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NEW YORK TIMES BESTSELLER • “An explosive and absorbing discussion of race, politics, and the history of American sports.”—Ebony
 
From Jackie Robinson to Muhammad Ali and Arthur Ashe, African American athletes have been at the center of modern culture, their on-the-field heroics admired and stratospheric earnings envied. But for all their money, fame, and achievement, says New York Times columnist William C. Rhoden, black athletes still find themselves on the periphery of true power in the multibillion-dollar industry their talent built.

Provocative and controversial, Rhoden’s $40 Million Slaves weaves a compelling narrative of black athletes in the United States, from the plantation to their beginnings in nineteenth-century boxing rings to the history-making accomplishments of notable figures such as Jesse Owens, Althea Gibson, and Willie Mays. Rhoden reveals that black athletes’ “evolution” has merely been a journey from literal plantations—where sports were introduced as diversions to quell revolutionary stirrings—to today’s figurative ones, in the form of collegiate and professional sports programs. He details the “conveyor belt” that brings kids from inner cities and small towns to big-time programs, where they’re cut off from their roots and exploited by team owners, sports agents, and the media. He also sets his sights on athletes like Michael Jordan, who he says have abdicated their responsibility to the community with an apathy that borders on treason.

The power black athletes have today is as limited as when masters forced their slaves to race and fight. The primary difference is, today’s shackles are invisible.

Praise for Forty Million Dollar Slaves
 
“A provocative, passionate, important, and disturbing book.”—The New York Times Book Review
 
“Brilliant . . . a beautifully written, complex, and rich narrative.”—Washington Post Book World
 
“A powerful call for more black athletes to give back to their communities.”—Los Angeles Times

From the author of the New York Times bestseller Begin Again, a politically astute, lyrical meditation on how ordinary people can shake off their reliance on a small group of professional politicians and assume responsibility for what it takes to achieve a more just and perfect democracy.

“Like attending a jazz concert with all of one’s favorite musicians…James Baldwin, Martin Luther King, Jr., Malcolm X, Ella Baker, Toni Morrison, and more…Glaude brilliantly takes us on an epic tour through their lives and work.”
―Henry Louis Gates, Jr., author of The Black Box: Writing the Race

We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation’s preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires.

Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude’s unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice.

Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own.

Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

A parent’s guide to cultivating an unhurried lifestyle and education that help their children thrive

In a culture that prizes productivity, efficiency, and success, it’s easy to feel as though we’re constantly falling short and to lose sight of joy. The homeschool community is not exempt from this pressure, but longtime educator Leslie Martino shows parents how to slow down to recapture the delight and depth that are hallmarks of meaningful learning. In The Joy of Slow, she offers practical guidance on:

* creating daily rhythms that celebrate the ordinary and make space for spontaneity
* supporting children as they explore personal interests and engage in self-directed learning
* tracking students’ progress in ways that might be overlooked by traditional assessments
* prioritizing connection with other people and the natural world

While parents of young children are more likely to embrace a slow childhood that nurtures wonder and imagination, panic often sets in as kids grow older, and parents worry about preparing them for the world beyond school. These fears are exacerbated by learning challenges, unspoken competition among peers, and standardized assessments. The Joy of Slow offers a much-needed reset, inspiring parents to prioritize the needs of each individual child and to help them find renewed freedom and passion.

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Jay Ellis, star of HBO’s Insecure, tells the story of growing up with an imaginary best friend you will never forget—part Dwayne Wayne from A Different World, part Will Smith from The Fresh Prince of Bel-Air—in this hilarious, vulnerable memoir.

What to do when you’re the perpetual new kid, only child, and military brat hustling school to school each year and everyone’s looking to you for answers? Make some shit up, of course! And a young Jay Ellis does just that, with help from his imaginary friend, Mikey.

A testament to the importance of invention, trusting oneself, and making space for creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a kid who confided in his imaginary sidekick to navigate parallel pop culture universes (like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews) to a lifetime of birthday disappointment (being a Christmas-season Capricorn will do that to you) and hoop dreams gone bad. Mikey also guides Ellis through tragedies, like losing his teenage cousin in a mistaken-target drive-by and the shame and fear of being pulled over by cops almost a dozen times the year he got his driver’s license.

As his imaginary friend morphs into adult consciousness, Ellis charts an unforgettable story of looking inward to solve to some of life’s biggest (and smallest) challenges, told in the roast-you-with-love voice of your closest homey.

Paperback Release: June 10, 2025

From one of the most prominent voices in the trauma conversation comes a groundbreaking new way to heal on a personal and a collective level.

“I love this book.”—Bessel van der Kolk, author of The Body Keeps the Score

“In a time when so many of us are being trained in cynicism, this book stands in necessary defiance.”—Cole Arthur Riley, author of Black Liturgies and This Here Flesh

As we emerge from the past few years of collective upheaval, are we ready to face the complexities of our time with joy, authenticity, and connection? Now more than ever, we must learn to heal ourselves, connect with one another, and embody our values. In this revolutionary book, Prentis Hemphill shows us how.

What It Takes to Heal asserts that the principles of embodiment—the recognition of our body’s sensations and habits, and the beliefs that inform them—are critical to lasting healing and change. Hemphill, an expert embodiment practitioner, therapist, and activist who has partnered with Brené Brown, Tarana Burke, and Esther Perel, among others, shows us that we don't have to carry our emotional burdens alone. Hemphill demonstrates a future in which healing is done in community, weaving together stories from their own experience as a trauma survivor with clinical accounts and lessons learned from their time as a social movement architect. They ask, “What would it do to movements, to our society and culture, to have the principles of healing at the very center? And what does it do to have healing at the center of every structure and everything we create?”

In this life-affirming framework for the way forward, Hemphill shows us how to heal our bodies, minds, and souls—to develop the interpersonal skills necessary to break down the doors of disconnection and take the necessary risks to reshape our world toward justice.

Why is less than 1% of rural land in the U.S. owned by Black people? An acclaimed writer and activist explores the impact of land theft and violent displacement on racial wealth gaps, arguing that justice stems from the literal roots of the earth.

“With heartfelt prose and unyielding honesty, Baker explores the depths of her roots and invites readers to reflect on our own.”—Donovan X. Ramsey, author of the National Book Award for Nonfiction semi-finalist When Crack Was King

To understand the contemporary racial wealth gap, we must first unpack the historic attacks on Indigenous and Black land ownership. From the moment that colonizers set foot on Virginian soil, a centuries-long war was waged, resulting in an existential dilemma: Who owns what on stolen land? Who owns what with stolen labor? To answer these questions, we must confront one of this nation’s first sins: stealing, hoarding, and commodifying the land.

Research suggests that between 1910 and 1997, Black Americans lost about 90% of their farmland. Land theft widened the racial wealth gap, privatized natural resources, and created a permanent barrier to access that should be a birthright for Black and Indigenous communities. Rooted traces the experiences of Brea Baker’s family history of devastating land loss in Kentucky and North Carolina, identifying such violence as the root of persistent inequality in this country. Ultimately, her grandparents’ commitment to Black land ownership resulted in the Bakers Acres—a haven for the family where they are sustained by the land, surrounded by love, and wholly free.

A testament to the Black farmers who dreamed of feeding, housing, and tending to their communities, Rooted bears witness to their commitment to freedom and reciprocal care for the land. By returning equity to a dispossessed people, we can heal both the land and our nation’s soul.

By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

"An absolute must-read; tell your friends; buy it for your family; sit with it on your own. This is storytelling we need." —Rebecca Traister

An urgent investigation into the experience of seeking an abortion after the fall of Roe v. Wade, and the life-threatening consequences of being denied reproductive freedom.

On June 24, 2022, Roe v. Wade was overturned, and the impact was immediate: by 2024, abortion was virtually unavailable or significantly restricted in 21 states. In Undue Burden, reporter Shefali Luthra traces the unforgettable stories of patients faced with one of the most personal decisions of their lives.

Outside of Houston, there’s a 16-year-old girl who becomes pregnant well before she intends to. A 21-year-old mother barely making ends meet has to travel hundreds of miles in secret for medical treatment in another state. A 42-year-old woman with a life-threatening condition wants nothing more than to safely carry her pregnancy to term, but her home state’s abortion ban fails to provide her with the options she needs to make an informed decision. And a 19-year-old trans man struggles to access care in Florida as abortion bans radiate across the American South.

Before Dobbs, it was a common misconception that abortion restrictions affected only people in certain states but left one's own life untouched. Since the fall of Roe, a domino effect has cascaded across the entire country. As the landscape of abortion rights continues to shift, the experiences of these patients—who crossed state lines to seek life-saving care, who risked everything in pursuit of their own bodily autonomy, and who were unable to plan their reproductive future in the way they deserved—illustrate how fragile the system is, and how devastating the consequences can be.

A revelatory portrait of inequality in America, Undue Burden examines abortion not as a footnote or a political pawn, but as a basic human right, something worthy of our collective attention and with immense power to transform our lives, families, and futures.

In the tradition of New York Times bestseller The World Without Us, Princeton and Yale scholar and notable activist Philip V. McHarris imagines what society would look like in a world without police.

It’s evident that policing is a problem. But what is the way best forward? In Beyond Policing, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and ask, How can we make police departments obsolete? Beyond Policing tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.

McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.

McHarris writes, “What if our response to crisis wasn’t about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn’t just a daydream; it’s the first step toward building a society where violence and fear no longer dictate our lives.”

Transformative and forward thinking, Beyond Policing provides a blueprint for a brighter, safer world. McHarris’s vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

The award-winning, platinum selling rapper, songwriter, and television personality shares her unforgettable story of coming of age in Miami, her inevitable rise to stardom, and her enduring legacy as a Hip-Hop Icon.

Growing up in the Liberty City area of Miami, Florida, Katrina “Trina” Taylor spent her childhood feeling relatively sheltered by her mother and stepfather. Trina and her mother had an unbreakable bond and Liberty City felt like a playground made just for her. And even at a young age, Trina knew what she wanted: to be a powerful, successful, and magnetic woman, a woman who was entirely self-reliant and independent. She dreamed of becoming a dancer, sexy and sparkling in the background of rap music videos she saw being filmed around Liberty City. Little did she know, she’d eventually be the star of the videos, and a founding Queen of rap.

In Da Baddest, Trina’s voice is, as always, powerful, insightful, witty, and provocative, while also showcasing her vulnerability and deep love for her family, home, and music. This evocative look into Trina’s upbringing and life as a rap icon proves why she is the blueprint, how she helped pave the way for the future of female rappers and hip-hop artists, and why no one but her can hold the title of “The Baddest B*tch.”

Alice Randall, award-winning professor, songwriter, and author with a “lively, engaging, and often wise” (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family of Black country music.

Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite a number one country hit, Trisha Yearwood’s “XXX’s and OOO’s”. Randall found inspiration and comfort in the sounds and history of the first family of Black country music: DeFord Bailey, Lil Hardin, Ray Charles, Charley Pride, and Herb Jeffries who, together, made up a community of Black Americans rising through hard times to create simple beauty, true joy, and sometimes profound eccentricity.

What emerges in My Black Country is a celebration of the most American of music genres and the radical joy in realizing the power of Black influence on American culture. As country music goes through a fresh renaissance today, with a new wave of Black artists enjoying success, My Black Country is the perfect gift for longtime country fans and a vibrant introduction to a new generation of listeners who previously were not invited to give the genre a chance.

"This book will change you." --Chicago Tribune

White Girls is about, among other things, blackness, queerness, movies, Brooklyn, love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Eminem, Louise Brooks, and Michael Jackson. Freewheeling and dazzling, tender and true, it is one of the most daring and provocative books of recent years, an invaluable guide to the culture of our time.

The wise words of science fiction icon Octavia E. Butler live on in this beautiful and giftable little volume.

“There’s no single answer that will solve all our future problems. There’s no magic bullet. Instead there are thousands of answers—at least. You can be one of them if you choose to be.”

Originally published in Essence magazine in the year 2000, Octavia E. Butler’s essay “A Few Rules for Predicting the Future” offers an honest look into the inspiration behind her science fiction novels and the importance of studying history and taking responsibility for our actions if we are to move forward. 

Organized into four main rules, this short essay reminds readers to learn from the past, respect the law of consequences, be aware of their perspectives, and count on the surprises. Citing the warning signs of fascism, the illusive effects of fear and wishful thinking, and the unpredictable nature of what is yet to come, Butler shares realistic but hopeful suggestions to shape our future into something good. An inspiring and motivational gift for students and recent graduates, fans of Butler's work, and anyone seeking a brighter day tomorrow, this exquisite gift book includes stunning Afrofuturist artwork by Manzel Bowman alongside the full text of the original essay.

LITERARY ICON: Octavia E. Butler was a pioneering science fiction writer whose novels, written decades ago, remain eerily relevant, reflecting on themes of racial injustice, women’s rights, environmental collapse, and political corruption. In 1995, she became the first science fiction author to win a MacArthur Genius grant, and her books are taught in over 200 colleges and universities nationwide. This book shares Butler's timely but lesser-known essay and is a must-read for fans of her classic sci-fi works.
 
CELEBRATE BLACK CREATORS: This book spotlights one of the greatest authors of Afrofuturism, a genre and philosophy that explores and reimagines Black culture, creativity, and liberation through fiction, art, music, film, and other media. Octavia E. Butler’s forward-thinking essay is paired with contemporary illustrations by Manzel Bowman, whose evocative images are also inspired by Afrofuturist visions.
 
INSPIRING GIFT: A unique gift for students, recent graduates, and anyone celebrating life milestones or looking forward in life, this beautifully designed hardcover book is sure to inspire. Octavia E. Butler’s essay is also an important, evergreen reminder for writers, creatives, dreamers, and activists who want to envision and work toward a brighter future.

Perfect for:
* Fans of Octavia Butler and her novels, including Kindred and Parable of the Sower
* People interested in nonfiction and essays by Black women writers
* Afrofuturism lovers and social justice-minded sci-fi readers
* Literary bibliophiles looking for a stunning new addition to their bookshelf
* Gift-giving to graduating high school and college students
* Activists and community leaders
* Inspirational essay readers
* Fans of Manzel Bowman and Afrofuturist art

“Nuila’s storytelling gifts place him alongside colleagues like Atul Gawande.” —Los Angeles Times

This “compelling mixture of health care policy and gripping stories from the frontlines of medicine” (The Guardian) explores the question: where does an uninsured person go when turned away by hospitals, clinics, and doctors?

Here, we follow the lives of five uninsured Houstonians as their struggle for survival leads them to a hospital that prioritizes people over profit. First, we meet Stephen, the restaurant franchise manager who signed up for his company’s lowest priced plan, only to find himself facing insurmountable costs after a cancer diagnosis. Then Christian—a young college student and retail worker who can’t seem to get an accurate diagnosis, let alone treatment, for his debilitating knee pain. Geronimo, thirty-six years old, has liver failure, but his meager disability check disqualifies him for Medicaid—and puts a life-saving transplant just out of reach. Roxana, who’s lived in the community without a visa for more than two decades, suffers from complications related to her cancer treatment. And finally, there’s Ebonie, a young mother whose high-risk pregnancy endangers her life. Whether due to immigration status, income, or the vagaries of state Medicaid law, all five are denied access to care. For all five, this exclusion could prove life-threatening.

Each patient eventually lands at Ben Taub, the county hospital where Dr. Nuila has worked for over a decade. Nuila delves with empathy into the experiences of his patients, braiding their dramas into a singular narrative that contradicts the established idea that the only way to receive good health care is with good insurance. As readers follow the moving twists and turns in each patient’s story, it’s impossible to deny that our system is broken—and that Ben Taub’s innovative model, where patient care is more important than insurance payments, could help light the path forward.

Policing is violent. And its violence is not distributed equally: stark racial disparities persist despite decades of efforts to address them. Amid public outcry and an ongoing crisis of police legitimacy, there is pressing need to understand not only how police perceive and use violence but also why.

With unprecedented access to three police departments and drawing on more than 100 interviews and 1,000 hours on patrol, The Danger Imperative provides vital insight into how police culture shapes officers’ perception and practice of violence. From the front seat of a patrol car, it shows how the institution of policing reinforces a cultural preoccupation with violence through academy training, departmental routines, powerful symbols, and officers’ street-level behavior.

This violence-centric culture makes no explicit mention of race, relying on the colorblind language of “threat” and “officer safety.” Nonetheless, existing patterns of systemic disadvantage funnel police hyperfocused on survival into poor minority neighborhoods. Without requiring individual bigotry, this combination of social structure, culture, and behavior perpetuates enduring inequalities in police violence.

A trailblazing, on-the-ground account of modern policing, this book shows that violence is the logical consequence of an institutional culture that privileges officer survival over public safety.

In the 1960s and ’70s, a diverse range of storefronts―including head shops, African American bookstores, feminist businesses, and organic grocers―brought the work of the New Left, Black Power, feminism, environmentalism, and other movements into the marketplace. Through shared ownership, limited growth, and democratic workplaces, these activist entrepreneurs offered alternatives to conventional profit-driven corporate business models. By the middle of the 1970s, thousands of these enterprises operated across the United States―but only a handful survive today. Some, such as Whole Foods Market, have abandoned their quest for collective political change in favor of maximizing profits.

Vividly portraying the struggles, successes, and sacrifices of these unlikely entrepreneurs, From Head Shops to Whole Foods writes a new history of social movements and capitalism by showing how activists embraced small businesses in a way few historians have considered. The book challenges the widespread but mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace. Joshua Clark Davis uncovers the historical roots of contemporary interest in ethical consumption, social enterprise, buying local, and mission-driven business, while also showing how today’s companies have adopted the language―but not often the mission―of liberation and social change.

A collection of personal stories, history, poetry, and art

A Land With a People is a book of stories, photographs and poetry which elevates rarely heard Palestinian and Jewish voices and visions. Eloquently framed with a foreword by the dynamic Palestinian legal scholar and activist, Noura Erakat, this book began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area.

Stories touch hearts, open minds, and transform our understanding of the “other”―as well as our comprehension of own roles and responsibilities― and A Land With a People emerges from this reckoning. It brings us the narratives of secular, Muslim, Christian, and queer Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, queer, and Palestinian Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future―one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be.

The 1967 Arab–Israeli War rocketed the question of Israel and Palestine onto the front pages of American newspapers. Black Power activists saw Palestinians as a kindred people of color, waging the same struggle for freedom and justice as themselves. Soon concerns over the Arab–Israeli conflict spread across mainstream black politics and into the heart of the civil rights movement itself. Black Power and Palestine uncovers why so many African Americans―notably Martin Luther King, Jr., Malcolm X, and Muhammad Ali, among others―came to support the Palestinians or felt the need to respond to those who did.

Americans first heard pro-Palestinian sentiments in public through the black freedom struggle of the 1960s and 1970s. Michael R. Fischbach uncovers this hidden history of the Arab–Israeli conflict's role in African American activism and the ways that distant struggle shaped the domestic fight for racial equality. Black Power's transnational connections between African Americans and Palestinians deeply affected U.S. black politics, animating black visions of identity well into the late 1970s. Black Power and Palestine allows those black voices to be heard again today.

In chronicling this story, Fischbach reveals much about how American peoples of color create political strategies, a sense of self, and a place within U.S. and global communities. The shadow cast by events of the 1960s and 1970s continues to affect the United States in deep, structural ways. This is the first book to explore how conflict in the Middle East shaped the American civil rights movement.

"Honey Hush!" is an exclamation used among black women, especially those from the South, as a friendly encouragement, a mild suggestion of playful disbelief, or a suggestion that one is telling truths that are prohibited. This anthology will make readers say "Honey, Hush!" many times. Often hard-hitting, sometimes risque', always dramatic and eloquent, the vibrant humor of African American women is celebrated in this bold, unique and comprehensive collection. Arising from the depth of black women's souls and the breadth of their lives, it reflects what the American experience has meant to them.

In this inspiring, intimate memoir, the first Black woman to ever be appointed to the U.S. Supreme Court chronicles her extraordinary life story.
 
With this unflinching account, Justice Ketanji BrownJackson invites readers into her life and world, tracing her family’s ascent from segregation to her confirmation on America’s highest court within the span of one generation.
 
Named “Ketanji Onyika,” meaning “Lovely One,” based on a suggestion from her aunt, a Peace Corps worker stationed in West Africa, Justice Jackson learned from her educator parents to take pride in her heritage since birth. She describes her resolve as a young girl to honor this legacy and realize her dreams: from hearing stories of her grandparents and parents breaking barriers in the segregated South, to honing her voice in high school as an oratory champion and student body president, to graduating magna cum laude from Harvard, where she performed in musical theater and improv and participated in pivotal student organizations.
 
Here, Justice Jackson pulls back the curtain, marrying the public record of her life with what is less known. She reveals what it takes to advance in the legal profession when most people in power don’t look like you, and to reconcile a demanding career with the joys and sacrifices of marriage and motherhood.
 
Through trials and triumphs, Justice Jackson’s journey will resonate with dreamers everywhere, especially those who nourish outsized ambitions and refuse to be turned aside. This moving, open-hearted tale will spread hope for a more just world, for generations to come.

A bold reconsideration of Hoodoo belief and practice

Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. She examines Hoodoo culture and history by tracing its emergence from African traditions to religious practices in the Americas. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the nineteenth century, Hoodoo took on a national rather than regional profile. The spread came about through the mechanism of the "African Religion Complex," eight distinct cultural characteristics familiar to all the African ethnic groups in the United States.

The first interdisciplinary examination to incorporate a full glossary of Hoodoo culture, Mojo Workin': The Old African American Hoodoo System lays out the movement of Hoodoo against a series of watershed changes in the American cultural landscape. Hazzard-Donald examines Hoodoo material culture, particularly the "High John the Conquer" root, which practitioners employ for a variety of spiritual uses. She also examines other facets of Hoodoo, including rituals of divination such as the "walking boy" and the "Ring Shout," a sacred dance of Hoodoo tradition that bears its corollaries today in the American Baptist churches. Throughout, Hazzard-Donald distinguishes between "Old tradition Black Belt Hoodoo" and commercially marketed forms that have been controlled, modified, and often fabricated by outsiders; this study focuses on the hidden system operating almost exclusively among African Americans in the Black spiritual underground.

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A New York Times Notable Book

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son's misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other blacks or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author's own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. The Women is that rarest of books: a memorable work of self-investigation that creates a form of all its own.

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New York Times Book Review Editors’ Choice • An award-winning author charts the poignant global journeys of African Americans as she explores her own transatlantic family odyssey in Beyond the Shores, a powerful history of living abroad while Black.
 
“By exploring the life of Black expats, creatives, and activists, Beyond the Shores enhances the stories of migration to reveal how race is lived in the United States and abroad.”—Marcia Chatelain, Pulitzer Prize–winning author of South Side Girls

Part historical exploration, part travel memoir, Beyond the Shores reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.
 
Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations. Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout Beyond the Shores, she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.
 
By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life.

A bold, innovative biography that offers a new understanding of the life, work, and enduring impact of Audre Lorde.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde’s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive―to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde’s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

Hip-Hop Is History is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian.

In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.

Hip-hop is history, and also his history.

A unique collaboration from two of America’s leading artists that explores the fascinating and hidden history of the plant world.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Kara Walker, one of America’s greatest visual artists, illustrates each entry with provocative, brilliant, enthralling, many-layered watercolors.

There has never been a book like An Encyclopedia of Gardening for Colored Children―so inventive, surprising, and telling about what our gardens reveal.

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The story of the celebrated rapper and the iconic Wu-Tang Clan, told by one of its founding members

Dennis Coles―aka Ghostface Killah―is a co-founder of the Wu-Tang Clan, a legendary hip hop group who established themselves by breaking all the rules, taking their music to the streets during hip hop’s golden era on a decade-long wave of releasing anthem after classic anthem, and serving as the foundation of modern hip hop. An all-star cast who formed like Voltron to establish the pillars that serve as the foundation of modern hip hop and released seminal albums that have stood the test of time.

Rise of a Killah is Ghost’s autobiography, focusing on the people, places and events that mean the most to him as he enters his fourth decade writing and performing. It’s a beautiful and intense book, going back to the creative ferment that led to Ghost’s first handwritten rhymes. Dive into Ghost’s defining personal moments, his battles with his personal demons, his journey to Africa, his religious viewpoints, his childhood in Staten Island, and his commitment to his family (including his two brothers with muscular dystrophy), from the Clan’s early successes to the pinnacle of Ghost’s career touring and spreading his wings as a solo artist, fashion icon, and trendsetter.

Exclusive photos and memorabilia, as well as graphic art commissioned for this book, make Rise of a Killah both a memoir and a unique visual record, a “real feel” narrative of Ghost’s life as he sees it, a one of a kind holy grail for Wu-Tang and Ghost fans alike.

A collection of Sojourner Truth's iconic words, including her famous speech at the 1851 Women's Rights Convention in Akron, Ohio

A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

From the author of The Sword and the Shield, this definitive biography of the Black Power activist Stokely Carmichael offers "an unflinching look at an unflinching man" (Daily Beast). 

Stokely Carmichael, the charismatic and controversial Black activist, stepped onto the pages of history when he called for "Black Power" during a speech one Mississippi night in 1966. A firebrand who straddled both the American civil rights and Black Power movements, Carmichael would stand for the rest of his life at the center of the storm he had unleashed. In Stokely, preeminent civil rights scholar Peniel E. Joseph presents a groundbreaking biography of Carmichael, using his life as a prism through which to view the transformative African American freedom struggles of the twentieth century. 

A nuanced and authoritative portrait, Stokely captures the life of the man whose uncompromising vision defined political radicalism and provoked a national reckoning on race and democracy.