In the Heart of Mystery Lies Redemption...

Every Sunday, Oona the St. Berdoodle and her current owner, Zsuzsu, make their way through the winding paths of the State Park to the enigmatic Redemption Center―a place often mistaken for a haunted mansion.

When a local celebrity is found murdered, the unexpected brings Oona together with a rag-tag group of local misfits. Together they venture into the depths of the Center's mystery to untangle the threads of murder and deception.

But Oona holds two secrets: she’s a citizen of the multiverse, able to travel between dimensions at will, and more importantly, she knows the killer's identity. Unfortunately, the killer knows she knows, and he’s determined to find her and silence her for good.

An extra-dimensional murder mystery with conundrums, alien tricksters, and a dog detective who just doesn’t know the meaning of “stay”.

Celeste, a card sharp with a need for justice, takes on the role of advocatus diaboli, to defend her sister Mariel, accused of murdering a Virtue, a member of the ruling class of this mining town, in a new world of dark fantasy from the New York Times bestselling author of Black Sun, Rebecca Roanhorse.

The year is 1883 and the mining town of Goetia is booming as prospectors from near and far come to mine the powerful new element Divinity from the high mountains of Colorado with the help of the pariahs of society known as the Fallen. The Fallen are the descendants of demonkind living amongst the Virtues, the winners in an ancient war, with the descendants of both sides choosing to live alongside Abaddon’s mountain in this tale of the mythological West from the bestselling mastermind Rebecca Roanhorse.

Sweeping from the eighteenth century to futurist fabulations, Black Bell harmonizes poetry with performance art practices in an investigation of fugitivity.

Inspired by the nineteenth century image of an enslaved woman wearing iron horns and bells, Alison C. Rollins’s Black Bell continues an exploration of cataloging individual experience and collective memory. As Rollins sets out to resuscitate and embody the archive, we see a chorus of historical figures like Eliza Harris, Henry “Box” Brown, and Lear Green; readers can listen in as Phillis Wheatley takes a Turing test or venture through Dante’s Inferno remixed with Wu-Tang Clan’s 36 Chambers. Poems travel across time and space, between the eighteenth century and futuristic fabulations, vibrating with fugitive frequencies, sounds of survival, and nerve-wracking notes tuned toward love and liberation. Black Bell navigates what it means to be both invisible and spectacle, hidden and on display, allowing lyric language to become the material for fashioning wearable sculptures akin to Nick Cave’s “soundsuits.” Integrating performance art practices, metalwork, and sonic, Black Bell becomes multimedia meditation on freedom seeking, furthering the possibilities of both the page and the canvas of the poet’s body.

When a guarded divorcée and a love-weary mogul cross paths on a singles cruise, a pact to keep things platonic sets sail toward a second chance neither of them is ready for.

Aquila Richards-Oliver has the life many envy: a high-profile husband, two beautiful sons, and a seemingly perfect role as wife, mother, and big sister. But perfection comes at a steep price. When her marriage to a world-renowned chef unravels under the weight of betrayal and long-buried truths, Aquila chooses herself—for the first time in years—and begins the hard work of rebuilding her life on her own terms.

Roman Patterson has built everything but a family. At thirty-five, the successful entrepreneur has more wealth than time and more regrets than romance. Convinced love has passed him by, he reluctantly agrees to a singles cruise, expecting nothing more than cocktails and casual distractions.
What neither Roman nor Aquila expects is to find each other—on a boat in the middle of paradise.

They make a pact to enjoy the cruise as friends, but their connection is instant, and the chemistry is undeniable. As sparks fly and emotions deepen, they’re forced to face the realities waiting back on land: exes, children, broken trust, and wounds that still sting.

Can Aquila let down her guard and believe in love again? Can Roman prove he’s more than a fleeting escape? Or will the past sink the promise of something real?

A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.

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The author of Moses: When Harriet Tubman Led Her People to Freedom and the author of Pride: The Story of Harvey Milk and the Rainbow Flag combine their tremendous talents for a singular picture book biography of Bayard Rustin, the gay Black man behind the March on Washington of 1963.

On August 28, 1963, a quarter of a million activists and demonstrators from every corner of America convened for the March on Washington for Jobs and Freedom. It was there and then that they raised their voices in unison for racial and economic justice for all Black Americans, to call out inequities, and, ultimately, to advance the Civil Rights Movement.

Every movement has its unsung heroes. Individuals in the background who work without praise and accolades, who toil and struggle without notice. One of those unsung heroes was at the center of some of the most important decisions and events of the Civil Rights Movement.

Credited with introducing Dr. Martin Luther King, Jr. to the power of peaceful protest, for orchestrating the March on Washington, and for skillfully composing the program that placed Dr. King at the end of the list of speakers and musicians for what would become his historic “I Have a Dream” speech, this unsung hero will be celebrated for the first time in a picture book.

The unsung hero behind the movement was a quiet man. A gay, African American man. He was Bayard Rustin. On the heels of the sixtieth anniversary of this historic moment, two acclaimed picture book authors tell Bayard's inspiring story in an innovative and timeless book. A Song for the Unsung is the rousing story of one of our nation's greatest calls to action by honoring one of the men who made it happen.

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A stunning, heartwrenching new novel from Abi Daré, New York Times bestselling author of The Girl with the Louding Voice

When Tia accidentally overhears a whispered conversation between her mother—terminally ill and lying in a hospital bed in Port Harcourt, Nigeria—and her aunt, the repercussions will send her on a desperate quest to uncover a secret her mother has been hiding for nearly two decades.

Back home in Lagos a few days later, Adunni, a plucky fourteen-year-old runaway, is lying awake in Tia’s guest room. Having escaped from her rural village in a desperate bid to seek a better future, she’s finally found refuge with Tia, who has helped her enroll in school. It’s always been Adunni’s dream to get an education, and she’s bursting with excitement. 
 
Suddenly, there’s a horrible knocking at the front gate. . . .

It’s only the beginning of a harrowing ordeal that will see Tia forced to make a terrible choice between protecting Adunni or finally learning the truth behind the secret her mother has hidden from her. And Adunni will learn that her “louding voice,” as she calls it, is more important than ever, as she must advocate to save not only herself but all the young women of her home village, Ikati. 
 
If she succeeds, she may transform Ikati into a place where girls are allowed to claim the bright futures they deserve—and shout their stories to the world.

After storming the scene with Stereo(TYPE), the PEN America Award–winning poet makes his highly anticipated return—with a virtuosic sophomore collection that plunges the reader into the tenebrous realm between dreams and reality and firmly establishes him as an essential voice in American poetry.

“I’m coming to you live,” Jonah Mixon-Webster announces early on in Promise/Threat, “from the corner of Shit Blvd. and Out o’ Luck St. / with my monkey paws.” So begins a three-part journey of a troubled rebirth, one that ushers the reader through all the torment of a Dantean comedy as it climbs unsteadily from darkness to light, navigating an internalized landscape that evokes the Flint, Michigan, of the poet’s youth.

In the long central sequence, “Territory,” Mixon-Webster sets the reader in a mirror hall of dreams, where one’s nemesis (or one’s self) is always lurking around the corner. Violences of the waking life trickle into the narrator’s sleep as he flees from vision to vision, “picking fruit in one dream and eating it in the next.” In the book’s third and final section, as the poet begins to wake, he finds that the “real poem is the life I’m writing.” Mixon-Webster’s musings turn to love and the often-destructive desires it provokes in us as he grapples with how to carry the burden of a past that threatens to sabotage the future.

These are seeking, supple poems whose forms adapt to contain their transfigured images. What emerges in this daring second collection is a surreal and haunting portrait of life in modern America, where pitfalls hide in every promise.

The electrifying and intimate first novel from the author of The Collection Plate and Fruit Punch, a searing story of a young Texan woman and the family she makes with two men

“A couple years after Noon and I fall in love, we fall in love with Micah—and a couple years after that, I have both of their babies. We choose, this land and this life. We share, ourselves and our sons. We name them, Morning and Night.”

In her arresting first novel, Kendra Allen investigates love, partnership, motherhood, pleasure and the pursuit of freedom in one young woman’s defiantly unconventional terms. Rae has just returned to her family after leaving for a stretch and suddenly – that family being her two male partners and the sons, named Morning and Night, that she has mothered with each of them. In the span of one year, they will experience unfathomable depths of devastation—and joys they could never predict.
Good Morning Means I Love You follows Rae as she makes choices around sex, mothering, and partnership that are as stunning to everyone else as they are natural to herself. With pain and pleasure, she watches as her children learn to walk and give language to the world as her lovers contend with their own ideas of masculinity, personhood, and fatherhood. Along the way, Rae begins to understand the hardest and most beautiful truth: that we have only so much time on earth to make love, to make family, and to make good on the promise of this one, short life.
This is a novel of the self in all its simultaneities and a living portrait of intimacy written in poetic, bold, and sensual prose that shines a light on what it means to redefine expectation.

An unforgettable, heartwarming, hilarious coming-of-age story about faith, family, all kinds of love, and a Black Muslim teen pursuing an ordinary goal in an extraordinary time.

Barely one week into senior year of high school, Boston native Zakiyyah is making her 2012-2013 Get Free Plan.

Step one: quit high school. (PSA: There are other ways to get to college!)

Step two: live like it’s Ramadan year-round.

As she gets deeper into her Plan, she starts to wonder if there’s someone out there who would be a good companion. To everyone’s surprise, Zakiyyah decides she wants to get married. But there are some complications.

Problem one: she’s never met a guy she liked. Zakiyyah’s family (reluctantly) and friends (eagerly) agree to support the search.

Problem two: what’s the secret to choosing a good life partner?

Enter Musa, by way of mutual friends. With marriage in mind, Zakiyyah and Musa get to know each other, progressing from email to instant messaging to phone calls. Things are going well… thrillingly well… until tragedy strikes Boston. In a moment of heightened emotion and stress, Zakiyyah and Musa have their first major disagreement.

Zakiyyah can call the whole thing off. But with or without Musa, what does it mean to live on her own terms?

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.