The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.

Dialect poems by one of the nineteenth century's most talented African American lyricists

Paul Laurence Dunbar was “the most promising young colored man” in nineteenth-century America, according to Frederick Douglass, and subsequently one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, established Dunbar as the premier writer of dialect poetry and garnered him international recognition. More than a vernacular lyricist, Dunbar was also a master of classical poetic forms, who helped demonstrate to post–Civil War America that literary genius did not reside solely in artists of European descent. William Dean Howells called Dunbar’s dialect poems “evidence of the essential unity of the human race, which does not think or feel black in one and white in another, but humanly in all.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From Cornelius Eady, one of America's most engaging voices, comes an exciting collection of poetry that at once delineates the arc of the poet's universe and highlights the range of his considerable talents.

Cornelius Eady’s poems show him in full control of his considerable talents and displaying a rich maturity as he enters midlife. His poems are sly, unsentimental, and witty, full of truths that are intimate and profound.

Hardheaded Weather ranges widely, reflecting the new found responsibilities Eady has assumed as he transitions from urban renter to nonplussed rural homeowner, as well as the sobering influence of war and the intimation of his own mortality. Yet even at his angriest, the poet has always had a depth of compassion rare in our polarized age, with a sense of humor that is both sophisticated and demotic. These poems will resonate deeply.

As exciting as the new poems are, his selected earlier poems dazzle, too, as they demonstrate the arc of Cornelius Eady’s maturation and the originality of his voice. Taken together, Hardheaded Weather forms a moving—and sometimes searing—testament to the power of poetry.

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”

A Guardian Best Book of the Year

Finalist for the T. S. Eliot Prize and The Costa Poetry Award

“Exquisite.” ―The New York Times Book Review

“Brave, tender and generous. . . . A haunting study of what we can find in the silences of history when history is recognized as more than a noun, when recognized as something alive and kinetic.” ―Camonghne Felix, author of Build Yourself a Boat

On the heels of his much-lauded debut collection, Raymond Antrobus continues his essential investigation into language, miscommunication, place, and memory in All The Names Given, while simultaneously breaking new ground in both form and content. 

The collection opens with poems about the author’s surname―one that shouldn’t have survived into modernity―and examines the rich and fraught history carried within it. As Antrobus outlines a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet reckons with his own ancestry, and bears witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space―shifting fluidly between England, South Africa, Jamaica, and the American South―and brilliantly move from an examination of family history into the wandering lust of adolescence and finally, vividly, into a complex array of marriage poems―matured, wiser, and more accepting of love’s fragility. Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, in which the art of writing captions attempts to fill in the silences and transitions between the poems as well as moments inside and outside of them. 

Formally sophisticated, with a weighty perception and startling directness, All The Names Given is a timely, tender book full of humanity and remembrance from one of the most important young poets of our generation.

Featured on NPR's Morning Edition

A Best Book of the Year at The Guardian, The Sunday Times, Poetry School, New York Public Library, and Entropy Magazine

Winner of the Ted Hughes Award, Rathbones Folio Prize, and Somerset Maugham Award; finalist for the Griffin Poetry Prize and Reading the West Book Award

In the wake of his father’s death, the speaker in Raymond Antrobus’ The Perseverance travels to Barcelona. In Gaudi’s Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. “Even though,” he says, “I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer.”

The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.

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A poignant and rousing debut book of poetry from the former Youth Poet Laureate of Oakland, CA—the acclaimed, best-selling author of the novel Nightcrawling Leila Mottley follows her trailblazing first novel with a perfectly pitched first collection of poems that demonstrate her spark and scope. woke up no light reckons with themes of reparations, restitution, and desire. Moving in sections from “girlhood” to “neighborhood” to “falsehood” to, finally, “womanhood,” these poems are the breathing life of a Black girl as she grows into adulthood, simultaneously youthful and profound. Each poem is a searing vignette, capturing the dissonance of Black girlhood through visceral language. The collection is sharp and raw, wise and rhythmic, a combination that lights up each page. From unearthing histories to searching for ways to dream of a future in a world constantly on the brink of disaster, Mottley sets forth personal and political revelation with piercing detail. woke up no light confirms Leila Mottley’s arrival and demonstrates the enduring power of her voice—brave and distinctive and thoroughly her own.

CBC Poetry Prize finalist and National Magazine Award honoree Faith Arkorful’s breathtaking, surpassingly thoughtful debut collection of poems. Hauntings form the canopy of The Seventh Town of Ghosts. These titular towns, centred in yesterdays, tomorrows, and the ongoing, lead to a special kind of singing: songs to the reader who wrestles with existence, the unsure peace within family, and the often-tense interdependence of life. Here, discernment is ever-present, guided by Faith Arkorful’s insights on not only the ravages of the state and the police upon the Black family and life at large, but also on a kaleidoscope of connections—sisterhood, daughterhood, kinship, solitude, death, romance—and how tenderness, chosen and repeated, can shield against life’s blows. These towns also enchant, shape-lifting through humour, irony, and the small refractions of language where Arkorful guides us through the fault lines and the undertow, in the form of fruit, island volcanoes, Formula 1, and the expansive hum of life. This poet-as-sojourner bears careful, caring witness, her attention reserved not only for her living and her dead but hyphenated two-fold by the fragile things and the lasting things. These poems remind us of what contours our mysterious and fleeting presence on Earth.

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Mahmoud Darwish was the Palestinian national poet. One of the greatest poets of the last half century, his work evokes the loss of his homeland and is suffused with the pain of dispossession and exile. His poems display a brilliant acuity, a passion for and openness to the world and, above all, a deep and abiding humanity. Here, his close friends John Berger and Rema Hammami present a beautiful new translation of two of Darwish’s later works. Illustrated with original drawings by John Berger, Mural is a testimony to one of the most important and powerful poets of our age.

PRE-ORDER: September 1, 2023

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives.

These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying.

As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.

Winner of the 2022 Stan and Tom Wick Poetry Prize

Fraternal Light: On Painting While Black is a lyric evocation of the life and work of the great African American artist Beauford Delaney. These poems pay homage to Delaney’s resilience and ingenuity in the face of profound adversity. Although his work never garnered the acclaim it deserves—and is finally receiving—Delaney was well known and highly respected in African American cultural circles, among bohemian writers and artists based in Greenwich Village from the 1930s to the early 1950s, and in Parisian avant-garde and expatriate enclaves from the mid-1950s to the mid-1970s.

Drawn to Delaney’s painting and personal history through her emotional response to his work, especially his portraits, Arlene Keizer has crafted a diasporic ceremony of remembrance for this Black, gay male visionary. Fraternal Light offers back an answering complexity to Delaney’s life and work. One form of art calls out; another answers.

Keizer’s poems make the contours and challenges of Delaney’s life visible, which is especially urgent in a world still frequently hostile or indifferent to Black creative brilliance.

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“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review

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From the renowned Booker Prize–winning author, a powerful collection of poems covering topics of the day, such as the refugee crisis, Black Lives Matter protests, and COVID-19.

In our times of crisis
The mind has its powers
 
This book brings together many of Ben Okri’s most acclaimed and politically charged poems.
    “Grenfell Tower, June 2017” was published in the Financial Times less than ten days after the fire, and Okri’s reading of it was played more than six million times on Facebook.
    “Notre-Dame Is Telling Us Something” was first read on BBC Radio 4, in the aftermath of the cathedral’s near destruction. It speaks eloquently of the despair that was felt around the world.
    In “shaved head poem,” Okri writes of the confusion and anxiety felt as the world grappled with a health crisis unprecedented in our times.
    “Breathing the Light” is his response to the events of summer 2020, when a Black man died beneath the knee of a white policeman, a tragedy sparking a movement for change.
    These poems and others, including poems for Ken Saro-Wiwa, Barack Obama, Amnesty International, and more, make this a uniquely powerful collection that blends anger and tenderness with Okri’s inimitable vision.

Being queer and Asian American; families we are born into and ones we chose; nostalgia, trauma and history—all dissected fearlessly.