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From the acclaimed author of All Her Little Secrets comes yet another gripping, suspenseful novel where, after the murder of a white man in Jim Crow Mississippi, two Black sisters run away to different parts of the country . . . but can they escape the secrets they left behind?

It’s the summer of 1964 and three innocent men are brutally murdered for trying to help Black Mississippians secure the right to vote. Against this backdrop, twenty-two-year-old Violet Richards finds herself in more trouble than she’s ever been in her life. Suffering a brutal attack of her own, she kills the man responsible. But with the color of Violet’s skin, there is no way she can escape Jim Crow justice in Jackson, Mississippi. Before anyone can find the body or finger her as the killer, she decides to run. With the help of her white beau, Violet escapes. But desperation and fear leads her to hide out in the small rural town of Chillicothe, Georgia, unaware that danger may be closer than she thinks.

Back in Jackson, Marigold, Violet’s older sister, has dreams of attending law school. Working for the Mississippi Summer Project, she has been trying to use her smarts to further the cause of the Black vote. But Marigold is in a different kind of trouble: she’s pregnant and unmarried. After news of Huxley’s murder brings the police to her door, Marigold sees no choice but to flee Jackson too. She heads North seeking the promise of a better life and no more segregation. But has she made a terrible choice that threatens her life and that of her unborn child? 

Two sisters on the run—one from the law, the other from social shame. What they don’t realize is that there’s a man hot on their trail. This man has his own brand of dark secrets and a disturbing motive for finding the sisters that is unknown to everyone but him . . .

Love is the trickiest spell of all.
 
Lucinda Caraway loves living in Freya Grove, the mystic seaside town where charms, hexes, and magical beings of all kinds are the norm. She spends her days teaching high school history and her nights reading tea leaves and tending to her conjure garden. It’s a good life . . . but she can’t stop wishing for more.

Until one night, that wish turns into a spell, and suddenly Lucy can’t say no. Not to a public karaoke performance. Not to running a 10K. And, most alarmingly, not to her high school crush, Alexander Dwyer, who needs her help unjinxing his new house—which just happens to be right across the street from hers.

Alex has spent the last ten years traveling the world on adventures Lucy has only ever dreamed of, and he’s planning to leave again as soon as his house is safe to sell. But until Lucy can unhex herself, she and Alex are stuck together. And with so much magic in the air, maybe the next spell Lucy casts will be the one that convinces him to stay.

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When a personal trainer agrees to fake date her client, all rules are out the window in this "fun, heartfelt, and totally relatable" romantic comedy named one of the best of the year by USA Today, NPR, and Entertainment Weekly (Abby Jimenez, NYT bestselling author of Life's Too Short).

When it comes to personal training, Taylor Powell kicks serious butt. Unfortunately, her bills are piling up, rent is due, and the money situation is dire. Taylor needs more than the support of her new best friends, Samiah and London. She needs a miracle.

And Jamar Dixon might just be it. The oh-so-fine former footballer wants back into the NFL, and he wants Taylor to train him. There's just one catch—no one can know what they're doing. But when they're accidentally outed as a couple, Taylor's game plan is turned completely upside down. Is Jamar just playing to win . . . or is he playing for keeps?

In this “captivating” (Harper’s Bazaar) and lyrical debut novel—perfect for fans of The Water Dancer and the Legacy of Orïsha series—the Yoruba deity of the sea, Yemaya, is brought to vivid life as she discovers the power of Black resilience, love, and feminine strength in antebellum America.

Shallow Waters imagines Yemaya, an Orïsha—a deity in the religion of Africa’s Yoruba people—cast into mid-1800s America. We meet Yemaya as a young woman, still in the care of her mother and not yet fully aware of the spectacular power she possesses to protect herself and those she holds dear.

The journey laid out in Shallow Waters sees Yemaya confront the greatest evils of this era; transcend time and place in search of Obatala, a man who sacrifices his own freedom for the chance at hers; and grow into the powerful woman she was destined to become. We travel alongside Yemaya from her native Africa and on to the “New World,” with vivid pictures of life for those left on the outskirts of power in the nascent Americas.

Yemaya realizes the fighter within, travels the Underground Railroad in search of the mysterious stranger Obatala, and crosses paths with icons of our history on the road to freedom. Shallow Waters is a “riveting and heartbreaking” (Publishers Weekly) work of ritual storytelling from promising debut author Anita Kopacz.

Shanté Keys loves New Year's Day! But while Grandma fixed chitlins, baked ham, greens, and cornbread, she forgot the black-eyed peas! Oh no--it'll be bad luck without them! So Shanté sets out to borrow some from the neighbors.

Shanté Keys loves New Year's Day! But while Grandma fixed chitlins, baked ham, greens, and cornbread, she forgot the black-eyed peas! Oh no—it'll be bad luck without them! So Shanté sets out to borrow some from the neighbors.

A coming-of-age novel told from the perspective of eleven-year-old KB, as she and her sister try, over the course of a summer, to make sense of their new life with their estranged grandfather after the death of their father and disappearance of their mother.

After almost-eleven-year-old Kenyatta Bernice’s (KB) father dies of an overdose and the debts incurred from his addiction cause the loss of the family home in Detroit, she and her teenage sister, Nia, are sent by their overwhelmed mother to live with their estranged grandfather in Lansing. Over the course of a single, sweltering summer, KB attempts to get her bearings in a world that has turned upside down—a father who is labeled a fiend; a mother whose smile no longer reaches her eyes; a sister, once her best friend, who has crossed the threshold of adolescence and suddenly wants nothing to do with her; a grandfather who is grumpy and silent; the white kids across the street who are friendly, but only sometimes. And all of them are keeping secrets. Pinballing between resentment, abandonment, and loneliness, KB is forced to carve out a different identity for herself and find her own voice. As she examines the jagged pieces of her recently shattered world, she learns that while some truths cut deep, a new life—and a new KB—can be built from the shards.



Capturing all the vulnerability, perceptiveness, and inquisitiveness of a young Black girl on the cusp of puberty, Harris’s prose perfectly inhabits that hazy space between childhood and adolescence, where everything that was once familiar develops a veneer of strangeness when seen through newer, older eyes. Through KB’s disillusionment and subsequent discovery of her own power, What the Fireflies Knew poignantly reveals that heartbreaking but necessary component of growing up—the realization that loved ones can be flawed, sometimes significantly so, and that the perfect family we all dream of looks different up close.

The home that belonged to Angela Toussaint's late grandmother is so beloved that the townspeople in Sacajawea, Washington call it the Good House. But that all changes one summer when an unexpected tragedy takes place behind its closed doors, and the Toussaint's family history--and future--is dramatically transformed. 

Angela has not returned to the Good House since her son, Corey, died there two years ago. But now, Angela is finally ready to return to her hometown and go beyond the grave to unearth the truth about Corey's death. Could it be related to a terrifying entity Angela's grandmother battled seven decades ago? And what about the other senseless calamities that Sacajawea has seen in recent years? Has Angela's grandmother, an African American woman reputed to have powers, put a curse on the entire community? 

A thrilling exploration of secrets, lies, and divine inspiration, The Good House will haunt readers long after its chilling conclusion.

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In a timely update of Pride and Prejudice, National Book Award finalist and author of American Street Ibi Zoboi skillfully balances cultural identity, class, and gentrification against the heady magic of first love in her vibrant reimagining of this beloved classic. Now in paperback!

It is a truth universally acknowledged that when white people move into a neighborhood that’s already been a little bit broken and a little bit forgotten, the first thing they want to do is clean it up. Zuri Benitez has pride. Brooklyn pride, family pride, and pride in her Afro-Latino roots. But pride might not be enough to save her rapidly gentrifying neighborhood from becoming unrecognizable. When the wealthy Darcy family moves in across the street, Zuri wants nothing to do with their two teenage sons, even as her older sister, Janae, starts to fall for the charming Ainsley. She especially can’t stand the judgmental and arrogant Darius. Yet as Zuri and Darius are forced to find common ground, their initial dislike shifts into an unexpected understanding. But with four wild sisters pulling her in different directions, cute boy Warren vying for her attention, and college applications hovering on the horizon—Zuri fights to find her place in Bushwick’s changing landscape or lose it all.

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“There’s no way not to suffer. But you try all kinds of ways to keep from drowning in it.” The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water.

It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.

By turns haunting, heartbreaking, and horrifying—and informed throughout by Baldwin’s uncanny knowledge of the wounds racism has left in both its victims and its perpetrators—Going to Meet the Man is a major work by one of our most important writers.

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A haunting novel about a black woman who returns to her hometown for a plantation wedding and the horror that ensues as she reconnects with the blood-soaked history of the land and the best friends she left behind.

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.

Jean Toomer’s Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style.

First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned. While critically acclaimed and known today as a pioneering text of the Harlem Renaissance, the book did not gain as much popularity as other works written during the period. Fellow Harlem Renaissance writer Langston Hughes believed Cane’s lack of a wider readership was because it didn’t reinforce the stereotypes often associated with African Americans during the time, but portrayed them in an accurate and entirely human way, breaking the mold and laying the groundwork for how African Americans are depicted in literature.

For the first time in Penguin Classics, this edition of Cane features a new introduction, suggestions for further reading, and notes by scholar George Hutchinson, and National Book Award Foundation 5 Under 35 novelist Zinzi Clemmons contributes a foreword.

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Spirits haunt the flooded streets of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow South must save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story "The City Born Great," a young street kid fights to give birth to an old metropolis's soul.

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Hot Comb offers a poignant glimpse into Black women’s lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story “Hot Comb” is about a young girl’s first perm—a doomed ploy to look cool and to stop seeming “too white” in the all-black neighborhood her family has just moved to. In “Virgin Hair” taunts of “tender-headed” sting as much as the perm itself. It’s a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. The story “My Lil Sister Lena” traces the stress resulting from being the only black player on a white softball team. Her hair is the team curio, an object to touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Among the series of cultural touchpoints that make you both laugh and cry, Flowers recreates classic magazine ads idealizing women’s needs for hair relaxers and product. “Change your hair form to fit your life form” and “Kinks and Koils Forever” call customers from the page.

A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring queer love and the consequences of loneliness.

When four isolated elderly people die back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn't understand why she's the only one at her precinct that seems to care. But her colleagues at the police force dismiss the case as a series of unfortunate suicides due to the patients' loneliness. But Su-Yeon doesn't have the privilege of looking away: her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.

As Su-Yeon begins her investigation alone, she runs into a mysterious woman named Violette at the crime scene. Violette claims to be a vampire hunter, searching for her ex-lover, Lily, and is insistent that a vampire is behind the mysterious deaths. Su-Yeon is skeptical at first, but when a fifth victim jumps from the window, her investigation reveals the body was completely drained of blood. Desperate to discover the cause of the deaths, Su-Yeon considers Violette's explanation-that something supernatural is involved.

The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalization, perfect for readers of Cursed Bunny; Woman, Eating; and A Certain Hunger.

Sweeping from the eighteenth century to futurist fabulations, Black Bell harmonizes poetry with performance art practices in an investigation of fugitivity.

Inspired by the nineteenth century image of an enslaved woman wearing iron horns and bells, Alison C. Rollins’s Black Bell continues an exploration of cataloging individual experience and collective memory. As Rollins sets out to resuscitate and embody the archive, we see a chorus of historical figures like Eliza Harris, Henry “Box” Brown, and Lear Green; readers can listen in as Phillis Wheatley takes a Turing test or venture through Dante’s Inferno remixed with Wu-Tang Clan’s 36 Chambers. Poems travel across time and space, between the eighteenth century and futuristic fabulations, vibrating with fugitive frequencies, sounds of survival, and nerve-wracking notes tuned toward love and liberation. Black Bell navigates what it means to be both invisible and spectacle, hidden and on display, allowing lyric language to become the material for fashioning wearable sculptures akin to Nick Cave’s “soundsuits.” Integrating performance art practices, metalwork, and sonic, Black Bell becomes multimedia meditation on freedom seeking, furthering the possibilities of both the page and the canvas of the poet’s body.

He’s a newly single father with a demanding job as a firefighter.
She’s a newly unemployed daycare worker in need of new job.
Tripp believes it’s fate when his station house is called to a fire at the daycare Brylee works at. It becomes harder to manage being a full time father to a newborn and the hours his job demands so when he sees an opportunity to hire Brylee as an inhouse nanny he doesn’t hesitate.
The situation with his daughter’s mom is sticky, he’s trying to fight his feelings for Brylee, but Tripp learns it’s hard to ignore someone who checks all his boxes so perfectly.

The long form poem is tethered in folklore and personal narrative, detailing the impact of the destructive mass incarceration system.

Mahogany L. Browne’s evocative book-length poem explores the impacts of the prison system on both the incarcerated and the loved ones left behind.

I Remember Death by Its Proximity to What I Love is an expansive poetic meditation on who we think is bound by incarceration. The answer: all of us. Weaving personal narrative, case studies, and inventive form, Browne invokes the grief, pain, and resilience in the violent wake of the prison system. This poem is dirge work but allows us to revel in the intricacies of our human condition. Written by a beloved and prolific writer, organizer, and educator, this work serves as a practice of self-reflection and accountability. Browne steps into the lineage of Sonia Sanchez’s Does Your House Have Lions? with the precision of a master wordsmith and the empathy of an attentive storyteller.

Named one of the GREAT AMERICAN NOVELS of the last 100 years by The Atlantic

The 50th anniversary edition of the classic, freewheeling novel by one of the most iconic satirists of our time—now with a new introduction by the author.

“Mumbo Jumbo is a mixtape, a collage, a palimpsest...Even if it didn't have an eerie bearing on our modern politics, it’d be worth reading simply for the pleasure of spending time in Reed’s roving mind.”—The Atlantic

“Part vision, part satire, part farce… A wholly original, unholy cross between the craft of fiction and witchcraft.” —The New York Times

It is the 1920s in New York City and an epidemic known as Jes Grew is sweeping the nation—a dancing plague, irresistible, joyful, and undeniably Black. Naturally, the powers-that-be are having none of it. A repressive conspiracy is operating in the shadows, and it is dead set on squelching Jes Grew and its Carriers—Black artists and musicians—by any means necessary.

So begins the classic novel by Ishmael Reed, the iconic satirist whose contributions to American literature have drawn praise from the likes of James Baldwin and Harold Bloom. Mumbo Jumbo is an ingenious deconstruction of Western civilization—a cinematic collage that mixes portraits of historical figures and incidents with sound bites on subjects ranging from ragtime to Greek philosophy. Now with a new introduction by the author, this timeless and crucial work of twentieth-century fiction is ready to be discovered by a new generation of readers.

With a New Introduction and Notes by Henry Louis Gates, Jr. and Richard J. Ellis

A fascinating fusion of two literary models of the nineteenth century, the sentimental novel and the slave narrative, Our Nig, apart from its historical significance, is a deeply ironic and highly readable work, tracing the trials and tribulations of Frado, a mulatto girl abandoned by her white mother after the death of the child's black father, who grows up as an indentured servant to a white family in nineteenth-century Massachusetts.

This definitive edition of Our Nig includes a new Introduction by Henry Louis Gates, Jr. and Richard J. Ellis and a set of appendices:  "Harriet Wilson's Career as a Spiritualist";  "Hattie E. Wilson in the Banner of Light and Spiritual Scientist" a collection of her extant contributions to these newspapers;  "Documents from Harriet Wilson's Life in Boston," and a compilation of primary source material relating to Wilson's identity.  There is also a new chronology of the life of Harriet Wilson by Richard J. Ellis, as well as an up-to-date Select Bibliography of current scholarship regarding Harriet Wilson. This edition gives the fullest account to date of the life of Harriet Wilson, filling out many critical points regarding her life after writing Our Nig, in particular when she became a "medium" who communicated with the dead and as an educator in the "Spiritualist" movement after the Civil War.

Raised in the steamy bayous of New Orleans in the early 1900s, LeRoi "King" Tremain, caught up in his family's ongoing feud with the rival DuMont family, learns to fight. But when the teenage King mistakenly kills two white deputies during a botched raid on the DuMonts, the Tremains' fear of reprisal forces King to flee Louisiana.

King thus embarks on an adventure that first takes him to France, where he fights in World War I as a member of the segregated 369th Battalion—in the bigoted army he finds himself locked in combat with American soldiers as well as with Germans. When he returns to America, he battles the Mob in Jazz Age Harlem, the KKK in Louisiana, and crooked politicians trying to destroy a black township in Oklahoma.

King Tremain is driven by two principal forces: He wants to be treated with respect, and he wants to create a family dynasty much like the one he left behind in Louisiana. This is a stunning debut by novelist Guy Johnson that provides a true depiction of the lives of African-Americans in the early decades of the twentieth century.

A thrilling new novel of lies, deception, and revenge from the bestselling author, perfect for fans of B.A. Paris and Joshilyn Jackson! The glamour of Miami has a dark side in this twisting story where nothing is what it seems, as one wronged woman seeks to destroy the seemingly perfect life of one of the city’s most revered socialites.

“A shocking, sensual thriller with sharp twists.” —Tarryn Fisher, New York Times bestselling author of The Wives

"Twisty and impossible to put down! 10/10 recommend." —Claire Contreras, New York Times bestselling author

“I was hooked from the very first twist.” —Alessandra Torre, New York Times bestselling author of Every Last Secret

Book Riot Best Summer 2021 Thrillers
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A brutal tragedy ended Ivy Hill’s happy family and childhood. Now in her twenties and severely troubled, she barely has a life—or much to live for. Until the day she discovers the name of the woman who destroyed her world: Lola Maxwell—the mega-wealthy socialite with a heart, Miami’s beloved “first lady” of charity. Accomplished, gorgeous, and oh-so-caring, Lola has the best of everything—and doesn’t deserve any of it. So it’s only right that Ivy take it all away . . .

Little by little, Ivy infiltrates Lola’s elite circle, becomes her new best friend—and plays Lola’s envious acquaintances and hangers-on against her. But seducing Lola’s handsome, devoted surgeon husband turns into a passionate dream Ivy suddenly can’t control. And soon, an insidious someone will twist Ivy’s revenge into a nightmare of deception, secrets, and betrayal that Ivy may not wake up from . . .

“An ideal summer read.” – Booklist, STARRED REVIEW

“This fast-paced and incredibly entertaining book is perfect for devouring by the poolside.” – Off the Shelf

“Without question, this is McMillan’s best. A glorious novel....A moving tapestry of familial love and redemption.”—The Washington Post

With her hallmark exuberance and a cast of characters so sassy, resilient, and full of life that they breathe, dream, and shout right off the page, Terry McMillan has given us a tour-de-force novel of family, healing, and redemption. A Day Late and a Dollar Short takes us deep into the hearts, minds, and souls of America—and gives us six more friends we never want to leave.

'This is devastatingly good' Heat

From the bestselling author of The Ice Cream Girls comes a gripping emotional thriller of love and obsession and the nature of coercive control. 'The author plays a blinder' says the Sun.

Verity is telling lies...
And that's why she's about to be arrested for attempted murder.

Serena has been lying for years. . .
And that may have driven her daughter, Verity, to do something unthinkable...

Poppy's lies have come back to haunt her . . .
So will her quest for the truth hurt everyone she loves?

Everyone lies.
But whose lies are going to end in tragedy?

Praise for Dorothy Koomson:

'If you only do one thing this weekend, read this book. . . utterly brilliant' Sun

'Immediately gripping and relentlessly intense' Heat

'An instantly involving pschological thriller' Telegraph

'Koomson just gets better and better' Woman & Home

The Mexican board game of Lotería is a game of chance—similar to bingo. However, in Lotería instead of matching up numbers on a game board, players match up images. 

There are 54 cards in the Lotería game, and for this short story collection you will find one unique story per card based on a Latin American myth, folklore, superstition, or belief—with a slant towards the paranormal and horrific. In this deck of cards you will find murderers, ghosts, goblins and ghouls. This collection features creatures and monsters, vampires, werewolves and more.

Many of these legends existed long before their European counterparts—passed throughout the Americas via word of mouth, collected just like the tales the Brothers Grimm. These are indeed fairy tales—Latin American fairy tales—but with a horrifying slant.

A New York Times bestseller and Oprah's Book Club Pick-the unique and deeply moving saga of four generations of African-American women whose journey from slavery to freedom begins on a Creole plantation in Louisiana.

Beginning with her great-great-great-great grandmother, a slave owned by a Creole family, Lalita Tademy chronicles four generations of strong, determined black women as they battle injustice to unite their family and forge success on their own terms. They are women whose lives begin in slavery, who weather the Civil War, and who grapple with contradictions of emancipation, Jim Crow, and the pre-Civil Rights South. As she peels back layers of racial and cultural attitudes, Tademy paints a remarkable picture of rural Louisiana and the resilient spirit of one unforgettable family.

There is Elisabeth, who bears both a proud legacy and the yoke of bondage... her youngest daughter, Suzette, who is the first to discover the promise-and heartbreak-of freedom... Suzette's strong-willed daughter Philomene, who uses a determination born of tragedy to reunite her family and gain unheard-of economic independence... and Emily, Philomene's spirited daughter, who fights to secure her children's just due and preserve their dignity and future.

Meticulously researched and beautifully written, Cane River presents a slice of American history never before seen in such piercing and personal detail.

From the author of Book of the Little Axe, nominated for the Hurston/Wright Legacy Award, and the critically acclaimed 'Til the Well Runs Dry, a riveting literary novel with the sharp edges of a thriller about the abuses of history and the costs of revenge, set between Washington, D.C., and Johannesburg, South Africa

Prudence Wright seems to have it all: a loving husband, Davis; a spacious home in Washington, D.C.; and the former glories of a successful career at McKinsey, which now enables her to dedicate her days to her autistic son, Roland. When she and Davis head out for dinner with one of Davis’s new colleagues on a stormy summer evening filled with startling and unwelcome interruptions, Prudence has little reason to think that certain details of her history might arise sometime between cocktails and the appetizer course.

Yet when Davis’s colleague turns out to be Matshediso, a man from Prudence’s past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state, and which fundamentally shaped her sense of righteousness and justice. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and to excavate inner reserves of resilience and strength.

Lauren Francis-Sharma’s previous two novels have established her as a deft chronicler of history and its intersections with flawed humans struggling to find peace in unjust circumstances. With keen insight and gripping tension, Casualties of Truth explosively mines questions of whether we are ever truly able to remove the stains of our past and how we may attempt to reconcile with unquestionable wrongs.

A daughter’s investigation into her family history threatens to destroy their legacy in a gripping novel about power, money, and secrets by the author of Token Black Girl.

On their Martha’s Vineyard estate, the Carter family prepares to celebrate. But when the billionaire patriarch dies right before his seventieth birthday, the media is quick to question the future of the multi-industry conglomerate that makes the Carters living legends. Amid the succession crisis, his daughter, Kennedy, is questioning her father’s past.

Kennedy is an aspiring filmmaker, and the documentary she’d planned to present at her father’s party begins an inquest into the life of a man she never really knew. A thoughtful outlier in an elite and fiercely guarded dynasty, she’s not interested in keeping up the appearances that define her impeccably poised mother or in the capitalist games her ruthless brother plays. Kennedy wants only to understand the origins of their empire, and the lethally ambitious man behind it. That understanding comes at a cost.

As a twisted history emerges, the fault lines in the family grow. Torn between morality and the promise of maintaining wealth, Kennedy must decide what’s most important―the Carter legacy or exposing the shocking truth of how it was built.

An electric debut novel about the daughter of Afghan refugees and her year of self-discovery—“a stunning coming-of-age story” (Publishers Weekly, starred review) and a portrait of the artist as a young woman set in a Berlin that can’t escape its history

A girl can get in almost anywhere, even if she can’t get out.

“A no-bullsh*t, must-read debut.”—Kaveh Akbar
“Kaleidoscopic, full of style and soul.”—Raven Leilani
“I loved this book.”—Leslie Jamison
 
In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. 
 
Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be?
 
A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

In this lyrical and stirring companion to the “spellbinding” (Harper’s Bazaar) Shallow Waters, Oya—the Yoruban deity of the weather—is brought to life during 1870s America. Perfect for fans of Children of Blood and Bone and Black Sun.

Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety.

Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more.

As Oya navigates the landscapes of racism, colorism, and classism, she grapples with her own identity and powers, striving to find her place in a fraught and complex society. A moving, vivid exploration of resilience, heritage, and the enduring spirit of a young woman coming into her own, The Wind on Her Tongue transports you to a world where magic and reality intertwine.

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid’s The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman’s inexorable evolution, evoked in startling and magical prose.

This novel tells the deeply charged story of a woman’s life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela’s childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela’s is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her fear of her father, her desperate loneliness, and her deep sympathy for those who share her history. But underlying all is “the black room of the world” that is Xuela’s motherlessness and barrenness.

As Udonwa grows, her hidden family history changes her forever.

Let me tell you a story. It’s about a war. This war is not the type fought with guns and machetes. It is a family type. A silent war. The type fought in the heart. It began long before I was formed.

Udonwa’s family is at war ― a war of relationships, played out under the tyranny of a monster dad. Age twelve, Udonwa has a peculiar love for her father, Reverend Leonard Ilechukwu, who favours her but beats his wife and his other children. She sees his good side: after all, he pays the school fees, and tells her that she, named “the peaceful child,” is the one most likely to become a doctor.

When her newly married eldest sister suddenly takes her from their family compound in Iruama, Nigeria, to live with her in Awka, Udonwa experiences violence first-hand. Later, pieces of a sinister picture emerge that shake her life to the core.

No longer the person she thought she was, Udonwa launches into a period of extreme change, and parts of her life spiral into chaos as she finds herself torn between her love for her father and an underlying need to free herself. This vivid family saga is engrossing, deeply unsettling, and finally uplifting.