Alexander Ghedi Weheliye traces R&B music’s continued relevance for Black life since the late 1970s, showing how it remains a thriving venue for the continued expression of Black thought and life and a primary archive of the contemporary moment.

In Feenin, Alexander Ghedi Weheliye traces R&B music’s continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre’s decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the post-disco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to the appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music’s relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye’s capacious thinking about R&B as the site through which to think through questions of Blackness, technology, history, humanity, community, diaspora, and nationhood.

PRE-ORDER.  ON SALE: September 8, 2026

A major new publication looking at the rich history of photographic practice by Black female and non-binary artists from the late nineteenth century to the present day.

For decades, women have been overlooked in the cultural history of photography, especially Black female and genderfluid artists of African descent whose crucial contributions to this relatively young medium are often missing.

More than just a corrective, this stunning, image-led survey features up to one hundred artists and photographers from diverse cultural backgrounds, geographic locations, and genres. Readers will encounter the works of Florestine Perrault Collins—one of the few African American women working in photography at the beginning of the 20th century—and iconic imagery by pioneering artists such as Ming Smith and Carrie Mae Weems. The book will showcase the potent visual activism of Zanele Muholi, Lola Flash, Vanessa Charlot, Sheela Pree Bright, Rahima Gambo, and Aida Silvestri, as well as a constituency of creative practitioners working with performance and lens-based media such as Ayana V. Jackson, Nona Faustine, Atong Atem, Lebohang Kganye, Heather Agyepong, Silvia Rosi, and many others.

This carefully curated visual survey stands on its own as an impressive collection of portrait, fashion, documentary, critical fine art, and socially engaged global photography.

An incisive, innovative, and inviting take on fighting oppression and fighting for racial justice.

Racism is a real and present danger. But how can you fight it if you don’t know how it works or where it comes from? Using a compelling mix of memoir, cultural criticism, and anti-oppressive theory, Khodi Dill breaks down how white supremacy functions in North America and gives readers tools to understand how racism impacts their lives. From dismantling internalized racism, decolonizing schools, joining social justice movements and more, Dill lays out paths to personal liberation and social transformation.

Vibrant, dramatic collages by stylo starr complement Dill’s propulsive voice. Fueled by joy and hope as much as by rage and sorrow, this groundbreaking book empowers racialized young people to be confident in their identities and embrace the fullness of their futures.

How does witnessing a crime change a person? This powerful collection of stories by a star-studded roster of contributors examines this very question, with proceeds benefitting the Alliance for Safe Traffic Stops.

Inspired by recent true events, the all-original stories in Witnesses for the Dead are set in motion by the act of witnessing. The characters who populate these pages are not themselves the perpetrators of the crimes they see, but as they grapple with what to do—take action or retreat into the shadows—their lives are indelibly changed.

In “Envy” by Christopher Chambers, a sweet, shy wallflower looks on as something horrific happens in his neighborhood—revealing something horrific about himself. Agatha Award–winner Richie Narvaez’s “The Gardener of Roses” sees a Puertorriqueña college student on the run from the FBI for her accidental involvement in a “terrorist” plot. Anthony Award–winner Gary Phillips confronts police corruption in “Spiders and Fly.” And the protagonist of “A Family Matter” by IPPY Award–winner Sarah M. Chen investigates the murder of a stranger, leading her to question the political structure of Taiwan entirely. Other stories feature a brothel, the film industry, immigrant detention centers at the Mexico-US border, World War II–torn France, and the COVID-19 pandemic. The stories are incisive, unflinching, wry, dark, and, in some cases, terrifying. You’ll ask yourself: If I saw what they saw, what would I do?

With contributions from: Scott Alderberg, Cara Black, Christopher Chambers, Sarah M. Chen, Aaron Philip Clark, Teresa Dovalpage, Tod Goldberg, Gar Anthony Haywood, Darrell James, Richie Narvaez, Gary Phillips, SJ Rozan, Alex Segura, and Pamela Samuels Young.

At once surreal and neoclassical, Lee-Smith’s masterful compositions reflect the social alienation of mid-20th-century America

Hughie Lee-Smith came of age in the midst of the Great Depression, spending his early life primarily between Cleveland and Detroit. The Midwest left an indelible impression on the artist, whose Social Realist paintings referenced its expansive gray skies and industrial architecture. Carnival imagery recurs throughout Lee-Smith’s work via the motifs of ribbons, pendants and balloons, often evoking the contrast between the carnival’s playful theatricality and its uncanny imitation of reality. He depicted abandoned, crumbling urban architecture as the sets for his existential tableaux, and even when his figures appear together, they always seem solitary. Over the course of his long career, Lee-Smith developed a distinct figurative vocabulary influenced by both Neoclassicism and Surrealism—the summation of a lifelong effort to see beyond the real.

This volume, published for a 2022 show at Karma, New York, surveys the artist's practice from 1938 to 1999, tracing his development from depictions of the Midwest to his years on the East Coast in the decades following World War II. It features writing by Hilton Als, Lauren Haynes, Steve Lock and Leslie King-Hammond, as well as a conversation between Reggie Burrows Hodges, LeRonn P. Brooks and Kellie Jones.

Hughie Lee-Smith (1915–99) was born in Eustis, Florida. Early in his career he was involved in several WPA projects, including Karamu House in Cleveland (the oldest running African American theater in the nation) and the Southside Community Art Center in Chicago, where he would cross paths with Charles White, Gordon Parks and Margaret Taylor-Burroughs, among others. Eventually teaching would take him to the East Coast, where he was artist in residence at Howard University in Washington, DC, and later an instructor at the Art Students League of New York. He died in Albuquerque, New Mexico.

"The British-Ghanaian artist creates compelling character studies of people who don’t exist, reflecting her twin talents as a writer and a painter" –Zadie Smith, the New Yorker

This volume gathers around 60 works by British artist and writer Lynette Yiadom-Boakye, internationally celebrated for her paintings of timeless subjects in everyday moments of happiness, comradery and solitude. The publication includes texts by Yiadom-Boakye herself, writer and filmmaker Kodwo Eshun, and curator Lekha Hileman Waitoller.
Yiadom-Boakye’s lush oils on canvas or coarse linen portray fictitious characters rendered in loose brushwork and set against dramatic backgrounds. The figures are composites drawn from different sources including scrapbooks and drawings. Animals such as birds, foxes, owls and dogs make regular appearances. To look at a Yiadom-Boakye painting is an invitation to slow down and observe, to enter the imaginary visual tales she spins.
Born and raised in London by Ghanian parents, Lynette Yiadom-Boakye (born 1977) studied at Central Saint Martin’s College of Art and Design and Falmouth College of Arts, and received her MA from the Royal Academy Schools in 2003. Her first solo exhibition was held at Jack Shainman Gallery in 2010. Since then, her work has been exhibited at the Serpentine Gallery in London (2015), the Venice Biennale (2013), the New Museum in New York (2012), the Biennale de Lyon in France (2011), the Studio Museum in Harlem (2008) and many others. Her work has been collected by the Tate, the Museum of Modern Art, New York, the Victoria and Albert Museum, and the San Francisco Museum of Modern Art, among others.

Pushing intimacy to its limits in prose of unearthly beauty, Vauhini Vara explores the nature of being a child, parent, friend, sibling, neighbor, or lover, and the relationships between self and others. A young girl reads the encyclopedia to her elderly neighbor, who is descending into dementia. A pair of teenagers seek intimacy as phone-sex operators. A competitive sibling tries to rise above the drunken mess of her own life to become a loving aunt. One sister consumes the ashes of another. And, in the title story, an experimental artist takes on his most ambitious project yet: constructing a life-size ark according to the Bible’s specifications. In a world defined by estrangement, where is communion to be found? The characters in This Is Salvaged, unmoored in turbulence, are searching fervently for meaning, through one another.

In a charming new chapter-book series by a social-change advocate, young Frankie emulates her journalist mama by reporting on household news with the help of her sister and an unlikely news crew.

Frankie’s mama is leaving to cover a breaking news story. Frankie, Papa, and Frankie’s teenage sister, Raven, are all proud of Mama, even though they miss her when she’s away. But Frankie has a great idea: she can make her own news show! After all, Mama has told her that news is happening around her all the time. With a little assistance from her friends—including her doll Farrah, Robert the toy robot, and her tabby cat, Nina Simone—Frankie prepares for her first “broadcast.” And when she hears someone crying in the house, she knows that’s the developing story she must cover. With humor, empathy, and imagination, Frankie gets the scoop—and learns that even mature older sisters can miss Mama sometimes. With sweet illustrations throughout, this engaging new series embraces communication and compassion and is a refreshing portrayal of Black women in journalism. Young reporters will learn the terms of the trade, which are clearly presented in the text and reinforced in a glossary at the end of the book.

A lyrical narrative of a Palestinian family in exile explores universal bonds of family, loyalty, and friendship through the lens of eleven Arabic expressions for love.

A family has fled their homeland in search of safety in another country, carrying a single suitcase. As their journey unfolds, the oldest child reflects on the special contents of that suitcase: photo albums that evoke eleven of many names for love in Arabic. From sunshine-warm friendship to the love that dissolves all tears; from the love that makes you swoon to the love that leaves you yearning for the heart’s homeland—her family has experienced it all. Illustrated in vibrant watercolor pencil and collage on textured card stock, this moving scrapbook shows a family embracing an unknown future even as they honor the past, casting immigration and the refugee experience in the light of universal human connection.

PRE-ORDER: September 1, 2023

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives.

These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying.

As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.

The Haunting Season has ended, but dark magic lurks in the shadows in this deadly sequel to The Witchery.

After defeating the Wolves, Jailah, Logan, Iris, and Thalia want nothing more than a summer of fun and relaxation. But there is no rest for the wicked, especially when Death comes for Iris. She is to become a Reaper, tasked with banishing souls who refuse to cross over. But Iris suspects there’s something more ominous going on when Mathew’s role as her tether grows sinister.

Logan and Thalia are ready to prove themselves as witches. Except Logan still hears the howling Wolves and realizes that the Haunting Season may have awakened more than just her magic. And while Thalia wants to spend her days cleansing the Swamp for good, she finds herself heading to a place she swore she’d never go again: home. Witches have started going missing near Annex, and Thalia is convinced that her father is behind the disappearances. With the help of Logan and Trent, Thalia returns to stop him.

Meanwhile, Jailah is focused on her internship with the Haelsford Witchery Council until she discovers a treacherous magic hidden beneath Mesmortes, and there are those who will go to great lengths to keep it buried. So, she turns to the only person who understands, even if it’s the one witch who hates her the most.

Separated by distance, the coven is surrounded by magical and mundane threats that must be defeated before they lose their witchery--and each other--forever...

The theme park of your dreams is back in this action-packed sequel as Cam Walker and his friends take on creepy carnivals, insidious tech, and a nightmarish new enemy to save the world. An electrifying illustrated series for fans of Spider-Man: Miles Morales.

The most spectacular theme park in the world is headed to the Big Apple.

After Atlanta, Cam Walker and his family are ready to turn over a new leaf with Futureland. This is where dreams literally come true, and the Walkers are going to show the people of New York City that their park is back and better than ever.

But trouble isn’t done with the Walkers yet. Glitches keep happening with the park attractions. There's a creepy carnival in town that gives Cam goosebumps. Plus, he just can’t shake the feeling that his family is being watched. And it may be his imagination, but are the people around him acting . . . stranger than usual?

Can Cam get to the bottom of what’s going on before Futureland becomes a playground of terrors?

What to Expect When Black, Pregnant, and Expecting

“This book stands as the modern-day guide to birthing while Black.” ―Angelina Ruffin-Alexander, certified nurse midwife

2021 International Book Awards finalist in Health: Women’s Health
#1 New Release in Pregnancy & Childbirth and Minority Demographic Studies, Medical Ethics, and Women's Health Nursing

Written with lighthearted humor and cultural context, Oh Sis, You’re Pregnant! discusses the stages of pregnancy, labor, and motherhood as they pertain to pregnant Black women today.

Tailored to today’s pregnant Black woman. In the age of social media, how do pregnant women communicate their big announcement? What are the best protective hairstyles for labor? Most importantly, how many pregnancy guides focus on issues like Black maternal birth rates and what it really looks like to be Black, pregnant, and single today? Written for the modern pregnant Black woman, Oh Sis, You’re Pregnant! is the essential what to expect when you're expecting guide to understanding pregnancy from a millennial Black mom’s point of view.

Interviews, stories, and advice for pregnant women. Written by Black Moms Blog founder, the book tackles hard topics in a way that truly resonate with modern Black moms. With stories from her experiences through pregnancy, labor, and motherhood, and lessons learned as a mother at twenty-two, Oh Sis, You’re Pregnant! focuses on the common knowledge Black pregnant mothers should consider when having their first baby. It also shares topics beneficial to pregnant Black women on their second, third, or fourth born.

Find answers to questions:

• Do I financially plan for my birth?
• Can I maintain my relationship and friendships during motherhood?
• Will I self-advocate for my rights in a world that already views me as less than?

If you enjoyed books like Medical Apartheid, 50 Things To Do Before You Deliver, The Girlfriends' Guide to Pregnancy, or Birthing Justice, then you’ll love Oh Sis, You’re Pregnant!

Fantasma. Lu. Patina. Sunny. Cuatro jóvenes de familias completamente diferentes, con personalidades que se vuelven explosivas al chocar. Pero son también cuatro jóvenes de secundaria que fueron escogidos para un equipo de élite de atletismo… un equipo que los podría ayudar a clasificarse para las Olimpiadas Juveniles. Todos tienen mucho que perder, pero también tienen mucho que demostrar, no solo a sus compañeros sino a sí mismos. Patina —o Patty, que es su diminutivo— es la protagonista de este, el segundo libro de cuatro de la emocionante serie novelas juveniles de Jason Reynolds.

Patina —llámenla “Patty”, por favor— corre como un relámpago. Corre por muchas razones: para escapar de las burlas de las estudiantes de la lujosa escuela a la que sus padres de crianza la enviaron desde que Patty y su hermanita fueron a vivir con ellos. Corre para huir de las miradas de la gente cuando la ven con su “madre” blanca: una mirada de lástima. Corre para huir de la razón por la que ya no puede vivir con su mamá “real”: su mamá tiene “el azúcar”, y Patty tiene terror de que la enfermedad que se llevó las piernas de su madre regrese un día y se la lleve de una vez y por siempre. Así que Patty también corre por su mamá, que no puede hacerlo. Pero ¿acaso es posible en verdad huir de todo esto? El estrés aumenta, y con el también se ha asentado una actitud bastante negativa. Y el entrenador no tolera actitudes negativas. Ni hoy ni mañana. ¿Y ahora quiere que Patty corra la carrea de relevo… en donde hay que depender de los demás? ¿Y cómo se supone que Patty haga ESO?

African futurism, gothic romance, ghost story, parable, psychological thriller, inner-space fiction—Dumas’s stories form a vivid, expansive portrait of Black life in America.

Henry Dumas’s fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity, the present and the ancestral. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas’s stories create a collage of mid-twentieth-century Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America’s history of slavery and systemic racism.

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

‘Johnson is a leading voice of his generation.’ – New York Times

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.

Saint-Seducing Gold is the second book in Brittany N. Williams’s stunning YA historical fantasy trilogy—the Forge & Fracture Saga—that New York Times bestselling author Ayana Gray called “nothing short of spectacular”.
 
There’s danger in the court of James I. Magical metal-worker Joan Sands must reforge the Pact between humanity and the Fae to stop the looming war. As violence erupts across London and the murderous spymaster Robert Cecil closes in, the Fae queen Titanea coerces Joan into joining the royal court while holding her godfather prisoner in the infamous Tower of London. Now Joan will have to survive deadly machinations both magical and mortal all while balancing the magnetic pull of her two loves—Rose and Nick—before the world as she knows it is destroyed forever.

(The Forge & Fracture Saga, Book 2)

Perfect for fans of Ivy & Bean and Stella Diaz, Marya Khan and the Spectacular Fall Festival is the third adventure in Saadia Faruqi and Ani Bushry’s illustrated chapter book series about a Pakistani American third-grader whose ambition sometimes gets away from her.
 
Marya loves fall. Every year, her family goes to the town’s pumpkin patch and picks out the best pumpkin. But this year, after she sees her frenemy Alexa winning a big, cool pumpkin-shaped trophy, Marya knows she’s got to win a trophy for something.
 
It just so happens that her school is going to hold a fall festival, with games and food and even a hayride. All the ticket sales will go to an animal shelter, and the person who sells the most tickets will win a prize. Cue Operation Sell Tickets! But when Marya is so focused on winning, is she losing sight of what really matters?
 
Includes a Pumpkin-Based Recipe to Make and Enjoy
 
Marya Khan series
Marya Khan and the Incredible Henna Party (#1)
Marya Khan and the Fabulous Jasmine Garden (#2)
Marya Khan and the Spectacular Fall Festival (#3)
Marya Khan and the Awesome Adventure Park (#4)

The perfect primer for kids ages 8-12, A Child's Introduction to Asian American and Pacific Islander History is packed with remarkable stories, groundbreaking events, and inspirational people, that have made a lasting impact on the history and culture of the United States.

The latest entry in the award-winning Child’s Introduction series is an inspirational and essential look at the impact and influence that AAPI peoples have made to the culture of the United States. The book is packed with profiles of dozens of AAPI trailblazers from from all walks of life, including political activist Grace Lee Boggs, Vice President Kamala Harris, actor Dwayne “The Rock” Johnson, and dozens of others who have made contributions to music, food, sciences, technology, and more. Kids will learn key terms like "Asian American" and "Pacific Islander," how to pronounce common Asian names,  and the discrimination members of the community have faced (and continue to face). They will be introduced to a wide variety of traditions, from Diwali to Lunar New Year and signature dishes, like poi and pho, all giving greater visibility to Asian Americans for young learners. 
 
Featuring charming illustrations and a lively design, as well as a pull-out poster, A Child's Introduction to Asian American and Pacific Islander History is much-needed addition every home library and classroom.

A Harlem Detectives Novel

In this page-turning installment of the classic Harlem Detectives series, a woman dies at a con man's religious street revival, and her elusive pile of cash vanishes Alberta Wright drops dead on the street during a sermon by the charismatic con man Sweet Prophet. Her partner rushes home to avoid the cops, only to find her apartment looted by someone looking for her stash of cash. But soon it becomes apparent that there are number of players in the race for Alberta's dough when a furniture salesman who bought much of her belongings is murdered at his shop. Coffin Ed Johnson and Grave Digger Jones are called in to investigate, but they know full well the bodies haven't stopped dropping yet.

A Harlem Detectives Novel

In this gripping installment of the maverick Harlem Detectives series, Coffin Ed Johnson and Gravedigger Jones investigate a series of seemingly unrelated, brutal crimes. A gold Cadillac, about as large as an ocean liner, rocks a woman to the pavement in the cold streets of Harlem. Three goons in cop uniforms heist a small fortune and leave an important politician dead. All told eight bodies stack up over the long, bloody weekend, but they won't spoil in this weather. And Grave Digger Jones and Coffin Ed Johnson have to follow the trail of brutal violence, perversion, and cold murder—and avoid getting caught in the fray.

CBC Poetry Prize finalist and National Magazine Award honoree Faith Arkorful’s breathtaking, surpassingly thoughtful debut collection of poems. Hauntings form the canopy of The Seventh Town of Ghosts. These titular towns, centred in yesterdays, tomorrows, and the ongoing, lead to a special kind of singing: songs to the reader who wrestles with existence, the unsure peace within family, and the often-tense interdependence of life. Here, discernment is ever-present, guided by Faith Arkorful’s insights on not only the ravages of the state and the police upon the Black family and life at large, but also on a kaleidoscope of connections—sisterhood, daughterhood, kinship, solitude, death, romance—and how tenderness, chosen and repeated, can shield against life’s blows. These towns also enchant, shape-lifting through humour, irony, and the small refractions of language where Arkorful guides us through the fault lines and the undertow, in the form of fruit, island volcanoes, Formula 1, and the expansive hum of life. This poet-as-sojourner bears careful, caring witness, her attention reserved not only for her living and her dead but hyphenated two-fold by the fragile things and the lasting things. These poems remind us of what contours our mysterious and fleeting presence on Earth.

From award-winning author Carole Boston Weatherford comes a captivating picture book biography about the incredible life of esteemed author, editor, and activist Toni Morrison, featuring gorgeous illustrations by debut artist Khalif Tahir Thompson.

How do you tell a story?

Before Toni Morrison was a Pulitzer Prize winner and Nobel Prize–winning author, she was Chloe Ardelia Wofford, a little girl in Ohio who was both the only Black child in her first-grade classroom and the only student who was able to read.

This is the true story of how that young girl learned from her upbringing, surrounded herself with stories, and made a tremendous impact on the world. Toni Morrison’s pen was her sword, and she grew to be a titan of the arts. Her legacy is one that still touches readers to this day.

Expertly and evocatively told by award-winning author Carole Boston Weatherford, with beautiful painted illustrations by Khalif Tahir Thompson, this is a must-have picture book biography for any collection. It celebrates Toni Morrison’s legacy while inspiring readers to create art, believe in themselves, and strive for greatness.

A beautiful commemorative edition of Dr. Martin Luther King's last speech "I've Been to the Mountaintop," part of Dr. King's archives published exclusively by HarperCollins.

On April 3, 1968, Dr. Martin Luther King Jr. stood at the pulpit of Mason Temple in Memphis, Tennessee, and delivered what would be his final speech. Voiced in support of the Memphis Sanitation Worker’s Strike, Dr. King's words continue to be powerful and relevant as workers continue to organize, unionize, and strike across various industries today. Withstanding the test of time, this speech serves as a galvanizing call to create and maintain unity among all people.

This beautifully designed hardcover edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality.

This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney’s theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories.
 
Contributors consider McCraney’s innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award–winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.

Featured on NPR's Morning Edition

A Best Book of the Year at The Guardian, The Sunday Times, Poetry School, New York Public Library, and Entropy Magazine

Winner of the Ted Hughes Award, Rathbones Folio Prize, and Somerset Maugham Award; finalist for the Griffin Poetry Prize and Reading the West Book Award

In the wake of his father’s death, the speaker in Raymond Antrobus’ The Perseverance travels to Barcelona. In Gaudi’s Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. “Even though,” he says, “I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer.”

The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.

A Guardian Best Book of the Year

Finalist for the T. S. Eliot Prize and The Costa Poetry Award

“Exquisite.” ―The New York Times Book Review

“Brave, tender and generous. . . . A haunting study of what we can find in the silences of history when history is recognized as more than a noun, when recognized as something alive and kinetic.” ―Camonghne Felix, author of Build Yourself a Boat

On the heels of his much-lauded debut collection, Raymond Antrobus continues his essential investigation into language, miscommunication, place, and memory in All The Names Given, while simultaneously breaking new ground in both form and content. 

The collection opens with poems about the author’s surname―one that shouldn’t have survived into modernity―and examines the rich and fraught history carried within it. As Antrobus outlines a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet reckons with his own ancestry, and bears witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space―shifting fluidly between England, South Africa, Jamaica, and the American South―and brilliantly move from an examination of family history into the wandering lust of adolescence and finally, vividly, into a complex array of marriage poems―matured, wiser, and more accepting of love’s fragility. Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, in which the art of writing captions attempts to fill in the silences and transitions between the poems as well as moments inside and outside of them. 

Formally sophisticated, with a weighty perception and startling directness, All The Names Given is a timely, tender book full of humanity and remembrance from one of the most important young poets of our generation.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

PRE-ORDER: On Sale August 25, 2025

The action-packed fantasy sequel to P. Djèlí Clark's astonishing middle grade debut, Abeni's Song.

Praise for Abeni’s Song: “Lush and magical.” ―KWAME MBALIA • “Astonishing.” ―MARK OSHIRO • “Abeni's story will sweep you away.” ―AMANDA FOODY • “Witches, magic, and an incredibly brave protagonist.” ―RENA BARRON • “What an adventure!” ―MARGARET PETERSON HADDIX

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery―and a fight for reclamation―of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

Cinderella is dead, but Snow White fights on . . .

New York Times bestselling author Kalynn Bayron makes her highly anticipated return to the realm of fairy tales with this thrilling twist on the classic story of Snow White.

Princess Eve was raised with one purpose: to destroy the Knight, an evil sorcerer who terrorizes Queens Bridge with his wicked magic. Her own unique magic--the ability to conjure weapons from nature--makes her a worthy adversary. Far too many of subjects of Queens Bridge have been devastated by the Knight's trickery.

As she approaches her seventeenth birthday, Eve is ready to battle. But her mother, Queen Regina, has been acting bizarrely, talking to a strange mirror alone every night. Then a young man claiming to be the Knight's messenger appears and shares a shocking truth about Eve's past. Unsure of who to trust or what to do next, Eve must find the courage to do what she's always done: fight. But will it be enough to save her family and her queendom?

In one of the best-loved volumes of her work, J. California Cooper tells exuberant tales full of wonder at the mystery of life and the hardness of fate. Awed, bedeviled, bemused, all of Cooper's characters are borne up by the sheer power of life itself.