Winner of the 2018 Lambda Literary Award for LGBTQ Nonfiction

“If Black women were free, it would mean that everyone else would have to be free.”
―Combahee River Collective Statement

The Combahee River Collective, a pathbreaking group of radical Black feminists, was one of the most important organizations to develop out of the antiracist and women’s liberation movements of the 1960s and ’70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members and contemporary activists reflect on the organization’s contributions to Black feminism and its impact on today’s struggles.

This expanded second edition features a new introduction by Taylor and a powerful new interview with Angela Y. Davis.

A major work in the Black Communist tradition by worker-intellectual Harry Haywood, now in a new edition featuring a foreword by Dr. Rebecca Hall and an introduction by Dr. Charisse Burden-Stelly.

In 1948, Harry Haywood, a leading member of the Communist Party USA, published Negro Liberation, a pathbreaking book that lays out his argument that the Black Belt South constitutes a distinct nation and an internal colony of U.S. imperialism. Applying a Marxist-Leninist lens to questions of nationalism, colonialism, and land distribution, Haywood lays out the dire stakes of Jim Crow violence and oppression and critiques the emptiness and insufficiency of liberal solutions. Along the way, he makes a powerful case for Black self-determination.

Framed by Rebecca Hall’s moving meditation on her father’s legacy and Charisse Burden-Stelly’s clear-eyed case for how Haywood reveals the contradiction between ruling-class politics and Black liberation today, this new edition of Negro Liberation is a must-read for anyone fighting against oppression.

This zine situates study itself as an act of defiance, remembrance and freedom work by tracing the enduring legacy of David Walker’s An Appeal to the Coloured Citizens of the World (1829), a radical pamphlet calling for Black resistance, self-determination, and liberation. Through archival photographs of Black people studying across generations―including images from Mariame Kaba’s personal newswire collection―Black Study meditates on the long lineage of intellectual and political struggle sparked by Walker’s words. Banned and denounced in its time, The Appeal nevertheless circulated widely, fueling abolitionist movements and shaping the philosophies of Black nationalism, civil rights, and direct action.

An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.

From a leading expert on race, class, maternal health, and reproductive rights.

Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”

Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.

One can never ask too many questions in this contemporary horror about a teen girl who gets invited to the soft launch of a luxury resort and finds their wellness practices disturbing--and deadly.

Ariana is ready to get away. From the chill of a New York winter. From the anxiety around her volleyball injury and what that means for her future.

Thanks to her new friend Oakley, she can do just that. Oakley has offered Ariana an all-expenses-paid trip to her parents’ wellness retreat on an island off Barbados.

The Dream resort seems like the per-fect escape. At least, it did before lifestyle guru Juniper-Moon started introducing sus-pect activities like psychedelic mushroom tea ceremonies and bee venom facials.

And as disturbing accidents start happen-ing around the island and tension between the guests and staff builds, Aria realizes she and her friends might not be in paradise after all. Now it’s no longer a question of when but if they can make it home alive.

First published in 2014, Jessica Gordon Nembhard’s Collective Courage quickly became an important tool for understanding the history of cooperative economic enterprises in the African American community. This now-classic work recounts how African Americans benefited greatly from cooperative ownership and democratic economic participation throughout the nation’s history.

Many of the players in this story are well known―among them W. E. B. Du Bois; A. Philip Randolph and the Ladies’ Auxiliary to the Brotherhood of Sleeping Car Porters; Nannie Helen Burroughs; Fannie Lou Hamer; Ella Jo Baker and George Schuyler of the Young Negroes’ Co-operative League; the Federation of Southern Cooperatives; and the Black Panther Party. Drawing on media reports and co-op records, Gordon Nembhard uncovers the challenges they faced and highlights their hard-won victories.

This tenth anniversary edition of Collective Courage features a substantial preface that expands on material in the first edition and addresses the development of the Black co-op movement through the second decade of the twenty-first century. It remains an indispensable resource for readers interested in the history of the struggle for African American economic freedom and equity.

Incorrigible and precocious David Jesse King has high hopes of winning the Faith & Fun Science Fair—until someone sabotages his chances!—in this hilarious, highly illustrated new chapter book series from the bestselling author of The Summer Camp Disaster.

David loves school! Especially since he just won third place in in his school's science fair AND his class has entered the regional Faith & Fun Science Fair!

It’ll cost $500 for their class to go to regionals, and David is ready to be the top fundraiser and make it happen. The only thing standing in his way is Abby, the new girl who seems to be good at everything and keeps stealing David's thunder.

Can David stop Abby from sabotaging his chances of being discovered as a scientific genius? And when someone steals their fundraising money, can he figure out whose sabotaging his entire class?

In Black Madness :: Mad Blackness Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.

FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY

An engrossing memoir of escaping the First Liberian Civil War and building a life in the United States

When Wayétu Moore turns five years old, her father and grandmother throw her a big birthday party at their home in Monrovia, Liberia, but all she can think about is how much she misses her mother, who is working and studying in faraway New York. Before she gets the reunion her father promised her, war breaks out in Liberia. The family is forced to flee their home on foot, walking and hiding for three weeks until they arrive in the village of Lai. Finally, a rebel soldier smuggles them across the border to Sierra Leone, reuniting the family and setting them off on yet another journey, this time to the United States.

Spanning this harrowing journey in Moore’s early childhood, her years adjusting to life in Texas as a black woman and an immigrant, and her eventual return to Liberia, The Dragons, the Giant, the Women is a deeply moving story of the search for home in the midst of upheaval. Moore has a novelist’s eye for suspense and emotional depth, and this unforgettable memoir is full of imaginative, lyrical flights and lush prose. In capturing both the hazy magic and the stark realities of what is becoming an increasingly pervasive experience, Moore shines a light on the great political and personal forces that continue to affect many migrants around the world, and calls us all to acknowledge the tenacious power of love and family.

For readers of Permission to Come Home, Minor Feelings, and Pleasure Activism, an insightful guide for “hyphenates” seeking to better understand themselves and help others understand them, too.

What does it mean to live a hyphenated life? 

So many folks are forced to toggle across the multiple layers of who they are, and across the diverse spaces they occupy. They may be children of immigrants, 1.5 gen, of color; they may be disabled, neurodivergent, or queer. Regardless of how they identify, they exist in an in-between space while also trying to fit into the dominant culture. With a foot in multiple worlds, belonging fully to none, it can be hard to figure out where they fit in.

Dr. Han Ren, licensed psychologist and a hyphenate herself, seeks to offer solutions for those with intersectional identities to fully express who they are in any and every environment. The Hyphenated Life is an intersectional, inside out excavation of how existing in marginalized bodies affects the ways folks show up in dominant culture and predominantly white spaces. 

Offering tools, stories, conversations, solutions and insights, this book will resonate with anyone who is navigating the intricacies of their multicultural identity development.

Toi Derricotte’s story is a hero’s journey―a poet earning her way home, to her own commanding powers. “I”: New and Selected Poems shows the reader both the closeness of the enemy and the poet’s inherent courage, inventiveness, and joy.It is a record of one woman’s response to the repressive and fracturing forces around the subjects of race, class, color, gender, and sexuality. Each poem is an act of victory as the author finds her way through repressive forces to speak with beauty and truth.

This collection features more than thirty new poems as well as selections from five previous collections.

Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award!

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. 

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

“Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation

“An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost

“Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street

This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8.

Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!

'Stop creating from the perspective of what other people want you to make.' Dive headfirst into the world of ultimate pop sensation and rapper Doechii, in a vibrant celebration of the ‘Anxiety’ icon’s most incredible moments to date. From her early life growing up in Florida to her incredible sweep of awards at the VMAs, you’ll learn all there is to know about the ‘NISSAN ULTIMA’ singer’s journey to stratospheric fame and global popularity, including her sold-out shows, festival performances and internet-breaking fashion moments. Packed with 50 gorgeous images accompanied by insights into her life, join the ‘DENIAL IS A RIVER’ megastar on a visual journey of her life so far. With powerful vocals and slick dance moves, there’s no doubt this ‘BLOOM' performer is an unstoppable force in the music industry. Making waves with her bold lyrics, '90s style and unforgettable music videos, ICONIC: Doechii proves her status as one of the most exciting new artists of her generation.

A completely revised and updated handbook of eye-opening—and frequently myth-busting—facts and figures about the real lives of Black Americans today, called “a gift of knowledge” by Susan Taylor, former editor-in-chief of Essence magazine

There’s no defeating white supremacist myths without real data. Hailed as “an important resource for anyone seeking a better understanding of . . . Black America” (Benjamin Todd Jealous, former NAACP president and CEO), this completely revised and updated edition of Black Stats offers new facts, critical analyses, and information on the current state of Black life in the United States, at the quarter-century mark, unhindered by jargon and assumptions.

Monique Couvson, author of the acclaimed Pushout, has compiled statistics from a broad spectrum of telling categories that illustrate the quality of life and the possibility of (and barriers to) advancement for a group at the heart of American society. With fascinating information on a wide range of topics including education, entertainment, sports, and the arts, the environment, health, justice, military service, money and jobs, science and technology, and more, this “invaluable resource” (International Journal of Communications) will enrich and inform many public debates while challenging commonly held yet often misguided perceptions.

Called a “great tool offering descriptive statistics on the condition of our nation’s promise of freedom, justice, equality and economic opportunity for all” by Marc H. Morial, president and CEO, National Urban League, Black Stats simultaneously highlights measures of incredible progress, conveys the disparate impacts of social policies and practices, and surprises with revelations that span many subjects. It is an essential tool for advocates, educators, and anyone seeking racial justice and to understand the complex state of our nation.

Cedric Robinson’s widely acclaimed study on Marxism and race has enjoyed a celebratory renaissance in recent years, becoming commonplace across the disciplines and beyond to activist and left circles. The Antinomies of Black Marxism contests its now‑enormous influence, bringing together leading scholars of Marxism to reassess the decisive question of race and Marxist thought and practice.

While varied in their approaches, the contributors all affirm that racism is a modern production of capitalist class exploitation. They put forth a trenchant and uncompressing critique of Black Marxism. They see Robinson’s transhistoric racialism and hostility to Marxism as politically dangerous to the extent that it propagates a race over a class consciousness that undermines working‑class unity. They place a premium on multiethnic, transnational proletarian struggle against capitalism at a time of epochal crisis in the global capitalist system.

This indispensable compendium makes a timely contribution to contemporary debates on race, class, capitalism, and social inequality and is essential to classes on Black Studies and black social thought, as it provides a thorough analysis and critique of one of the landmark contemporary critical theorists in US political and social theory.

From an international cast of leading activist communicators, a timely and instructive handbook for telling stories that change the world

The twenty-first century has seen a profound shift in the global sociopolitical and economic landscape, shaped by seismic interventions ranging from the War on Terror to the COVID-19 pandemic. Between 2000 and 2024, social movements like Black Lives Matter, #MeToo, climate justice, the Fight for $15, Palestine liberation, health care for all, and queer and trans resistance have illuminated a new narrative—one rooted in an inclusive vision of society, driven by a newly politicized and radicalized generation. This shift did not happen by chance. Movement workers have meticulously crafted communications and narrative strategies, honing their political messaging and storytelling to seize narrative power in today’s struggles.

In Liberation Stories, today’s foremost progressive and leftist communicators, organizers, artists, journalists, and academics share their collective wisdom in one powerful volume. Featuring in-depth case studies of both contemporary and historical movements, Liberation Stories distills successful theories, strategies, and tactics for anyone wanting to understand—and participate in—the diverse initiatives currently shaping our society.

As far-right and conservative movements gain traction worldwide—attacking our books, our bodies, and our democracies—Liberation Stories emerges as a vital resource for constructing the world we envision, one story at a time.

“Timely, thrilling, and gripping from start to finish. An absolute page-turner.” --Karen M. McManus, #1 New York Times bestselling author of One of Us Is Lying

Jay is living his best life at Karloff Country, one of the world’s most famous resorts. He’s got his family, his crew, and an incredible after-school job at the property’s main theme park. Life isn’t so great for the rest of the world, but when people come here to vacation, it’s to get away from all that.

As things outside get worse, trouble starts seeping into Karloff. First, Jay’s friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren’t leaving. Unknown to the employees, the resort has been selling shares in an end-of-the-world oasis. The best of the best at the end of days. And in order to deliver the top-notch customer service the wealthy clientele paid for, the employees will be at their total beck and call.

Whether they like it or not.

Yet Karloff Country didn’t count on Jay and his crew--and just how far they’ll go to find out the truth and save themselves. But what’s more dangerous: the monster you know in your home or the unknown nightmare outside the walls?

WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life’s finer pleasures. Girls of weak will need not apply.

A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching.

Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid.

Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet.

The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home—and fast—or its halls will soon become her grave.

BRAM STOKER AWARD FINALIST • A diabolical collection of stories featuring achingly human characters whose lives intertwine with ghosts, goblins, and the macabre, by “Buenos Aires’s sorceress of horror” (Samanta Schweblin, The New York Times)

“Entertaining, political and exquisitely gruesome, these stories summon terror against the backdrop of everyday horrors. . . . A queen of horror delivers more delightfully twisted stories.”—Los Angeles Times

“As vivid and essential as Kafka’s tales.”—Minneapolis Star-Tribune

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • A BEST BOOK OF THE YEAR: TIME, THE NEW YORK PUBLIC LIBRARY, PUBLISHERS WEEKLY, CHICAGO PUBLIC LIBRARY, THE TELEGRAPH, ELECTRIC LIT, PASTE, LATINA MEDIA

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women.

Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women—these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists.

Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez’s stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, A Sunny Place for Shady People showcases Enriquez’s unique blend of the literary and the horrific, and underscores why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her “the most exciting discovery I’ve made in fiction for some time.”

A Civil Rights Journey presents the astonishing archive of Dr Doris Derby: photographer, activist, and professor of anthropology. Active throughout the Civil Rights Movements of the mid twentieth century in the southern United States, particularly Mississippi, Derby acted as a photographer, organiser and teacher, making photographs of the intimate and human side of the everyday struggle for survival and human rights. She photographed both the organisation of political events, meetings, and funerals, alongside the literacy, co-operative and community theatre programmes, many of which she founded, and encountered much danger and tragedy along the way. Here we see the speeches and protests that gave the movement its defining moments, as well as vital figures including Muhammad Ali, Alice Walker, Fannie Lou Hamer, and Jesse Jackson. We also see classrooms and church halls, doctors and secretaries: everyday scenes of joy, frustration, curiosity, and connection, in which the determination and collective actions and resolve and actions of the movement are equally expressed. This extensive volume presents Derby's images in sequences that between them document rural and urban poverty, offer lucid ethnographies of particular streets and families, track the day-to-day lives of African American children growing up in the Mississippi Delta, and bear witness to such pivotal events as the Jackson State University shooting, the funeral of Martin Luther King Jr., and the 1968 Democratic Convention. Derby's photographs offer us an invaluably rich portrait of a historical moment whose effects have defined today's world and issues a vital reassertion of the work that remains to be done. Artist photographer Hannah Collins has worked with Doris Derby to recount the events photographed in extensive texts which accompany the images.

Shining Lights: Black Women in Photography in the 1980s–90s is the first critical anthology of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of British photographic history. Seen through the lens of Britain’s sociopolitical and cultural contexts, the publication tells a unique story from the dual perspectives of lived experience and historical investigation, authored and researched by one of the period’s most influential photographic artists, Joy Gregory. The pioneering and diverse work created by Black women artists in the UK over the course of these two decades marked an important juncture in both documentary and conceptual practices, including the experimental use of photomontage, self-portraiture, staged imagery, and photography in dialogue with other media. Shining Lights showcases the expertise and evolution of this work, illuminated by ephemera and archival material, new essays and roundtable conversations, foregrounding a variety of individual artistic developments as well as the communities fostered around them. Amongst the fifty-eight photographers included are Maxine Walker, Ingrid Pollard, Claudette Holmes, Roshini Kempadoo, Mohini Chandra, Carole Wright, Joy Gregory, Sutapa Biswas, Maud Sulter, Brenda Agard, Anita McKenzie, Mitra Tabrizian, Poulomi Desai, Virginia Nimarkoh, Jennie Baptiste, Nudrat Afza, Merle Van den Bosch, and Eileen Perrier. This comprehensive publication by Joy Gregory is developed in close collaboration with photography historian and writer Taous Dahmani, and is co-published with Autograph, London.

The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America.

Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues?

Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.

The incredible journey of activist Opal Lee—known as the Grandmother of Juneteenth—is brought to life in this biographical graphic novel that not only explores Opal’s remarkable path, but the history of the holiday of Juneteenth itself.

From the 1860s to Ms. Opal’s childhood home, from her years as a teacher to the White House, First Freedom: The Story of Opal Lee and Juneteenth seeks to give readers an insight into the history behind one of the central figures in the creation of America’s newest federal holiday, Juneteenth.

Born in 1926, Opal Lee grew up in a racially divided America and dedicated her life to overcoming the obstacles presented therein. A lifelong educator, Ms. Opal has been a community activist all her life, and would take on the movement to celebrate and commemorate Juneteenth not just as a holiday, but as a symbol of comprehensive freedom for all people.

Ms. Opal’s life personifies the fight for everyday freedom that leads to lasting change. As the Grandmother of Juneteenth says, “There is so much more to do.”

Written by acclaimed journalist, producer, and author Angélique Roché (My Super Hero is Black) and drawn by a trio of talented artists—including Alvin Epps (I Survived Hurricane Katrina, 2005: A Graphic Novel), Bex Glendining (the upcoming Indigo Port), and rising star Millicent Monroe—The First Freedom: The Story of Opal Lee and Juneteenth promises to illuminate the life of a singular woman and the history of a momentous holiday, with additional back matter providing more insights into Juneteenth’s history and the making of this graphic novel tribute.

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

Grammy Award winner Rhiannon Giddens celebrates Black history and culture in her unflinching, uplifting, and gorgeously illustrated picture book debut.

I learned your words and wrote my song. I put my story down.

As an acclaimed musician, singer, songwriter, and cofounder of the traditional African American string band the Carolina Chocolate Drops, Rhiannon Giddens has long used her art to mine America’s musical past and manifest its future, passionately recovering lost voices and reconstructing a nation’s musical heritage. Written as a song to commemorate the 155th anniversary of Juneteenth—which was originally performed with famed cellist Yo-Yo Ma—and paired here with bold illustrations by painter Monica Mikai, Build a House tells the moving story of a people who would not be moved and the music that sustained them. Steeped in sorrow and joy, resilience and resolve, turmoil and transcendence, this dramatic debut offers a proud view of history and a vital message for readers of all ages: honor your heritage, express your truth, and let your voice soar, even—or perhaps especially—when your heart is heaviest.

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.

AN NPR BEST BOOK OF 2024 • An award-winning journalist's exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics

“A deeply reported, surprisingly personal exploration of a phenomenon that is little understood in our politics: the affiliation of Latino voters with causes and candidates that would seem, at first glance, unwelcoming to them."—Rachel Maddow

Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. In fact, despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Now, journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest.

From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6th insurrectionists, Evangelical pastors and culture war crusaders, aiming to identify the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society. Cross-cultural and assiduously reported, Defectors highlights how one of America's most powerful and misunderstood electorates may come to define the future of American politics.

From Terrell Carter, a standout on Tyler Perry’s new Netflix drama Beauty in Black as Varney, Problem Child is a heart-wrenching story that will take you on an emotional rollercoaster ride that makes the Twilight Zone look like Disneyland.

Problem Child is the unbelievably true story of Terrell Carter, an American musician and actor who grew up in Buffalo, New York, in a dysfunctional family, each member crazier than the next. And the Problem Child is the only one in the story who may, or may not, actually have a problem. An emotional journey of trials and revelations, with a huge secret at its core, this story may force you to laugh—just to keep from crying.

“Terrell, we’re still feeling the goosebumps.”—Quincy Jones

“My beautiful baby boy, even more beautiful on the inside, and he sings even better than that. Now Ms. Patti is giving him his wings to fly among the greats.”—Patti LaBelle

John Murillo’s second book is a reflective look at the legacy of institutional, accepted violence against Blacks and Latinos and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father’s fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker “to become something unbreakable.” The presence of these and poetic forbears—Gil Scott-Heron, Yusef Komunyakaa—provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice.

Finalist for the NAACP Image Award for Outstanding Literary Work

Ama Codjoe’s highly anticipated debut collection brings generous light to the inner dialogues of women as they bathe, create art, make and lose love. Each poem rises with the urgency of a fully awakened sensual life.

Codjoe’s poems explore how the archetype of the artist complicates the typical expectations of women: be gazed upon, be silent, be selfless, reproduce. Dialoguing with and through art, Bluest Nude considers alternative ways of holding and constructing the self. From Lorna Simpson to Gwendolyn Brooks to Lynette Yiadom-Boakye, contemporary and ancestral artists populate Bluest Nude in a choreography of Codjoe’s making. Precise and halting, this finely wrought, riveting collection is marked by an acute rendering of highly charged emotional spaces.

Purposefully shifting between the role of artist and subject, seer and seen, Codjoe’s poems ask what the act of looking does to a person—public looking, private looking, and that most intimate, singular spectacle of looking at one’s self. What does it mean to see while being seen? In poems that illuminate the tension between the possibilities of openness and and its impediments, Bluest Nude offers vulnerability as a medium to be immersed in and, ultimately, shared as a kind of power: “There are as many walls inside me / as there are bones at the bottom of the sea,” Codjoe writes in the masterful titular poem. “I want to be seen clearly or not at all.”

“The end of the world has ended,” Codjoe’s speaker announces, “and desire is still / all I crave.”

Startling and seductive in equal measure, this formally ambitious collection represents a powerful, luminous beginning.

Through invention and remembrance, a little bump in the earth creates a black town on a hill—its land, its losses, its living and ancestral dead.

Tyree Daye's a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye's family has lived for the last 200 years, is reclaimed as “Ritual House." Here, “every cousin aunt uncle ghost" is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the here & after," where collaged images appear besides documents from Daye's ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead."

India Hill Brown meets Sharon Draper in a spooky, poignant, tour-de-force from Shakirah Bourne -- an ode to Black Boy friendships, the richness of Caribbean history, and the power that comes from reclaiming your past.

Jermaine is NOT destined to be popular at his new elite school. First, he's the poorest kid in class -- no phone, no cool sneakers, no chance. Second, he loves science and can't keep himself from gushing about geology. But after being bullied at his old school, he's desperate for the status and protection that comes from joining the "Turbo Jets"... even if that means abandoning Brody, a fellow outsider who truly wants to be Jermaine's friend.

As part of a hazing ritual, the Turbo Jets dare Jermaine to break into the notorious "haunted Chase Vault" -- the crypt that once housed one of the cruelest enslavers in Barbados and his family. Then they lock him inside as a "joke."

Luckily, Jermaine makes it out unscathed. There's just one problem.

Someone else left the crypt with him.

Someone desperate to learn how she died... and get her revenge.

Jermaine is relieved someone else can see the ghost: his ex-best friend Brody. But freeing her won't be easy. It means ditching the Turbo Jets, teaming up with Brody, and unearthing ugly secrets from the island's colonial past. Will Jermaine really risk everything to help the suffering spirit find peace?