Seventeen years ago, Sepha Stephanos fled the Ethiopian Revolution for a new start in the United States. Now he finds himself running a failing grocery store in a poor African-American section of Washington, D.C., his only companions two fellow African immigrants who share his bitter nostalgia and longing for his home continent. Years ago and worlds away Sepha could never have imagined a life of such isolation. As his environment begins to change, hope comes in the form of a friendship with new neighbors Judith and Naomi, a white woman and her biracial daughter. But when a series of racial incidents disturbs the community, Sepha may lose everything all over again.

Watch a QuickTime interview with Dinaw Mengestu about this book.

“Gripping and passionate . . . keenly recounted . . . full of poetry.”—New York Times

Now in a beautiful new edition, the spellbinding classic tale of man and nature, honor, and adventure, in which the peaceful life of an aging, book-loving widower in the Ecuadorean jungle is upended when an ignorant tourist provokes a mother ocelot.

Antonio José Bolivar Proaño lives quietly in a river town in the rain-soaked jungle of Ecuador that is slowly being overrun by tourists and opportunists. Having lost his wife decades earlier, he takes refuge in books—paperback novels of faraway places and bittersweet love, delivered to him by the dentist who visits the village twice a year.

One day, a greedy trader pushes nature too far, setting an enraged mother ocelot on a bloody rampage through the village. The old man, a hunter who once lived among the Shuar Indians and knows the jungle better than anyone, is pressured by the village's detested mayor to join the expedition to kill the animal. Reluctantly. the old man is forced into the middle of a raging conflict between man and nature that will end in a powerfully climactic confrontation.

A classic novel of identity, sexuality, religion, and race by the author of Passing, hailed as “an original and hugely insightful writer” by The New York Times—with an introduction by Asali Solomon, author of The Days of Afrekete “Quicksand . . . open[s] up a whole world of experience and struggle that seemed to me, when I first read [it] years ago, absolutely absorbing, fascinating, and indispensable.”—Alice Walker Born to a white Danish mother and a Black American father, Helga Crane has long struggled to carve a path for herself amid the racial segregation of the early twentieth century. As a teacher at an all-Black boarding school in the South, Helga quickly becomes unsettled by the way the school measures excellence based on proximity to whiteness. Journeying to Chicago, Harlem, and Copenhagen, she attempts to thrive free from the constraints of category—mother or wife, promiscuous or chaste, white or Black, American or Danish. But these categories, though slippery and unstable, are constantly reinforced. Helga finally settles into a life that feels secure yet completely at odds with her previous ambitions—married to a preacher in the Deep South, hoping to find peace under the wings of the Church. Landing back where she started, in social and existential oblivion, Helga forces us to consider: In a society marred by injustice, is it even possible to find a true, authentic self? With intriguing parallels to Larsen’s own life, Quicksand is an engrossing page-turner that is as relevant now as ever before. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

New York Times Bestseller

Highly acclaimed debut author Etaf Rum tells the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community.

“A dauntless exploration of the pathology of silence, an attempt to unsnarl the dark knot of history, culture, fear, and trauma that can render conservative Arab-American women so visibly invisible…. The triumph of Rum’s novel is that she refuses to measure her women against anything but their own hearts and histories…. Both a love letter to storytelling and a careful object lesson in its power.”—New York Times Book Review

“Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of, dangerous, the ultimate shame.”

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Her desires are irrelevant, however—over the course of a week, the naive and dreamy girl finds herself betrothed, then married, and soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law, Fareeda, and her strange new husband, Adam: a pressure that intensifies as she begins to have children—four daughters instead of the sons Isra is expected to bear.

Brooklyn, 2008. At her grandmother’s insistence, eighteen-year-old Deya must meet with potential husbands and prepare herself for marriage, though her only desire is to go to college. Her grandmother is firm on the matter, however: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths that will force her to question everything she thought she knew about her family, the past, and her own future.

Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honor, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world, and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

“After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse” (Time magazine).

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With pandemic-fearing city dwellers fleeing to the New Jersey suburbs, Risko Realty—and Odessa Jones—are having their best year ever. Finally on solid financial footing, Odessa is debt-free and looking forward to the future. But she doesn’t need second sight to sense her new young co-worker, Anna Lee, is on edge--and straight-up terrified--in spite of her hot sales record and sunny, outgoing attitude. And when Anna is killed in a hit-and-run, Odessa sees immediately that it was no accident . . .

It's soon clear that Anna was being stalked. But even with the help of family, friends—and Odessa’s feisty cat, Juniper—Odessa is coming up with more questions than clues. Why was Anna avoiding influential real-estate mogul Emily Delbarton? Why is Delbarton’s decidedly creepy brother so fixated on Anna? Did Anna make enemies through her previous job at the town’s exclusive gentlemen’s club? And can Odessa rule out her own ex-fiancé—who’s back in her life with an astounding connection to Anna—and wanting a second chance?  Finding the answers will come at an increasingly deadly cost—one Odessa’s talents must somehow trap a killer to repay . . .

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In this twisty and electrifying debut novel, a young woman goes missing in Lagos, Nigeria, and her estranged auntie will stop at nothing to find the truth behind her disappearance. Perfect for fans of My Sister, the Serial Killer and The Last Thing He Told Me.

Nicole Oruwari has the perfect life: a hand­some husband; a palatial house in the heart of glittering Lagos, Nigeria; and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a com­munity of foreign women married to Nigerian men.

But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncov­ers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about Nicole, the more Claudine’s own buried history threatens to come to light.

An inventively told and keenly observant thriller where nothing is as it seems, The Nigerwife offers a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

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Florida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin

Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white—from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn’t want to upset her father.

But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own.

Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life—creativity, confidence, and perhaps most importantly, a nurturing sense of love.

Following a young woman looking for a world beyond her family’s carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.

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For readers of The Twelve Tribes of Hattie and The Turner House, an intimately told story about a woman living by her own rules and the rural community that struggles to understand her.

Azalea “Knot” Centre is determined to live life as she pleases. Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home.

Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light.
Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.

From the NAACP Image Award–nominated author of Happily Ever Afters comes a dual POV rom-com about Reggie and Delilah, who fall in love through missed connections and chance meetings on holidays over the course of a year. 

Delilah always keeps her messy, gooey insides hidden behind a wall of shrugs and yeah, whatevers. She goes with the flow—which is how she ends up singing in her friends’ punk band as a favor, even though she’d prefer to hide at the merch table.

Reggie is a D&D Dungeon Master and self-declared Blerd. He spends his free time leading quests and writing essays critiquing the game under a pseudonym, keeping it all under wraps from his disapproving family.

These two, who have practically nothing in common, meet for the first time on New Year’s Eve. And then again on Valentine’s Day. And then again on St. Patrick’s Day. It’s almost like the universe is pushing them together for a reason.

Delilah wishes she were more like Reggie—open about what she likes and who she is, even if it’s not cool. Except . . . it’s all a front. Reggie is just role-playing someone confident. The kind of guy who could be with a girl like Delilah.

As their holiday meetings continue, the two begin to fall for each other. But what happens once they realize they’ve each fallen for a version of the other that doesn’t really exist?

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Rare. Moving. Powerful. This beautiful, page-turning and redemptive story of a mother’s gripping journey across the Caribbean to find her stolen children in the aftermath of slavery marks the arrival of a remarkable new talent.
 
Her search begins with an ending.…


The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.
 
Away from Providence, she begins a desperate search to find her children—the five who survived birth and were sold. Are any of them still alive? Rachel has to know. The grueling, dangerous journey takes her from Barbados then, by river, deep into the forest of British Guiana and finally across the sea to Trinidad. She is driven on by the certainty that a mother cannot be truly free without knowing what has become of her children, even if the answer is more than she can bear. These are the stories of Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. But above all this is the story of Rachel and the extraordinary lengths to which a mother will go to find her children...and her freedom.

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From Alice Walker, author of the Pulitzer Prize– and National Book Award–winner The Color Purple, comes Meridian, "a classic novel of both feminism and the Civil Rights movement" (Ms.).

Meridian Hill is a young woman at an Atlanta college attempting to find her place in the 1960s revolution for racial and social equality. She discovers the limits beyond which she will not go for the cause, but despite her decision not to follow the path of some of her peers, she makes significant sacrifices in order to further her beliefs.

Working in a campaign to register African American voters, Meridian cares broadly and deeply for the people she visits, and, while her coworkers quit and move to comfortable homes, she continues to work in the deep South despite a paralyzing illness. Meridian's nonviolent methods, though seemingly less radical than the methods of others, prove to be an effective means of furthering her beliefs.

"A glowing affirmation of the possibility...of love and forgiveness??—??between men and women, black and white."??—??Baltimore Sun

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The latest work from the veteran novelist called “one hell of a writer” by James Baldwin and “wonderfully wry” by Donald Barthelme: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis

Written by playwright and novelist Wesley Brown, Blue in Green narrates one evening in August 1959, when, mere weeks after the release of his landmark album Kind of Blue, Miles Davis is assaulted by a member of the New York City Police Department outside of the Birdland jazz club. In the aftermath, we enter the strained relationship between Davis and his wife, Frances Taylor, whom he has recently cajoled into ending her run as a performer on Broadway and retiring from modern dance and ballet altogether. Frances, who is increasingly subject to Davis’ temper—fueled by both his professional envy and substance abuse—reckons with her upbringing in Christian Science and, through a fateful meeting with Lena Horne, the conflicting demands of motherhood and artistic vocation. Meanwhile, blowing off steam from his beating, Miles speeds across Manhattan in his sports car. Racing alongside him are recollections of a stony, young John Coltrane, a combative Charlie Parker and the stilted world of the Black middle class he’s left behind.

A biting 1931 science fiction satire of American racism, and one of the first works of Afrofuturism.

It's New Years Day in 1933 in New York City and Max Disher, a young black man, has just heard the news: a mysterious doctor has discovered a strange process that can turn black skin white—a new way to "solve the American race problem." Max, who is tired of being rejected and abused because of his dark skin, leaps at the opportunity. After receiving the "Black-No-More" procedure, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, and a beautiful wife. But it soon becomes apparent that America, whiter than ever, is becoming more and more dangerous . . .

An extraordinary, cutting satire, Black No More is an utterly unique work of science fiction, and one of the first works of Black speculative fiction.

A classic in the black literary tradition, The Spook Who Sat by the Door is both a comment on the civil rights problems in the United States in the late 1960s and a serious attempt to focus on the issue of black militancy.

Dan Freeman, the "spook who sat by the door," is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Chicago blacks as "Freedom Fighters" in this explosive, award-winning novel.

As a story of one man's reaction to ruling-class hypocrisy, the book is autobiographical and personal. As a tale of a man's reaction to oppression, it is universal.

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National Book Award Finalist
New York Times Bestseller

For August, running into a long-ago friend sets in motion resonant memories and transports her to a time and a place she thought she had mislaid: 1970s Brooklyn, where friendship was everything.

August, Sylvia, Angela, and Gigi shared confidences as they ambled their neighborhood streets, a place where the girls believed that they were amazingly beautiful, brilliantly talented, with a future that belonged to them.

But beneath the hopeful promise there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where mothers disappeared, where fathers found religion, and where madness was a mere sunset away.

Jacqueline Woodson’s Another Brooklyn heartbreakingly illuminates the formative period when a child meets adulthood—when precious innocence meets the all-too-real perils of growing up. In prose exquisite and lyrical, sensuous and tender, Woodson breathes life into memories, portraying an indelible friendship that united young lives.

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This collectable boxed set edition includes all three books in N. K. Jemisin's incredible NYT bestselling and three-time Hugo award-winning Broken Earth Trilogy.

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From the Pulitzer and NBCC finalist, Whiting Award-winning author of John Henry Days and The Intuitionist: a tender, hilarious, and supremely original novel about a young African American boy coming-of-age in the eighties.

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New York Times bestselling author and Nobel Peace Prize nominee Stacey Abrams, writing under her pen name Selena Montgomery, delivers a “sexy thriller” that is deliciously “twisty and satisfying” (Publishers Weekly).

Tell me no lies . . .

She just witnessed her uncle’s murder, she’s running for her life, and now Dr. Katelyn Lyda is face-to-face with a man who could be her salvation. It’s too bad Sebastian Caine is one of the bad guys . . .

A “recovery specialist” skilled at separating prized possessions from their owners, Sebastian is after an ancient relic. But he reconsiders the job when he finds himself staring at the wrong end of a gun. The lady with her finger on the trigger seems to have everything he needs—and not just the artifact.

In a race against time, Sebastian and Kat must learn to trust each other if they’re going to survive.

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A scalding, uplifting, sorrowful, and exultant masterpiece of the modern American theater, The Amen Corner is a play about faith and family, about the gulf between black men and black women and black fathers and black sons.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers.

For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

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Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself, his wife, Neni, and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty—and Jende is eager to please. Clark’s wife, Cindy, even offers Neni temporary work at the Edwardses’ summer home in the Hamptons. With these opportunities, Jende and Neni can at last gain a foothold in America and imagine a brighter future.

However, the world of great power and privilege conceals troubling secrets, and soon Jende and Neni notice cracks in their employers’ façades.

When the financial world is rocked by the collapse of Lehman Brothers, the Jongas are desperate to keep Jende’s job—even as their marriage threatens to fall apart. As all four lives are dramatically upended, Jende and Neni are forced to make an impossible choice.

In her 100th book, New York Times and USA TODAY bestselling author

Brenda Jackson

blends heated sensuality and drama into a dazzling new novel featuring one her most unforgettable Madaris heroes yet…

One by one, Madaris men have surrendered to their grandmother's matchmaking. But Lee Madaris isn't letting anyone else control his destiny. He'll bring a bride of his own choosing to the family's holiday gathering—if his hotel's gorgeous new chef will agree to a marriage of convenience.

It's not just the chance to work at the Strip's hottest hotel that brought Carly Briggs to Vegas. Witnessing a crime in Miami may have made her a mob target. Though she's reluctant to complicate their working relationship, Lee's tempting offer is so hard to resist. And soon, desire is clouding their no-strings arrangement.

The danger that made Carly flee Miami is about to land at their door. So, Carly and Lee must decide who to trust, when to let go—and whether a love they never anticipated is strong enough to pass the ultimate test.

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

In this stunning reimagining of Greek myth for fans of Circe and Lore, Nikita Gill showcases the underworld and its chthonic deities in all their glory, weaving a gripping story about the young goddess coming of age within their midst.

Hekate sings the story of its eponymous heroine. Born into a world on fire and at war, she and her mother are left behind by the menfolk of their Titan family as the battle against the new Gods–the Olympians–begins. Soon, Hekate and her mother are forced to flee their home as the Olympians overpower and enslave the Titans, including Hekate’s father, Perses, and gain dominion over the universe. In a bid to protect Hekate from the clutches of Zeus and Poseidon, her mother leaves her in the underworld with the goddess Styx and king of the underworld, Hades, where she must make a life for herself and discover her divine purpose.
 
Here begins Nikita Gill’s beautiful and propulsive reimagining of Hekate’s myth which unfolds into a coming-of-age adventure story and quest in which our young protagonist – not yet a goddess – sets out to discover what has happened to her parents, heal from the trauma of her separation from them, make a new home for herself in the underworld, and, eventually, step into her true power as a woman and goddess, before it’s too late.

From Whiting Award–winner Rickey Laurentiis, a mythic, lyric, decade-in-the-making new collection of masterful poems that probe the meanings of trans/formation and re-creation, a new classic about gender and love

When Rickey Laurentiis debuted in 2015 with Boy with Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives. This staggering, irreverent, gentle, and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’s poetics—from Greek odes and early Black Spirituals to the work of Whitman and Dickinson and the mid-century cinematic icon The Lady Chablis.

Then, brick by brick, she builds them anew and makes them her own. She maps a path onto the contradictions, precarity, and revelry of her hometown, “New Orleans / As that modern text, witnessed, and revised, by the light as radically / As by the water, which is history, which slip / Thru your hands. This city is a ghost for hire.” With this as her frame, Laurentiis meditates on what it means to be trans and Black in this nation and in her own body, when both demarcations are often excuses for violence. She goes further, examining pleasure and deep-felt pain, in a rhythmic, wild embrace of life, an act of spirit work and self-grace. “You see something in me,” she writes, “something grand, / Your very cowardice yearns for; you / Who would want to own it, wear it, be by it adorned, / It is so rare a thing, so fine as I am, and seemingly / Fragile, creole, and easily decadent: it is like a tree, then.”

In a world where what one is, and how one looks, or even just the idea of a person can get one killed, this is transformative work. This collection does not stump for its humanity, nor does it compromise its art in order to speak in its own voice. Sprung to its own sound, celebratory without apology, this is a book which reclaims the act of poetry itself, too, for the way it can reshape the writer, the mind, the body, the story we choose, and the images the world can imprint on us. (Can poetry do that?) Approaching from every angle and expanding in every direction as we read, Death of the First Idea probes every aspect of transformation. Celebratory, interrogatory, reclamatory, full of rage and range, these are poems for the storms of our time.

Benjamin "Chappie" Puttbutt, a black juior professor at the overwhelmingly white Jack London College, lusts after tenure and its glorious perks (including a house in the Oakland Hills). He spends most of his time trying to divine the ideological climate of the school and obligingly adapting his beliefs to it. When Puttbutt's mysterious Japanese tutor, who promises to teach him Japanese by spring, suddenly becomes the school's new president and appoints Puttbutt as academic dean, the fun really begins—for Puttbutt sets out to stir things up and settle old scores.

Turning every contemporary political and social movement on its head—from feminism to nationalism to jingoism—this boistrois and irreverent novel manages to be by turns hilarious and totally serious.

"One of the funniest satires of university politics I've ever read. Ishmael Reed is funnier than Norman Mailer or Gore Vidal." —Leslie Marmon Silko

"Reed is, as always, an American original; a wiseguy whose wisdom is the real thing," —The Boston Sunday Globe

For Maleek Jones, hockey is his wife. Everything and everyone else is his mistress, an aside. When unexpected responsibilities land in his lap, the balance of his world is disrupted, changing the way he sees everything.

Trying to figure out life while recovering from trauma, Nuri Knox finds herself in desperate need of the one thing Maleek has to offer.

In each other, they discover what neither of them expects.

Love.