*ships in 7-10 business days

In 2016, Stewart was a rising leader at the predominantly white evangelical church he and his family were attending in Augusta, Georgia. Like many young church leaders, Stewart was thrilled at the prospect of growing his voice and influence within the community, and excited to break barriers as the church’s first Black preacher. But when Trump began his campaign, so began the unearthing. Stewart began overhearing talk in the pews—comments ranging from microaggressions to outright disparaging rhetoric towards Black Americans. As this violence began to reveal itself en masse, Stewart quickly found himself and his family alone amid a people unraveled—their community of faith became the same place where they soon found themselves most alone. This set Stewart on a journey—first out of the white church, and into a liberating pursuit of faith, by looking to the wisdom of the saints before us, like James Cone, James Baldwin, and Toni Morrison, and by heeding the paradoxical humility of Jesus himself.

This sharply observed journey is an intimate meditation on coming of age in the time of terror. Stewart reveals the profound faith found even after experiencing the violence of the American church: a faith that loves Blackness, speaks truth to pain and trauma, and pursues a truer, realer kind of love than the kind we’re taught—a love that sets us free.

A self-empowering wellness guide that celebrates the roots of self-care and community care as a sustaining force for generations of Black women. Bloom How You Must is a love letter to the millions of Black women who want a less stressful life but don’t know where to begin. 

Self-care isn’t a trend among Black women; it has always been a throughline in our heritage. Consider Coretta Scott King, who along with fellow activists Betty Shabazz and Myrlie Evers-Williams, would enjoy “girls’ trips” to take a break from the stress of the Civil Rights Movement. Remember their contemporary Rosa Parks attended (and led) yoga classes while on the front lines for Black rights in Detroit.

Think of the enduring friendship between Oprah Winfrey and Gayle King, a sisterhood in which they have leaned on each other for nearly forty years while thriving in the glaring media and entertainment spotlight.

Picture Toni Morrison’s overflowing gardens and lush houseplants she tended while writing classics like Beloved and The Bluest Eye.

Recall Audre Lord’s enduring declaration written after her second cancer diagnosis: “Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare.”

Bloom How You Must explores and expands on this self-care legacy and shows how it can help every Black woman today.

Tara Pringle Jefferson excavates the roots of self-care and community care as a sustaining force for generations of Black women and transforms her findings into a blueprint women can follow in their daily lives. A blend of guidebook and journal, Bloom How You Must explores several distinct pillars of wellness, featuring:

* Research from leading wellness experts
* Interviews with women aged 19–99
* Stories of personal experience
* Overviews and explanations of each component of self-care
* Dedicated pages for readers to reflect on each chapter
* Exercises to put wellness into practice
* Easy-to-follow explanatory graphics and sidebars

With its diversity of insights,practical skills and multigenerational focus, Bloom How You Must is a love letter to the millions of Black women who want a less stressful life but don’t know where to begin. Bloom How You Must gives them the tools they need to improve their health and their daily lives.

We're meeting to discuss Tumbling by Diane McKinney-Whetstone

BOOK CLUB MEETING DEETS

When: Thursday, Septembern 24 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Fiction Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT TUMBLING

“Warm and intimate. . . . An accomplished novel, with sharply drawn characters, exuberant prose, plenty of period detail and a wise, forgiving outlook on family life.” — Los Angeles Times Book Review

Tumbling is the beloved bestselling debut novel that launched the luminous career of Diane McKinney Whetstone, critically acclaimed author of Tempest Rising, Blues Dancing, Leaving Cecil Street, and Trading Dreams at Midnight. Writing in a style as accessible as Terry McMillan, yet with the literary touches of Toni Morrison, McKinney Whetstone’s Tumbling is a poignant, exquisitely rendered story of the ties that bind us and the secrets that keep us apart.

Noon and Herbie are deeply in love and living in a tightly knit African American neighborhood in South Philadelphia during the 1940s. But their marriage remains unconsummated because of a horrible incident in Noon's past, so each seeks comfort elsewhere: Noon in the warm acceptance of the neighborhood church; Herbie in the arms of Ethel, a jazz singer. Then one day an infant girl is left on their doorstep, and later Ethel blesses them with her five-year-old niece. Suddenly and unexpectedly a family, Herbie, Noon, and their two girls draw closer—until an outside threat reawakens a fire in Noon, causing her to rise up and fight to hold her family and her community together.

Celebrate the release of Gather Me: A Memoir In Praise of the Books That Saved Me with Glory Edim!

EVENT DEETS

When: Sunday, November 3 @ 4PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: Get your ticket here (all tickets include a copy of Gather Me)! 

ABOUT THE BOOK

An inspiring memoir of family, community, and resilience, and an ode to the power of books to help us understand ourselves, from the renowned founder of Well-Read Black Girl

“She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”—Toni Morrison

For Glory Edim, that "friend of my mind" is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty eventually reaching a community of half a million other readers. But her love of books stretches far back.

When Edim's father moved back to Nigeria while she was still a child, she and her brothers were left with a single mother and little money, often finding a safe space at their local library. Books were where Edim found community, and as she grew older, she discovered authors and ideas she wasn't being taught in class. In dorm rooms and airplanes and on subway rides, she found the Black writers whose words would forever change her life: Nikki Giovanni through children's poetry cassettes; Maya Angelou through a critical high school English teacher; Toni Morrison while attending Morrison's alma mater, Howard University; Audre Lorde on a flight to Nigeria. In prose full of both joy and heartbreak, Edim recounts how these writers and so many others helped her to value herself: to find her own voice when her mother lost hers, to trust her feelings when her father remarried, to create bonds with other Black women and uplift their stories.

Gather Me is a glowing testament to the power of representation and the lasting impact of literature to gather our disparate parts and put them back together.

ABOUT THE AUTHOR

Glory Edim is a literary tastemaker, entrepreneur, and advocate for diverse voices in literature. In 2015, she founded Well-Read Black Girl (WRBG), an online platform and book club dedicated to celebrating the works of Black women authors and creating a supportive online community for readers. Under Glory's leadership, WRBG has grown into a non-profit organization, hosting events, book festivals, and author conversations that highlight the richness and diversity of Black literature. Her efforts have earned her accolades such as the 2017 Innovator’s Award from the Los Angeles Times and the Madam C.J. Walker Award from the Hurston/Wright Foundation. As an author herself, Glory has contributed to the literary landscape with her best-selling anthologies Well-Read Black Girl: Finding Our Stories, Discovering Ourselves, and On Girlhood: 15 Stories from the Well-Read Black Girl Library.

ABOUT THE CONVERSATION PARTNER

Wale is a licensed mental health therapist and a passionate reader who uses her platform (@theehottgirlbooks) to dive deep into powerfully emotional stories written by BIPOC authors. Her love for reading and mental health fosters a passionate approach to her work both online and in the therapy room.  When she is not immersed in the literary world, you can find her watching the real housewives or building an elaborate Lego set.

Join us for a montly children's storytime at Kindred Stories. Each Story time will celebrate a special book and be read by a wondertful community mementer. IT also includes a story time. 

Featured Book: Daisy Helps With The Dress 

Featured Reader: Antonia Adams 

EVENT DEETS

When: Saturday, September 26 @ 11 AM CST 

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your spot and let us know you are coming.

ABOUT DAISY HELPS WITH THE DRESS 

When Daisy tries to help with her cousin’s wedding, her misguided assists almost ruin the big day, until she finds a way to pull the dress—and her family—together in this charming picture book by award-winning author Olugbemisola Rhuday-Perkovich.

Daisy loves helping her family and she knows the best kind of helpers never wait to be asked. That’s why she doesn’t ask before adding finishing touches to her family’s special reused, re-tried, remixed things, like a leftover broccoli topping for Auntie Fontie’s cakes or a good bath for Nana DJ’s “back-in-the-day, rusty, dusty” vintage albums—much to their chagrin.

But what Daisy wants most is to help give her cousin Simone’s recycled wedding dress a little razzle dazzle. She knows just what the vintage dress needs: a little glitter here, a few stickers there to give the dress some flair.

But Daisy’s cousin Simone and the rest of the family are not so happy with her decorations. Can Daisy make things right and help find Simone a new re-lived, re-loved wedding dress?

The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones—of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years—the fastidious butler, Sydney, and his strong yet remote wife—who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them—a beautiful young black woman, Jadine, who is not only the servant’s dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian’s expense and is home now for a respite from her Paris world of fashion, film and art.

Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian’s perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret’s delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him—he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward—to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them—she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him—all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

Once again, Toni Morrison has given us a novel of daring, fascination, and power.

Nobel Laureate and Pulitzer Prize-winning author of Beloved, Toni Morrison, investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious

In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity – these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of the authors’ own deepest fears, insecurities, and longings.

With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands … of practically anything a new nation concerns itself with – without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?”

To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most profound and subversive way yet. With a foreword from her son, Ford Morrison, and an introduction from her Princeton comparative literature colleague, Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Paradise opens with one of Morrison’s most raw and Faulknerian scenes: early one morning in 1976, nine men from the town of Ruby, Oklahoma—population 360, all black—unleash an assault upon a convent seventeen miles away. The misfortunes suffered in Ruby, the men believe, come from the convent women, who are rumored to engage in witchcraft and abortion. From this fateful moment of collision, Morrison takes us back to the town’s origins in 1890, when it was founded by former slaves. She then guides us through Ruby’s tumultuous journey through the twentieth century, as generations are born and lost, as racial turmoil shakes the nation. As time wears on, the residents of Ruby become ever more convinced that they must isolate themselves in order to preserve their freedom and dignity. Richly imagined and elegantly composed, Paradise is a deeply resonant allegory, one of Morrison’s most ambitious works.