An updated edition of a classic African American autobiography, with new supplementary materials

A Penguin Vitae Edition

The preeminent American slave narrative first published in 1845, Frederick Douglass’s Narrative powerfully details the life of the abolitionist from his birth into slavery in 1818 to his escape to the North in 1838, how he endured the daily physical and spiritual brutalities of his owners and driver, how he learned to read and write, and how he grew into a man who could only live free or die. In addition to Douglass’s classic autobiography, this new edition also includes his most famous speech “What to the Slave Is the Fourth of July?” and his only known work of fiction, The Heroic Slave, which was written, in part, as a response to Harriet Beecher Stowe’s Uncle Tom’s Cabin.

Penguin Classics presents Penguin Vitae, loosely translated as “Penguin of one’s life,” a deluxe hardcover series featuring a dynamic landscape of classic fiction and nonfiction that has shaped the course of our readers' lives. Penguin Vitae invites readers to find themselves in a diverse world of storytellers, with beautifully designed classic editions of personal inspiration, intellectual engagement, and creative originality.

A new collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader
 
This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture.
 
The Portable Frederick Douglass is the latest addition in a series of African American classics curated by Henry Louis Gates, Jr. First published in 2008, the series reflects a selection of great works of fiction, nonfiction, and poetry by African and African American authors introduced and annotated by leading scholars and acclaimed writers in new or updated editions for Penguin Classics. In his series essay, “What Is an African American Classic?” Gates provides a broader view of the canon of classics of African American literature available from Penguin Classics and beyond. Gates writes, “These texts reveal the human universal through the African American particular: all true art, all classics do this; this is what ‘art’ is, a revelation of that which makes each of us sublimely human, rendered in the minute details of the actions and thoughts and feelings of a compelling character embedded in a time and place.”
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

My Bondage and My Freedom is the second of three published autobiographies from one of the most brilliant and eloquent abolitionists and human rights activists in American history. The Narrative of the Life of Frederick Douglass, an American Slave was published ten years before in 1845, while The Life and Times of Frederick Douglass was published twenty-five years later.

Douglass’s letters from the 1880s reveal both his unrelenting efforts to protect African American rights and little-known details about his personal life
 
The fourth volume of the Correspondence Series presents Frederick Douglass as a still-influential public figure but also as a man aware that the gains African Americans made during the Civil War and Reconstruction were not as well secured as he had hoped.
 
For this volume, the editors selected 247 of the 914 known letters sent to or from Douglass between 1881 and 1888. An active partisan, Douglass corresponded regularly with Republican party leaders from the local to national level about campaign tactics and strategies. Douglass also often received letters from African Americans who detailed the deteriorating state of race relations across the South in the 1880s. Douglass used his correspondence to advance the political stature of Republicans he regarded as most sympathetic to protecting African American rights.
 
Douglass wrote about his taste in reading; his fondness for carriage riding; his feuds with family members and neighbors; his first wife, Anna Murray; and his remarriage, to Helen Pitts, and the controversy that the interracial marriage generated. Douglass’s correspondence details the seven-month honeymoon the couple took in Europe and Egypt, the reunion with old abolitionist friends in Great Britain, and candid appraisals of places he visited and people he met overseas.

Frederick Douglass was the most prominent African American of the 19th Century and Sidney Morrison has created a mesmerizing historical novel richly detailing his life and the Civil War Era

Born into slavery, Frederick Douglass did what seemed impossible: he escaped, reinvented himself, and rose to become one of the most powerful voices in American history—a fierce abolitionist, gifted orator, founder of The North Star, and collaborator with Abraham Lincoln, William Lloyd Garrison, John Brown, and Susan B. Anthony in ending slavery and shaping U.S. democracy itself.

But in this singular work of historical fiction, Sidney Morrison is able to move beyond the legend to explore the full complexity of Douglass's interior life: the loves he protected, the choices he made, the costs paid for his greatness. Anna Murray Douglass, the wife instrumental to his escape. Julia Griffith, the British abolitionist whose closeness sparked scandal. Ottilie Assing, the German journalist who died by suicide after Douglass married another woman. Here is Douglass as history has never quite shown him: a towering public figure and a deeply complex private man, whose life was rich in conflict, consequence, and humanity.

The Souls of Black Folk is Du Bois’s outstanding contribution to modern political theory. It is his still influential answer to the question, “What kind of politics should African Americans conduct to counter white supremacy?” Here, in a major addition to American studies and the first book-length philosophical treatment of Du Bois’s thought, Robert Gooding-Williams examines the conceptual foundations of Du Bois’s interpretation of black politics.

For Du Bois, writing in a segregated America, a politics capable of countering Jim Crow had to uplift the black masses while heeding the ethos of the black folk: it had to be a politics of modernizing “self-realization” that expressed a collective spiritual identity. Highlighting Du Bois’s adaptations of Gustav Schmoller’s social thought, the German debate over the Geisteswissenschaften, and William Wordsworth’s poetry, Gooding-Williams reconstructs Souls’ defense of this “politics of expressive self-realization,” and then examines it critically, bringing it into dialogue with the picture of African American politics that Frederick Douglass sketches in My Bondage and My Freedom. Through a novel reading of Douglass, Gooding-Williams characterizes the limitations of Du Bois’s thought and questions the authority it still exerts in ongoing debates about black leadership, black identity, and the black underclass. Coming to Bondage and then to these debates by looking backward and then forward from Souls, Gooding-Williams lets Souls serve him as a productive hermeneutical lens for exploring Afro-Modern political thought in America.

A brilliant scholar imparts the lessons bequeathed by the Black community and its remarkable artists and thinkers.

Farah Jasmine Griffin has taken to her heart the phrase "read until you understand," a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life.

Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students.

Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden, and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy, and mercy allows her to move from her aunt’s love of yellow roses to Gil Scott-Heron’s "Winter in America."

Griffin entwines memoir, history, and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation’s inhabitants and our responsibilities to all humanity.

This exploration of Black dandy fashion and its representation in art and literature highlights the vibrant, complicated legacy of a recognizable yet constantly shifting style, from its origins in Enlightenment Europe to the contemporary art and fashion worlds
 
Superfine: Tailoring Black Style traces the complex and vibrant legacy of menswear across three centuries of Black culture—from today’s hip-hop aesthetic and popular street trends, through its use during the Harlem Renaissance and the civil rights movement as a symbol of creative and political agency, to its surprising origins as an imposed uniform for servants and enslaved people. Organized by key characteristics of dandyism that resonate across time, including presence, distinction, disguise, and respectability, this fresh interpretation of a centuries-old aesthetic draws on prominent Black voices in fashion, literature, and art—among them, Dandy Wellington, Amy Sherald, Iké Udé, and André 3000. Self-described dandies and high-fashion models feature in a stunning photo essay by artist Tyler Mitchell, who also contributes evocative new photography of garments by contemporary designers such as Virgil Abloh, Pharrell Williams, and Grace Wales Bonner. These works are shown alongside historical attire worn by Black luminaries including Frederick Douglass, Alexandre Dumas père, Muhammad Ali, and André Leon Talley. Scholar Monica L. Miller contextualizes these objects in her text and shows how the evolution of dandy style inspired new visions of Black masculinity that use the power of clothing and dress as a means of self-expression.
 
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
 
Exhibition Schedule:
 
The Metropolitan Museum of Art, New York
(May 10–October 26, 2025)

Catalogue design by Pacific (Elizabeth Karp-Evans and Adam Turnbull)

The bestselling, definitive study of African Americans throughout American history, now with a new introduction by noted scholar V. P. Franklin.

In The Negro in the Making of America, eminent historian Benjamin Quarles provides one of the most comprehensive and readable accounts ever gathered in one volume of the role that African Americans have played in shaping the destiny of America. Starting with the arrival of the slave ships in the early 1600s and moving through the Colonial period, the Revolutionary and Civil Wars, and into the last half of the twentieth century, Quarles chronicles the sweep of events that have brought blacks and their struggle for social and economic equality to the forefront of American life.

Through compelling portraits of central political, historical, and artistic figures such as Nat Turner, Frederick Douglass, Duke Ellington, Malcolm X, and the Reverend Martin Luther King, Jr., Quarles illuminates the African American contributions that have enriched the cultural heritage of America. This classic history also covers black participation in politics, the rise of a black business class, and the forms of discrimination experienced by blacks in housing, employment, and the media.

Quarles's groundbreaking work not only surveys the role of black Americans as they engaged in the dual, simultaneous processes of assimilating into and transforming the culture of their country, but also, in a portrait of the white response to blacks, holds a mirror up to the deeper moral complexion of our nation's history. The restoration of this history holds a redemptive quality—one that can be used, in the author's words, as a "vehicle for present enlightenment, guidance, and enrichment."

We're meeting to discuss The Missed Connection!

BOOK CLUB MEETING DEETS

When: Wednesday, July 8 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

*This book is currently on PRE-ORDER and has an on sale date for June 9th. You can purchase now for your book to be picked up or shipped on June 9th. 

ABOUT THE MISSED CONNECTION

New York Times bestselling author Tia Williams returns with an intensely romantic, deliciously sexy tale about a woman searching for her handsome seatmate on a European flight--and the unexpected places her hunt for love leads her.

Sasha Cruz knows types. As a booked-and-busy casting agent, she's always casting -- at happy hour, the post office, the grocery store, everywhere. She's all about finding the perfect person to slot into the perfect role. What she doesn't do, however, are relationships. Too much energy, not enough time. Men find her intimidating, and she likes it that way.

But when Sasha's seated next to a mysterious, broodingly handsome Italian man on the way to a work trip in Paris, sparks fly - but they miss the chance to exchange contact information. Now, convinced that she's lost out on her soulmate, Sasha is on a manhunt to find Seat F.

Sasha enlists her work friend for help in the search, but when she accidentally emails the entire global company, colleagues around the world begin looking for Seat F, too - with some finding love along the way. Meanwhile, Sasha takes matters into her own hands, hiring a smoldering detective who complicates matters in unforeseen ways