Although much Black religious scholarship has engaged with feminist theory and womanist thought, a gap remains where little work has been done in religious studies to investigate the Black male experience. A Misrepresented People explores how African American men grapple with identity and masculinity in relation to Black religious thought. This book counters the dominant portrayal of Black men in American society as suspicious, morally defective, and irredeemable, and showcases the strength and relevance of Black religious thought in developing alternative notions of Black manhood.

Drawing on womanist discourses, African American religious thought, literature, and Black male studies, as well as an examination of the writings and sermons of Howard Thurman and Martin Luther King Jr., Darrius D’wayne Hills offers a vision of Black male identity that is grounded in interpersonal relationships and connection. Positioning identity formation as a religious concern, Hills expands the application of religious scholarship toward the complex social and material realities faced by Black men. In doing so, this volume offers a much-needed new model for understanding Black male gender identity, illustrating how religious thought fosters more holistic and livable futures for African American men.

Why is being a computer “geek” still perceived to be a masculine occupation? Why do men continue to greatly outnumber women in the high-technology industry? Since 2014, a growing number of employment discrimination lawsuits has called attention to a persistent pattern of gender discrimination in the tech world. Much has been written about the industry’s failure to adequately address gender and racial inequalities, yet rarely have we gotten an intimate look inside these companies. In Geek Girls, France Winddance Twine provides the first book by a sociologist that “lifts the Silicon veil” to provide firsthand accounts of inequality and opportunity in the tech ecosystem. This work draws on close to a hundred interviews with male and female technology workers of diverse racial, ethnic, and educational backgrounds who are currently employed at tech firms such as Apple, Facebook, Google, and Twitter, and at various start-ups in the San Francisco Bay area. Geek Girls captures what it is like to work as a technically skilled woman in Silicon Valley.

With a sharp eye for detail and compelling testimonials from industry insiders, Twine shows how the technology industry remains rigged against women, and especially Black, Latinx, and Native American women from working class backgrounds. From recruitment and hiring practices that give priority to those with family, friends, and classmates employed in the industry, to social and educational segregation, to academic prestige hierarchies, Twine reveals how women are blocked from entering this industry. Women who do not belong to the dominant ethnic groups in the industry are denied employment opportunities, and even actively pushed out, despite their technical skills and qualifications.

See Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison theater workshop between the author and one of the incarcerated participants. They alternately tell the story of what they found in the workshop, each other, the future they imagined together, and the social turmoil and utopian aspirations of the times. Part II consists of essays jointly written by eight other people impacted by close relationships spawned in diverse in-prison and re-entry theater workshops.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

A wide-ranging collection from a rising poet that showcases her sharp, contemporary voice

In Stem, Stella Wong intersperses lyric poems on a variety of subjects with dramatic monologues that imagine the perspectives of specific female composers, musicians, and visual artists, including Johanna Beyer, Mira Calix, Clara Rockmore, Maryanne Amacher, and Delia Derbyshire. In such lines as “let me tell you how I make myself appear / more likeable,” “as I grow older I like looking at chaos,” and “I want to propose a hike / and also propose mostly,” Wong’s style is confident and idiomatic, and by turns contemplative and carefree. Whether writing about family, intimate relationships, language, or women’s experience, Wong creates a world alive with observation and provocation, capturing the essence and the problems of life with others.

A revelatory look at the life, work, and legacy of the legendary choreographer Alvin Ailey
 
Alvin Ailey is one of the most celebrated choreographers of the twentieth century. The creator of iconic works such as Blues Suite, Revelations, and Cry, he is widely recognized for the dance company he founded in 1958 when he was just twenty-seven years old. Ailey imagined and cultivated a platform for modern dance through his innovative repertoire, interdisciplinary sensibility, and support of dancers and choreographers. This expansive volume situates Ailey within a broader social, creative, and cultural context, looking at the artists who influenced and collaborated with him, the spaces and scenes he frequented, the dynamic themes within his dances, and how his vision and work changed contemporary dance.
 
Essays by artists, scholars, and critics cover topics ranging from the Black church, the South, and the Great Migration to nightclubs, musical influences, and queerness. With more than four hundred images including photographs of works Ailey choreographed, archival materials such as notebooks, sketches, letters, and never-before-published behind-the-scenes photos, and conversations about the legacy of the company with Sylvia Waters, Judith Jamison, and Masazumi Chaya as well as several contemporary dancers and scholars, this study offers an unprecedented full picture of one of the twentieth century’s leading artists and the way his work continues to inspire today’s generation of dancers.
 
Distributed for the Whitney Museum of American Art  
 
Exhibition Schedule:
 
Whitney Museum of American Art, New York
(September 25, 2024–February 9, 2025)

In the 19th century, Galveston shores were a gateway for immigrants to Texas and destinations beyond. Slaves, the forced immigrants, were brought to Galveston as property for sale. The largest slave trade operation in Galveston was implemented by Jean Laffite, a pirate. His slave trade business began around 1818. However, for the most part, slaves entering the port of Galveston were destined for other Texas cities and other states. Images of America: African Americans of Galveston presents the community life and accomplishments of Galveston slaves, the descendants of slaves, and descendants of those who migrated to Galveston after the Civil War. The book celebrates Galveston's African American culture from the 1840s to the 1960s.

The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise, Christopher A. Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neoliberal, extractivist development regime, which remakes Black and Indigenous territories into frontiers of progress for the mestizo majority. The book offers a trenchant analysis of the ways Black dispossession and displacement are carried forth through the conferral of individual rights and freedoms, a prerequisite for resource exploitation under contemporary capitalism.

By demanding to be accounted for on their terms, Garifuna anchor Blackness to Central America―a place where Black peoples are presumed to be nonnative inhabitants―and to collective land rights. Steeped in Loperena's long-term activist engagement with Garifuna land defenders, this book is a testament to their struggle and to the promise of "another world" in which Black and Indigenous peoples thrive.

Winner of the National Book Critics Circle Award for Autobiography
A National Book Award Finalist
A New York Times Notable Book

From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her “second father,” when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her family continued to fear for the safety of those still in Haiti as the political situation deteriorated.

In 2004, they entered into a terrifying tale of good people caught up in events beyond their control. Brother I'm Dying is an astonishing true-life epic, told on an intimate scale by one of our finest writers.

A sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present.

The received idea of Native American history—as promulgated by books like Dee Brown's mega-bestselling 1970 Bury My Heart at Wounded Knee—has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well.

Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention.

In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the essential, intimate story of a resilient people in a transformative era.

Another storm is on the horizon for the Reynolds women. And the only way out is to go through it.

Good things never happen in November—at least not for the Reynolds women. It was the month they lost their patriarch. And the month when fourteen-year-old Trinity went missing during a tropical storm. So Hope Reynolds isn’t surprised when it becomes the month she walks in on her boyfriend kissing another woman. Or when she receives a panicked call from her mother about a mistake that could cost the family their treasured beach house.

Meanwhile, Faith Reynolds-Phillips is facing her own financial struggles. She’s also looking down the barrel of divorce and raising a daughter who reminds her so much of her younger sister, Trinity, that sometimes it physically hurts. The last place Hope and Faith want to be is in Hallelujah, South Carolina, during hurricane season. Going home will force them to confront the secrets that have torn their family apart. But if they can survive another storm, they’ll have a chance to rebuild on a new foundation—the truth.

In the latest novel from prolific writer Vanessa Miller, three women must find the strength to endure the storm and the faith to believe in a miracle.

“A heartwarming, page-turning, beautiful story about family secrets, mother-daughter relationships, forgiveness, and restored faith.” —Kimberla Lawson Roby, New York Times bestselling author

* Inspiring contemporary fiction
* Stand-alone novel
* Includes discussion questions for book clubs
* Other books by Vanessa Miller: Something Good

When three women find their lives inextricably linked after a terrible mistake, they must work together to make the most of their futures.

Alexis Marshall never meant to cause the accident that left Jon-Jon Robinson paralyzed—but though guilt plagues her, her husband hopes to put the past behind them. After all, he’s in the middle of selling a tech business—and if Alexis admits to texting while driving, the deal could collapse and cost them millions. Meanwhile, Alexis’s life is not as shiny and perfect as it may seem from the outside. She has secrets of her own. As she becomes consumed with thoughts of the young man she hit, can she reconcile her mistake with her husband’s expectations?

Trish Robinson is just trying to hold it together after the accident that left Jon-Jon dependent and depressed. As the bills pile up, Trish and her husband, Dwayne, find themselves at odds. Trish wants to forgive and move on, but Dwayne is filled with rage toward the entitled woman who altered their lives forever. Trish can’t see how anything good can come from so much hate and strife, so she determines to pray until God intervenes. Then one afternoon Marquita Lewis rings their doorbell with a baby in her arms and changes everything.

Vanessa Miller’s latest inspirational novel reminds readers that differences may separate us, but if we cling to each other, God can bring something good out of our very worst moments.

Praise for Something Good:

“This real-to-life story doesn't shy away from some hard issues of the modern world, but Miller is a master storyteller, who brings healing and redemption to her characters, and thus the reader, through the power of love and faith. I thoroughly enjoyed this book.” —Rachel Hauck, New York Times bestselling author

* Inspiring contemporary fiction
* Stand-alone novel
* Includes discussion questions for book clubs

Covering 500 years of Ghana's history, The Ghana Reader provides a multitude of historical, political, and cultural perspectives on this iconic African nation. Whether discussing the Asante kingdom and the Gold Coast's importance to European commerce and transatlantic slaving, Ghana's brief period under British colonial rule, or the emergence of its modern democracy, the volume's eighty selections emphasize Ghana's enormous symbolic and pragmatic value to global relations. They also demonstrate that the path to fully understanding Ghana requires acknowledging its ethnic and cultural diversity and listening to its population's varied voices. Readers will encounter selections written by everyone from farmers, traders, and the clergy to intellectuals, politicians, musicians, and foreign travelers. With sources including historical documents, poems, treaties, articles, and fiction, The Ghana Reader conveys the multiple and intersecting histories of Ghana's development as a nation, its key contribution to the formation of the African diaspora, and its increasingly important role in the economy and politics of the twenty-first century.

Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.

Ghostalker Ropa Moyo and her rag-tag team of magicians are back in The Mystery at Dunvegan Castle, the third book in the spellbinding USA Today bestselling Edinburgh Nights series by T. L. Huchu.

She came for magic. She stayed to solve a murder . . .

Ropa Moyo is no stranger to magic or mysteries. But she’s still stuck in an irksomely unpaid internship. So she’s thrilled to attend a magical convention at Dunvegan Castle, on the Isle of Skye, where she’ll rub elbows with eminent magicians.

For Ropa, it’s the perfect opportunity to finally prove her worth. Then a librarian is murdered and a precious scroll stolen. Suddenly, every magician is a suspect, and Ropa and her allies investigate. Trapped in a castle, with suspicions mounting, Ropa must contend with corruption, skulduggery and power plays. Time to ask for a raise?

Edinburgh Nights series:
The Library of the Dead
Our Lady of Mysterious Ailments
The Mystery at Dunvegan Castle
The Legacy of Arniston House

Examining aesthetic connections between the works of more than 50 Black artists from throughout the global diaspora

This book was born out of frustration with art histories that emphasize Black artists’ resilience over the aesthetic impact of their work. The experiences of oppression Black people endure are inconceivable, yet this focus on resilience often overwhelms critical attention to Black artists’ ideas, innovations or use of materials. Imagining Black Diasporas defines “diaspora’’ more broadly, understanding it as a dynamic term that evolves with Black experience. Through four themes, the book illuminates aesthetic connections among established and emerging US–based artists in dialogue with artists working in Africa, the Caribbean, South America and Europe.
Artists include: Mark Bradford, Lorna Simpson, Calida Rawles, El Anatsui, Josué Azor, Isaac Julien, Frida Orupabo, Theaster Gates, Yinka Shonibare, Wangechi Mutu.

Referencing everything from Erykah Badu to ancient Egyptian deities, Jamea Richmond-Edwards creates a brilliant multimedia panorama of Black history

Detroit–based artist Jamea Richmond-Edwards (born 1982) creates work in dialogue with Afrofuturism, mythology, history and Black fashion. Her vibrantly colored canvases take inspiration from the AfriCOBRA collective and are layered with collage and portraiture. This catalog follows her largest solo museum exhibition to date, at the Museum of Contemporary Art, North Miami, and features a monumental painting, several large-scale paintings and a newly commissioned film. Using glitter, fabric and soft sculpture, these paintings depict the artist and her family reimagined as Egyptian deities, encountering dragons and paying homage to Indigenous leaders. The film Ancient Future uses a majorette performance superimposed against the cosmos activated by an experimental jazz soundtrack in collaboration with Richmond-Edwards’ son. The catalog features a selection of stills from the film and a gatefold of the new monumental work.

Open the door to understanding the Israeli-Palestinian conflict and the path to peace.

What is the Israeli-Palestinian conflict? Why is it happening? Is peace possible? When kids ask questions like these, are grownups prepared to answer? This book was created to provide context for this conflict, open the door to conversation, and lay a path for understanding, peace, and compassion for our shared future.

When inclusion into the fold of citizenship is conditioned by a social group’s conceit to ritual violence, humiliation, and exploitation, what can anti-citizenship offer us?

The Promise of Youth Anti-citizenship argues that Black youth and youth of color have been cast as anti-citizens, disenfranchised from the social, political, and economic mainstream of American life. Instead of asking youth to conform to a larger societal structure undergirded by racial capitalism and antiblackness, the volume’s contributors propose that the collective practice of anti-citizenship opens up a liberatory space for youth to challenge the social order.

The chapters cover an array of topics, including Black youth in the charter school experiment in post-Katrina New Orleans; racial capitalism, the queering of ethnicity, and the 1980s Salvadoran migration to South Central Los Angeles; the notion of decolonizing classrooms through Palestinian liberation narratives; and more. Through a range of methodological approaches and conceptual interventions, this collection illuminates how youth negotiate and exercise anti-citizenship as forms of either resistance or refusal in response to coercive patriotism, cultural imperialism, and predatory capitalism.

The root of all inequality is the process of othering – and its solution is the practice of belonging

We all yearn for connection and community, but we live in a time when calls for further division along the well-wrought lines of religion, race, ethnicity, caste, and sexuality are pervasive. This ubiquitous yet elusive problem feeds on fears – created, inherited – of the "other." While the much-touted diversity, equity, and inclusion initiatives are undeniably failing, and activists narrowly focus on specific and sometimes conflicting communities, Belonging without Othering prescribes a new approach that encourages us to turn toward one another in unprecedented and radical ways.

The pressures that separate us have a common root: our tendency to cast people and groups in irreconcilable terms – or the process of "othering." This book gives vital language to this universal problem, unveiling its machinery at work across time and around the world. To subvert it, john a. powell and Stephen Menendian make a powerful and sweeping case for adopting a paradigm of belonging that does not require the creation of an "other." This new paradigm hinges on transitioning from narrow to expansive identities – even if that means challenging seemingly benevolent forms of community-building based on othering.

As the threat of authoritarianism grows across the globe, this book makes the case that belonging without othering is the necessary, but not the inevitable, next step in our long journey toward creating truly equitable and thriving societies. The authors argue that we must build institutions, cultivate practices, and orient ourselves toward a shared future, not only to heal ourselves, but perhaps to save our planet as well. Brimming with clear guidance, sparkling insights, and specific examples and practices, Belonging without Othering is a future-oriented exploration that ushers us in a more hopeful direction.

A portrait of worker solidarity in the South, and of the fight for Black liberation.

In 1928, the Third International adopted a resolution on the right of self-determination for African Americans in the Black Belt, in the southeastern US. Over the next decade, this resolution guided the CPUSA's regional focus in the US South, as a frontline organization in the struggle against white supremacy. This was a period of great experiments in building an independent multiracial working class movement in North America, a movement that confronted the remnants of slavery, under conditions that foreshadowed the fascism that would soon develop in Europe. Across the cities and rural areas of the US South, communists engaged existing traditions of struggle, and planted seeds for the growth of the movement against racism in the following decades.

This reader presents primary documents from the period to aid the study of the history, theory, and political application of the Black Belt thesis.

EUGENE PURYEAR is a journalist, activist, politician, and host on Breakthrough News. He is a founding member of the Party for Socialism and Liberation, and is the author of Shackled and Chained: Mass Incarceration in Capitalist America.

The wannabe-cool, Tamil-nerd vibes of Never Have I Ever meets the hidden life of Stand Up, Yumi Chung! by Jessica Kim in this funny, poignant coming-of-age middle grade debut from Maria Marianayagam. A Sri Lankan boy’s life spirals out of control when he wins a prize in a stolen candy bar, pushing him to navigate his identity amid his ever-watchful family.

Ajay Anthonipillai has a million-dollar problem. 

Ajay has lived his life dutifully following the rules set by his Tamil parents.

Rule #3: Straight As only

Rule #5: There is no such thing as a no-homework day.

Rule #10: Never watch scary movies.

However, moving to a new school gives Ajay a new rule to follow: Get on seventh-grade all-star Jacob Underson’s good side.

When Jacob asks him to steal a Mercury bar from Scary Al’s convenience store, Ajay feels this is his chance to finally “get cool” and stop eating alone. But Jacob rejects the stolen chocolate bar, leaving Ajay to unwrap it and discover that it contains Mercury’s Twenty-fifth Anniversary Grand Prize…one million dollars.

Faced with an extreme dilemma, Ajay will have to bear the weight of his actions and battle his morality in deciding whether to claim the prize that may change the life of his family forever.

Stunning poetry and illustrations introduce a new generation to the beloved literary icon Toni Morrison, by New York Times bestselling author Andrea Davis Pinkney and Caldecott Honor winner Daniel Minter.

From imaginative child to visionary storyteller, Toni Morrison was a fiercely inspiring writer that helped change the world. This poetic picture book is part love letter and part biography, praising the power of this Nobel Prize winner. With its tender refrain, readers will know how much Morrison's stories -- and their own -- mean to the world. She was loved -- and so are they!

From the creator of the beloved webcomic The Oxherd Boy, comes this dazzling, gorgeously illustrated picture book about a little boy who learns he is big enough to do big things. 
 
Little Ah-Fu has a big imagination, but he can’t imagine being the Oxherd Boy . . . yet.
 
When the day comes for Ah-Fu to bring the huge family ox home from the woods, he worries that he’s not big enough to do the job. 
 
Will fear and self-doubt drive Ah-Fu home empty-handed? Or can he rely on his wits and compassion to become the Oxherd Boy his family expects—and prove to himself that he is, indeed, big enough?
 
Delightfully paired with exquisite illustrations, this empowering story inspired by traditional Chinese philosophy shows kids big and small how to trust themselves and embrace what they can be.

A fun, giftable cookbook that showcases the versatility of dips with options for every occasion and mood, including snacking, entertaining, 'picky bits' picnics and much more

Need an easy contribution for a potluck/picnic? Dip it. Stunning small plates to feed friends when entertaining? Dip it. Or even a quick, delicious snack to tide you over until dinner? Dip it. Dip it good.

There is no mood that can't be improved by dips, and this book shows the versatility of this amazing dish. Often using affordable ingredients and store-cupboard staples, dips are a great way to use up things you already have at home, such as beets languishing at the bottom of the fridge or the sumac hidden at the back of your spice rack that you bought once for a tagine and never used again. They're also the simplest way to jazz up food and provide an extra flavor boost to lackluster meals.
The 80 recipes are divided into six chapters that include Dips in a Dash (made in 15 mins), Dips for Grazing (sides and snacks), Dips for Dinner, Dips for Feasting, Dips to Impress (showstoppers that require a bit more effort) and Dips for Dessert.

With creative takes on the dish and lighter options for side snacking to more substantial recipes for full feasting - and everything in between - whatever the occasion, go on... Dip In.

Now available in paperback! Build financial literacy, improve your money management skills, and make the dinero work for you!

In many immigrant households, money isn’t often a topic of discussion, so financial education can be minimal—especially when a family is just trying to survive the day-to-day. Despite being the largest minority group in the United States, the Latino community still faces cultural and systemic barriers that prevent them from building wealth. As a first-generation Latina, Jannese Torres, award-winning money expert, educator, and podcaster, knows these unique challenges well. She set out to pursue the traditional American Dream, becoming the first woman in her family to graduate from college, climb the corporate ladder, and secure the six-figure paycheck, only to find herself miserable and unfulfilled. She soon realized that everything she’d been taught about money and success wasn’t as it seemed. After discovering the true meaning of wealth, Torres resolved to pave her own path, leaving the life she was told she should want for one of entrepreneurship, autonomy, and financial freedom.
 
In Financially Lit! Torres offers you culturally relevant and relatable personal finance advice that will allow you to finally feel seen, heard, and understood. Whether it’s the guilt you feel from being the first person to “make it” while members of your family are still struggling, or the way financial trauma manifests itself in negative and limiting beliefs around money, Torres is here to guide you through it all.
 
With the warmth and no-nonsense wisdom of someone who’s been there before, Torres will teach you how to:
* set boundaries with your dinero
* protect yourself from financial abuse
* navigate the complicated relationship between amor and money
* invest like a white dude—or better!

 
With Financially Lit! at your side, you’ll harness the powerful ways money can be used to create the life of your dreams, and be empowered to step into financial freedom.

Celebrate the power of food to create delicious, lasting memories with this poetic and playful exploration of the joy of waiting for, and finally sharing, fried plantains.

Mama steers the cart toward the produce section of the grocery store and picks up a bunch of green plantains. Thus begins a week of anxious anticipation as a young girl waits for mustard yellows to seep onto the unripe green peels. By Thursday, black marks begin to splotch and streak across the plantains. And finally, on Sunday, the frying pan sizzles and hisses, as Mama serves up the warm, sugary slices the young girl has waited for so long.  
 
Much like there is sweet treasure hidden beneath the skin of a plantain, this beautifully written and evocative story reaches far beyond the act of preparing a favorite food. Ripening Time celebrates the way food and family entwine to connect us across generations—and serves as a touching reminder that some of the sweetest rewards in life are worth the wait.

Have you recently had a c-section?
Are you struggling with recovery - but want to come back stronger?
Looking for advice on your scar, your pelvic floor health, or a return to exercise?

The 360 Mama Guide to C-Section Recovery gives everything you need to fully heal from your c-section, answering all your questions and offering practical, expert-led advice at a time when you may feel lost or unsupported.
 
Written by the hugely successful 360 Mama postnatal recovery team, this expert-led book leaves nothing out. From how to prepare for a c-section, to strategies you can put in place from the earliest moments to support the healing process, to guidance on wound care and scar massage, there is practical guidance for every new mama. You will find exercises to strengthen and rehabilitate your core, improve any overhang, and help you return to full physical activity. Featuring real-life birth stories and experiences, as well as advice on coping with birth trauma and managing your mental health post-birth, this empowering guide will help you to reclaim the narrative and to fully enjoy motherhood.

PRE-ORDER.  ON SALE: November 4, 2025

This authoritative, focused and bestselling guide by two of the UK's brightest young entrepreneurs - The Apprentice runner-up, Bianca Miller-Cole and serial entrepreneur, Dr Byron Cole - is a comprehensive toolkit for anyone who wants to make a success of running their own business. Featuring interviews with well known entrepreneurs, entertainers and industry experts, the book covers every tier of the business development process, from start-up to exit, offering practical, implementable and global advice on the start up process.

This fully updated new edition will de-code the jargon that is prevalent in business circles today, providing straightforward advice on converting an innovative business concept into a commercially viable proposition. It will help you to avoid the costly common mistakes of many who have gone before you, and create a sustainable enterprise that will flourish. Fully updated and expanded to make it more timely, more international, more practical and more inspiring, it will be a vital tool for Entrepreneurs both inside and outside of the author's hugely motivated network.

Mrs. Z's class is holding a variety show, and everyone has signed up to demonstrate their special talent! Everyone that is, except Ayana Ndoum. She's good at reading, but someone's already reciting a poem out loud. She's good at synchronized swimming, but they can't get a pool onstage. What could her talent be?

Before she can figure it out, she has an even bigger problem to deal with: Why is her dad at school?

Turns out her dad-a professor who gets excited about schedules and has lots of goofy sayings-is a variety show volunteer! He talks to everyone and asks too many questions. It's embarrassing for Ayana, who likes to be quiet and help from the sidelines. And with her dad taking up the spotlight, will she ever find her own way to shine?

A picture book biography celebrating the first known Black female tattoo artist in the U.S., Jacci Gresham, co-authored by Jacci herself, and with stylish, accessible artwork by David Wilkerson

How to make your mark?
Express yourself: From coloring outside the lines to creating her own clothes, expressing herself through art made Jacci Gresham feel confident.
Keep an open mind: When Jacci started out, women getting tattooed was considered distasteful. Women giving tattoos was unheard of. And a Black woman tattoo artist? Jacci was the first.
Practice every day: Jacci studied her craft. She developed new inking techniques for Black and brown skin. And she welcomed everyone into her New Orleans shop, including women of every color, shape, and size.
Stand up for what you believe: From art class to artist, Jacci Gresham pushed boundaries, and she never took no for an answer. Jacci made her mark. How will you make yours?