An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms.

Toni Morrison herself had great enthusiasm about Dana Williams's work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Juxtaposing the world-building of afrofuturism and the world-negating of afropessimism to show how both movements have offered us critical resources of hope.
 
Science fiction imagines aliens and global crises as world-unifying events, both a threat and promise for the future. Black Apocalypse is an introduction to the past and present of black engagement with speculative futures. From Octavia Butler to W.E.B. Du Bois to Sun Ra, Tavia Nyong’o shows that the end of the world is crucial to afrofuturism and reframes the binary of afropessimism and afrofuturism to explore their similarities.
 
Interweaving black trans, queer, and feminist theories, Nyong'o examines the social, technological, and existential threats facing our species and reflects on shifting anxieties and hopes for the future. Exploring the apocalypse in movies, art, literature, and music, this book considers the endless afterlives of slavery and inequality and revives the radical black imagination to envision the future of blackness. Black Apocalypse argues that black aesthetics take us to the edge of this world and into the next.

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

In this vibrant, gratifying novel, a pious, small-town teenager travels to Atlanta to get an abortion and finds herself smack in the middle of the civil rights movement and the secret lives of queer Black people.
 
“Bursting with heart and humor, These Heathens reflects powerfully on choice and chance, while also being endlessly entertaining.”—Allison Larkin, author of The People We Keep and Home of the American Circus

Where do you get an abortion in 1960 Georgia, especially if your small town’s midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia’s orbit: celebrities whom Doris has seen in the pages of Jet and Ebony, civil rights leaders such as Coretta Scott King and Diane Nash, women who dance close together, boys who flirt too hard and talk too much, atheists! And even more shocking? Mrs. Lucas seems right at home.

From the guests at a queer kickback to the student activists at a SNCC conference, Doris suddenly finds herself surrounded by so many people who seem to know exactly who or what they want. Doris knows she doesn’t want a baby, but what does she want? Will this trip help her find out?

These Heathens is a funny, poignant story about Black women’s obligations and ambitions, what we owe to ourselves, and the transformative power of leaving your bubble, even for just one chaotic weekend.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.

This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.

Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer (“A bombshell of a book... Sharp, explosive, hilarious'--New York Times)

When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fostered and fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end.

There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which has been handed down from generation to generation, breaking hearts and causing three generations of abandoned Falodun women to live under the same roof.

When Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. As several women in her family have done before, she ill-advisedly seeks answers in older, darker spiritual corners of Lagos, demanding solutions. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember?

Cursed Daughters is a brilliant cocktail of modernity and superstition, vibrant humor and hard-won wisdom, romantic love and familial obligation. With its unforgettable cast of characters, it asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.

The Conjuring of America tells the epic story of conjure women, who, through a mix of spiritual beliefs, herbal rituals, and therapeutic remedies gave rise to the rich tapestry of American culture we see today. Feminist philosopher, Lindsey Stewart, tells the stories of Negro Mammies of slavery; the Voodoo Queens and Blues Women of Reconstruction; and the Granny Midwives and textile weavers of the Jim Crow era. These women, in secrecy and subterfuge, courageously and devotedly continued their practices and worship for centuries and passed down their traditions. 
 
Emerging first in the American South during slavery, these women were thrust into the heart of national conflicts over generations of African American life. They combined ancestral magic and hyperlocal resources to respond to Black struggles in real time, forging a secret well of health and power hidden to their oppressors. As a result, conjure informs our lives in ways remarkable and ordinary—from traditional medicines that informed the creation of Vicks VapoRub and the rise of Aunt Jemima’s Pancake Mix, to the original magic of Disney’s The Little Mermaid (2023), and the true origins of the all-American classic blue jean.
 
From the moment enslaved Africans first arrived on these shores, conjure was heavily regulated and even outlawed. Now, Stewart uncovers new contours of American history, sourcing letters from the enslaved, dispatches from the lore of Oshun and other African mystics. The Conjuring of America is a love letter to the real magic Black women used, their magic Black women, their herbs, food, textiles, song, and dance, used to sow rebellion, freedom, and hope.

The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.

As this 25th anniversary edition—featuring a foreword by Tommy Shelbie and a new preface by the author—makes clear, the still-urgent The Racial Contract continues to inspire, provoke, and influence thinking about the intersection of the racist underpinnings of political philosophy.

Raised in the steamy bayous of New Orleans in the early 1900s, LeRoi "King" Tremain, caught up in his family's ongoing feud with the rival DuMont family, learns to fight. But when the teenage King mistakenly kills two white deputies during a botched raid on the DuMonts, the Tremains' fear of reprisal forces King to flee Louisiana.

King thus embarks on an adventure that first takes him to France, where he fights in World War I as a member of the segregated 369th Battalion—in the bigoted army he finds himself locked in combat with American soldiers as well as with Germans. When he returns to America, he battles the Mob in Jazz Age Harlem, the KKK in Louisiana, and crooked politicians trying to destroy a black township in Oklahoma.

King Tremain is driven by two principal forces: He wants to be treated with respect, and he wants to create a family dynasty much like the one he left behind in Louisiana. This is a stunning debut by novelist Guy Johnson that provides a true depiction of the lives of African-Americans in the early decades of the twentieth century.

A powerful, award-winning novel about friendship.

Phyllisia Cathy—She is fourteen. Her problems seem overwhelming: New York, after life on her sunlit West Indies island, is cold, cruel and filthy. She is insulted daily and is beaten up by classmates. What Phyllisia needs, God not being interested, is a friend.

Edith Jackson—She is fifteen. Her clothes are unpressed, her stockings bagging with big holes. Her knowledge of school is zero. She has no parents, she swears and she steals. But she is kind and offers her friendship and protection to Phyllisia. “And so begins the struggle that is the heart of this very important book: the fight to gain perception of one’s own real character; the grim struggle for self-knowledge.”—Alice Walker, The New York Times

"[A]ccessible and intellectually rich…Essential reading to understand the economic state of the nation." ―Kirkus Reviews (starred review)

The celebrated legal scholar and author of The Color of Money reveals how neoliberals rigged American law, creating widespread distrust, inequality, and injustice.

With the nation lurching from one crisis to the next, many Americans believe that something fundamental has gone wrong. Why aren’t college graduates able to achieve financial security? Why is government completely inept in the face of natural disasters? And why do pundits tell us that the economy is strong even though the majority of Americans can barely make ends meet? In The Quiet Coup, Mehrsa Baradaran, one of our leading public intellectuals, argues that the system is in fact rigged toward the powerful, though it wasn’t the work of evil puppet masters behind the curtain. Rather, the rigging was carried out by hundreds of (mostly) law-abiding lawyers, judges, regulators, policy makers, and lobbyists. Adherents of a market-centered doctrine called neoliberalism, these individuals, over the course of decades, worked to transform the nation―and succeeded.

They did so by changing the law in unseen ways. Tracing this largely unknown history from the late 1960s to the present, Baradaran demonstrates that far from yielding fewer laws and regulations, neoliberalism has in fact always meant more―and more complex―laws. Those laws have uniformly benefited the wealthy. From the work of a young Alan Greenspan in creating "Black Capitalism," to Supreme Court Justice Lewis Powell’s efforts to unshackle big money donors, to the establishment of the "Law and Economics" approach to legal interpretation―in which judges render opinions based on the principles of right-wing economics―Baradaran narrates the key moments in the slow-moving coup that was, and is, neoliberalism. Shifting our focus away from presidents and national policy, she tells the story of how this nation’s laws came to favor the few against the many, threatening the integrity of the market and the state.

Some have claimed that the neoliberal era is behind us. Baradaran shows that such thinking is misguided. Neoliberalism is a failed economic idea―it doesn’t, in fact, create more wealth or more freedom. But it has been successful nevertheless, by seizing the courts and enabling our age of crypto fraud, financial instability, and accelerating inequality. An original account of the forces that have brought us to this dangerous moment in American history, The Quiet Coup reshapes our understanding of the recent past and lights a path toward a better future.

THE NEW YORK TIMES BESTSELLER

In Ejaculate Responsibly, Gabrielle Blair offers a provocative reframing of the abortion issue in post-Roe America.

In a series of 28 brief arguments, Blair deftly makes the case for moving the abortion debate away from controlling and legislating women’s bodies and instead directs the focus on men’s lack of accountability in preventing unwanted pregnancies.

Highly readable, accessible, funny, and unflinching, Blair builds her argument by walking readers through the basics of fertility (men are 50 times more fertile than women), the unfair burden placed on women when it comes to preventing pregnancy (90% of the birth control market is for women), the wrongheaded stigmas around birth control for men (condoms make sex less pleasurable, vasectomies are scary and emasculating), and the counterintuitive reality that men, who are fertile 100% of the time, take little to no responsibility for preventing pregnancy. 

The result is a compelling and convincing case for placing the responsibility—and burden—of preventing unwanted pregnancies away from women and onto men.

A Coretta Scott King Honor Book

Three-time Newbery Honor author Jacqueline Woodson explores race and sexuality through the eyes of a compelling narrator

Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him-- is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America

Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow.

Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage.

Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America.

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. 
 
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.

A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly

"This book is the chronicle of a bright and lively artistic ear that brought the African-American people full into the twentieth century. It is a wonderful book!” ―Amiri Baraka

In his incisive introduction to The Big Sea, an American classic, Arnold Rampersad writes: "This is American writing at its best--simpler than Hemingway; as simple and direct as that of another Missouri-born writer...Mark Twain."

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade--Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet--at the center of the "Harlem Renaissance."

Teresa July has led a hard life, but now she has a chance to put her train robbing past behind her. Armed with a new job as a cook to one of Philadelphia's elite families, Teresa is determined to start her life anew, and nothing––not even her boss's stuck–up (and far too handsome) son––is going to stand in her way.

Madison Nance is sick of his mother taking in women from the wrong side of the tracks, just to see them turn on her generosity. That's why it's up to him to keep a close eye on Teresa's every move. At least, that's the only logical explanation for why he can't get the young woman out of his mind.

But when a woman from Madison's past threatens Teresa's future, the two reluctant lovers must join forces is they're ever going to have a chance at happiness.

The new edition of a modern classic by New York Times bestselling and award-winning author Mary Monroe!

The riveting first book in the acclaimed God series sweeps readers back to the streets, porches, and parlors of civil rights-era Ohio to bring to life the beginning of an enduring friendship between two girls from opposite sides of the track . . .

"Reminiscent of Zora Neale Hurston." --Publishers Weekly

Annette Goode is a shy, awkward, overweight child with a terrible secret. Frightened and ashamed, Annette withdraws into a world of books and food. But the summer she turns thirteen, something incredible happens: Rhoda Nelson chooses her as a friend.

Dazzling, generous Rhoda, who is everything Annette is not—gorgeous, slim, and worldly—welcomes Annette into the heart of her eccentric family, which includes her handsome and dignified father; her lovely, fragile “Muh’Dear;” her brooding, dangerous brother Jock; and her colorful white relatives—half-crazy Uncle Johnny, sultry Aunt Lola, and scary, surly Granny Goose.

With Rhoda’s help, Annette survives adolescence and blossoms as a woman. But when her beautiful best friend makes a stunning confession about a horrific childhood crime, Annette’s world will never be the same.

A rediscovered classic about how racism and sexism tests the spirit, ambition, and character of three children growing up in Hell’s Kitchen and Harlem, from the literary editor of The Crisis, the official magazine of the NAACP

With an introduction by New York Times bestselling author Morgan Jerkins

Set in early-twentieth-century New York City, There Is Confusion tells the story of three Black children: Joanna Marshall, a talented dancer willing to sacrifice everything for success; Maggie Ellersley, an extraordinarily beautiful girl determined to leave her working-class background behind; and Peter Bye, a clever would-be surgeon who is driven by his love for Joanna. 

As children, Maggie, Joanna, and Peter support one another’s dreams, but as young adults, romance threatens to upset the balance of their friendship. One afternoon, Joanna makes two irrevocable decisions—and sets off a chain of events that wreaks havoc with all of their lives. 

First published to immense critical acclaim in 1924, written with an Austen-like eye for social dynamics, There Is Confusion is an unjustly forgotten classic that celebrates Black ambition, love, and the struggle for equality. 

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

A debut novel by the 1987 winner of the Pulitzer Prize for poetry, about an artist on a journey of self-discovery—navigating a family secret, racism, and the conflict between marriage and career.

“Skillfully evokes the mood of a decade when social change seemed not only possible but imminent.” —Washington Post Book World

When a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means grappling with artistic ambition, memories of rejected love, and shocking truths about her family.

“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback

Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
 
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.

The Joy Luck Club
 
In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan’s debut novel—now widely regarded as a modern classic—examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters.

The acclaimed graphic novel adaptation of Octavia E. Butler’s groundbreaking dystopian novel, Parable of the Sower, is a don't-miss classic that resonates today more than ever. As The Washington Post noted: "A 1993 dystopian novel imagined the world in 2024. It’s eerily accurate."

This Hugo Award Winner for Best Graphic Story or Comic is the follow-up to Kindred, a #1 New York Times bestseller.

In this graphic-novel adaptation of Octavia E. Butler’s Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation, the author portrays a searing vision of America’s future.

In the year 2024, the country is marred by unattended environmental and economic crises that lead to social chaos. Lauren Olamina, a preacher’s daughter living in Los Angeles, is protected from danger by the walls of her gated community.

In a night of fire and death, what begins as a fight for survival soon leads to something much more: a startling vision of human destiny . . . and the birth of a new faith.

“Alarmingly prescient and relevant. This accessible adaptation is poised to introduce Butler’s dystopian tale to a new generation of readers.” —Publishers Weekly

“The graphic novel is faithful to Butler, yet still fresh in its world building.” —USA Today

Includes an introduction by SFWA Grand Master Nalo Hopkinson

A young journalist, reeling from loss, investigates a mysterious cult in the California redwoods, only to be drawn in by its charismatic leader in this addictive novel that asks why people give up control and what it takes, ultimately, to find one’s place in the world.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.” Faruq, skeptical but committed to unraveling the mystery of the nameless, extends his stay over months, as he gets deeper into the cult’s inner workings and alluring teachings. But as he gets closer to Odo, Faruq himself begins to unravel, forced to come to terms with the memories he has been running from while trying to resist Odo’s spell. 

Told in three seamlessly interwoven threads―Faruq’s present-day investigation, Odo’s time as an infantryman during the Vietnam War alongside three other Black soldiers before the formation of the movement, and a documentary script that recounts the nameless’s clash with a Texas fundamentalist church―O Sinners! examines both longing and belonging. Ultimately the novel asks: What is it that we seek from the people we admire and, inevitably, from one another?

A beautiful boxed set brings together the great sci-fi writer's two award-winning Parable books

The perfect gift for fans of Octavia Butler, this boxed set pairs the bestselling Nebula-prize nominee, Parable of the Sower and Parable of the Talents, which together tell the near-future odyssey of Lauren Olamina, a "hyperempathic" young woman who is twice as feeling in a world that has become doubly dehumanized.

In Sower, the place is California, where small walled communities protect from hordes of desperate scavengers and roaming bands of people addicts. Lauren sets off on foot along the dangerous coastal highways, moving north into the unknown. The book has an introduction by feminist, journalist, activist, and author Gloria Steinem.

Parable of the Talents celebrates the classic Butlerian themes of alienation and transcendence, violence and spirituality, slavery and freedom, separation and community, to astonishing effect, in the shockingly familiar, broken world of 2032. It is told in the voice of Lauren Olamina's daughter––from whom she has been separated for most of the girl's life--with sections in the form of Lauren's journal. Against a background of a war-torn continent, and with a far-right religious crusader in the office of the U.S. presidency, this is a book about a society whose very fabric has been torn asunder, and where the basic physical and emotional needs of people seem almost impossible to meet. Talents is introduced by singer, musician, composer, producer, and curator Toshi Reagon, who created an opera based on the Parable books.

New York Times-bestselling author adrienne maree brown knows we need each other more than ever, and offers “loving corrections”: a roadmap towards collective power, righting wrongs, and true belonging 

This selection of prescient, compassionate essays explores patterns we engage in that are rooted in limited thinking. Through a lens of “loving correction” rather than mere critique, author adrienne maree brown helps us reimagine how to hold ourselves, our loved ones, and our communities accountable by setting clear boundaries, engaging in reflection, and nurturing honest relationships.

Loving Corrections is divided into two sections, with the first portion featuring new essays including “A Word for White People” and “Relinquishing the Patriarchy” and writing on topics like moving from fragility to fortitude, disability, and navigating critique within activist communities. The second section expands and updates pieces from brown's popular monthly column “Murmurations” in YES! Magazine that explore accountability—within oneself and community—with depth, inventiveness, and empathy.

Along with allowing us more authentic access to ourselves and to each other, the “corrections” in the book’s title are intended to explore and break identity-based patterns including white supremacy, fragility, patriarchy, and ableism. brown also offers practical guidance on how to apologize and be accountable from our nuanced positions of power, history, and resources.

Building on her previous work—especially Holding Change and We Will Not Cancel Us—brown reminds us how much we need each other: "It is only through relationship that we learn how to be, understand our impact on others and explore small shifts that may yield remarkable collective change."

A thoughtful guide to ancestral veneration, with a focus on the importance of reclaiming African Spiritual practices as an act of liberation.

Your ancestors remember you. Do you remember them? They have been waiting for this very moment in time.

In this book, Ifa and Orisa priestess Ehime Ora shares the importance of connection to the ancestors, and to one’s spiritual roots. There’s a certain type of radical healing that takes place when we recommend to our ancestral veneration and follow through with their wisdom.

Providing healing through the written word, Ehime walks you though the reclamation of African Spiritual practices, discussing the spiritual renaissance occurring in the African community, and includes interviews with elders of the rich traditions. She also provides tangible spiritual tools so that you can incorporate ancestral veneration in your life: how to properly set up and work with an ancestral altar, the importance of spiritual hygiene, and bringing forth the concept of the ori, or the higher self.

*ships in 7 - 10 business days*

The groundbreaking, "eerily prophetic, almost haunting" work on American racism and the struggle for racial justice (Michelle Alexander, author of The New Jim Crow).

In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example—including the classic story "The Space Traders"—to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail, he writes, so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism.

Now with a new foreword by Michelle Alexander, author of The New Jim Crow, this classic book was a pioneering contribution to critical race theory scholarship, and it remains urgent and essential reading on the problem of racism in America.

From the acclaimed #1 New York Times bestselling author comes a soulful and lyrical novel exploring sisterhood, motherhood, faith, love, and ultimately what gets passed down from one generation to the next
 
At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship until a confession on her wedding day shifts her world.

Unmoored and grieving a major loss, Lena finds herself trying to teach her daughter self-love while struggling to do so herself. Lena questions everything she’s learned about dating, friendship, and motherhood, and through it all, she works tirelessly to bring the oft-forgotten Black history of Oregon to the masses, sidestepping her well-meaning co-workers that don’t understand that their good intentions are often offensive and hurtful.

Through Watson’s poetic voice, skin & bones is a stirring exploration of who society makes space for and is ultimately a story of heartbreak and healing.

Bridget Jones’s Diary meets Survival of the Thickest in Danielle Allen’s CURVY GIRL SUMMER, a smoking-hot, hilarious novel about the perils of online dating.

“There’s got to be an easier way than dating. I want the shortcut. I just want to find my person and start our lives together.”
After a one-night stand with her clingy ex, Aaliyah James has an epiphany: this ain’t it. She knows what she wants, and she’s ready to move past casual hookups, flings, and situationships.

But for her family, the clock is ticking―after all, she’s almost thirty. And when they imply that her personality (and her body) might be too big to land a man, she lets them know they’ve gone too far―and her (nonexistent) man loves her curves, thank you very much. Now, she has seven weeks to find the perfect boyfriend to rub in their faces at the big, fancy birthday celebration she’s been planning.

After her first blind date goes wrong, charming local bartender Ahmad Williamson consoles her with a drink and some playful banter. Aaliyah takes him up on his suggestion to use a dating app―but the more she sees of his warm, funny, and easygoing nature, the less she wants to check her DMs. Will her next swipe bring her closer to true love―or is her real match closer than she thinks?