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In her brilliant debut collection of poetry, Diamond Sharp navigates questions of mental health, grief, and joy through her speaker’s sardonic and playful imagination.

Diamond Sharp’s Super Sad Black Girl is a love letter to her hometown of Chicago, where the speaker finds solace and community with her literary idols in hopes of answering the question: What does it look like when Black women are free? 

Lorraine Hansberry and Gwendolyn Brooks appear throughout these poems, counseling the speaker as she navigates her own depression and exploratory questions about the “Other Side,” as do Sandra Bland, Rekia Boyd, and other Black women who have been murdered by police. 

Sharp’s poetry is self-assured, playful, and imaginative, reminiscent of Langston Hughes with its precision and brevity. The book explores purgatorial, in-between spaces that the speaker occupies as she struggles to find a place and time where she can live safely and freely. With her skillful use of repetition, particularly in her series of concrete poems, lines and voices echo across the book so the reader, too, feels suspended within Sharp’s lyric moments. Super Sad Black Girl is a compassionate and ethereal depiction of mental illness from a promising and powerful poet.

A black British poet making her thrilling American debut explores the importance of “quiet” in producing forms of community, resistance, and love.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."

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Stepmotherland is a tour-de-force debut collection about coming of age, coming out, and coming to America.

Winner of the Andrés Montoya Poetry Prize, Stepmotherland, Darrel Alejandro Holnes’s first full-length collection, is filled with poems that chronicle and question identity, family, and allegiance. This Central American love song is in constant motion as it takes us on a lyrical and sometimes narrative journey from Panamá to the USA and beyond. The driving force behind Holnes’s work is a pursuit for a new home, and as he searches, he takes the reader on a wild ride through the most pressing political issues of our time and the most intimate and transformative personal experiences of his life. Exploring a complex range of emotions, this collection is a celebration of the discovery of America, the discovery of self, and the ways they may be one and the same.

Holnes’s poems experiment with macaronic language, literary forms, and prosody. In their inventiveness, they create a new tradition that blurs the borders between poetry, visual art, and dramatic text. The new legacy he creates is one with significant reverence for the past, which informs a central desire of immigrants and native-born citizens alike: the desire for a better life. Stepmotherland documents an artist’s evolution into manhood and heralds the arrival of a stunning new poetic voice.

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Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, offers two books in one with this volume of poetry. Jones renders the saga of Palmares, a foundational tale in the annals of colonial terrorism and Black resistance, in verse, told in the voices of the characters in her epic novel Palmares.

In the late 17th century, the fugitive slave enclave of Palmares was destroyed by Portuguese colonists. Amid the flight and re-enslavement of Palmares’s inhabitants emerges the love story of Almeyda and Anninho. In Song for Anninho, Almeyda moves between a dark present, in which she is once again enslaved and abused by a terrible captor, and memories of her lover, Anninho, whom she believes to have been killed. Song for Almeyda, released now for the first time, is told in the voices of Anninho and his fellow warriors.

Fans of Corregidora (one of the New Yorker’s “Best Books We Read in 2020” picks), which tracked the legacy of enslavement, and Palmares will especially appreciate these verses. Brimming with intimacy, history, and revolution, the poems collected serve as a declaration of decolonial love.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

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Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters.

Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
I say,
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.

A gorgeously illustrated centennial of Langston Hughes' first book of poetry, The Weary Blues, this picture book includes select poems paired with vibrant artwork by more than twenty talented Black illustrators, including award-winners Oge Mora, Frank Morrison, Janelle Washington, and more!

Brought to new life by lively illustrations on every page, Melodies of The Weary Blues introduces Langston Hughes’ intimate reflections on the Black experience in America to young readers in a fresh and approachable way. Featuring poems like “Dream Variation,” “Winter Moon,” and “The Negro Speaks of Rivers”, Hughes’ still resonant words shine like never before for readers everywhere. 

Includes an introduction by the editor, Shamar Knight-Justice, Langston Hughes’ biography and timeline of life, and biographies of all the contributors.

With previous work hailed by the New York Times as “unflinching” and “piercing”, Ashley M. Jones’s Lullaby for the Grieving is her most personal collection to date.

In her fourth poetry collection, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness have to be suppressed to make way for "progress"?

Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.

Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

“A restless collection of incredible breadth, whose ability to meld applied science, faith, history, racial myth, and personal archive gives us poems whose power is unmistakable. A game-changing book.”—Rosalie Moffett, judge of the 2024 National Poetry Series

Radiant with a tenderness that is only achieved through close attention, these poems offer witnessing and formalistic exploration as well as a unique cosmology that is made ever more expansive by blurred lines between the instructional and the improvisational. For Keith Wilson, no image, thought, stanza, or diagram is sufficient in the practice of illumination, so he combines them. The Uncanny Valley diagram is repurposed to imagine a future Emmett Till never saw; visual instructions for line dancing stand in tension with the memory of Wilson’s grandfather picking cotton; prayer is input as equation; a poem gerrymanders a sentence diagram. In these and other gestures, Wilson expands the possibility of what poetry can hold.

Thematically expansive and materially ambidextrous, Games for Children demonstrates how play is one of the highest forms of freedom, and in reclaiming it, our most tender truths are exposed.

“A profound poetic talent.”―Ada Limón

Blue Opening, Chet’la Sebree’s brilliant, illuminating poetry collection, grapples with origins―of illness, of language, of the universe―as the speaker contemplates whether she, too, can be a site of origin through motherhood. Navigating chronic health challenges alongside grief and questions about the nature of knowledge and religion, she searches personal history and the cosmos for answers to the unknowable.

With startling clarity and vivid tenderness, Blue Opening calls into question not only where to begin, but how to create, across thirty-two poems that press the fluid boundaries of form through sonnets, prose poems, odes, and two unforgettable poetic sequences. As the speaker traverses loss, possibility, and the choice, or often the lack of choice, in the direction of her future, she determines to press forward even as she is “unsure of what shape this language should take / and hulling, from blue rock, faith.”

The Pulitzer Prize–winning poet reveals how poetry is a powerful tool of connection and understanding in a fractured world.

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterized as “inaccessible,” “irrelevant,” or “intimidating.” She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question, and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life’s many uncertainties and losses, to build camaraderie with strangers, and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets such as Joy Harjo, Danez Smith, and Francisco Márquez, alongside classic poems by Dickinson, Keats, Millay, and others. By reimaging and reexamining the age-old art form, Fear Less is a warm invitation to find meaning, consolation, and hope through poetry.

Voodoo Libretto is in many ways a book of memories, a chronicle of both the personal and the political sensibility of a black baby-boomer. Driven by a restless and wide-ranging imagination, the poems are sometimes humorous, sometimes deadly serious, sometimes erotic, sometimes mystical, and occasionally all of these things at once.

The Black Condition ft. Narcissus is preemptive memoir, documenting the beginning of the author’s gender transition and paralleling the inauguration of our latest Administration. These poems speak to and from fears holed up inside while contextualizing the cosmic impacts of our political landscape. Ranging from autobiographic melancholy to rigorously meditative, here is a necessary voice to process the world, predicated on unknowable desire and blossoming tragedy. Winner of the 2019 San Francisco Poetry Center Book Award!

Halifax’s former Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya ― a dialogue between image and text. Cooper translates Raussert’s photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.

A new retrospective of a titan of LGBTQ literature, activism, and Black feminism

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.

In this companion to Bravo!, Margarita Engle's beautiful poetry introduces young readers to lesser-known Latinos from varied backgrounds who have all shown tremendous resilience.

Prepare to be inspired by this empowering collection of poetry that tells a larger story about fortitude and community across Hispanic history. From environmental activists such as Christina Figueres to record breaking athletes like Pelé, each role model featured is a legend in their own right. There’s no better time to champion the accomplishments of this remarkable group of unsung heroes from all across Latin America!

Those profiled in this collection include Anacaona, Martín de la Cruz and Juan Badiano, Sor Juana Inés de la Cruz, Micaela Bastidas Puyucahua, Simón Bolívar, Mariana Grajales Cuello, Ana Roqué de Duprey, Julio Garavito Armero, Ramón Fonst Segundo, Christiana Figueres, Juano Hernández, Gabriela Mistral, Martín Chambi de Coaza, Marina Núñez del Prado, Noé Canjura, Nicolás García Uriburu, Pelé, and Rigoberta Menchú Tum.

The second installment in the Healing Verses series from poet r.h. Sin introduces Serenity’s Song, a profound collection of restorative poetry woven together to address the intricate journey of healing from trauma.

Across the volumes of The Healing Verses, r.h. Sin delves deep into the heart of human suffering, offering solace, understanding, and pathways to recovery through the power of words. Each book is a beacon of hope, designed to guide readers through the darkness of their experiences and toward the light of resilience and self-renewal. The carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making the series a compassionate companion for anyone navigating the challenging process of healing.
 
In Serenity’s Song, the second installment of the series, Sin explores the deep and profound desire for harmony that dwells within our collective and individual souls. Throughout his excavation of these feelings, he hopes readers of all backgrounds and lived experiences can find comfort in the knowledge that the peace we seek is already planted within us, we just need the tools to find it. May this series be the shovel on your journey of discovery.

Here are over 800 haiku by Richard Wright, one of the early forceful and eloquent spokesmen for black Americans, author of the acclaimed Native Son and Black Boy.

Wright discovered the haiku in the last eighteen months of life. He attempted to capture, through his sensibility as an African-American, the elusive Zen discipline and beauty in depicting man’s relationship, not only to his fellow man as he had in the raw and forceful prose of his fiction, but to the natural world. In all, he wrote over 4,000 haiku.

Here are the 817 he personally chose; Wright’s haiku, disciplined and steeped in beauty, display a universality that transcends both race and color without ever denying them. Wright wrote his haiku obsessively—in bed, in cafes, in restaurants, in both Paris and the French countryside. They offered him a new form of expression and a new vision: with the threat of death constantly before him, he found in them inspiration, beauty, and insights.

Fighting illness and frequently bedridden, deeply upset by the recent loss of his mother, Ella, Wright continued, as his daughter notes in her introduction, “to spin these poems of light out of the gathering darkness.”

A finalist for the 2015 National Book Award and the National Book Critics Circle Award

In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates the principle of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement.

Winner of the Cave Canem Poetry Prize, selected by Major Jackson

The stub of your left leg dangles
as I hold you up, my hands inserted under your arms
like a child. You are complaining about the itch,
the burn; scratch the ghost of your calf and heel.
―from "Scratching the Ghost"

Dexter L. Booth's ruminations on loss in this award-winning debut are rooted in a time past but one still palpable and persistent. Here are memories of love lost, family mourned, a father absent, ghosts of hometowns and childhood. Here too is a "Short Letter to the Twentieth Century" and, finally, a "Long Letter to the Twentieth Century," as if across this collection the poet is mustering up the force to speak back to history.

"In Dexter Booth's Scratching the Ghost, a cracked egg means the universe is splitting, the slap of a double-dutch rope is a broken-throated hymn, and splitting a squealing hog is akin to lovemaking. These are poems loyal to their own intrepid logic and reckless plausibility. Yet, lest the reader get too giddy in a fun house of mirrors, here, too, are the melodic laments and remarkable lyric passages of a poet who acknowledges the infinite current of melancholy that underlines his journey." ―Major Jackson

A National Book Critics Circle Poetry Award Winner!

From the breakout author of There Are More Beautiful Things Than Beyoncé comes a profound and deceptively funny exploration of Black American womanhood.

"Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read―both as an account of a private life and as searing political protest." ―TIME Magazine

A Best Book of 2019 at TIME, Elle, BuzzFeed, the Star Tribune, AVClub, and more.

A Most Anticipated Book of 2019 at Vogue, O: the Oprah Magazine, NYLON, BuzzFeed,Publishers Weekly, and more.

Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics―of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present―timeless black melancholies and triumphs.

A radical, urgent collection of poems about Blackness, the self, and the dismantling of corrupt powers in the fight for freedom.

A PEN America Literary Award Winner

Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist.

Challenging stereotypes through scenes that scatter with satire, violence, and the extreme vagaries of everyday life, Mixon-Webster invents visual/sonic forms, conceptualizes poems as transcripts and frequently asked questions, and dives into dreamscapes and modern tragedies, deconstructing the very foundations America is built on. Interrogating language and the ways we wield it as both sword and shield, Stereo(TYPE) is a one-of-a-kind, rapturous collection of vital and beautiful poems.

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UpSet Press has restored to print Suheir Hammad's first book of poems, Born Palestinian, Born Black, originally published by Harlem River Press in 1996. The new edition is augmented with a new author's preface, and new poems, under the heading, The Gaza Suite, as well as a new publisher's note by Zohra Saed, an introduction by Marco Villalobos, and an afterword by Kazim Ali.

Doggerel is a revelatory meditation on Blackness, masculinity, and vulnerability from one of poetry’s boldest voices.

Reginald Dwayne Betts is our foremost chronicler of the ways prison shapes and transforms American life. In Doggerel, Betts examines this subject through a more prosaic―but equally rich―lens: dogs. He reminds us that, as our lives are broken and put back together, the only witness often barks instead of talks. In these poems, which touch on companionship in its many forms, Betts seamlessly and skillfully deploys the pantoum, ghazal, and canzone, in conversation with artists such as Freddie Gibbs and Lil Wayne.

Simultaneously philosophical and playful, Doggerel is a meditation on family, falling in love, friendship, and those who accompany us on our walk through life. Balancing political critique with personal experience, Betts once again shows us “how poems can be enlisted to radically disrupt narrative” (Dan Chiasson, The New Yorker)―and, in doing so, reveals the world anew.

“. . . every story becomes a multiplication,

If the naming is filled less with names than

With the best parts, the barking & everything

Else, because who among us hasn’t been

As mangy as a rescue, even on our best

Days, desiring mostly to be loved.”

―from “Rings”

A powerfully moving debut poetry collection about the violence of colonialist occupation

One more rock thrown onto the pile to tumble the mountain on my chest

 ―Hasib Hourani

Hasib Hourani’s rock flight is a book-length poem that, over seven chapters, follows a single personal and historical narrative centered on the violent occupation of Palestine. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions, and surveillance technology that Palestinians face both within Palestine and across the diaspora. Searing and fierce, tender and pleading, rock flight invites the reader to embark on an exploration of space while limited by the box-like confines of the page. Through the whole, Hourani moves between poetry and prose, historical events and meditations on language, Fluxus-like instructions and interactions with friends, strangers, and family.

As incantatory and stirring as Inger Christensen’s alphabet or Raúl Zurita’s Inri, rock flight adapts themes of displacement and refusal into an interactive reading experience where the book becomes an object in flux.

The Bronx born activist and poet Roya Marsh returns with a riveting exploration of Black joy, collective action, and healing.

what will come of what you leave behind?
do you
remember that time
you survived?

The poems in Roya Marsh’s second collection, savings time, wear their raw feeling and revolutionary forcefulness on their sleeves. Alternating between confrontation and celebration, Marsh trains her unsparing eye on the twinned subjects of Black rage and Black healing with practiced, musical intention.

In poems flitting between breathless prose and measured lyricism, Marsh contemplates the contradictions and challenges of Black life in America, tackling everything from police brutality and urban gentrification to queer identity, presidential elections, and pop culture, all while calling for a world where self-care, especially for Black women, is not just encouraged but mandated. “no one told the Black girl,” she writes, “‘see you later’ was a prayer / begging us survive our own erasure.”

As unforgettable on the page as when recited in Marsh’s legendary spoken-word performances, the poems in savings time are focused on both revolution and self-love, at once holding society accountable for its exploitation of Black life and honoring the joy of persisting nonetheless.

A wide-ranging collection from a rising poet that showcases her sharp, contemporary voice

In Stem, Stella Wong intersperses lyric poems on a variety of subjects with dramatic monologues that imagine the perspectives of specific female composers, musicians, and visual artists, including Johanna Beyer, Mira Calix, Clara Rockmore, Maryanne Amacher, and Delia Derbyshire. In such lines as “let me tell you how I make myself appear / more likeable,” “as I grow older I like looking at chaos,” and “I want to propose a hike / and also propose mostly,” Wong’s style is confident and idiomatic, and by turns contemplative and carefree. Whether writing about family, intimate relationships, language, or women’s experience, Wong creates a world alive with observation and provocation, capturing the essence and the problems of life with others.

From U.S. Poet Laureate Ada Limón and Caldecott Honoree Peter Sís: a transcendent picture book featuring the poem that will travel into space aboard NASA’s Europa Clipper.

As part of her tenure as U.S. poet laureate, Ada Limón has written “In Praise of Mystery,” which will be engraved on the Europa Clipper spacecraft that launches to Jupiter and its moons in October 2024. Published here as Limón’s debut picture book, this luminous poem is illustrated by celebrated and internationally renowned artist Peter Sís.

In Praise of Mystery celebrates humankind’s endless curiosity, asks us what it means to explore beyond our known world, and shows how the unknown can reflect us back to ourselves.

color artwork throughout

This long-awaited and much-needed volume shines new light on one of America’s most beloved, and profound, poets—Lucille Clifton.

Black Buffalo Woman is a deep, comprehensive dive into Clifton’s work through the eyes of celebrated poet and scholar, Kazim Ali. 

Collecting chapters of Clifton’s early manuscripts, late drafts, and integrating her books of children’s literature, Ali’s meticulously researched volume provides a brilliant and fresh perspective on Clifton’s life and work.

Various chapters examine Clifton’s treatment of the body as a site of both joy and danger, spirituality, and an interrogation of American history, politics, and popular culture. The result of Ali’s scholarship and care highlights a dazzling array of Clifton’s poetic techniques and forms that will continue to inspire poets, readers, and Lucille Clifton fans—past, present and future—for decades to come.