Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.

A cinematic, razor-sharp novel following a backlot fixer’s daring investigation into the suspicious death of a closeted Black actor within the glamorous world of Hollywood, from the bestselling author of My Government Means to Kill Me

Xavier C. Barlow, one of Hollywood’s young Black stars taking the industry by storm in the late 1950s, is Skyline Studios’s ambitious attempt to rival Sidney Poitier's burgeoning success. His arrival into the industry is calculated, his charm is magnetic, and his seductive screen presence appeals to both audiences and celebrities across generations.

But years later, after Xavier dies at the height of his fame, Aaron Touissant―Skyline’s designated backlot fixer who helps the studio’s stars stay as deep in the closet as humanly possible―is finally ready to expose the powerful culprits responsible for his untimely death.

Written as part-confessional, part-cris de coeur from Aaron's panoramic lens, There’s Only One Sin in Hollywood is a searing portrait of the movie industry as a manicured minefield and a compelling journey into the queer history of Los Angeles.

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The debut poetry collection from Grammy-nominated recording artist and slam poet Tarriona "Tank" Ball about infatuation, love, and heartbreak.

The real-life story of a relationship in the author's past told in verse and short prose pieces. Relatable and honest, with Tank's signature mix of whimsy and realness, Vulnerable AF is about the difference between love and infatuation, the danger and confusion of losing yourself in the idea of someone else, and coming out on the other side of heartbreak with your sense of self-worth—and your sense of humor—stronger for it.

BOOK CLUB MEETING DEETS

When: Tuesday, February 18 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Non Fiction Book Club!

ABOUT THE BLACK UTOPIANS

How did the disillusioned, the betrayed, the confined, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What does utopia look like in black?

When preacher Albert Cleage, Jr., founded the innovative church known as the Shrine of the Black Madonna in Detroit, he had an audacious goal: to combine Afrocentric Christian practice with radical social projects to transform the self-conception of its members. The Shrine’s members opened bookstores and co-ops, created a self-defense force, raised their children communally, and eventually established the country’s largest black-owned farm, where attempts to create an earthly paradise for black people continue today.

Aaron Robertson sets the Shrine’s story alongside a diverse array of black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. He also traces his own family’s journey from the historic blacktown of Promise Land, Tennessee, to Detroit.

The Black Utopians offers a nuanced portrait of the struggle for spaces where black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.

New York Times Bestseller

From the author of the classic Their Eyes Were Watching God comes a landmark publication of the American experience, now in paperback!

“A profound impact on Hurston’s literary legacy.”— New York Times

In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Lewis was enslaved fifty years after the transoceanic slave trade was outlawed. At the time, Cudjo Lewis was the only known person alive who could recount this integral part of the nation’s history. As a cultural anthropologist and ethnographer, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn’t always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or be lost in reveries of his homeland.

Hurston persisted, though, and during an intense period of about three months, she and Cudjo Lewis communed over her gifts of peaches and watermelon, and gradually Lewis, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by, Amazons, the female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda, as “cargo,” along with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.

Barracoon reflects Hurston’s skills as both a social scientist and a writer, and brings to life Cudjo Lewis’s singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted for others of the Middle Passage. This profound work is an invaluable contribution to our history and culture.

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When Nala Robertson attends an open mic night for her cousin Imani’s birthday, she finds herself falling in instant love with Tye Brown, an activist who is spending the summer putting on events for the community. Nala would rather watch movies and try out new flavors at the local creamery. In order to impress Tye, Nala tells a few tiny lies to have more in common with him. When they spend time together, some of the lies get harder to keep up. But as Nala falls deeper into keeping up her lies and into love, she’ll learn all the ways love is hard, and how self-love is revolutionary.

“Jason Allen-Paisant deftly inscribes his own signature on worlds inner and outer in these gorgeous poems. The future of Caribbean lyric poetry is in great hands.”—Lorna Goodison, author of From Harvey River

Jason Allen-Paisant has emerged in recent years as one of the most celebrated poets in the UK and across the West Indies. Winner already of the Forward Prize and the T. S. Eliot Prize, his writing has been acclaimed for its artistry and the fresh perspective it offers on the relationship of the African diaspora to place and the natural world.

In this, his debut collection of poems, he recalls an idyllic boyhood in his native Jamaica, where the roots of guango and yam vines burrow deep into the bauxite soil. Walking with his grandmother to reach the yam fields she worked, he envisions how “the muscular guango trees were like beings among whom we lived.” Transplanted to England, where he lives and works now, he describes lovely rambles in entirely different landscapes. But Allen-Paisant’s experience in the dense woodlands around Leeds is complex—unleashed dogs are welcome, and Black men are found suspect. “Try to imagine daffodils / in the hands of a black family / on a black walk / in spring,” he writes, in a radical response to Wordsworth’s pastoral.

Subversive in its excavation of an imperialist past and wonderfully generous in its exploration of alternative worldviews, Thinking with Trees represents the arrival in North America of poems that expand roots and leaves into something deeper, richer, less compromising.

One summer bound them. One secret divided them. One reunion could change everything.

As teenagers, Summer Knight and Echo Abara spent one unforgettable summer as camp counselors. Beneath sun-soaked days and starry nights, their bond deepened from easy friendship into something more—an unspoken love neither dared confess. Life pulled them in different directions, yet their souls remained tethered by time, distance, and a shared secret.

Neither has forgotten their connection—nor the secret they swore to keep. When a reunion brings them back together, their lives collide once more, stirring long-buried emotions and unanswered questions. Summer and Echo must confront not only their unvoiced feelings but also the burden of their shared secret—one that could shatter everything they believed about their friendship and the summer that shaped them.

Will they find the courage to embrace what's always been between them? Or will the truth they've guarded destroy their second chance?

Rosewater is the start of an award-winning trilogy set in Nigeria, by one of science fiction's most engaging voices.

*Arthur C. Clarke Award for Best Science Fiction Novel, winner
*Nommo Award for Best Speculative Fiction Novel, winner

Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry, and the helpless -- people eager for a glimpse inside the dome or a taste of its rumored healing powers.

Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again -- but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Tade Thompson's innovative, genre-bending, Afrofuturist series, the Wormwood Trilogy, is perfect for fans of Jeff Vandermeer, N. K. Jemisin, and Ann Leckie.

Praise for Rosewater:

"Smart. Gripping. Fabulous!" —Ann Leckie, award winning-author of Ancillary Justice 

"Mesmerising. There are echoes of Neuromancer and Arrival in here, but this astonishing debut is beholden to no one." —M. R. Carey, bestselling author of The Girl with All the Gifts 

"A magnificent tour de force, skillfully written and full of original and disturbing ideas." —Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Time 

The Wormwood Trilogy
Rosewater
Rosewater Insurrection
Rosewater Redemption

A truly unfortunate first day of work leads to unexpected love in this sparkling debut from Romance in Colour podcast cohost Tati Richardson.

Rumpled and ragged was not how architect Ari James envisioned kicking off her first day at a new firm. And few things can top the horror of her new—and extremely hot—colleague walking in on her at the worst moment ever. Learning that she’ll be working with him on the project that’s supposed to get her career back on top makes it harder than ever to focus on her big comeback.

With a partnership at his firm on the line, nothing is going to stand in the way of Porter Harrison absolutely killing it on his new project: not his obnoxious rival, not his unpredictable brother and definitely not his new coworker whose gorgeous curves he accidentally saw and now can’t get out of his head.

Though neither of them is looking for love, once their creative juices get flowing, Ari and Porter’s connection is obvious. But when their shared goal has always been winning at work, building a solid foundation for a relationship might end up costing them everything…

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso, and finalist for the BBC Short Story Award, twenty-six-year old writer and photographer Caleb Azumah Nelson

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso and finalist for the BBC Short Story Award, twenty-six-year-old writer and photographer Caleb Azumah Nelson

“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.” —Yaa Gyasi, author of Homegoing

In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control.

Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty.

This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

Grace Robertson wasn't looking for love. She was looking for peace.

Her marriage ended years ago. Her dating life has been a series of lessons in what she doesn't want. So, when her friends present her with a matchmaker, Grace accepts. Maybe it's time to let someone else handle the vetting process.

Then she meets him.

Lucien Sloane is everything a matchmaker might have found for her—accomplished, attentive, genuinely interested in building something meaningful. Their chemistry is undeniable, but more than that, he makes her feel seen. Understood. Like the version of herself she's worked hard to become is exactly who he wants to know.

Grace knows she should slow down. She knows she should be cautious. But for once, she lets herself trust the connection.

That trust will be tested when she discovers Luke is keeping his own secrets. And Grace will have to decide if what they have is strong enough to survive the truth—or if she's been fooling herself all along.

The Match Game is about the complexity of building love when you're old enough to know better, brave enough to try anyway, and wise enough to demand honesty even when it hurts.