An anthology of original essays that examine white supremacy around the globe through the lens of anthropology

White supremacy, an entrenched global system that emerged alongside European colonialism, is based on presumed biological and cultural differences, racist practices, the hypervaluation of whiteness, and the devaluation of nonwhites. Anthropology has been shaped by—and has helped to shape—white supremacy, yet the discipline also offers powerful tools for understanding this system at a global scale. The Anthropology of White Supremacy gathers original essays from a diverse, international group of anthropologists to explore how this phenomenon works both within anthropology and in cultural and political structures around the world.

The book features historical and ethnographic analysis about Brazil, Japan, Mexico, Nigeria, Norway, Palestine, Senegal, South Africa, and the United States, and addresses the ways white supremacy impacts a broad range of issues, including finance, advertising and media representations, militarism, police training, migration, and development.

The Anthropology of White Supremacy demonstrates not only how anthropology can help us to better comprehend white supremacy, but also how the discipline can help us begin to dismantle it.

The contributors include Omolade Adunbi, Samar Al-Bulushi, Aisha M. Beliso-De Jesús, Michael Blakey, Mitzi Uehara Carter, Subhadra Mitra Channa, Celina de Sa, Vanessa Diaz, Britt Halvorson, Faye Harrison, Sarah Ihmoud, Anthony R. Jerry, Darryl Li, Kristín Loftsdóttir, Christopher Loperena, Keisha-Khan Y. Perry, Jemima Pierre, Jean Muteba Rahier, Laurence Ralph, Renya K. Ramirez, Junaid Rana, Joshua Reno, Jonathan Rosa, Shalini Shankar, and Maria Styve.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

An incisive and sympathetic examination of the case for ending the practice of imprisonment

Despite its omnipresence and long history, imprisonment is a deeply troubling practice. In the United States and elsewhere, prison conditions are inhumane, prisoners are treated without dignity, and sentences are extremely harsh. Mass incarceration and its devastating impact on black communities have been widely condemned as neoslavery or “the new Jim Crow.” Can the practice of imprisonment be reformed, or does justice require it to be ended altogether? In The Idea of Prison Abolition, Tommie Shelby examines the abolitionist case against prisons and its formidable challenge to would-be prison reformers.

Philosophers have long theorized punishment and its justifications, but they haven’t paid enough attention to incarceration or its related problems in societies structured by racial and economic injustice. Taking up this urgent topic, Shelby argues that prisons, once reformed and under the right circumstances, can be legitimate and effective tools of crime control. Yet he draws on insights from black radicals and leading prison abolitionists, especially Angela Davis, to argue that we should dramatically decrease imprisonment and think beyond bars when responding to the problem of crime.

While a world without prisons might be utopian, The Idea of Prison Abolition makes the case that we can make meaningful progress toward this ideal by abolishing the structural injustices that too often lead to crime and its harmful consequences.

How philosophy can teach us to be less anxious about being anxious by understanding that it’s an essential part of being human

Today, anxiety is usually thought of as a pathology, the most diagnosed and medicated of all psychological disorders. But anxiety isn’t always or only a medical condition. Indeed, many philosophers argue that anxiety is a normal, even essential, part of being human, and that coming to terms with this fact is potentially transformative, allowing us to live more meaningful lives by giving us a richer understanding of ourselves. In Anxiety, Samir Chopra explores valuable insights about anxiety offered by ancient and modern philosophies—Buddhism, existentialism, psychoanalysis, and critical theory. Blending memoir and philosophy, he also tells how serious anxiety has affected his own life—and how philosophy has helped him cope with it.

Chopra shows that many philosophers—including the Buddha, Kierkegaard, Nietzsche, Freud, and Heidegger—have viewed anxiety as an inevitable human response to existence: to be is to be anxious. Drawing on Karl Marx and Herbert Marcuse, Chopra examines how poverty and other material conditions can make anxiety worse, but he emphasizes that not even the rich can escape it. Nor can the medicated. Inseparable from the human condition, anxiety is indispensable for grasping it. Philosophy may not be able to cure anxiety but, by leading us to greater self-knowledge and self-acceptance, it may be able to make us less anxious about being anxious.

Personal, poignant, and hopeful, Anxiety is a book for anyone who is curious about rethinking anxiety and learning why it might be a source not only of suffering but of insight.

A revealing look at the covert and institutionalized racism lurking in the congressional workplace

Racism continues to infuse Congress’s daily practice of lawmaking and shape who obtains congressional employment. In this timely and provocative book, James Jones reveals how and why many who work in Congress call it the “Last Plantation.” He shows that even as the civil rights movement gained momentum in the 1960s and antidiscrimination laws were implemented across the nation, Congress remained exempt from federal workplace protections for decades. These exemptions institutionalized inequality in the congressional workplace well into the twenty-first century.

Combining groundbreaking research and compelling firsthand accounts from scores of congressional staffers, Jones uncovers the hidden dynamics of power, privilege, and resistance in Congress. He reveals how failures of racial representation among congressional staffers reverberate throughout the American political system and demonstrates how the absence of diverse perspectives hampers the creation of just legislation. Centering the experiences of Black workers within this complex landscape, he provides valuable insights into the problems they face, the barriers that hinder their progress, and the ways they contest entrenched inequality.

A must-read for anyone concerned about social justice and the future of our democracy, The Last Plantation exposes the mechanisms that perpetuate racial inequality in the halls of Congress and challenges us to confront and transform this unequal workplace that shapes our politics and society.

An innovative analysis that traces the continuity of the state’s custodianship of Islam as the preferred religion in the Middle East and North Africa

In The Making of the Modern Muslim State, Malika Zeghal reframes the role of Islam in modern Middle East governance. Challenging other accounts that claim that Middle Eastern states turned secular in modern times, Zeghal shows instead the continuity of the state’s custodianship of Islam as the preferred religion. Drawing on intellectual, political, and economic history, she traces this custodianship from early forms of constitutional governance in the nineteenth century through post–Arab Spring experiments in democracy. Zeghal argues that the intense debates around the implementation and meaning of state support for Islam led to a political cleavage between conservatives and their opponents that long predated the polarization of the twentieth century that accompanied the emergence of mass politics and Islamist movements.

Examining constitutional projects, public spending, school enrollments, and curricula, Zeghal shows that although modern Muslim-majority polities have imported Western techniques of governance, the state has continued to protect and support the religion, community, and institutions of Islam. She finds that even as Middle Eastern states have expanded their nonreligious undertakings, they have dramatically increased their per capita supply of public religious provisions, especially Islamic education—further feeding the political schism between Islamists and their adversaries. Zeghal illuminates the tensions inherent in the partnerships between states and the body of Muslim scholars known as the ulama, whose normative power has endured through a variety of political regimes. Her detailed and groundbreaking analysis, which spans Tunisia, Morocco, Egypt, Turkey, Syria, and Lebanon, makes clear the deep historical roots of current political divisions over Islam in governance.

Discover your true power as you embrace the calling God has reserved just for you.

Does the pressure to do more, be more, and achieve more leave you feeling powerless?

In Staying Power, global ministry leader and New York Times bestselling author Sarah Jakes Roberts challenges you to let go of others' expectations and embrace the calling God has for you--with the power only He can give.

In this empowering guided teaching journal, you'll engage with the key themes and messages from Sarah Jakes Roberts' Power Moves, as well as take time for self-reflection through insightful questions and journaling prompts. Drawing on truths from her book, Power Moves, Sarah helps you:

* Bring your authentic self back to life
* Connect with God in new ways
* Disarm the fear that holds you back
* Understand how worthy, valuable, and loved you are
* Release your power to the world

Ideal for personal enrichment and for gifting, this guided journal includes:

* Bible passages for each chapter to help you ground your spirit in Scripture
* Thought-provoking messages from Sarah to stir your soul and inspire you to action
* Questions for self-reflection to help you cultivate personal growth
* Guided prompts to help you explore your experiences and feelings
* Space to write your ideas and insights so you can track your progress and spiritual maturity

Staying Power equips you to align your heart and mind to receive what is already yours. True power rests in authenticity, bravery, and commitment to continuous growth. Come be refilled, restored, and refueled as you harness the power God has reserved just for you

Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation.

Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria’s Wole Soyinka, the Nuclear Free and Independent Pacific’s Amelia Rokotuivuna, Samoa’s Albert Wendt, African American anthropologist Angela Gilliam, the NAACP’s Roy Wilkins, West Papua’s Ben Tanggahma, New Caledonia’s Déwé Gorodey, and Polynesian Panther Will ‘Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans.

Charts the changing dynamics of religion and spirituality among African Americans

Recent decades have ushered in a profound transformation within the American religious landscape, characterized by an explosion of religious diversification and individualism as well as a rising number of “nones.” The Contemporary Black Church makes the case that the story of this changing religious landscape needs to be told incorporating more data as it applies specifically to African Americans.

Jason E. Shelton draws from survey data as well as interviews with individuals from a wide variety of religious backgrounds to argue that social reforms and the resulting freedoms have paved the way for a pronounced diversification among African Americans in matters of faith. Many African Americans have switched denominational affiliations within the Black Church, others now adhere to historically White traditions, and a record number of African Americans have left organized religion altogether in recent decades. These changing demographics and affiliations are having a real and measurable effect on American politics, particularly as members of the historic Black Church are much more likely than those of other faiths to vote and to strongly support government policies aimed at bridging the racial divide.

Though not the first work to note that African Americans are not monolithic in their religious affiliation, or to argue that there is a trend toward secularism in Black America, this book is the first to substantiate these claims with extensive empirical data, charting these changing dynamics and their ramifications for American society and politics.

New York Times-bestselling author adrienne maree brown knows we need each other more than ever, and offers “loving corrections”: a roadmap towards collective power, righting wrongs, and true belonging 

This selection of prescient, compassionate essays explores patterns we engage in that are rooted in limited thinking. Through a lens of “loving correction” rather than mere critique, author adrienne maree brown helps us reimagine how to hold ourselves, our loved ones, and our communities accountable by setting clear boundaries, engaging in reflection, and nurturing honest relationships.

Loving Corrections is divided into two sections, with the first portion featuring new essays including “A Word for White People” and “Relinquishing the Patriarchy” and writing on topics like moving from fragility to fortitude, disability, and navigating critique within activist communities. The second section expands and updates pieces from brown's popular monthly column “Murmurations” in YES! Magazine that explore accountability—within oneself and community—with depth, inventiveness, and empathy.

Along with allowing us more authentic access to ourselves and to each other, the “corrections” in the book’s title are intended to explore and break identity-based patterns including white supremacy, fragility, patriarchy, and ableism. brown also offers practical guidance on how to apologize and be accountable from our nuanced positions of power, history, and resources.

Building on her previous work—especially Holding Change and We Will Not Cancel Us—brown reminds us how much we need each other: "It is only through relationship that we learn how to be, understand our impact on others and explore small shifts that may yield remarkable collective change."

A groundbreaking survey of the language used around queerness in the Arab world, with contributions by leading Arab queer writers, thinkers and activists, The Queer Arab Glossary is a first-of-its-kind survey of the linguistic landscape surrounding queerness in the Arab world. 

It brings together more than 300 words and terms used to refer to queer people across the spoken Arabic dialects, ranging from the humorous to the harrowing, serious to tongue-in-cheek, pejorative to endearing.

Featuring anecdotes and fascinating historical facts, the bilingual glossary paints a linguistic picture of how queer bodies are perceived within the Arab region. 

It includes insightful essays by eight leading Arab queer artists, academics, activists and writers, which situate the glossary in a modern social and political context.

With beautiful, witty illustrations by Haitham Haddad, The Queer Arab Glossary is a powerful response to myths about queer people in the Arab world. It is proof that the LGBTQI+ Arab community is alive and thriving.

In this engaging follow up to How to Make a Slave and Other Essays, the recipient of PEN New England Award for nonfiction and finalist for the National Book Award sharply examines and explains Black life and culture with equal parts candor and humor.

In Magically Black and Other Essays Jerald Walker elegantly blends personal revelation and cultural critique to create a bracing and often humorous examination of Black American life. He thoughtfully addresses the inherent complexities of topics as eclectic as incarceration, home renovations, gentrification, the crip walk, pimping, and the rise of the MAGA movement, approaching them through various Black perspectives, including husband, father, teacher, and writer. The collection’s overarching theme is captured in the titular essay, which examines the culture of heroic action African Americans created in response to their enslavement and oppression, giving proof to Albert Murray’s observation that the “fire in the forging process . . . for all its violence, does not destroy the metal that becomes the sword.”

From an award-winning historian, an alternative model of feminism driven by the legacy of Black women who took justice into their own hands 
  
So often failed by the state, demeaned by racism and sexism, and denied respectable means of redress, Black women have nevertheless patiently resisted myriad injustices. Yet history shows an alternative path. It involved razors, pistols, hatchets, and blackjacks, and playacting for courts and reporters—whatever it took to beat the system. In a world where Black women are castigated and caricatured for being angry, Vengeance Feminism tells the story of those who leaned into their fury, crafting a different kind of ideology that scratched and stabbed and sometimes even succeeded. 

Vengeance Feminism is about the Black women who hit back—not always figuratively, and not necessarily nobly either. Weaving together historical narrative with Black feminist analysis, Gross illuminates the stories of Black women who fought for their dignity on their own terms, from the nineteenth-century “badger thieves” who robbed men on the streets of Philadelphia to victims of intimate partner violence who defended their honor and bodily autonomy with deadly force. 
 
Reckoning with women who lied, robbed, and cheated a racist, misogynistic world, Vengeance Feminism grapples with the volatile power of violence in pursuit of racial and gender justice.

A lyrical meditation on how Black Americans have envisioned utopia―and sought to transform their lives.

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?

These questions animate Aaron Robertson’s exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit―the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.

Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.

The Black Utopians offers a nuanced portrait of the struggle for spaces―both ideological and physical―where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making―one that points the way toward radical alternatives for the future.

In this collection of essays on African and Caribbean literature, culture, and politics, Ngugi wa Thiong'o delivers a groundbreaking critique of colonialism and capitalism in postcolonial Africa.

In these essays, Ngugi wa Thiong'o eloquently interweaves a range of issues including religious oppression, consumerism, and independence with the powerful intellect and passion that has come to characterise his writing. These pieces are essential for readers wishing to uncover a critical perspective on African society and culture.

Homecoming is a groundbreaking collection intended to provoke and encourage thoughtful debate on how best to 'restore the creative glory of Africa and of all Africans' in the wake of postcolonialism.

'One of the greatest writers of our time.' Chimamanda Ngozi Adichie
'A tremendous writer... It's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o.' Guardian
'One of Africa's greatest writers.' New York Times

Exiled in 1948, Palestinians were robbed of their private property when looting became weaponized

During the 1948 War, Israeli fighters and residents alike plundered Palestinian homes, shops, businesses, and farms. This bitter truth was then suppressed or forgotten over the coming years.

Tens of thousands took part in the pillage of Palestinian property, stealing the belongings of their former neighbours. The implications of this mass looting go far beyond the personality or moral fibre of those who took part. Plundering served a political agenda by helping to empty the country of its Palestinian residents. In this context, it was part of the prevailing policy during the war – one designed to crush the Palestinian economy, destroy villages, and to confiscate and sometimes destroy crops and harvests remaining in the depopulated zones.

The participating Jewish public became a stakeholder, motivated to prevent Palestinian residents from returning to the villages and cities they had left. These ordinary people were mobilized in the push for the segregation of Jews and Arabs in the early years of statehood.

With painstaking original research into primary sources, Adam Raz has brought to light a tragic moment in the history of a conflict that roils the region and the wider world. As the details of the Nakba are understood and documented, redress for Palestinian grievances comes closer to reality.

An award-winning journalist's deeply reported exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics

Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. In fact, despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Now, journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest.
From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6th insurrectionists, Evangelical pastors and culture war crusaders, aiming to identify the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society.
We meet Monica de la Cruz, a Republican congresswoman from the Rio Grande Valley who won on a platform centered on finishing “what Donald Trump started” and pushing the Great Replacement Theory; David Ortiz, a Mexican man who refers to himself as a Spaniard and opposed the removal of a statue of a Spanish conquistador in New Mexico; Luis Cabrera, an evangelical pastor pushing to “Make America Godly Again;” Anthony Aguero, an independent journalist turned border vigilante; and countless other individuals and communities that make up the rising conservative Latino population. Cross-cultural and assiduously reported, Defectors highlights how one of America's most powerful and misunderstood electorates may come to define the future of American politics.

From the author of Make Your Home Among Strangers, essays on being an “accidental” American―an incisive look at the edges of identity for a woman of color in a society centered on whiteness

In this sharp and candid collection of essays, critically acclaimed writer and first-generation American Jennine Capó Crucet explores the condition of finding herself a stranger in the country where she was born. Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Florida. Crucet illuminates how she came to see her exclusion from aspects of the theoretical American Dream, despite her family’s attempts to fit in with white American culture―beginning with their ill-fated plan to name her after the winner of the Miss America pageant.

In prose that is both fearless and slyly humorous, My Time Among the Whites examines the sometimes hopeful, sometimes deeply flawed ways in which many Americans have learned to adapt, exist, and―in the face of all signals saying otherwise―perhaps even thrive in a country that never imagined them here.

Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces Samatar's attempt to rediscover the intimacy of writing

In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.

In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?

Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book follows the lives of seven Black Americans of different economic levels, ages and professions during the three years following this period of racial reckoning.  

This easy-to-use guide explains how to recruit, nourish, and fortify writers of color through innovative reading, writing, workshop, critique, and assessment strategies.

A captivating mix of memoir and progressive teaching strategies, The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom demonstrates how to be culturally attuned, twenty-first century educators.

The Anti-Racist Writing Workshop is a call to create healthy, sustainable, and empowering classroom communities. Award-winning educator Felicia Rose Chavez exposes the invisible politics of power and privilege that have silenced writers of color for far too long. It’s more urgent than ever that we consciously work against traditions of dominance in the classroom, but what specific actions can we take to achieve authentically inclusive communities? Together, we will address how to:

· Deconstruct our biases to achieve a cultural shift in perspective.

· Design a democratic teaching model to create safe spaces for creative concentration.

· Recruit, nourish, and fortify students of color to best empower them to exercise voice.

· Embolden our students to self-advocate as responsible citizens in a globalized community.

Finally, a teaching model that protects and platforms students of color, because every writer deserves access to a public voice. For anyone looking to liberate their thinking from “the way it’s always been done,” The Anti-Racist Writing Workshop is a clear, compelling guidebook on a necessary step forward.

From the award-winning author of High on the Hog—inspiration for the “energetic, emotional, and deeply nuanced” (The New York Times) Netflix series of the same name—comes a new and updated edition of A Kwanzaa Keepsake, another important exploration of African American culture, food, and family, featuring recipes and stories to help this generation create unique holiday traditions.

Now with a new introduction by award-winning writer and iconic culinary historian Jessica B. Harris, a foreword by chef and television personality Carla Hall, revised recipes and stories, and a fresh new package, A Kwanzaa Keepsake offers proverbs, ceremonies, family projects, inspirational biographies, blessings, and of course, wonderful recipes. Structured around the seven days of Kwanzaa and the virtues each day represents, Harris shares a themed feast for each night, designed to reflect the principle of the day. Some of the menus include:

-Umoja (Unity), featuring dishes of multinational origin such as Seasoned Olives, Mechoui-Style Leg of Lamb with cumin, mint, and chili, and a classic Caribbean rum punch, and reminds readers of the union of all peoples of African descent.
-Kujichagulia (Self-Determination), composed of dishes from the African continent including Sweet Potato Fritters, Grilled Pepper Salad, and Piment Aimee, a hot sauce from one of the author’s friends.
-Kuumba (Creativity) is a healing supper and communal meal that opens the gates of remembrance through food. The repast is centered around a heritage recipe and includes others for Pickled Black-Eyed Peas, a fish dish from the the Ivory Coast, Spicy Cranberry Chutney, and a killer pecan pie with molasses whipped cream.

Interspersed throughout the book are spaces to record family memories, sayings, and recipes. Rich in culinary history, and a source of inspiration for treasuring and recording family traditions both old and new, A Kwanzaa Keepsake is a book to cherish, and one that families will turn to again and again.

LGBTQ+ influencers Terrell and Jarius open up about their joyful love story and family life—and the challenges they've encountered along the way—in this honest, powerful guidebook.

Terrell and Jarius Joseph—a picturesque home, adorable children, family businesses, and millions of fans online. Love Out Loud is Terrell and Jarius’s guide to help couples of all kinds sustain their relationship and nurture their nontraditional family. With the Josephs’s essential roadmap you’ll learn how to:
* Define your needs as individuals and as a couple to build the life of your dreams
* Recognize growing pains before they hurt your marriage
* Break tradition to discover your unique parenting style
* Build a circle of support for your children

We all crave genuine love, belonging, and the freedom to be our true selves, no matter what our family unit looks like. Love Out Loud is the story of the Josephs’ quest to redefine fatherhood. After enduring a devastating miscarriage followed by two premature births by surrogacy just five weeks apart, Terrell and Jarius realized that to have the family of their dreams, they needed to live and love by their own rules. Filled with empathetic advice and a healthy dose of real talk, you, too, can discover how to build a relationship and family your way and build the life of your dreams.

From multi-award winner Whoopi Goldberg comes a new and unique memoir of her family and their influence on her early life.

If it weren't for Emma Johnson, Caryn Johnson would have never become Whoopi Goldberg. Emma gave her children the loving care and wisdom they needed to succeed in life, always encouraging them to be true to themselves. When Whoopi lost her mother in 2010--and then her older brother, Clyde, five years later--she felt deeply alone; the only people who truly knew her were gone.

Emma raised her children not just to survive, but to thrive. In this intimate and heartfelt memoir, Whoopi shares many of the deeply personal stories of their lives together for the first time. Growing up in the projects in New York City, there were trips to Coney Island, the Ice Capades, and museums, and every Christmas was a magical experience. To this day, she doesn't know how her mother was able to give them such an enriching childhood, despite the struggles they faced--and it wasn't until she was well into adulthood that Whoopi learned just how traumatic some of those struggles were.

Fans of personal memoirs such as Finding Me by Viola Davis and In Pieces by Sally Field will be touched by Bits and Pieces: a moving tribute from a daughter to her mother, and beautiful portrait of three people who loved each other deeply. Whoopi writes, "Not everybody gets to walk this earth with folks who let you be exactly who you are and who give you the confidence to become exactly who you want to be. So, I thought I'd share mine with you."

Unleash the superpower of being yourself. Sarah Jakes Roberts, bestselling author of Woman Evolve, will help you craft a language toward your issues with intentionality.

Stripping our minds of the expectations that inundate our world has never been more difficult. One quick scroll of our phones and we're consumed by other people's projections of how we should be feeling or responding.

The ability to determine your truth without judgment is the beginning of harnessing authentic power in Christ. When we do the work of embracing where we are, we create space for God's love to meet us in our most raw form and then polish us to shine like never before. Power does not lie in success, achievement, or performance. Power rests in humility, honesty, and the commitment to continuous growth.

Power Moves will help you to qualify whether you're living life authentically or if you've found a way to maintain status quo. It will reveal the principles required to tap into the most powerful version of who you are, then lead you in how to introduce your authentic self to the world around you. Sarah will help you

• give language to your changing needs,
• acknowledge and applaud your growth,
• refuse to bear the weight all at once or all alone, and
• release your power.

 Open your eyes to the way that God sees you and awaken your boldness to effect change in the world by living out the truth of who God says you are with confidence.

An incisive guide to abolitionist strategy, and a love letter to the movement that made this moment possible.

Critics of abolition sometimes castigate the movement for its utopianism, but in How to Abolish Prisons, long-time organizers Rachel Herzing and Justin Piché reveal a movement that has made the struggle for abolition as real as the institutions they are fighting against.

Drawing on extensive interviews with abolitionist crews all over North America, Herzing and Piché provide a collective reconstruction of what the grassroots movement to abolish prisons actually is, what initiatives it has launched, how it organizes itself, and how its protagonists build the day-to-day practice of politics. Readers sit in on the Winnipeg rideshares of Bar None and the meetings of the Chicago Community Bail Fund as they assess the utility of politicized mutual aid. They follow the campaigns and coalitions of Critical Resistance in Oakland and San Francisco and Survived and Punished in New York City, and learn about the prisoner correspondence projects that keep activists behind bars and outside them in constant coordination.

Abolitionist campaigns are constructing on-the-ground initiatives across North America to deconstruct carceral society and build resistant communities.Through the words, deeds, and personalities of this beautifully peopled movement, How to Abolish Prisons emerges as a stunning snapshot of a movement’s thinking in motion.

In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.

In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, Sentient Flesh offers a major intervention in the black study of life.

The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.

Contributors
Maile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se’mana Thompson, Frank B. Wilderson