Ex-best friends, Tiwa and Said, must work together to save their Islamic Center from demolition, in this romantic story of rekindling and rebuilding by award-winning authors Faridah Àbíké-Íyímídé & Adiba Jaigirdar!

Let’s get one thing straight: this is a love story.

These days, Said Hossain spends most of his time away at boarding school. But when his favorite hometown librarian Ms. Barnes dies, he must return home to New Crosshaven for her funeral and for the summer. Too bad being home makes it a lot harder to avoid facing his ex-best friend, Tiwa Olatunji, or facing the daunting task of telling his Bangladeshi parents that he would rather be an artist than a doctor.

Tiwa doesn’t understand what made Said start ignoring her, but it’s probably that fancy boarding school of his. Though he’s unexpectedly staying through the summer, she’s determined to take a page from him and pretend he doesn’t exist. Besides, she has more than enough going on, between grieving her broken family and helping her mother throw the upcoming Eid celebration at the Islamic Center—a place that means so much to Tiwa.

But when the Islamic Center accidentally catches fire, it turns out the mayor plans to demolish the center entirely. Things are still tense between the ex-friends but Tiwa needs Said’s help if there’s any hope of changing the mayor’s mind, and Said needs a project to submit to art school (unbeknownst to anyone). Will all their efforts be enough to save the Islamic Center, save Eid, and maybe save their relationship?

In this magical middle grade fantasy perfect for fans of The Marvellers and Amari and the Night Brothers, a shy boy must step up and become his own hero after his best friend disappears at a magical school.

Jaden and Elijah have been best friends since they were born. They're so close that Jaden doesn't even mind that he's constantly living in talented, high-achieving Elijah's shadow-well, he doesn't mind much.

But then Elijah disappears, leaving behind nothing but a cryptic note asking for Jaden's help. The next day, Jaden is invited to attend Elijah's fancy private boarding school. Only, it turns out it's not a boarding school at all. It's a school for magic! Somehow, before Elijah vanished, he used his note to transfer part of his own magic into Jaden-a feat that is supposed to be impossible.

Determined to find his friend, Jaden agrees to attend the school and learn to control his new powers. But a sinister force is threatening to destroy the whole magical world. And if Jaden doesn't stop it, he'll be the next to disappear.

For fans of Donna Barba Higuera's Lupe Wong Won't Dance and Aida Salazar's The Moon Within, comes Mani Semilla Finds Her Quetzal Voice – a contemporary middle grade novel full of spunk and activist heart.

Life sucks when you're twelve. You're not a little kid, but you're also not an adult, and all the grown-ups in your life talk about your body the minute it starts getting a shape. And what sucks even more than being a Chinese-Filipino-American-Guatemalan who can't speak any ancestral language well? When almost every other girl in school has already gotten her period except for you and your two besties.

Manuela “Mani” Semilla wants two things: To get her period, and to thwart her mom's plan of taking her to Guatemala on her thirteenth birthday. If her mom's always going on about how dangerous it is in Guatemala, and how much she sacrificed to come to this country, then why should Mani even want to visit?

But one day, up in the attic, she finds secret letters between her mom and her Tía Beatriz, who, according to family lore, died in a bus crash before Mani was born. But the letters reveal a different story. Why did her family really leave Guatemala? What will Mani learn about herself along the way? And how can the letters help her to stand up against the culture of harassment at her own school?

P R A I S E

“Anna Lapera expertly voices a young girl’s middle school trials, but with a voice so unique and heartfelt you will be cringing one moment and cheering the next. She weaves a distinctive story filled with humor, family heartache, and secrets while a young girl releases the fear of her voice and grasps its power.”
—Newbery Medalist Donna Barba Higuera

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”

Twenty years after its first release, and a decade since the most recent edition, this timeless, definitive volume on sneaker culture is finally back in print. Lavishly illustrated and remarkably comprehensive, Where'd You Get Those? is an insider's account that traces New York City's sneaker culture back to its earliest days. Describing how a small and dedicated group of sneaker consumers in the 1970s and early '80s proved instrumental in establishing current corporate giants such as Nike and Adidas, sneaker aficionado Bobbito Garcia writes with exactitude and affection.

Chronicling the rise of sneakers through the lean years of the '60s, the bulk of the book examines nearly 400 sneakers released in the golden years of 1970-87, via information-packed entries for each model, including all color combinations available, nicknames of particular shoe models, relevant athlete endorsements, and running commentary and stories from a rogues' gallery of fanatics who weigh in on the pros and cons of each sneaker. Through lifestyle chapters such as "Arts and Crafts" (which details the process of customizing sneakers) and "Thou Shalt Not" ("The No-Nos of New York Sneakers"), Where'd You Get Those? interrogates this enduring subculture from every angle. This 20th anniversary classic edition features the cover artwork from the first edition, as well as essays collected from the 10th anniversary edition.

New York City native Bobbito Garcia (born 1966) is a writer, DJ, photographer, filmmaker and basketball player. Often credited as the first sneaker journalist, Garcia penned his landmark Source article "Confessions of a Sneaker Addict" in 1990 and has been documenting the culture ever since.

Both personal and universal, Harris’ multimedia works weave together legacies of family dynamics, racial discrimination and queer histories

Gathering photographs and installations from both his celebrated and lesser-known series, Our First and Last Love charts new connections across the artistic practice of New York–based artist Lyle Ashton Harris (born 1965). Inspired by his adolescence divided between New York City and Dar es Salaam, Harris explores the complexities of African and African American collective identity while forging his own personal narrative as a queer Black man. The retrospective exhibition chronicles Harris’ approach to representation and self-portraiture while tracing central themes and formal techniques in his work over the last 35 years. Central to this collection are Harris’ most recently completed pieces. Titled Shadow Works, these multimedia assemblages set photographic prints amid Ghanaian funerary textiles, shells, pottery and locks of the artist’s hair. In the exhibition and the corresponding catalog, the pieces function as starting points for thematic groups of Harris’ other works. Juxtaposed with handwritten notes and family photographs, these arrangements underscore Harris’ layered approach to his practice.

Fifteen contemporary artists engage with the notion of space within Black culture

Following the eponymous exhibition at Gray Gallery, this publication gathers a selection of multimedia works by 15 artists exploring historical and emergent instances of Black space, including contributions by Dawoud Bey, McArthur Binion, Nick Cave, Coco Fusco, Theaster Gates and Rashid Johnson.

"An absolute must-read; tell your friends; buy it for your family; sit with it on your own. This is storytelling we need." —Rebecca Traister

An urgent investigation into the experience of seeking an abortion after the fall of Roe v. Wade, and the life-threatening consequences of being denied reproductive freedom.

On June 24, 2022, Roe v. Wade was overturned, and the impact was immediate: by 2024, abortion was virtually unavailable or significantly restricted in 21 states. In Undue Burden, reporter Shefali Luthra traces the unforgettable stories of patients faced with one of the most personal decisions of their lives.

Outside of Houston, there’s a 16-year-old girl who becomes pregnant well before she intends to. A 21-year-old mother barely making ends meet has to travel hundreds of miles in secret for medical treatment in another state. A 42-year-old woman with a life-threatening condition wants nothing more than to safely carry her pregnancy to term, but her home state’s abortion ban fails to provide her with the options she needs to make an informed decision. And a 19-year-old trans man struggles to access care in Florida as abortion bans radiate across the American South.

Before Dobbs, it was a common misconception that abortion restrictions affected only people in certain states but left one's own life untouched. Since the fall of Roe, a domino effect has cascaded across the entire country. As the landscape of abortion rights continues to shift, the experiences of these patients—who crossed state lines to seek life-saving care, who risked everything in pursuit of their own bodily autonomy, and who were unable to plan their reproductive future in the way they deserved—illustrate how fragile the system is, and how devastating the consequences can be.

A revelatory portrait of inequality in America, Undue Burden examines abortion not as a footnote or a political pawn, but as a basic human right, something worthy of our collective attention and with immense power to transform our lives, families, and futures.

A novel by a brilliant new voice, Hombrecito is a queer coming-of-age story about a young immigrant’s complex relationships with his mother and his motherland

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami.

In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss. As he grows, his relationship with his mother becomes fraught, tangled, a love so intense that it borders on vivid pain but is also the axis around which his every decision revolves. She may have once forgotten him, disappeared, but she is always on his mind.

He moves to New York, ducking in and out of bed with different men as he seeks out something, someone, to make him whole again. When his mother invites him to visit family in Colombia with her, he returns to the country as a young man, trying to find peace with his father, with his homeland, with who he’s become since he left, and with who his mother is: finally we come to know her and her secrets, her complex ambivalence and fierce love.

Hombrecito—“little man”—is a moving portrait of a young person between cultures, between different ideas of himself. From an extraordinary new talent, this is a story told with startling beauty and intensity, a story for anyone searching for home, searching for a way to love.

From Cornelius Eady, one of America's most engaging voices, comes an exciting collection of poetry that at once delineates the arc of the poet's universe and highlights the range of his considerable talents.

Cornelius Eady’s poems show him in full control of his considerable talents and displaying a rich maturity as he enters midlife. His poems are sly, unsentimental, and witty, full of truths that are intimate and profound.

Hardheaded Weather ranges widely, reflecting the new found responsibilities Eady has assumed as he transitions from urban renter to nonplussed rural homeowner, as well as the sobering influence of war and the intimation of his own mortality. Yet even at his angriest, the poet has always had a depth of compassion rare in our polarized age, with a sense of humor that is both sophisticated and demotic. These poems will resonate deeply.

As exciting as the new poems are, his selected earlier poems dazzle, too, as they demonstrate the arc of Cornelius Eady’s maturation and the originality of his voice. Taken together, Hardheaded Weather forms a moving—and sometimes searing—testament to the power of poetry.

A finalist for the 2022 World Fantasy Award for Best Novel
One of BookPage's Best Science Fiction and Fantasy Books of 2021
One of Tor.com Reviewers' Choice Best Books of 2021
One of Book Riot's Best SFF Standalones of 2021

“Ghosts. Gods. Gangsters. Black Water Sister has it all…a wildly entertaining coming-of-age story for the twentysomething set, with a protagonist who is almost painfully relatable at times.”—Vulture

"A twisty, feminist, and enthralling page-turner."—BuzzFeed

"A sharp and bittersweet story of past and future, ghosts and gods and family."—Naomi Novik, New York Times bestselling author of A Deadly Education

A reluctant medium discovers the ties that bind can unleash a dangerous power in this compelling Malaysian-set contemporary fantasy.

  When Jessamyn Teoh starts hearing a voice in her head, she chalks it up to stress. Closeted, broke and jobless, she’s moving back to Malaysia with her parents – a country she last saw when she was a toddler.

She soon learns the new voice isn’t even hers, it’s the ghost of her estranged grandmother. In life, Ah Ma was a spirit medium, avatar of a mysterious deity called the Black Water Sister. Now she’s determined to settle a score against a business magnate who has offended the god—and she's decided Jess is going to help her do it, whether Jess wants to or not.

Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business, but dealing with her grandmother is just as complicated. Especially when Ah Ma tries to spy on her personal life, threatens to spill her secrets to her family and uses her body to commit felonies.  As Jess fights for retribution for Ah Ma, she’ll also need to regain control of her body and destiny – or the Black Water Sister may finish her off for good.

A major literary event-nothing short of a "tour de force" (New York Times) by the acclaimed and beloved author.
Marooned in an apartment that overflows with mementos from the past, 91-year-old Ptolemy Grey is all but forgotten by his family and the world. But when an unexpected opportunity arrives, everything changes for Ptolemy in ways as shocking and unanticipated as they are poignant and profound.

Dialect poems by one of the nineteenth century's most talented African American lyricists

Paul Laurence Dunbar was “the most promising young colored man” in nineteenth-century America, according to Frederick Douglass, and subsequently one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, established Dunbar as the premier writer of dialect poetry and garnered him international recognition. More than a vernacular lyricist, Dunbar was also a master of classical poetic forms, who helped demonstrate to post–Civil War America that literary genius did not reside solely in artists of European descent. William Dean Howells called Dunbar’s dialect poems “evidence of the essential unity of the human race, which does not think or feel black in one and white in another, but humanly in all.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Remy Pendergast and his royal vampire companions return to face an enemy that is terrifyingly close to home in Rin Chupeco’s queer, bloody Gothic epic fantasy series for fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.

Remy Pendergast, vampire hunter, and his unexpected companions, royal vampires Lord Zidan Malekh and Lady Xiaodan Song, are on the road through the kingdom of Aluria again after a hard-won first battle against the formidable Night Empress, who threatens to undo a fragile peace between humans and vampires. Xiaodan, severely injured, has lost her powers to vanquish the enemy’s new superbreed of vampire, but if the trio can make it to Fata Morgana, the seat of Malehk’s court—dubbed “the Court of Wanderers”—there is hope of nursing her and bringing them back.

En-route to the Third Court, Remy crosses paths with his father, the arrogant, oftentimes cruel Lord of Valenbonne. He also begins to suffer strange dreams of the Night Empress, whom he has long suspected to be Ligaya Pendergast, his own mother. As his family history unfolds during these episodes, which are too realistic to be coincidence, he realizes that she is no ordinary vampire—and that he may end up having to choose between the respective legacies of his parents.

Posing as Malek and Xiaodan’s human familiar, Remy contends with Aluria’s intimidating vampire courts and a series of gruesome murders with their help—and more, as the three navigate their relationship. But those feelings and even their extraordinary collective strength will be put to the test as each of them unleashes new powers in combat at what may be prove to be the ultimate cost.

Silver Under Nightfall #2

A dazzling hybrid of personal memoir and criticism, considering the work of Black visual artists as a means to explore loss, legacy, and the reclamation of life through art.

At the age of twenty-one, Erica Cardwell finds herself in New York City, reeling from the loss of her mother and numb to the world around her. She turns inward instead, reading books and composing poetry, eventually falling into the work of artists such as Blondell Cummings, Lorna Simpson, Lorraine O’Grady, and Kara Walker. Through them, she communes with her mother’s spirit and legacy, and finds new ways to interrogate her writing and identity.

Wrong Is Not My Name weaves together autobiography, criticism, and theory, and considers how Black women create alternative, queer, and “hysterical” lives through visual culture and performance. In poetic, interdisciplinary essays—combining analytical and lyrical stream-of-consciousness—Cardwell examines archetypes such as the lascivious Jezebel, the caretaking Mammy, and the elusive Sapphire to formulate new and inventive ways to write about art.

Pioneering and inquisitive, Wrong Is Not My Name celebrates Black womanhood, and illuminates the ways in which art and storytelling reside at the core of being human.

The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw

A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.

FINALIST FOR THE PULITZER PRIZE
FINALIST FOR THE PEN/FAULKNER AWARD
WINNER OF THE WHITING AWARD
WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING
WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD
WINNER OF THE NEW AMERICAN VOICES AWARD
A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR

A grandmother and granddaughter share a magical trip to the Hudson River affirming intergenerational love and the power of water in this heart-song of a picture book.

Every day, Abuela misses the ocean in Puerto Rico. But on Saturdays, when the sun is high, Abuela takes her granddaughter on a walk down the hill in Harlem to Twelfth Avenue, to a place that is just as magical: the Hudson River.

There, they visit Yamaya, mermaids that invoke child-like wonder and hold onto the memory of all who have passed through their waters. Together, Abuela, her granddaughter, and the spirits of ancient religion and familial love celebrate the river that brought millions of new Americans to its shores through the generations.

Power plays, spilled blood, and romance abound in this thrilling sequel to the New York Times and USA TODAY bestseller Immortal Longings, inspired by Shakespeare’s Antony and Cleopatra.

Calla Tuoleimi has succeeded in the impossible. Despite the odds, she has won San-Er’s bloody games and eliminated King Kasa, her tyrant uncle and the former ruler of Talin. She serves now as royal advisor to Kasa’s adopted son, August Shenzhi, who has risen to the throne.

Only Calla knows it isn’t really August.

Anton Makusa is still furious about Calla’s betrayal in the final round of the games. In an impossible feat, he took over August’s body to survive, and has no intention of giving up this newfound power. But when his first love, the beautiful, explosive Otta Avia, awakens from a years-long coma and reveals a secret that threatens the monarchy’s authority over Talin, chaos erupts. As tensions come to a boiling point, Calla and Anton must set their conflicts aside and head to the kingdom’s far reaches to prevent anarchy…even if their empire might be better off burning.

This easy-to-use guide explains how to recruit, nourish, and fortify writers of color through innovative reading, writing, workshop, critique, and assessment strategies.

A captivating mix of memoir and progressive teaching strategies, The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom demonstrates how to be culturally attuned, twenty-first century educators.

The Anti-Racist Writing Workshop is a call to create healthy, sustainable, and empowering classroom communities. Award-winning educator Felicia Rose Chavez exposes the invisible politics of power and privilege that have silenced writers of color for far too long. It’s more urgent than ever that we consciously work against traditions of dominance in the classroom, but what specific actions can we take to achieve authentically inclusive communities? Together, we will address how to:

· Deconstruct our biases to achieve a cultural shift in perspective.

· Design a democratic teaching model to create safe spaces for creative concentration.

· Recruit, nourish, and fortify students of color to best empower them to exercise voice.

· Embolden our students to self-advocate as responsible citizens in a globalized community.

Finally, a teaching model that protects and platforms students of color, because every writer deserves access to a public voice. For anyone looking to liberate their thinking from “the way it’s always been done,” The Anti-Racist Writing Workshop is a clear, compelling guidebook on a necessary step forward.

*ships or ready for pick up in 7 - 10 business days*

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

A sweeping family saga about the complicated bond between mothers and daughters, the disappearance of a father, and the long-hidden history of a declining New England mill town.

“A powerful novel about how our family history shapes us. Swift River broke my heart, and then offered me hope.” —Ann Napolitano, New York Times bestselling author of Hello Beautiful

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

But when Diamond receives a letter from a relative she’s never met, key elements of Pop’s life are uncovered, and she is introduced to two generations of African American Newberry women, whose lives span the 20th century and reveal a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she’s learned of the past change her future?

A story of first friendships, family secrets, and finding the courage to let go, Swift River is a sensational debut about how history shapes us and heralds the arrival of a major new literary talent.

Old secrets are brought to light when a family matriarch returns to Brazil after years away in this “original and highly immersive” (Good Morning America) debut that explores the heartbreak and hope of what it means to be from two homes, two peoples, and two worlds.

Daniel Cunha has a lot on his mind.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father.

Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself. Not João’s wife, Marta, branded as a bruxa, reviled by her mother, and dragged from her Ilha paradise by her scheming daughter, Maria. And certainly not Maria, so envious of her younger sister’s beauty and benevolence that she took her vicious revenge and fled to the States, abandoning her children: Daniel and Lucia, both tainted now by their half-Americanness and their mother’s greedy absence.

There’s poison in the Cunha blood. They are a family cursed, condemned to the pain of deprivation, betrayal, violence, and, worst of all, love. But now Maria has returned to grieve her father and finally make peace with Daniel and Lucia, or so she says. As New Year’s Eve nears, the Cunha family hurtles toward an irrevocable breaking point: a fire, a knife, and a death on the sands of Copacabana Beach.

Amid the cacophony of Rio’s tumult—rampant poverty, political unrest, the ever-present threat of violence—a fierce chorus of voices rises above the din to ask whether we can ever truly repair the damage we do to those we love in this “fiery debut novel” (The Washington Post).

Using interwoven narratives — present-day United States, Trinidad, and the political tumult of Jamaica in the 1980s — Carol Mitchell's debut gives voice to the immigrant woman whose veneer of middle-class stability masks the violent trauma of a prior life.

"An engaging and life-affirming read.” — Booklist

"What start bad a mornin', cyan end good a evenin'." — Jamaican proverb

Amaya Lin has few memories of the years before she turned eighteen. Now in her forties, she has compensated by carefully cultivating a satisfying life as a wife, mother, and business professional. Her husband’s law practice is on the brink of major success; her neurodiverse son has grown into an independent adult; and she has come to terms with her aunt’s dementia. This sense of order is disrupted, however, when she encounters a stranger who claims to have an impossible connection, launching Amaya on a tumultuous journey into the past. 

Using three interwoven narratives spanning the United States, Trinidad, and Jamaica, Carol Mitchell's debut gives voice to an immigrant woman forced to confront her repressed memories of violent trauma. Only then can she discover what she is capable of when it comes to self-preservation and the protection of her family.

"This is a stellar debut.” — Cleyvis Natera, author of Neruda on the Park
"Luminous prose." —Elizabeth Nunez, author of Prospero’s Daughter

The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.

A landmark exhibition on display at the Brooklyn Museum from April 21 through September 17, 2017, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It showcases the work of black women artists such as Emma Amos, Maren Hassinger, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, and Betye Saar, making it one of the first major exhibitions to highlight the voices and experiences of women of color. In so doing, it reorients conversations around race, feminism, political action, art production, and art history in this significant historical period.

The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. These documents include articles, manifestos, and letters from significant publications as well as interviews, some of which are reproduced in facsimile form. The Sourcebook also includes archival materials, rare ephemera, and an art-historical overview essay. Helping readers to move beyond standard narratives of art history and feminism, this volume will ignite further scholarship while showing the true breadth and diversity of black women’s engagement with art, the art world, and politics from the 1960s to the 1980s.

We Wanted a Revolution will also be on display at the California African American Museum in Los Angeles from October 13, 2017 through January 14, 2018; the Albright-Knox Art Gallery in Buffalo, New York from February 17, 2018 through May 27, 2018; and at the Institute of Contemporary Art/Boston from June 26, 2018 through September 30, 2018.

Published by the Brooklyn Museum and distributed by Duke University Press

An exceptional resource, this comprehensive reader brings together primary and secondary documents related to efforts to redress historical wrongs against African Americans. These varied efforts are often grouped together under the rubric “reparations movement,” and they are united in their goal of “repairing” the injustices that have followed from the long history of slavery and Jim Crow. Yet, as this collection reveals, there is a broad range of opinions as to the form that repair might take. Some advocates of redress call for apologies; others for official acknowledgment of wrongdoing; and still others for more tangible reparations: monetary compensation, government investment in disenfranchised communities, the restitution of lost property and rights, and repatriation.

Written by activists and scholars of law, political science, African American studies, philosophy, economics, and history, the twenty-six essays include both previously published articles and pieces written specifically for this volume. Essays theorize the historical and legal bases of claims for redress; examine the history, strengths, and limitations of the reparations movement; and explore its relation to human rights and social justice movements in the United States and abroad. Other essays evaluate the movement’s primary strategies: legislation, litigation, and mobilization. While all of the contributors support the campaign for redress in one way or another, some of them engage with arguments against reparations.

Among the fifty-three primary documents included in the volume are federal, state, and municipal acts and resolutions; declarations and statements from organizations including the Black Panther Party and the NAACP; legal briefs and opinions; and findings and directives related to the provision of redress, from the Oklahoma Commission to Study the Tulsa Race Riot of 1921 to the mandate for the Greensboro Truth and Reconciliation Commission. Redress for Historical Injustices in the United States is a thorough assessment of the past, present, and future of the modern reparations movement.

Contributors. Richard F. America, Sam Anderson, Martha Biondi, Boris L. Bittker, James Bolner, Roy L. Brooks, Michael K. Brown, Robert S. Browne, Martin Carnoy, Chiquita Collins, J. Angelo Corlett, Elliott Currie, William A. Darity, Jr., Adrienne Davis, Michael C. Dawson, Troy Duster, Dania Frank, Robert Fullinwider, Charles P. Henry, Gerald C. Horne, Robert Johnson, Jr., Robin D. G. Kelley, Jeffrey R. Kerr-Ritchie, Theodore Kornweibel, Jr., David Lyons, Michael T. Martin, Douglas S. Massey , Muntu Matsimela , C. J. Munford, Yusuf Nuruddin, Charles J. Ogletree Jr., Melvin L. Oliver, David B. Oppenheimer, Rovana Popoff, Thomas M. Shapiro, Marjorie M. Shultz, Alan Singer, David Wellman, David R. Williams, Eric K. Yamamoto, Marilyn Yaquinto

From the prizewinning international literary star: the searing and powerful story of one man's search for redemption.

Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.

One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois. Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father's trip and weave together a family history that will take him from the war-torn Ethiopia of his parents' youth to his life in the America of today, a story—real or invented—that holds the possibility of reconciliation and redemption.

Watch a Video

Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants a little rain. L.A. is parched, dry as a bone, and he’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage.

Their three daughters―Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers―are left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.

With quick wit and humor, María Amparo Escandón follows the Alvarado family as they wrestle with impending evacuations, secrets, deception, and betrayal, and their toughest decision yet: whether to stick together or burn it all down.

From the acclaimed author of The Banned Bookshop of Maggie Banks and Must Love Books comes a heartfelt bookclub read following one woman's journey to reconnect with her estranged Black family in the south, just as it's on the brink of falling apart, perfect for fans of The Chicken Sisters and The Last Summer at the Golden Hotel.

One estranged family. One lost recipe. One last barbecue on the line. Mae is about to learn what happens when things go south…

Mae Townsend has always dreamed of connecting with her estranged Black family in the South. She grew up picturing relatives who looked like her, crowded dinner tables, bustling kitchens. And, of course, the Townsend family barbecue, the tradition that kept her late father flying to North Carolina year after year, despite the mysterious rift that always required her to stay behind. 

But as Mae's wedding draws closer, promising a future of always standing out among her white in-laws, suddenly not knowing the Townsends hits her like a blow. So when news arrives that her paternal grandmother has passed, she decides it's time to head South. 

What she finds is a family in turmoil, a long-standing grudge intact, a lost mac & cheese recipe causing grief, and a family barbecue on the brink of disaster. Not willing to let her dreams of family slip away, Mae steps up to throw a barbecue everyone will remember.

For better or for worse.

Discover the life of Serena Williams―a story about challenging yourself and achieving your dreams for kids ages 6 to 9

Serena Williams is one of the most famous and talented tennis players in history. Before she became a legendary professional athlete, she was a young girl who loved reading and gymnastics and started playing tennis at three years old! In this book about Serena Williams for kids, new readers will explore how she faced discrimination, injuries, and many other challenges, but still worked hard to be the best player she could be.

Independent reading―This biography book for kids is broken down into short chapters and simple language so they can read and learn on their own.

Critical thinking―Kids will learn the Who, What, Where, When, Why, and How of Serena's life, find definitions of new words, discussion questions, and more.

A lasting legacy―Find out how Serena's love for her family and her community inspired her to get involved with important charity work, helping people all over the world.

How will Serena's competitive spirit inspire you?

From the award-winning and bestselling author of Black Buck: A speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.

Despite the odds, Sweetmint, a young invisible woman, has done everything right her entire life—school, university, and now a highly sought-after apprenticeship with the Northwestern Hemisphere’s premier inventor, a non-invisible man belonging to the Dominant Population who is as eccentric as he is enigmatic. But the world she has fought so hard to build after the disappearance of her older brother comes crashing down when authorities claim that not only is he well and alive, he’s also the main suspect in the murder of the Chief Executive of the Northwestern Hemisphere. 

A manhunt ensues, and Sweetmint, armed with courage, intellect, and unwavering love for her brother, sets off on a mission to find him before it’s too late. With five days until the hemisphere’s big election, Sweetmint must dodge a relentless law officer who’s determined to maintain order and an ambitious politician with sights set on becoming the next Chief Executive by any means necessary.

With the captivating worldbuilding of N. K. Jemisin’s novels and blazing defiance of Naomi Alderman’s work, This Great Hemisphere is a novel that brilliantly illustrates the degree to which reality can be shaped by non-truths and vicious manipulations, while shining a light on our ability to surprise ourselves when we stop giving in to the narratives others have written for us.