A brilliant new collection by the great Caribbean writers and scholar: “an engaging, deep-hearted, strong-spirited, and richly musical poet” (The Multicultural Review)

Equinox is an unforgettable and never-before-published masterwork completed by Kamau Brathwaite before his death in 2020. Written in his unique Sycorax typeface and replete with compelling images and photographs, Equinox contains poems written in Brathwaite’s singular Barbadian vernacular and visionary style―poems about the Middle Passage, the natural world, Billie Holiday, Whitney Houston, the Kumina dance in Jamaica, Nelson and Winnie Mandela, the Fukushima nuclear disaster in Japan, and Breughel’s painting “Landscape with the Fall of Icarus,” among many tidalectic topics. The lyrical poems in Equinox weave together history and culture with the imagery of Brathwaite’s native Barbados, weaving a lush tapestry of injustice, redemption, and hope.

A major landmark of 20th-century Caribbean poetry. “Those who lament that the Age of Giants is over have evidently never read Kamau Brathwaite” (Eliot Weinberger)

Here, in a single volume, is Kamau Brathwaite’s early groundbreaking trilogy The Arrivants―containing Rights of Passage (1967), Masks (1968), and Islands (1969)―a brilliant and visionary exploration of the predicament of the poet living in the New World. Through the tension of regional dialect, musical rhythms, historical flashbacks, and excursions to Europe, New York, and Africa, Brathwaite interweaves the past and present of his Caribbean homeland―its natural beauty, its violent history, and the values that sustain its people―into a vigorous and unforgettable poetic work.

A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
 
New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media―including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works―explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
 
This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans―its history and its communities―has shaped Birch’s work.
 
Published in association with the American Federation of Arts
 
Exhibition Schedule:
 
California African American Museum, Los Angeles
May 5–October 4, 2026
 
New Orleans Museum of Art
March 20–September 5, 2027
 
Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
 
Hudson River Museum
September 22, 2028–January 14, 2029

Douglass’s letters from the 1880s reveal both his unrelenting efforts to protect African American rights and little-known details about his personal life
 
The fourth volume of the Correspondence Series presents Frederick Douglass as a still-influential public figure but also as a man aware that the gains African Americans made during the Civil War and Reconstruction were not as well secured as he had hoped.
 
For this volume, the editors selected 247 of the 914 known letters sent to or from Douglass between 1881 and 1888. An active partisan, Douglass corresponded regularly with Republican party leaders from the local to national level about campaign tactics and strategies. Douglass also often received letters from African Americans who detailed the deteriorating state of race relations across the South in the 1880s. Douglass used his correspondence to advance the political stature of Republicans he regarded as most sympathetic to protecting African American rights.
 
Douglass wrote about his taste in reading; his fondness for carriage riding; his feuds with family members and neighbors; his first wife, Anna Murray; and his remarriage, to Helen Pitts, and the controversy that the interracial marriage generated. Douglass’s correspondence details the seven-month honeymoon the couple took in Europe and Egypt, the reunion with old abolitionist friends in Great Britain, and candid appraisals of places he visited and people he met overseas.

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

Isolated in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter Valentina to raise herself in the wake of her mother’s death. Valentina longs to discover the details of her mother’s drowning and for Ignacio to snap out of his depression―his listless afternoons spent smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted by memories of the young man he loved and betrayed.

From Ignacio’s dark past emerges the luminous Mamadora Eléctrica, the wise travesti who introduced Ignacio to the city’s queer scene years prior. Stepping into a maternal role for Valentina, Mamadora fears the worst: that Ignacio’s self-loathing may have unleashed a curse on them all. A profound and irreverent story about coming undone, Pretend You’re Dead and I Carry You affirms Julián Delgado Lopera as a brilliant and singular voice―“a writer who is grinding their own colors” (Dwight Garner, The New York Times).

A selection of the exquisite, passionate verse of the Palestinian poet Najwan Darwish, superbly translated into English

Finalist for the 2025 PEN Award for Poetry in Translation • Finalist for the 2025 Derek Walcott Prize for Poetry • Winner of the 2024 Big Other Readers’ Choice Award • Shortlisted for the 2025 PEN Heaney Prize • Longlisted for the 2025 National Translation Award for Poetry, sponsored by American Literary Translators Association

“An unvarnished view of war and its repercussions: fear, dread, devastation, and exile.”―Elisabeth Egan, New York Times Book Review
 
Born in Jerusalem in 1978, Najwan Darwish is one of the most important poets of the Arabic-speaking world. This definitive collection, which draws from five volumes published in Arabic as well as new unpublished work, brings to English-language readers a sweeping trove of Darwish’s most powerful and urgent poetry of the last decade.
 
In spare lyric verse, Darwish testifies to the brutal and intimate traumas of war, the anguished fatigue of waking up each morning in an occupied land, and the immeasurable toll of the Israeli-Palestinian conflict. While anchored in the geography of Palestine, his poetry also explores the rich artistic inheritance of the Arabic-speaking world, moving between regions, landscapes, and eras, from the glories of medieval Granada to the rippling shores of contemporary Haifa. In dialogue with poets, philosophers, and seekers from many different traditions, Darwish’s verse pulses with spiritual longing and a sense of battered, disoriented wonder―a witness to both the atrocities we visit upon one another and the miracle that we are here at all.
 
No One Will Know You Tomorrow is a tribute to the indomitability of the human spirit: its sensitive attunement to beauty and its endurance in the face of unspeakable tragedy.

Longlisted for the 2026 Aspen Words Literary Prize
One of the New York Times Book Review’s 10 Best Historical Fiction Books of the Year
A Library Journal Best Book of the Year
A BookBrowse Best Book of the Year

“Searing.… [G]ripping.… Impressive[ly] guides us through her characters’ emotional depths.” ―Alida Becker, New York Times Book Review

Three people―two enslaved, one indentured―living beside each other, struggling against their circumstances, trying to bend destiny.

As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom.

Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother’s only possibility of hope, as Bless reshapes the boundaries of love.

David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother’s shrewd intellect and ferocious fight, but his sustenance is his freed Black father’s dream of emancipation for the entire family.

Jack Dane, a Scots-Irish boy, sails to Britain’s colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person’s life.

A breathtaking, haunting, and epic saga, This Here Is Love intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner’s daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity?

All three come together on Jack’s land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love.

“Mahalia Jackson was the greatest gospel singer of her time and an overlooked leader in the Civil Rights Movement. Her voice seemed born of heaven.” ?Henry Louis Gates Jr.

If Americans today still recognize the name Mahalia Jackson, they might recall that she was perhaps the greatest gospel singer who ever lived. But for many people, there is no awareness at all, not even for an entertainer whose “Move On Up a Little Higher” sold eight million copies, who headlined two Newport Jazz Festivals and performed before four United States presidents.

While this rich musical legacy is admired by those in the know, virtually no one recognizes Jackson’s astonishing role in American civil rights history. In this startling new depiction of the renowned gospel singer, New York Times best-selling author Timothy B. Tyson and Mary D. Williams, an acclaimed gospel singer herself, bring Jackson back to soaring life by positioning her as the major civil rights figure she, in fact, was.

Mahlia Jackson, Moving On Up a Little Higher then traces Jackson’s career from abject poverty in New Orleans to global superstardom, revealing how even after meteoric success, Jackson maintained an unwavering devotion to Black freedom. In the 1930s in Chicago, even before the Civil Rights Movement took its modern shape, she used her rapturous voice to support independent Black political power. Her work only intensified in the 1940s and beyond when she campaigned first for Franklin D. Roosevelt, and later for Harry Truman, John F. Kennedy, and Lyndon B. Johnson; headlined in Montgomery for the 1955–56 bus boycott; sang for the Birmingham campaign and on the Selma March; and performed at the iconic 1963 March on Washington, where she urged Martin Luther King Jr. to “Tell ’em about the dream.” In retrospect what becomes historically significant is that Mahalia Jackson was present at so many civil rights events, even singing a divine rendition of “Precious Lord, Take My Hand,” at Dr. King’s funeral in 1968. Weakened and worn, she succumbed to heart failure four years later at the age of sixty.

Weaving together Mahalia Jackson’s inspiring life journey with her soulful music into a transcendent text, this biography ultimately casts Mahalia Jackson as we’ve never seen her before, as a guiding light for the Civil Rights Movement, whose message still speaks to our struggles today.

5 illustrations

An ode to Black joy and creativity with 100 wildly inventive ice cream, sorbet, and nondairy recipes.

Back in the 1840s, a free Black woman ran a successful ice cream saloon in Nashville. Her name was Sarah Estell, and she became known as “the Ice Cream Queen.” Now taking up her crown is Lokelani Alabanza, a trained pastry chef and avid collector of all things Black Americana. Her love of ice cream and appreciation for those who preceded her come together in this joyful cookbook.

Ice Cream Queen features Alabanza’s original creations and revamped classics such as Malted Vanilla, Roasted Strawberry, and Mint Chip. Building on simple bases, standout flavors range from boozy and fruity to adventurous and decadent. Recipes include Nashville Hot Chicken, an ode to her adoptive city’s iconic dish; Juneteenth Sorbet, with summer-ripe raspberries and hibiscus flowers; PB&J, a vanilla swirled with peanut butter, strawberry jam, and slices of white bread; Chocolate-Covered Kettle Chip, a crunchy mix of sweet and salty . . . and many more.

A love letter to generations of Black ice cream makers, this cookbook offers something entirely new: ice cream as an act of memory, identity, and Black excellence.

65 color photographs

When Artie Howell moves with his wife back to her sleepy hometown, he must protect their son Nicky from the skeletons coming out of the closets from both of their pasts

WHEN THE HOWELL FAMILY MOVES INTO A HOUSE on Heckler Lane, it causes quite a stir around the small town of Sunny Cove, Pennsylvania. Elise Howell, a well-known cardio surgeon, has returned home after fifteen years to fill her recently deceased mother’s position at Sunny Cove General Hospital. In a town this size, it’s big news. But it’s Elise’s new husband, Artie, who has the whole town talking.

Artie Howell is a man who always seems to be wearing a smile. He’s an accomplished crime fiction writer, a soccer dad to their young son Nicky, and he volunteers his weekends teaching creative writing to youths in the local detention center. When they first arrived at Heckler Lane, the Howells had seemed like a wholesome American family. Then came the murders.

A nun turning up missing from the Convent of St. Mary becomes the first in a string of unexplained tragedies that have befallen the town. Tragedies that all seem to be tied to scenes from Artie’s novels. The writer now finds himself as the prime suspect in an investigation that threatens to not only tear apart his family, but the entire town of Sunny Cove.

For the first printing only! This hardcover features sprayed edges while the special edition supply lasts. Each preorder will include an exclusive piece of art (Greyson and Shadera above the city) and an additional art work with a bookmark.

Set in a corrupt surveillance state ruled by the masked elite, this true enemies-to-lovers dystopian romance that’s Conform meets V For Vendetta follows a mercenary who botches the assassination of the president’s son and ends up forced to marry him.

The first thing you’ll learn in New Found Haven is that mercy doesn’t exist. The second thing is that, from the highest glass atrium in the Heart to the windowless slums of the Boundary, the Veyra are always watching.

The last lesson is the hardest, but you must remember it: Love outside of your ring is a death sentence.

The city is carved into rings of privilege and poverty, ruled by the masked elite who will do whatever it takes to hold onto power. Obedience is demanded. Rebellion is crushed.

Greyson Serel has spent his life caught between two worlds. Publicly, he’s the flawless heir to the presidency. Privately, he’s entangled in secrets that could topple the regime. But when he’s forced into a political marriage meant to bind him tighter to the government’s brutal laws, he finds himself shackled to a bride as lethal as she is unwilling.

Shadera Kael is a mercenary raised to kill, not to wed. Yet when her bullet misses its mark, survival leaves her tied to the very man she was sent to eliminate. Trapped inside the corrupt heart of the city, she becomes both prisoner and wife, her every step watched, her every move tested.

Their union is no love story—it’s a battlefield. As secrets come to light and betrayals fester within the walls of power, Greyson and Shadera must decide between annihilating each other or burning the city to the ground together.

In a world where passion has consequences and loyalty is paid for in blood, their forced bond may be the spark that ignites a revolution. Or the fire that consumes them both.

Returning to print after nearly 50 years, Survivor completes Octavia E. Butler’s thrilling Patternist series, including a short story from the Patternist saga and new historical essays from a major Butler scholar.

This deluxe edition includes: 
* An incredible new cover and package
* Premium French flaps and newly designed, full color interior covers
*  High-quality paper with elegant deckled-edges  

The Patternist books (Wild Seed, Mind of My Mind, Clay's Ark, and Patternmaster) comprise Butler's longest, most complex series, stretching from late 17th century Africa to outer space in the far future, as rival factions of humanity develop incredible powers—only to use them to subjugate others. For nearly half a century, the fourth volume, Survivor, has been out of print at Octavia E. Butler's request.

It tells the story of Alanna, a colonist fleeing a plague-scarred Earth. But the planet she lands on is inhabited by the alien Kohn, whose battling tribes soon trap Alanna in their war. She must make alliances—while plotting betrayals. She must protect her heart—while putting it at risk. And she must decide if the best way to retain her humanity . . . is to leave it behind.

Now returning to print, Survivor is put into its proper historical context thanks to contributions from scholar and Octavia E. Butler Fellow Alyssa Collins.
This long-awaited volume also contains "A Necessary Being," the only short fiction set in the Patternist universe, to finally, fully bring together and complete the Patternist series for readers everywhere.

A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors

Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.

Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before the Civil War" refers to a place of freedom, and that a black elite did not exist until the twentieth century. Beginning her story in the 1820s, Peterson focuses on the pupils of the Mulberry Street School, the graduates of which went on to become eminent African-American leaders. She traces their political activities as well as their many achievements in trade, business, and the professions against the backdrop of the expansion of scientific racism, the trauma of the Civil War draft riots, and the rise of Jim Crow.

Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture.

From the author of Lore of the Wilds comes the exciting and passionate conclusion, as Lore navigates Fae magic amid looming dangers that threaten to destroy her world.

Lore Alemeyu wakes up to discover she’s on a ship in the middle of the ocean. Held prisoner and with no way to escape, she’s faced with a dire set of circumstances…

A crew that’s distrustful of Lore’s magic capabilities…

Her betrayal by a Fae she thought she could trust…

A dangerous quest for the sun book, which, if placed in the wrong hands, will make the Alytherian Fae even more powerful.

Lore must navigate threats on the ship and beyond, into the ocean’s magical and mysterious depths, in order to find the sun book herself and help free the humans. All the while, Lore can’t help but feel the intense pull of one Fae male who has been helping her all along. But is she willing to risk her human heart for creatures that have burned her in the past, and jeopardize her people’s future?

The electrifying and intimate first novel from the author of The Collection Plate and Fruit Punch, a searing story of a young Texan woman and the family she makes with two men

“A couple years after Noon and I fall in love, we fall in love with Micah—and a couple years after that, I have both of their babies. We choose, this land and this life. We share, ourselves and our sons. We name them, Morning and Night.”

In her arresting first novel, Kendra Allen investigates love, partnership, motherhood, pleasure and the pursuit of freedom in one young woman’s defiantly unconventional terms. Rae has just returned to her family after leaving for a stretch and suddenly – that family being her two male partners and the sons, named Morning and Night, that she has mothered with each of them. In the span of one year, they will experience unfathomable depths of devastation—and joys they could never predict.
Good Morning Means I Love You follows Rae as she makes choices around sex, mothering, and partnership that are as stunning to everyone else as they are natural to herself. With pain and pleasure, she watches as her children learn to walk and give language to the world as her lovers contend with their own ideas of masculinity, personhood, and fatherhood. Along the way, Rae begins to understand the hardest and most beautiful truth: that we have only so much time on earth to make love, to make family, and to make good on the promise of this one, short life.
This is a novel of the self in all its simultaneities and a living portrait of intimacy written in poetic, bold, and sensual prose that shines a light on what it means to redefine expectation.

For fans of Oge Mora and Ezra Jack Keats comes a poetic and joyful tale about a young boy who runs errands with his grandfather in town, by critically acclaimed author, Gary R. Gray, Jr. (I’m From), and award-winning artist, Rahele Jomepour Bell.

“What are we doing today, Granddad?”
“How about a trip to town? Nan needs some things for dinner.”
“Let’s go!”
“How far to the market, Granddad?”
“No rush, son! We’re just spendin’ time.”

Upbeat lyricism and cheerful illustration bring to life this kid-friendly meditation on appreciating every moment—big or small—spent with the people you love.

Everlasting Tales is a collection of multicultural fairy tales and folktales—honoring the stories passed down through oral tradition by refreshing and preserving them for new generations.

THE VILLAGE ELDERS ALWAYS WARNED: WHEN AN OWL HOOTS AND A CAT HISSES, DANGER IS NEAR.

Once upon a time, greed drove a Huntsman deep into the woods in search of a wild boar. As darkness and rain crept in, he ignored each sign to turn around.

When he stumbled upon a hut, the Huntsman kicked open the door and left a mess within.

HOO? HOO? HISSS! HISSS!

The sounds grew louder; something was coming. Then suddenly . . . all went silent.

The Witches had arrived.

And they were hungry.

In the third book of the Everlasting Tales collection, Pura Belpré Award Winner Abraham Matias retells the darkly whimsical Mexican folktale of an arrogant hunter who ends up in a cabin full of hungry witches—with illustrations by Caldecott Honor-Winning illustrator Molly Mendoza. Back matter includes an author's note and a condensed tale in Spanish for bilingual readers, perfect all year and during Latinx heritage month and spooky season celebrations.

A young woman’s life spirals out of her control after her childhood best friend publishes a memoir that discusses the tragic events of their childhood, in this beautiful, powerful novel from the internationally bestselling author of Others Were Emeralds.

Mei’s life isn’t what she thought it would be. She's still entangled in a love triangle with Jacques and Kath that began when they were teens; her parents are drowning in debt; and she’s stuck pulling off identity fraud jobs for her cruel auntie and her auntie’s nauseating son, who won’t leave Mei alone.

But Mei’s world begins to truly unravel when she hears her childhood best friend Soey’s voice for the first time in years, being interviewed on the radio about her new memoir, chronicling the childhood attack that left Soey with brain damage and killed her younger sister. When Mei reconnects with Soey, the leader of their childhood friend group known as the Daisy Chain, their encounter kicks off a series of events that culminate in another shocking death, putting Mei squarely in the public eye. As past and present collide, Mei starts spiraling after Soey implores her to find out who killed Daiyu—a search that leads Mei to uncover what happened that dark day in the woods behind their school, all those years ago.

Revered for her lyrical imagery, emotional acumen, and thoughtful voice, Lang Leav uses her gifts to brilliant effect, exploring unsolved mysteries, cycles of trauma and abuse, and the answers to a timeless question: how do you honor someone's memory without losing sight of yourself?

Kausar Khan returns to dispense more vigil-aunty justice in the second installment of the critically acclaimed Detective Aunty series—and this time, the crime Kausar is investigating is dredging up memories she buried long ago . . .

When Kausar Khan moved back to Toronto to be closer to her family, she didn't expect to have another murder investigation on her hands so soon—or really ever. But when a young man named Mateen is found dead in their Golden Crescent neighborhood, and when she learns he was close to her granddaughter, Maleeha, what’s a grandmother to do but try and solve the case?

And it’s not just her heartbroken granddaughter spurring Kausar to find answers; it’s also how the circumstances of Mateen’s death remind her of her own teenage son, Ali, and his mysterious death nearly twenty years before. Kausar knows firsthand what a difference closure can make to a grieving parent—and the more she seeks to find that for Mateen's parents, the more she begins to realize that perhaps it's time she finds closure for herself as well.

As Kausar digs into both Mateen’s and Ali’s cases and her “aunty” skills continue to bring more information to light, she can’t help but wonder if the similarities between the two cases are more than just mere coincidence. But how could two deaths, twenty years apart, possibly be related?

Detective Aunty is determined to find out.

Combining the political intrigue of She Who Became the Sun with the gorgeous world-building of Children of Blood and Bone, Birth of a Dynasty is the start of a thrilling epic fantasy trilogy centered around three families’ fight for power in Ahkebulin, a land where magic is feared, giants are real, and prophecy holds sway. 

We shall not forgive. We shall not forget. We will have our vengeance.

After witnessing the massacre of everyone he’s ever known and loved, M’Kuru Mukundi, the sole surviving member of the High Noble House Mukundi of Madada, vows revenge. M’kuru flees to a small village where he hides under the guise of farm boy Khalil Rausi… unaware that the real Khalil’s father is the bloodthirsty General of Zenzele army, and under the direction of the King’s scheming son, Prince Effiom, was responsible for the murder of M’kuru’s people. When an imposter claiming to be M’kuru shows up in the village, the real M’kuru—now Khalil—must bide his time amongst his enemies, pretending to be everything that he hates in order to get vengeance.

In another part of the country where giants roam free, young Zikora Nnamani, the only daughter of Lord Nnamani, knows nothing of political intrigue—she wants little more than to be a fierce Seh Llinga warrior. But a well-known prophecy places too much potential power on her small shoulders, and—as far as Prince Effiom and the King know—she is the only living threat to their dynasty ruling forever. However, when a messenger arrives to “invite” Zikora to stay at the palace, her family is not in a position to refuse. Before she is taken away, she begins The Rite of Blessing, a magical inheritance that she will need to learn how to use, but that may also bring the world one step closer to the completion of the prophecy that Prince Effiom so fears.

Between scheming ladies at court, backstabbing princes on the prowl, and paranoid kings, M’kuru and Zikora must do what they can, no matter how terrible, to save their people and claim vengeance for their families. But they are just two young people against an entire kingdom—and a prophecy destined to thwart their dreams—and the last thing they can do is trust anyone…even each other.

Get grooving, moving, and learning with Gracie’s Corner! Gracie wants to move like an elephant while on safari with her family. But when her little sister, Cece, suggests looking at other animals, will that ruin Gracie’s fun Find out in this Level 1 I Can Read book featuring fan-favorite Gracie’s Corner characters. The Safari Shuffle is perfect for children learning to sound out words and sentences. Whether shared at home or in a classroom, the short sentences, familiar words, and simple concepts of Level One books support success for children eager to start reading on their own.
* Features some of the lyrics of an easy, catchy, and educational song!
* Using familiar themes from the smash hit the "Elephant Song,” this early reader adaptation teaches kids important lessons about moving your body, compromising, and enjoying the day with the ones you love.
* Perfect for young elephant and safari animal enthusiasts.
* Created by family team Graceyn, Javoris, and Arlene Hollingsworth, Gracie’s Corner focuses on centering children of color in the edutainment industry and making learning a fun, positive experience.

“Now offered in translation for the first time, this collection featuring women navigating societal expectations (and their small rebellions) is a classic.” — Boston Globe

A spiky, edgy collection of five sly yet sensitive stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time.

The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs. In “Naked,” a woman who’s simultaneously lost her business and her husband finds that it is surprisingly comfortable to stay at home sewing stuffed animals, even if it makes her a “loser” in the eyes of society. In “Planarian,” a young woman recovering from breast cancer tells her friends and boyfriend that she would prefer to be the titular worm to organically regenerate her body. Each of these spiky women—as well as the three other protagonists in this groundbreaking work—chafes against social expectations that equate work with worth and demand women squeeze into the confining and sometimes dehumanizing role of employee in a world built by and for men.

First published in Japan in 2000, The Dilemmas of Working Women struck a nerve with Japanese readers and became a bestselling literary sensation, selling nearly half a million copies and winning the prestigious Naoki Prize in Literature. A quarter of a century later, this brilliant modern classic—available for the first time outside Asia and in English—remains deliciously funny and astonishingly relevant.

Translated from the Japanese by Brian Bergstrom

A sweet celebration of dads in a colorful bilingual Spanish and English board book from Raúl the Third's New York Times bestselling, Pura Belpré Award–winning World of ¡Vamos! series.

¡Te quiero, Padre! Join Coco Rocho and his dad on an adventure full of all their favorite things to do together!

In this bilingual board book, young readers are introduced to Spanish vocabulary through the love between father and child. Perfect for Father's Day and new dads!

For more Coco Rocho Board Books, don't miss:

* My Mother, Mi Madre
* My Party, Mi Fiesta
* My Nap, Mi Siesta

Nearly 3 Million Copies Sold · 8 starred reviews · William C. Morris Award Winner · National Book Award Longlist · Printz Honor Book · Coretta Scott King Honor Book · #1 New York Times Bestseller

“Simply beautiful to read. The Hate U Give is an outstanding debut novel and says more about the contemporary black experience in America than any book I have read for years, fiction or non-fiction.” - Alex Wheatle, The Guardian

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. A phenomenal #1 bestseller that became a symbol for a searing moment in the fight for justice in America, The Hate U Give is a heartrending, boldly original, unforgettable chronicle of a vital chapter in our nation’s story—and has cemented Angie Thomas’s place as one of her generation’s most important writers.

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend, Khalil, at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: What really went down that night? And the only person alive who can answer that is Starr.

But what Starr does—or does not—say could upend her community. It could also endanger her life.

A chilling Lovecraftian horror story from the author of Midnight Rooms, in which a recently freed slave from America making a new life for herself in 1700 Venice finds the mysterious plague that killed her former master may have followed her to Italy . . . and now stalks the canals.

Venice, Italy, 1700. The only survivor on a ship, Mercy disembarks in Italy, carrying two precious possessions: the first-ever camera that makes daguerreotype plates and a letter regarding an appointment meant for the dead slave holder.

The letter takes her to Umberto, an Anatomist. In his basement workspace, she learns he hired the man who formally owned her to capture images of dissected corpses. But that man is dead. With no other recourse for her or Umberto, Mercy assumes the position. In return for the sample plate she took, Umberto takes her to the home of the Contessa, a British woman who married into her title. Charmed by Marcy, she invites the young woman to stay for the season to take pictures.

Formally enslaved, Marcy finds this new life of freedom heady, as she takes on the mantle of a photographer and guest in a decadent house of pleasure under the hospitality of an aristocrat. Under the Contessa’s roof, she meets a diverse cast of friendly and strange individuals with whom she forms new bonds and friendships.

But all is not well in her new life. Something dark and hungry stalks the canals that snake through the city, biting at her heels. The same death that rode the waves with her now surrounds her in this strange place. What is this malevolence that haunts her? As she tries to understand this macabre force, she must grapple with a greater fear: that the horror that endangers her friends is herself.

The Sunken, The Adored is dark, eerie, and wholly original—at once unsettling and irresistibly addictive.

Raven Leilani’s Luster meets Halle Butler’s The New Me, SOFT SPOTS is a darkly funny and off-kilter coming-of-age novel following recent college graduate Robin Clarke after she runs away from her family, only to be forced to confront whether she should reconcile with her father when his health takes a sudden turn for the worst.

After miraculously securing a teaching job at a dysfunctional high school, loner Robin moves to South Bend, Indiana, where she’s paired with an eerily perfect roommate: Naomi. Freshly estranged from her abusive parents, Robin obsesses over two absurd goals: to be the best teacher at the school, despite never having taught, and to become best friends with Naomi, who could not be more her opposite. Meanwhile back home, Robin’s brother must decide between being loyal to his sister or their parents.

Just as Robin grows closer to her students and Naomi, she receives earth-shattering news from her brother. Desperate to cope, Robin redoubles her efforts to befriend Naomi, spiraling even deeper into obsession and self-sabotage. Everything comes to a head when one of Robin’s many bad choices come back to bite her, and she must confront the limits of forgiveness, the weight of memory, and the true cost of estrangement.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION

“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. South to America is an essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.

From one of America's most cherished and celebrated poets, a landmark collection of Nikki Giovanni's early work from the transformational years of 1968-1998!

“Nikki Giovanni is one of our national treasures.”—Gloria Naylor

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. This timeless classic brings readers Nikki Giovanni's poems from her books Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds.

When Nikki Giovanni’s poems first emerged during the Black Arts Movement of the 1960s, she immediately took a place among the most celebrated and controversial artists of our time. More than 50 years later, Giovanni still stands as one of the most commanding, luminous voices to grace America’s political and poetic landscape.

Stirring, provocative, and resonant, these poems heralded the arrival of an indelible literary voice that resounds to this day.

Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award.

“A story that will slam the power of poetry and love back into your heart.” —Laurie Halse Anderson, author of Speak and Chains

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. The Poet X is the astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

“When Miss Brooks. . . writes out of her heart, out of her rich and living background, out of her very real talent, then she induces almost unbearable excitement.” — New York Times

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world.

By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks’s Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems.

This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage—including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas.

We. Do. Not. Care.

If you have a she-shed and no longer care about bras that fit, peeing a little bit when you laugh, or plucking the 3 new chin hairs that sprouted overnight, then welcome to the club – the We Do Not Care Club (WDNC). You're now a card-carrying member with an exclusive invite to the biggest hormonal party in town. This coloring book is for all of the fed-up Sisters in perimenopause, menopause, and beyond. Grab your fan, take the night off from cooking dinner (they know where the kitchen is!), and find some colored pencils in that junk drawer you no longer care about. It’s time to sit back and color with this sanity-saving coloring book, featuring:

* 40 cozy, hand-drawn illustrations showing the things we no longer care about (from paper thin gowns at the gynecologist to doom scrolling at 3:26 am)
* Hilarious scenes to remind you that you're not alone on the Hot Mess Express (we’re in this together, Sisters)
* Individually printed pages to prevent bleed through and images large enough to color without reading glasses (you’re welcome)
* Hours of entertainment to help you relax and unwind (you deserve it!)

In this 32-page I Can Read, Kammy Kam and her Gabba friends reflect on twelve lessons we can learn to be our very best selves! Ready to share what you learned today? Based on the hit Apple Original series, Yo Gabba GabbaLand!

From growing up, to asking for help, to being outside — there are so many wonderful things to learn! With the help of Kammy Kam and her Gabba friends, emerging readers will engage with a host of core skills and character-building traits, including sharing, kindness, and teamwork.

Take a trip through GabbaLand to discover, wonder, and celebrate your uniqueness in this Level One I Can Read!