Founded in 1876, Prairie View A&M University is the second-oldest public institution of higher learning in Texas, one of two Texas land-grant universities, and an “institution of the first class” within the Texas A&M University System. It is also the first public historically Black college or university (HBCU) in Texas. Prairie View A&M has played a pivotal role in the educational and economic experiences of African American Texans. As the university celebrates its sesquicentennial in 2026, editors Will Guzmán and William T. Hoston document and interpret the actions of important individuals, campus institutions, and cultural traditions that made Prairie View A&M what it is today.

The Hill We Climbed: Prairie View A&M University complements former Prairie View professor George R. Woolfolk’s classic 1962 work Prairie View: A Study in Public Conscience, 1878–1946 and Michael Nojeim’s 2011 Down that Road: A Pictorial History of Prairie View A&M University to further contextualize Prairie View A&M’s place among HBCUs, higher education in general, and Texas Black life in particular. Prairie View A&M University has a long and rich history, of which past literature provides only a small sampling. In celebrating the 150–year anniversary of the founding of this historically Black institution, The Hill We Climbed documents how the university continues to fulfill its historic mission, encapsulating PVAMU’s motto: “Prairie View produces productive people.”

A richly illustrated reflection on a century of Black queer art and culture featuring seven essays from leading scholars.

The word ecstasy derives from the Greek ekstasis, meaning “to put out of place.” It passed into English through the Old French extasie, which roughly translates as “rapturous.” Ecstasy, today, can be understood as a form of transcendence, often through an indiscriminate combination of extremes. Art’s truest depictions of ecstasy exist in the muddled territory between exaltation and despair. Transcendence highlights visual representations of Black queer ecstasy in a variety of media from the last one hundred years that challenge its absence from the historical record. Centering Blackness and queerness creates the conditions to investigate the potential of queer perspectives around the paradoxes of pleasure and pain, excess and lack, and autonomy and dependence.

This catalogue features seven essays by preeminent scholars of Black LGBTQ+ art and culture, each based on one of the volume’s subthemes: Portraiture; Beyond Figuration; Dance and Movement; Spirituality; Sex and Sensuality; Black Queer Futures; and Altered States. Together these themes represent the foundations of queer experiences and offer readers a space to engage with artwork and ephemera that highlight an ecstatically abundant past and advocate for a more inclusive and equitable future.

From the daughter of the legendary Mildred “Mama Dip” Council, a heartfelt cookbook celebrating four generations of Black restaurateurs and the soulful recipes that nourished a community. 

For nearly fifty years, Mama Dip’s Kitchen wasn’t just one of Chapel Hill, North Carolina’s most beloved restaurants―it was an institution. In 1976, with just $64 and a lifetime of kitchen wisdom, Mildred “Mama Dip” Council opened the doors to a gathering place that fed the soul as much as the stomach. Her youngest daughter, Anita Spring Council, honed her skills as a chef within its walls, learning the secrets of the Southern kitchen at her mother’s side. Now, the inheritor of this incredible legacy steps forward to share her family’s story.

In her tenderhearted debut cookbook, Southern Roots, Spring offers more than 100 dishes grounded in the oral recipe-sharing tradition. It’s a collection filled with treasured family secrets and vignettes from her experience coming of age as a Black girl in the Jim Crow South, all brought to life with a thoughtful, modern approach to the classics.

The recipes invite you to create a vibrant Southern table, from mouthwatering starters like PIMENTO CHEESE BISCUITS to showstopping main courses like FRIED GREEN TOMATO PARMESAN and SMOTHERED FRIED CHICKEN WITH ANDOUILLE SAUSAGE. You’ll find these updated classics alongside sweets like the decadent GOAT CHEESE POUND CAKE that will wow even the most demanding guests.

Beyond the recipes and stunning, colorful photography, Southern Roots is a powerful tribute to a large, loving, and hardworking entrepreneurial family who left an indelible mark on Southern culinary history. Warm, accessible, and bursting with flavor, this rich cookbook introduces a powerful new voice in Southern food and inspires home cooks everywhere to celebrate the enduring joy of a shared meal.

75 photographs

A bold vision for a Black and Indigenous future rooted in real solidarity, a future that exists beyond the confines of the liberal imagination

Current advocates of reparations for slavery and land back often fail to scrutinize racial capitalism and settler colonialism, instead accepting that their destinies will forever be tied to US empire. But as scholar Kyle T. Mays insists in When We Are Kin, we can and should demand a kind of repair that goes beyond a white supremacist idea of what justice can be. 

In a series of short essays, Mays traces the history of alliances between Black and Indigenous movements; outlines the limitations of certain demands for reparations, including cash payments, that do not fundamentally critique racial-settler capitalism; and interrogates contemporary land back initiatives that fail to fully address decolonization. Along the way, he asks, What does solidarity look like between Black and Indigenous peoples in the United States? Can we find ways to co-belong and co-resist on Turtle Island?

Drawing on the Anishinaabe philosophy of mino-bimaadiziwin (the good life), Mays argues that we can resist as kin only when we center the land in building our collective futures.

From a preeminent King scholar, the origin story of the man, minister, and civil rights hero who would lead the nation and change the world.

We know who Martin Luther King, Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?

Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.

Revelatory, humanizing, and compassionate, Young King unearths:

* MLK's Childhood on Auburn Avenue: his days as “Little Mike"—the ever-eager middle child and a precocious prankster—spent at Ebenezer Baptist Church and the Auburn Avenue Library in Atlanta
* Early Encounters with Racism: his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South
* College Life at Morehouse: his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union
* Path to Seminary and Activism: his winding path to seminary and the co-development of his activist consciousness, his spiritual devotion, and his relationship with Coretta, his wife-to-be

As America undergoes another era of turmoil and change, this powerful biography provides a vital roadmap for how greatness comes to light. This essential work is a testament to how history shapes a leader.

Young King includes rarely seen black-and-white photographs of an adolescent MLK from his high school days and college years.

Anthony Anderson and Cedric The Entertainer, comedic royalty and hosts of A&E’s Kings of BBQ, gather their favorite recipes into an accessible and entertaining cookbook like no other.

For both Anthony Anderson and Cedric The Entertainer, two of the biggest names in comedy of all time, barbeque is more than just food—it’s a way of life. Recipes are passed down through generations at backyard cookouts, and pitmasters around the country carry on those traditions at their restaurants. That’s what the television show Kings of BBQ on A&E (and now streaming on Hulu) captured as Anthony and Cedric traveled the country with the goal of launching their own spice and BBQ sauce product lines. Their AC Barbeque product line is now carried thousands of stores nationwide, and fans are clamoring for this cookbook to go with them.

Organized by regions of the country to best capture the soul of the food including St. Louis, Memphis, and the Carolinas, AC Barbecue showcases the charm of these brilliant actors and comics both in the writing and bold photography. Recipes range from pork belly burnt ends to dry rub beef brisket to jerk ribs, and other favorites like macaroni salad, baked beans, fried catfish, and hush puppies are included as well. There are even snacks and desserts like fried pickles and peach cobbler, and maybe best of all, a whole chapter of sauces and rubs.

Whether you’re a seasoned pitmaster or just firing up your backyard grill, this book is a celebration of the rich traditions, bold flavors, and undeniable joy of barbequing. Packed with mouthwatering recipes, stunning photography, and Anthony and Cendric’s infectious personalities, this cookbook is a must-have for anyone looking to bring soul and flavor to their own backyard gatherings.

“A sumptuous tapestry of magic spells and memories.”—Los Angeles Times

A stunning collection of spells and stories to infuse our lives with ritual, history, and magic from the visionary artist and infamous witch Bri Luna, founder and creative director of “The Hoodwitch”

Blood Sex Magic is an invitation and an awakening—a guide to a life of connection to self and spirit, to seen and unseen realms, and to magical traditions past and future. Born with both Mexican/Indigenous and African roots, Bri Luna honors the traditions of tarot, nature, and root working, and celebrates magic that is “from dirt and blood, jewels and bones, moon and sun.”

Full of stunning photography and color illustrations, and brimming with incantations, spells, stories, vignettes, and warnings, Blood Sex Magic is divided into three sections:

* BLOOD uncovers Bri’s roots, with guides on setting boundaries, protection, and honoring the dead
* SEX reveals the art of love magic and celebrates the goddess, lust, and femininity, with spells for seduction and reclaiming your power
* MAGIC offers meaningful daily rituals, including those for self-love, peace, beauty, and prosperity

An instant classic and timeless resource for both new and experienced witches alike, this beautiful collection shows us how to access the untapped magic within and encourages us to see and channel that same magic in the world around us.

Legendary baseball player and manager Dusty Baker reflects on his extraordinary career—filled with invaluable lessons on perseverance, leadership, and living life meaningfully on the field and off.

Dusty Baker walked with baseball legends and became one himself. After he signed with the Braves in 1968 at the age of nineteen against his father’s wishes, no less than the great Hank Aaron promised to take Baker under his wing. Mentored by Aaron, Orlando Cepeda, and Willie Mays, Baker became a premier hitter, helping take the Dodgers to a World Series victory in 1981. He would bookend this with another championship in 2022, this time as a manager helping guide and redeem a Houston Astros team humbled by a cheating scandal. Respected by generations across the game, Baker has come to embody the spirit of the sport—and yet, to discuss his baseball career is only to scratch the surface of a remarkable life.

Crossroads will bring readers into the mind of one of baseball’s mavericks: a curious, inquisitive thinker whose deep interest in the worlds of music, wine, and the simpler joys of life charts a journey of success, struggle, faith, and perseverance. Baker's memoir is filled with hard-earned wisdom and a love for life so plentiful, it seems to radiate from every sentence.

A true American original, counting among his friends presidents and dignitaries, bluesmen and artists, Baker weaves a spell of life at the crossroads, where fate turns on our decisions and the unexpected answers that sometimes seek us out when we least expect it.

One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903–1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the Black freedom struggle. Making her way in predominantly male circles while maintaining relationships with a vibrant group of women, students, and activists, Baker was a national officer and key figure in the NAACP, a founder of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee.

In this definitive biography, Barbara Ransby chronicles Baker’s long and rich career, revealing her complexity, radical democratic worldview, and enduring influence on group-centered, grassroots activism. Beyond documenting an extraordinary life, Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide throughout the twentieth century.

A New York Times Notable Book, Overground Railroad is a compelling and illuminating exploration of the historical role and residual impact of the Green Book, a travel guide for Black motorists used for decades when traveling through segregated America.

“Essential” (Library Journal; starred review) I“Recalls Isabel Wilkerson's The Warmth of Other Suns” ( Los Angeles Times) I “Eye-opening, deeply moving.” (Bookpage; starred review)

It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. It shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations and systemic racism in America.

Published from 1936 to 1966, the Green Book was hailed as the “Black travel guide to America.” At that time, it was both dangerous and difficult for African Americans to travel, because Black travelers couldn’t eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for Black travelers. It was a resourceful and innovative solution to a horrific problem.

Candacy Taylor writes in her introduction, “The Green Book was published during a time when car travel symbolized freedom in America, but since racial segregation was in full force throughout the country, the open road wasn’t open to all. When Black motorists picked up a copy of the Green Book, they were greeted by the words ‘Just What You Have Been Looking For!! NOW WE CAN TRAVEL WITHOUT EMBARRASSMENT.’”

Chapters include:

* Driving While Black
* The Business of the Green Book
* Vacation
* Music Venues
* The Roots of Route 66
* Women and the Green Book
* and much more

Includes color and black-and-white period illustrations

Using the head as a site of investigation, Basquiat's frenetic drawings of faces are at once immediate and contemplative

Between 1981 and 1983, Jean-Michel Basquiat made between 50 and 100 drawings of heads. Working with oil stick on paper, he created a series far removed from his public paintings and collages filled with words and symbols―a more concentrated, private study whose pieces are rarely exhibited and seldom offered for sale. Stripped of external references, they read as intimate meditations on identity, perception and the fragile balance between presence and disappearance.
Bringing this exceptional group together for the first time in decades in an oversize folio, Headstrong sheds new light on a lesser-known aspect of Basquiat's practice. Essays by Pulitzer Prize–winning author Hilton Als and artists including George Condo and Julie Mehretu explore the drawings' formal invention and psychological intensity, showing how Basquiat transformed the head into a vessel for everything he was thinking and feeling―a space where imagination, history and lived experience converge.
Jean-Michel Basquiat (1960–88) is one of the most successful Black visual artists in history, despite his brief career. He emerged on the New York City arts scene in the late 1970s and quickly skyrocketed to international fame, becoming one of the most important artists of his generation. Basquiat's work and legacy continue to influence popular culture, especially art, music and fashion.

My Brother Ashley Clark Has Broke It Down To What Black Film Was, Is Present Day, And What The Future Might Be. BLAK IZ BLAK. YA-DIG? SHO-NUFF. Enjoy This BLAK CINEMATIC SCIENCE. - Spike Lee

This book belongs on the shelf of every film lover, every student of cinema, and everyone who believes in the transformative power of storytelling. It's a celebration, an education, and an inspiration all at once. - Julie Dash

Resonant, exciting and eye-opening - one of the best books I've read about Black cinema. - Mark Cousins

The World of Black Film is an entertaining, informed, and thought-provoking survey of important and influential Black films from around the globe. Starting with the unfinished silent comedy Lime Kiln Club Field Day (1913) and concluding with Steve McQueen's World War II epic Blitz (2024), this book takes readers on an exciting journey through an eclectic mix of classics and hidden gems spanning more than 100 years and 30 countries.

Beautifully designed and bursting with eye-catching film imagery and poster art, this is essential reading for general film fans, enthusiasts of Black cinema, educators, and students alike.
Includes a foreword by Sir John Akomfrah, CBE RA.

Films and directors include:
Black Orpheus (Marcel Camus, 1959)
Black Girl (Ousmane Sembène, 1966)
Hollywood Shuffle (Robert Townsend, 1987)
Malcolm X (Spike Lee, 1992)
Belle (Amma Asante, 2013)
Timbuktu (Abderrahmane Sissako, 2015)
Moonlight (Barry Jenkins, 2016)
Black Panther (Ryan Coogler, 2018)
Saint Omer (Alice Diop, 2022)
Dahomey (Mati Diop, 2024)
Blitz (Steve McQueen, 2024)

In his most personal work yet, Grammy Award–winning rapper 2 Chainz shares the spiritual journey behind his success, offering a raw, reflective, and deeply motivational meditation on the inner voice that’s guided him his whole life: God.

Before he was 2 Chainz, he was Tauheed Epps—an only child growing up in College Park, Georgia, raised by a single mother while his father served time in prison. Though he excelled in school and earned a basketball scholarship, the streets were never far behind, and by fifteen, he had been arrested and was hustling to survive. He faced doubt and self-destruction, but even then, something told him there had to be more.

In THE VOICE IN MY HEAD IS GOD, 2 Chainz tells the story of how he walked away from the trap and found his purpose: not by fame or fear, but by faith. With his unmistakable voice and unflinching honesty, he reflects on the hardest moments of his life and the quiet revelations that shaped him. From the spiritual alarms he couldn’t ignore to the mentors who showed up at the right time, he explores how his music and verses poured out when he finally listened to the voice that had been there all along.

From hanging with Lil Wayne to getting early help from Ludacris, 2 Chainz brings us into the defining moments of his life and career while delivering a powerful message about discipline, divine timing, and self-belief. Along the way, he offers more than a memoir. He shares a way of thinking, of trusting yourself, and of listening to the voice that never steers you wrong.

Lyrical, grounded, and fiercely motivational THE VOICE IN MY HEAD IS GOD is part blueprint and all heart.

The Black Power movement represented a key turning point in American politics. Disenchanted by the hollow progress of federal desegregation during the 1960s, many black citizens and leaders across the United States demanded meaningful self-determination. The popular movement they created was marked by a vigorous artistic renaissance, militant political action, and fierce ideological debate.

Exploring the major political and intellectual currents from the Black Power era to the present, Cedric Johnson reveals how black political life gradually conformed to liberal democratic capitalism and how the movement’s most radical aims—the rejection of white aesthetic standards, redefinition of black identity, solidarity with the Third World, and anticapitalist revolution—were gradually eclipsed by more moderate aspirations. Although Black Power activists transformed the face of American government, Johnson contends that the evolution of the movement as a form of ethnic politics restricted the struggle for social justice to the world of formal politics.

Johnson offers a compelling and theoretically sophisticated critique of the rhetoric and strategies that emerged in this period. Drawing on extensive archival research, he reinterprets the place of key intellectual figures, such as Harold Cruse and Amiri Baraka, and influential organizations, including the African Liberation Support Committee, the National Black Political Assembly, and the National Black Independent Political Party in postsegregation black politics, while at the same time identifying the contradictions of Black Power radicalism itself.

Documenting the historical retreat from radical, democratic struggle, Revolutionaries to Race Leaders ultimately calls for the renewal of popular struggle and class-conscious politics.

Cedric Johnson is assistant professor of political science at Hobart and William Smith Colleges.

From the New York Times bestselling author of Black Man in a White Coat comes a powerful and urgent call to center psychiatry and mental health care within mainstream medicine

As much as we all might wish that mental health problems--with their elusive causes and unsettling behaviors--simply did not exist, millions of people suffer from them, sometimes to an extreme extent. Many others face addiction to alcohol and other drugs, as overdose and suicide deaths abound. Yet the vast majority of doctors receive minimal instruction during their lengthy medical training in treating these conditions. This mismatch ignores the clear overlap between physical and mental distress, and too-often puts psychiatrists on the outside looking in as the medical system continues to fail many patients.

In Facing The Unseen, bestselling author, professor of psychiatry, and practicing physician Damon Tweedy guides us through his days working in outpatient clinics, emergency rooms, and hospitals as he meets people from all walks of life who are grappling with physical and psychological illnesses. In powerful, compassionate, and eloquent prose, Tweedy argues for a more comprehensive and integrated approach, one in which people with mental illness have access to a health care system that places their full well-being front and center.

NEW YORK TIMES BESTSELLER • “With a thoughtfully curated series of essays, poetry, and conversations, the brilliant scientist and climate expert Ayana Elizabeth Johnson has assembled a group of dynamic people who are willing to imagine what seems impossible, and articulate those visions with enthusiastic clarity.”—Roxane Gay

Our climate future is not yet written. What if we act as if we love the future?

A SMITHSONIAN BEST BOOK OF THE YEAR

Sometimes the bravest thing we can do while facing an existential crisis is imagine life on the other side. This provocative and joyous book maps an inspiring landscape of possible climate futures.

Through clear-eyed essays and vibrant conversations, infused with data, poetry, and art, Ayana Elizabeth Johnson guides us through solutions and possibilities at the nexus of science, policy, culture, and justice. Visionary farmers and financiers, architects and advocates, help us conjure a flourishing future, one worth the effort it will take—from every one of us, with whatever we have to offer—to create.

If you haven’t yet been able to picture a transformed and replenished world—or to see yourself, your loved ones, and your community in it—this book is for you. If you haven’t yet found your role in shaping this new world or you’re not sure how we can actually get there, this book is for you.

With grace, humor, and humanity, Johnson invites readers to ask and answer this ultimate question together: What if we get it right?

On possibility and transformation with:
Paola Antonelli • Xiye Bastida • Jade Begay • Wendell Berry • Régine Clément • Steve Connell • Erica Deeman • Abigail Dillen • Brian Donahue • Jean Flemma • Kelly Sims Gallagher • Rhiana Gunn-Wright • Olalekan Jeyifous • Corley Kenna • Bryan C. Lee Jr. • Franklin Leonard • Adam McKay • Bill McKibben • Kate Marvel • Samantha Montano • Kate Orff • Leah Penniman • Marge Piercy • Colette Pichon Battle • Kendra Pierre-Louis • Judith D. Schwartz • Jigar Shah • Ayisha Siddiqa • Bren Smith • Oana Stănescu • Mustafa Suleyman • Jacqueline Woodson

From an award-winning poet praised for his “rhapsodic, rigorous” work (The New Yorker) comes an immersive meditation on kindship, collectivity, and environmental thought

We (The People of The United States) is a book-length poem made to the measure of the modern world. Composed of 55 sections, it features a breathtaking range of characters and concerns: The Beach Boys, Gwendolyn Brooks, the invention of the typewriter, Zora Neale Hurston, Sun Ra, life on Mars, Robert Frost, experimental physics, The Jackson 5. Throughout the collection, Bennett summons Virgil’s Georgics as a lens through which to not only tell the story of his family, but a much larger one about the “form of the American mind,” our relationship to the natural world, and the pursuit of a dignified, abundant life. Published the year of the nation’s 250th anniversary, it is a collection that is right on time. One that calls us, as Langston Hughes once did, toward a future America that is not yet here, “and yet must be.”

From the beloved Today show host Sheinelle Jones comes an inspiring collection of heartfelt life-lessons from hard working moms who raised some of our favorite celebrities.

When Sheinelle Jones launched “Through Mom’s Eyes,” a recurring Today show segment interviewing celebrities’ mothers about raising successful kids, she had an ulterior motive—she wanted to bring all their wisdom to bear on raising her own three children. So she asked Lin-Manuel Miranda’s mom about staying present with kids while balancing a demanding career, talked with Lady Gaga’s mom about how to recognize bullying, and got tips from Steph Curry’s mom on making sure even future NBA royalty does his chores. She has since interviewed dozens of remarkable women and gathered a candid, warm, and insightful collection of valuable lessons about life, love, and parenthood.

Now in her first book, Through Mom’s Eyes, Sheinelle is ready to share even more of those life-changing secrets with the world. Combining insights from celebrity mothers with her own journey through modern parenting, Sheinelle reveals how to make it through the hard parts of motherhood and still tap into the joys of it with empathy, generosity, and solidarity. Through Mom’s Eyes is a beautiful celebration of those who are the guiding light for their loved ones—mothers.

Featuring advice from the moms of:
Lady Gaga * Kevin Durant * Matthew McConaughey * Venus and Serena Williams * Lin-Manuel Miranda * Steph Curry * Padma Lakshmi * Tyra Banks * Donnie and Mark Wahlberg * Rob “Gronk” Gronkowski * Jessica and Ashlee Simpson * Shaquille O’Neal * Brandon Maxwell * The Jonas Brothers * Thomas Rhett

Reconnect to the natural world through over 60 delicious recipes and practical tips for cooking outside from the founder of Camp Yoshi.

Nothing motivates, comforts, energizes, and brings people together like a delicious meal. For Rashad Frazier, founder of outdoor adventure company Camp Yoshi, the outdoors is a place for celebration, and a hot meal at the end of a long day is one of the best ways to celebrate.

If you've ever felt intimidated by or excluded from the world of outdoor recreation and don’t know where to begin, Cook Out is your first step to unlocking your next adventure. Frazier shares his wisdom and approach to embarking in the outdoors with step-by-step tips for formulating comprehensive packing lists to properly equip your camp kitchen, cooking both on an open flame and on a camping stove, and setting yourself up for success with recipes you often start at home. As you conquer each meal of the day—whether that's Fish and Grits to begin your morning, Banana Bread with Espresso Butter for a meal on the fly, or Fire-Roasted Curry Cauliflower and Tofu Donuts with Pear Compote to round out an epic day—you'll realize that you can survive in the outdoors and thrive through community building in the natural world.

A must-have guide for campers, explorers, and outdoor enthusiasts, Cook Out is a rallying cry for anyone who wants to diversify the outdoor space, one campfire-cooked meal at a time.

Available for the first time since 1978, The Harlem Book of the Dead showcases James Van Der Zee's unflinching creative vision

Originally published in 1978, The Harlem Book of the Dead is a haunting and beautiful document of Black funerary traditions in Harlem, capturing the community's mourning rituals through the lens of one of the Harlem Renaissance's most celebrated photographers. The publication is the most complete record of Van Der Zee's funerary photographs, featuring over three dozen portraits by the artist, who meticulously composed the setting and the subjects before using his renowned darkroom and retouching skills to superimpose celestial figures, poetry, biblical scenes or portraits onto the images to compensate for lack of adornments, such as flowers, or to fulfill the requests of his subjects or their families.
These portraits are complemented and captioned by poems from Owen Dodson and a wide-ranging interview with Van Der Zee by the sculptor and filmmaker Camille Billops, who conceptualized and edited the publication. This facsimile edition reproduces the printing and specifications of the 1978 publication. The original foreword by Toni Morrison is included, and accompanied by a newly commissioned afterword by Karla FC Holloway, author of the canonical Passed On (2001).
James Van Der Zee (1886–1983) began working as a photographer in 1915, and by the following year had opened his photography studio on West 135th Street in Harlem. His images of Black New Yorkers, together with celebrities such as Langston Hughes, Joe Louis and Marcus Garvey, form an indelible corpus of images of the Harlem Renaissance.

Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms.

“This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.

After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”

―Jose Antonio Vargas, from Dear America

Celebrate the diverse cuisine of Palestine with more than 100 plant-based and vegetarian recipes for festive meals, breads, desserts, and more, from the award-winning co-author of Jerusalem, Falastin and co-founder of Ottolenghi.

“With recipes rooted in nostalgia and memory, Sami Tamimi brings his heritage to life, plate by plate.”—Andy Baraghani, James Beard award–winning author of The Cook You Want to Be

The first solo cookbook from Ottolenghi co-founder Sami Tamimi, Boustany is anhomage to Palestinian food and culture. "Boustany" translates from Arabic as "my garden," which reflects Sami's signature style and approach to food: colorful and simple vegetable- and grain-led dishes. Bold, inspiring and ever-evolving, Boustany picks up where Falastin left off, with flavor-packed vegetable-based dishes, including pantry items, midweek easy meals and special to-be-shared dishes. It’s an approach that’s strongly present in Palestinian cuisine, from building your mooneh, or pantry, by preserving seasonal vegetables and herbs to lining the dinner table with a variety of salads and condiments reflective of a love for fresh and vibrant food.

This is how Sami grew up eating—platters of eggplant and chickpeas with a spicy green lemon sauce and fragrant lentil fatteh that always tasted better the next day. These are the 100 vegan and vegetarian dishes he has known, loved, cooked, and shared with friends, including:

• Braised eggs with pita bread, tomatoes & za’atar
• Smoky chickpeas with cilantro tahini
• Crushed butter beans with orange, makdous & mint
• Fried halloumi with purslane salad
• Couscous fritters with preserved lemon yogurt
• Jerusalem sesame bread
• Fenugreek & onion buns
• Pan-baked tahini, halva & coffee brownie
• Labneh & pomegranate ice cream

Boustany is filled with vibrant and lively photographs of everyday meals that invite you into Sami's home. With recipes for breads, dinner parties, fermenting your own vegetables, and more, Sami shares the cultural fabric of Palestine through his eyes.

"This is not another book telling you what to do with your body; it is an invitation to listen, to tend, and to reclaim your womb as a source of wisdom, resilience, and healing" --Pregnancy Magazine

A heart-centered, science-based guide for women navigating fertility, pregnancy, loss, and what might come between and after

Every reproductive journey has unexpected bumps along the way, small and sometimes big. Whether you’re preparing or trying to conceive, moving through pregnancy, processing loss or finding your footing afterward, or moving into menopause, caring for your reproductive health starts with connecting with your body. 

From her work as a physical therapist specializing in pelvic health as well as her own lived experience with pregnancy loss and secondary infertility, Dr. “Tia” Anietie Ukpe-Wallace understands intimately the dysfunction that arises when we’re disconnected from our wombs. And so Tia empowers  women to get personal with their anatomy, learn what’s “normal” for them, and to trust their body’s signals so they can move forward with clarity, agency, and care, and become confident self-advocates in a challenging and impersonal medical system. With a frank, compassionate overview of the female reproductive system and the ways in which fertility and pregnancies can go awry, she offers advice about how to tend to your womb and all its connected systems to support the best outcomes possible.  

Tia shares:

* Exercises to connect you with your genitals
* Self-massage techniques for the vulva and abdomen
* Steps to identify your reproductive health “baseline”
* The 5 S’s of fertility and womb health
* Advice for navigating the fog of grief
* Guidance for moving into menopause with vitality

Anietie (Tia) Ukpe-Wallace  is a Doctor of Physical Therapy specializing in pelvic health, who provides a continuum of care and support from pregnancy loss to postpartum. Her own chronic struggles surrounding her pelvic floor, including multiple miscarriages, have inspired her personal interest in the womb, a rarely discussed and often misunderstood body part. A wife and mother, Tia lives in Oakland, CA, where she offers telehealth and clinic-based physical therapy services through her practice, Self-Care Physio.

Uncovers a haunting yet vital record of bodies commodified, archived, and performed Currencies of Cruelty is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America. Danielle Bainbridge traces how the transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers - often denied traditional labor opportunities - became highly lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called "original Siamese Twins," Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued-exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. Bainbridge introduces the concept of the "future perfect" archive-one that anticipates what will have been rather than merely recording the past-offering a radical new way to engage with histories of enslavement, disability, and performance. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

On its one-hundredth anniversary, a powerful and essential meditation on the origins, evolution, and future of Black History Month from one of America’s leading historians of Black education and the author of American Grammar.

In I’ll Make Me a World, acclaimed Harvard scholar Jarvis R. Givens takes us on a personal and political journey through the 100-year history of Black History Month—from its radical beginnings in 1926 as “Negro History Week” to its role today as a celebration and flashpoint in America’s cultural battles. Drawing on archival research, personal stories involving family and students, and especially the wisdom of Black educators, Givens recovers the legacy of Carter G. Woodson and many others who envisioned Black history as a liberatory force—knowledge that shapes who we are, how we resist, and what we dream.

With striking clarity, Givens challenges today’s myopic commemorations of iconic figures and urges us to expand our understanding of Black history to include the everyday lives of ordinary people—the “workadays” whose stories have long gone untold but form critical parts of Black history. Indeed, people who played important roles in passing on Black memories that helped disrupt oppressively narrow perspectives on human life. Givens also attends to the labor involved in preserving Black history, especially in intellectual environments where it is constantly denigrated and undervalued, and he insists that more transparency about such processes is necessary to ensure this worthy tradition is passed on to future generations.

I’ll Make Me A World is a call to remember, reimagine, and reclaim an intellectual tradition built by communities well before our time, and to take seriously what is politically at stake in its preservation. At a time when Black history is under attack, this book offers an inspiring vision for how it can still be a source of power, truth, and possibility.

This book is also freely available online as an open-access digital edition:

https://manifold.ecds.emory.edu/projects/finding-god-in-all-the-black-places

(https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/01/28132142/9781978839809.pdf)

In Finding God in All the Black Places, Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.

How Black women’s visual work functions in an era of new racial and gender meaning

In the wake of contemporary art’s post-Black turn and the mainstreaming of intersectionality, Undesirability and Her Sisters charts a new genealogy of Black women’s art that exposes the unfinished project of racial and gender empowerment in the twenty-first century. Tiffany Barber argues that Black women’s social positions at the intersection of race, gender, sexuality, and class are inherently queer, thus spurring unexpected aesthetic strategies that throw into high relief the ethical terrain of what it means to be Black and a woman now.

Undesirability and Her Sisters collates what Barber terms “undesirable” representations of Black female bodies in recent American sculpture, collage, photography, and dance-based performance art by Kara Walker, Wangechi Mutu, Xaviera Simmons, and Narcissister. These works not only engage the visual senses but also incorporate olfactory, haptic, and sonic experiences that challenge traditional interpretations of Blackness and womanhood in art history, Black Studies, feminist and gender studies, dance and performance studies, and queer studies. Instead of transcendental beauty, wholeness, and individual and collective becoming, the perverse Black female figures profiled here eschew sublimation and synthesis as necessary responses to racial and gender subjugation in the past, present, and future.

Through its unique, groundbreaking analysis, this book contributes to the ongoing discussions on the ethics of representation―the capacity to speak and act for oneself, to have significance and impact, and ultimately, to reject acknowledgment.

The first in-depth analysis of the stunning designs of one of the world’s most captivating and prominent architects

Born in Tanzania, David Adjaye (b. 1966) is rapidly emerging as a major international figure in architecture and design—and this stunning catalogue serves only to cement his role as one of the most important architects of our time. His expanding portfolio of important civic architecture, public buildings, and urban planning commissions spans Europe, the United States, Africa, Asia, and the Middle East. He transforms complex ideas and concepts into approachable and innovative structures that respond to the geographical, ecological, technological, engineering, economic, and cultural systems that shape the practice of global architecture. The publication of this compendium of work and essays coincides with the scheduled opening of Adjaye’s National Museum of African American History and Culture on the National Mall in Washington, D.C. Adjaye’s completed work in the United States includes the Museum of Contemporary Art in Denver, a pair of public libraries in D.C., and several private residences. He is also known for his collaborations with artists, most recently with the British painter Chris Ofili (b. 1968).
 
Following an introduction by Zoë Ryan, Adjaye writes on his current and future work, with subsequent essays by an extraordinary cadre of architectural scholars on Adjaye’s master plans and urban planning, transnational architecture, monuments and memorials, and, finally, the forthcoming museum in D.C. Portfolios of Adjaye’s work thread throughout this comprehensive volume.

Distributed for the Art Institute of Chicago and Haus der Kunst

Exhibition Schedule:

Haus der Kunst, Munich
(01/30/15–06/28/15)

The Art Institute of Chicago
(09/19/15–01/03/16)

A groundbreaking investigation of the Caribbean as both an idyll in the American imagination and a dark laboratory of Western experimentation, revealing secrets to racial and environmental progress that impact how we live today.

“Dark Laboratory is a gargantuan, soulful work. It obliterates most of what I thought I knew about the Caribbean’s utility to Western Wealth.”
—Kiese Laymon, New York Times bestselling author of Heavy

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory, Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.

Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.

Pleasure refers to the freedom to pursue a desire, deliberately sought in order to satisfy the self. Putting pleasure first is liberating. During their extraordinary lives, Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie enjoyed pleasure as they gave pleasure to both those in their lives and to the public at large. They were Black women who, despite their public profiles, whether through Black society or through the world of entertainment, discovered ways to enjoy pleasure.They left home, undertook careers they loved, and did what they wanted, despite perhaps not meeting the standards for respectability in the interwar era. See Me Naked looks at these women as representative of other Black women of the time, who were watched, criticized, and judged by their families, peers, and, in some cases, the government, yet still managed to enjoy themselves. Among the voyeurs of Black women was Langston Hughes, whose novel Not Without Laughter was clearly a work of fiction inspired by women he observed in public and knew personally, including Black clubwomen, blues performers, and his mother. How did these complicated women wrest loose from the voyeurs to define their own sense of themselves? At very young ages, they found and celebrated aspects of themselves. Using examples from these women’s lives, Green explores their challenges and achievements.

World champion high jumper Chaunté Lowe pens the captivating story of her journey from an impoverished childhood full of big dreams and devastating hurdles, to becoming a bronze medal-winning US Olympian.

Scholastic Focus is the premier home of thoroughly researched, beautifully written, and thoughtfully designed works of narrative nonfiction aimed at middle-grade and young adult readers. These books help readers learn about the world in which they live and develop their critical thinking skills so that they may become dynamic citizens who are able to analyze and understand our past, participate in essential discussions about our present, and work to grow and build our future.

Everything seemed set against Chaunté Lowe. Growing up with a single mother in Paso Robles, California, where she experienced food insecurity, homelessness, and domestic abuse, Chaunté couldn't imagine a future that offered a different sort of life. But then, one day, she turned on the TV and there was Flo Jo, competing in the Olympics and shattering records in track and field. Almost immediately, Chaunté knew what she wanted to do. She started running.

With the help of a small community of friends, family, and coaches, Chaunté worked as hard as she could - both in the classroom and out on the sports field - and through her own fierce determination and grit, she overcame every imaginable obstacle, eventually propelling herself to the place she always dreamed about: the Olympic medal podium.

Boundless is a story that will move anyone who's ever had a big dream, ever dared to hope for a better future, and ever believed that nothing was impossible. In her own words, Chaunté presents her remarkable and inspiring story of loss and survival, perseverance and hope.

A galvanizing history of abortion recentering people of color to put forth a timely argument that we must liberate abortion for all.

People of color have been having abortions since the dawn of time, yet our access is continuously under attack. In Liberating Abortion, award-winning abortion activist Renee Bracey Sherman and journalist Regina Mahone illustrate the long racist history that brought us to this moment, uncover the hidden figures who set the foundation that activists and storytellers are building on today, and explain how abortion has been and remains essential to the health of our communities.

Liberating Abortion will take you back to the basics of sex education, detailing the traditions of abortion over centuries while examining how society makes us feel about our experiences. You’ll find rigorous research, never-before-heard stories, and eye-opening interviews with more than fifty people of color who’ve had abortions, including activists, actresses, television writers, politicians, and two Black members of Jane, the Chicago feminist service that provided abortions before Roe.

With poignant storytelling and precise analysis, Liberating Abortion will change how you think about abortion forever.