A rediscovered classic about how racism and sexism tests the spirit, ambition, and character of three children growing up in Hell’s Kitchen and Harlem, from the literary editor of The Crisis, the official magazine of the NAACP

With an introduction by New York Times bestselling author Morgan Jerkins

Set in early-twentieth-century New York City, There Is Confusion tells the story of three Black children: Joanna Marshall, a talented dancer willing to sacrifice everything for success; Maggie Ellersley, an extraordinarily beautiful girl determined to leave her working-class background behind; and Peter Bye, a clever would-be surgeon who is driven by his love for Joanna. 

As children, Maggie, Joanna, and Peter support one another’s dreams, but as young adults, romance threatens to upset the balance of their friendship. One afternoon, Joanna makes two irrevocable decisions—and sets off a chain of events that wreaks havoc with all of their lives. 

First published to immense critical acclaim in 1924, written with an Austen-like eye for social dynamics, There Is Confusion is an unjustly forgotten classic that celebrates Black ambition, love, and the struggle for equality. 

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

A powerful, award-winning novel about friendship.

Phyllisia Cathy—She is fourteen. Her problems seem overwhelming: New York, after life on her sunlit West Indies island, is cold, cruel and filthy. She is insulted daily and is beaten up by classmates. What Phyllisia needs, God not being interested, is a friend.

Edith Jackson—She is fifteen. Her clothes are unpressed, her stockings bagging with big holes. Her knowledge of school is zero. She has no parents, she swears and she steals. But she is kind and offers her friendship and protection to Phyllisia. “And so begins the struggle that is the heart of this very important book: the fight to gain perception of one’s own real character; the grim struggle for self-knowledge.”—Alice Walker, The New York Times

“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback

Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
 
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.

The Joy Luck Club
 
In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan’s debut novel—now widely regarded as a modern classic—examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters.

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America

Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow.

Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage.

Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America.

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From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com)

“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.

This is the devastating premise of Richard Wright's scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

New York Times-bestselling author adrienne maree brown knows we need each other more than ever, and offers “loving corrections”: a roadmap towards collective power, righting wrongs, and true belonging 

This selection of prescient, compassionate essays explores patterns we engage in that are rooted in limited thinking. Through a lens of “loving correction” rather than mere critique, author adrienne maree brown helps us reimagine how to hold ourselves, our loved ones, and our communities accountable by setting clear boundaries, engaging in reflection, and nurturing honest relationships.

Loving Corrections is divided into two sections, with the first portion featuring new essays including “A Word for White People” and “Relinquishing the Patriarchy” and writing on topics like moving from fragility to fortitude, disability, and navigating critique within activist communities. The second section expands and updates pieces from brown's popular monthly column “Murmurations” in YES! Magazine that explore accountability—within oneself and community—with depth, inventiveness, and empathy.

Along with allowing us more authentic access to ourselves and to each other, the “corrections” in the book’s title are intended to explore and break identity-based patterns including white supremacy, fragility, patriarchy, and ableism. brown also offers practical guidance on how to apologize and be accountable from our nuanced positions of power, history, and resources.

Building on her previous work—especially Holding Change and We Will Not Cancel Us—brown reminds us how much we need each other: "It is only through relationship that we learn how to be, understand our impact on others and explore small shifts that may yield remarkable collective change."

"This book is the chronicle of a bright and lively artistic ear that brought the African-American people full into the twentieth century. It is a wonderful book!” ―Amiri Baraka

In his incisive introduction to The Big Sea, an American classic, Arnold Rampersad writes: "This is American writing at its best--simpler than Hemingway; as simple and direct as that of another Missouri-born writer...Mark Twain."

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade--Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet--at the center of the "Harlem Renaissance."

A debut novel by the 1987 winner of the Pulitzer Prize for poetry, about an artist on a journey of self-discovery—navigating a family secret, racism, and the conflict between marriage and career.

“Skillfully evokes the mood of a decade when social change seemed not only possible but imminent.” —Washington Post Book World

When a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means grappling with artistic ambition, memories of rejected love, and shocking truths about her family.

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. 
 
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.

A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly

"[A]ccessible and intellectually rich…Essential reading to understand the economic state of the nation." ―Kirkus Reviews (starred review)

The celebrated legal scholar and author of The Color of Money reveals how neoliberals rigged American law, creating widespread distrust, inequality, and injustice.

With the nation lurching from one crisis to the next, many Americans believe that something fundamental has gone wrong. Why aren’t college graduates able to achieve financial security? Why is government completely inept in the face of natural disasters? And why do pundits tell us that the economy is strong even though the majority of Americans can barely make ends meet? In The Quiet Coup, Mehrsa Baradaran, one of our leading public intellectuals, argues that the system is in fact rigged toward the powerful, though it wasn’t the work of evil puppet masters behind the curtain. Rather, the rigging was carried out by hundreds of (mostly) law-abiding lawyers, judges, regulators, policy makers, and lobbyists. Adherents of a market-centered doctrine called neoliberalism, these individuals, over the course of decades, worked to transform the nation―and succeeded.

They did so by changing the law in unseen ways. Tracing this largely unknown history from the late 1960s to the present, Baradaran demonstrates that far from yielding fewer laws and regulations, neoliberalism has in fact always meant more―and more complex―laws. Those laws have uniformly benefited the wealthy. From the work of a young Alan Greenspan in creating "Black Capitalism," to Supreme Court Justice Lewis Powell’s efforts to unshackle big money donors, to the establishment of the "Law and Economics" approach to legal interpretation―in which judges render opinions based on the principles of right-wing economics―Baradaran narrates the key moments in the slow-moving coup that was, and is, neoliberalism. Shifting our focus away from presidents and national policy, she tells the story of how this nation’s laws came to favor the few against the many, threatening the integrity of the market and the state.

Some have claimed that the neoliberal era is behind us. Baradaran shows that such thinking is misguided. Neoliberalism is a failed economic idea―it doesn’t, in fact, create more wealth or more freedom. But it has been successful nevertheless, by seizing the courts and enabling our age of crypto fraud, financial instability, and accelerating inequality. An original account of the forces that have brought us to this dangerous moment in American history, The Quiet Coup reshapes our understanding of the recent past and lights a path toward a better future.

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The groundbreaking, "eerily prophetic, almost haunting" work on American racism and the struggle for racial justice (Michelle Alexander, author of The New Jim Crow).

In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example—including the classic story "The Space Traders"—to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail, he writes, so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism.

Now with a new foreword by Michelle Alexander, author of The New Jim Crow, this classic book was a pioneering contribution to critical race theory scholarship, and it remains urgent and essential reading on the problem of racism in America.

A Coretta Scott King Honor Book

Three-time Newbery Honor author Jacqueline Woodson explores race and sexuality through the eyes of a compelling narrator

Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him-- is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?

The new edition of a modern classic by New York Times bestselling and award-winning author Mary Monroe!

The riveting first book in the acclaimed God series sweeps readers back to the streets, porches, and parlors of civil rights-era Ohio to bring to life the beginning of an enduring friendship between two girls from opposite sides of the track . . .

"Reminiscent of Zora Neale Hurston." --Publishers Weekly

Annette Goode is a shy, awkward, overweight child with a terrible secret. Frightened and ashamed, Annette withdraws into a world of books and food. But the summer she turns thirteen, something incredible happens: Rhoda Nelson chooses her as a friend.

Dazzling, generous Rhoda, who is everything Annette is not—gorgeous, slim, and worldly—welcomes Annette into the heart of her eccentric family, which includes her handsome and dignified father; her lovely, fragile “Muh’Dear;” her brooding, dangerous brother Jock; and her colorful white relatives—half-crazy Uncle Johnny, sultry Aunt Lola, and scary, surly Granny Goose.

With Rhoda’s help, Annette survives adolescence and blossoms as a woman. But when her beautiful best friend makes a stunning confession about a horrific childhood crime, Annette’s world will never be the same.

The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.

As this 25th anniversary edition—featuring a foreword by Tommy Shelbie and a new preface by the author—makes clear, the still-urgent The Racial Contract continues to inspire, provoke, and influence thinking about the intersection of the racist underpinnings of political philosophy.

From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.