the stars, Akin must reconcile with his own heritage in a world already torn in two.

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In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.

The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.

As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.

Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.

A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays

In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.

This eagerly awaited new collection brings Smith’s dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.

With an eye toward the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.

*Ships in 7-10 Business Days*

Winter 1916

The wind whips against her face. Snowflakes stick to her hair, her cheeks, her eyelashes.

She’s disoriented as she tries to find her way home. The sun set at four in the afternoon, but it’s much later now. It’s so dark that it feels as if blackness has swallowed up the city. She’s making her way down the streets, relying on streetlamps and muscle memory. It’s impossible to see in the snow.

She knows two things: first, that she’s going to be in big trouble for being so late; second, that it’s not going to be easy to locate her house in this terrible storm. It’s a small home. She’s the oldest of four girls. The youngest are twins—­high energy and overly demanding of her patience. It’s exhausting to keep them in line. They don’t behave as they’re supposed to. Even worse, they’re all crammed into one bedroom.

They live with their widowed father and his sister. Her aunt is strict, but her father is ruthless. He works in the church and has high standards for his children. She also suspects he resents all of them for not being boys. He can snap at any time, for any reason. Anything she can do to protect the twins, she will do.

What’s the world like outside of this place? she wonders.

Maybe someday she’ll find out.

Maybe not.

A dazzling docupoetic debut collection interweaving ripped-from-the-headlines pop culture herstories with the personal narratives of Whitney Houston, Aaliyah, Lisa “Left Eye” Lopes, and others, to interrogate celebrity, identity, sexuality, industry abuse, death, and the afterlives of stardom.

“I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. reflected in my palms, what I’ve made into water
glows amethyst: when you drink from it, you are iridescent”
 
In Dead Girl Cameo, m. mick powellclosely examines the experiences of Aaliyah Haughton, Lisa “Left Eye” Lopes, Whitney Houston, and other notable superstars who died tragically too soon. How did these starlets challenge conventional representations of Black femininity and friendship, and forever transform the musical landscape? How were the artistries and addictions of these women of color impacted from surviving in the limelight and, often, in the very same industry as their abusers? How did the literal and metaphorical deaths of these Black women superstars establish legacies of Black queer femme existence and afterlife?
 
In stunning imagery and sensual wordplay using ekphrasis, erasure, digital collage, archival research, and speculative nonfiction in verse, Dead Girl Cameo traverses the intimate realms of superstars to reconfigure Black girlhood, survivorhood, femme friendship, and queer fandom.

Sami Ellis’s Dead Girls Walking is a shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home—perfect for fans of Friday the 13th and White Smoke.
 
Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it.
 
Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden.
 
But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.

Coral is the first person to discover the body of her brother, Jay, in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.

Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reck­less determination, she doubles―and triples―down on posing as her brother, risking not only her sanity but also her relationship with her precocious niece, Khadija. As Coral’s swirl of lies closes in on her, the quirky and mysterious alien world of Wildfire becomes entangled with her own reality, in the pro­cess pushing long-buried memories, traumas, and secrets dangerously into the present.

A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.