“Gripping and passionate . . . keenly recounted . . . full of poetry.”—New York Times

Now in a beautiful new edition, the spellbinding classic tale of man and nature, honor, and adventure, in which the peaceful life of an aging, book-loving widower in the Ecuadorean jungle is upended when an ignorant tourist provokes a mother ocelot.

Antonio José Bolivar Proaño lives quietly in a river town in the rain-soaked jungle of Ecuador that is slowly being overrun by tourists and opportunists. Having lost his wife decades earlier, he takes refuge in books—paperback novels of faraway places and bittersweet love, delivered to him by the dentist who visits the village twice a year.

One day, a greedy trader pushes nature too far, setting an enraged mother ocelot on a bloody rampage through the village. The old man, a hunter who once lived among the Shuar Indians and knows the jungle better than anyone, is pressured by the village's detested mayor to join the expedition to kill the animal. Reluctantly. the old man is forced into the middle of a raging conflict between man and nature that will end in a powerfully climactic confrontation.

New York Times Bestseller

Highly acclaimed debut author Etaf Rum tells the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community.

“A dauntless exploration of the pathology of silence, an attempt to unsnarl the dark knot of history, culture, fear, and trauma that can render conservative Arab-American women so visibly invisible…. The triumph of Rum’s novel is that she refuses to measure her women against anything but their own hearts and histories…. Both a love letter to storytelling and a careful object lesson in its power.”—New York Times Book Review

“Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of, dangerous, the ultimate shame.”

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Her desires are irrelevant, however—over the course of a week, the naive and dreamy girl finds herself betrothed, then married, and soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law, Fareeda, and her strange new husband, Adam: a pressure that intensifies as she begins to have children—four daughters instead of the sons Isra is expected to bear.

Brooklyn, 2008. At her grandmother’s insistence, eighteen-year-old Deya must meet with potential husbands and prepare herself for marriage, though her only desire is to go to college. Her grandmother is firm on the matter, however: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths that will force her to question everything she thought she knew about her family, the past, and her own future.

Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honor, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world, and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

“After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse” (Time magazine).

At once cinematic yet intimate, Broughtupsy is an enthralling debut novel about a young Jamaican woman grappling with grief as she discovers her family, her home, is always just out of reach.

Tired of not having a place to land, twenty-year-old Akúa flies from Canada to her native Jamaica to reconnect with her estranged sister Tamika. Their younger brother Bryson has recently passed from sickle cell anemia—the same disease that took their mother ten years prior—and Akúa carries his remains in a small wooden box with the hope of reassembling her family.

Over the span of two fateful weeks, Akúa and Tamika visit significant places from their childhood, but time spent with her sister only clarifies how different they are, and how years of living abroad have distanced Akúa from her home culture. "Am I Jamaican?" she asks herself again and again. Beneath these haunting doubts lie anger and resentment at being abandoned by her own blood. "Why didn’t you stay with me?" she wants to ask Tamika.

Wandering through Kingston with her brother's ashes in tow, Akúa meets Jayda, a brash stripper who shows her a different side of the city. As the two grow closer, Akúa confronts the difficult reality of being gay in a deeply religious family, and what being a gay woman in Jamaica actually means.

By turns diasporic family saga, bildungsroman, and terse sexual awakening, Broughtupsy is a profoundly moving debut novel that asks: what do we truly owe our family, and what are we willing to do to savor the feeling of home?

Starr Lewis returns home for the holidays, jobless and single, to attend her sister's wedding to Starr's ex-boyfriend. But when her brother's best friend offers to go with her to the wedding activities and she gives his struggling Christmas shop a makeover, she wonders if the holidays could bring her a love to keep all year long.

It's the most wonderful time of the year--for everyone except Starr Lewis.

As if going home for the holidays jobless and single wasn't bad enough, she's dragged into a holiday season full of activities leading up to her sister's uber-romantic Christmas Eve wedding--to Starr's ex-boyfriend. But when her brother's best friend, Waylon Emmerson, attends their family Thanksgiving, she starts to wonder if maybe coming home for Christmas isn't so bad after all.

As Starr finds the perfect distraction in helping Waylon make over his late mother's Christmas shop, the most wonderful time of the year works its magic and the spark between them grows. But with the holidays fast approaching, Starr must decide what she wants out of life after the gifts are unwrapped and the ornaments are put away--to go back to New York City or to open her heart to a love that will last beyond Christmas Day?

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With pandemic-fearing city dwellers fleeing to the New Jersey suburbs, Risko Realty—and Odessa Jones—are having their best year ever. Finally on solid financial footing, Odessa is debt-free and looking forward to the future. But she doesn’t need second sight to sense her new young co-worker, Anna Lee, is on edge--and straight-up terrified--in spite of her hot sales record and sunny, outgoing attitude. And when Anna is killed in a hit-and-run, Odessa sees immediately that it was no accident . . .

It's soon clear that Anna was being stalked. But even with the help of family, friends—and Odessa’s feisty cat, Juniper—Odessa is coming up with more questions than clues. Why was Anna avoiding influential real-estate mogul Emily Delbarton? Why is Delbarton’s decidedly creepy brother so fixated on Anna? Did Anna make enemies through her previous job at the town’s exclusive gentlemen’s club? And can Odessa rule out her own ex-fiancé—who’s back in her life with an astounding connection to Anna—and wanting a second chance?  Finding the answers will come at an increasingly deadly cost—one Odessa’s talents must somehow trap a killer to repay . . .

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In this twisty and electrifying debut novel, a young woman goes missing in Lagos, Nigeria, and her estranged auntie will stop at nothing to find the truth behind her disappearance. Perfect for fans of My Sister, the Serial Killer and The Last Thing He Told Me.

Nicole Oruwari has the perfect life: a hand­some husband; a palatial house in the heart of glittering Lagos, Nigeria; and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a com­munity of foreign women married to Nigerian men.

But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncov­ers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about Nicole, the more Claudine’s own buried history threatens to come to light.

An inventively told and keenly observant thriller where nothing is as it seems, The Nigerwife offers a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

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Florida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin

Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white—from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn’t want to upset her father.

But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own.

Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life—creativity, confidence, and perhaps most importantly, a nurturing sense of love.

Following a young woman looking for a world beyond her family’s carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.

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For readers of The Twelve Tribes of Hattie and The Turner House, an intimately told story about a woman living by her own rules and the rural community that struggles to understand her.

Azalea “Knot” Centre is determined to live life as she pleases. Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home.

Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light.
Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.

From the NAACP Image Award–nominated author of Happily Ever Afters comes a dual POV rom-com about Reggie and Delilah, who fall in love through missed connections and chance meetings on holidays over the course of a year. 

Delilah always keeps her messy, gooey insides hidden behind a wall of shrugs and yeah, whatevers. She goes with the flow—which is how she ends up singing in her friends’ punk band as a favor, even though she’d prefer to hide at the merch table.

Reggie is a D&D Dungeon Master and self-declared Blerd. He spends his free time leading quests and writing essays critiquing the game under a pseudonym, keeping it all under wraps from his disapproving family.

These two, who have practically nothing in common, meet for the first time on New Year’s Eve. And then again on Valentine’s Day. And then again on St. Patrick’s Day. It’s almost like the universe is pushing them together for a reason.

Delilah wishes she were more like Reggie—open about what she likes and who she is, even if it’s not cool. Except . . . it’s all a front. Reggie is just role-playing someone confident. The kind of guy who could be with a girl like Delilah.

As their holiday meetings continue, the two begin to fall for each other. But what happens once they realize they’ve each fallen for a version of the other that doesn’t really exist?

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Rare. Moving. Powerful. This beautiful, page-turning and redemptive story of a mother’s gripping journey across the Caribbean to find her stolen children in the aftermath of slavery marks the arrival of a remarkable new talent.
 
Her search begins with an ending.…


The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.
 
Away from Providence, she begins a desperate search to find her children—the five who survived birth and were sold. Are any of them still alive? Rachel has to know. The grueling, dangerous journey takes her from Barbados then, by river, deep into the forest of British Guiana and finally across the sea to Trinidad. She is driven on by the certainty that a mother cannot be truly free without knowing what has become of her children, even if the answer is more than she can bear. These are the stories of Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. But above all this is the story of Rachel and the extraordinary lengths to which a mother will go to find her children...and her freedom.

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"These are the stories that came to me to be told after the close of a magical marriage to an extraordinary man that ended in a less-than-magical divorce. I found myself unmoored, unmated, ungrounded in a way that challenged everything I'd ever thought about human relationships. Situated squarely in that terrifying paradise called freedom, precipitously out on so many emotional limbs, it was as if I had been born; and in fact I was being reborn as the woman I was to become."

So says Pulitzer Prize-winning author Alice Walker about her beautiful new book, in which "one of the best American writers today" (The Washington Post) gives us superb stories based on rich truths from her own experience. Imbued with Walker's wise philosophy and understanding of people, the spirit, sex and love, The Way Forward Is with a Broken Heart begins with a lyrical, autobiographical story of a marriage set in the violent and volatile Deep South during the early years of the civil rights movement. Walker goes on to imagine stories that grew out of the life following that marriage—a life, she writes, that was "marked by deep sea-changes and transitions." These provocative stories showcase Walker's hard-won knowledge of love of many kinds and of the relationships that shape our lives, as well as her infectious sense of humor and joy. Filled with wonder at the power of the life force and of the capacity of human beings to move through love and loss and healing to love again, The Way Forward Is with a Broken Heart is an enriching, passionate book by "a lavishly gifted writer" (The New York Times Book Review).

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The latest work from the veteran novelist called “one hell of a writer” by James Baldwin and “wonderfully wry” by Donald Barthelme: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis

Written by playwright and novelist Wesley Brown, Blue in Green narrates one evening in August 1959, when, mere weeks after the release of his landmark album Kind of Blue, Miles Davis is assaulted by a member of the New York City Police Department outside of the Birdland jazz club. In the aftermath, we enter the strained relationship between Davis and his wife, Frances Taylor, whom he has recently cajoled into ending her run as a performer on Broadway and retiring from modern dance and ballet altogether. Frances, who is increasingly subject to Davis’ temper—fueled by both his professional envy and substance abuse—reckons with her upbringing in Christian Science and, through a fateful meeting with Lena Horne, the conflicting demands of motherhood and artistic vocation. Meanwhile, blowing off steam from his beating, Miles speeds across Manhattan in his sports car. Racing alongside him are recollections of a stony, young John Coltrane, a combative Charlie Parker and the stilted world of the Black middle class he’s left behind.

A biting 1931 science fiction satire of American racism, and one of the first works of Afrofuturism.

It's New Years Day in 1933 in New York City and Max Disher, a young black man, has just heard the news: a mysterious doctor has discovered a strange process that can turn black skin white—a new way to "solve the American race problem." Max, who is tired of being rejected and abused because of his dark skin, leaps at the opportunity. After receiving the "Black-No-More" procedure, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, and a beautiful wife. But it soon becomes apparent that America, whiter than ever, is becoming more and more dangerous . . .

An extraordinary, cutting satire, Black No More is an utterly unique work of science fiction, and one of the first works of Black speculative fiction.

A classic in the black literary tradition, The Spook Who Sat by the Door is both a comment on the civil rights problems in the United States in the late 1960s and a serious attempt to focus on the issue of black militancy.

Dan Freeman, the "spook who sat by the door," is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Chicago blacks as "Freedom Fighters" in this explosive, award-winning novel.

As a story of one man's reaction to ruling-class hypocrisy, the book is autobiographical and personal. As a tale of a man's reaction to oppression, it is universal.

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National Book Award Finalist
New York Times Bestseller

For August, running into a long-ago friend sets in motion resonant memories and transports her to a time and a place she thought she had mislaid: 1970s Brooklyn, where friendship was everything.

August, Sylvia, Angela, and Gigi shared confidences as they ambled their neighborhood streets, a place where the girls believed that they were amazingly beautiful, brilliantly talented, with a future that belonged to them.

But beneath the hopeful promise there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where mothers disappeared, where fathers found religion, and where madness was a mere sunset away.

Jacqueline Woodson’s Another Brooklyn heartbreakingly illuminates the formative period when a child meets adulthood—when precious innocence meets the all-too-real perils of growing up. In prose exquisite and lyrical, sensuous and tender, Woodson breathes life into memories, portraying an indelible friendship that united young lives.

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This collectable boxed set edition includes all three books in N. K. Jemisin's incredible NYT bestselling and three-time Hugo award-winning Broken Earth Trilogy.

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From the Pulitzer and NBCC finalist, Whiting Award-winning author of John Henry Days and The Intuitionist: a tender, hilarious, and supremely original novel about a young African American boy coming-of-age in the eighties.

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New York Times bestselling author and Nobel Peace Prize nominee Stacey Abrams, writing under her pen name Selena Montgomery, delivers a “sexy thriller” that is deliciously “twisty and satisfying” (Publishers Weekly).

Tell me no lies . . .

She just witnessed her uncle’s murder, she’s running for her life, and now Dr. Katelyn Lyda is face-to-face with a man who could be her salvation. It’s too bad Sebastian Caine is one of the bad guys . . .

A “recovery specialist” skilled at separating prized possessions from their owners, Sebastian is after an ancient relic. But he reconsiders the job when he finds himself staring at the wrong end of a gun. The lady with her finger on the trigger seems to have everything he needs—and not just the artifact.

In a race against time, Sebastian and Kat must learn to trust each other if they’re going to survive.

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A scalding, uplifting, sorrowful, and exultant masterpiece of the modern American theater, The Amen Corner is a play about faith and family, about the gulf between black men and black women and black fathers and black sons.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers.

For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

Jean Toomer’s Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style.

First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned. While critically acclaimed and known today as a pioneering text of the Harlem Renaissance, the book did not gain as much popularity as other works written during the period. Fellow Harlem Renaissance writer Langston Hughes believed Cane’s lack of a wider readership was because it didn’t reinforce the stereotypes often associated with African Americans during the time, but portrayed them in an accurate and entirely human way, breaking the mold and laying the groundwork for how African Americans are depicted in literature.

For the first time in Penguin Classics, this edition of Cane features a new introduction, suggestions for further reading, and notes by scholar George Hutchinson, and National Book Award Foundation 5 Under 35 novelist Zinzi Clemmons contributes a foreword.

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Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself, his wife, Neni, and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty—and Jende is eager to please. Clark’s wife, Cindy, even offers Neni temporary work at the Edwardses’ summer home in the Hamptons. With these opportunities, Jende and Neni can at last gain a foothold in America and imagine a brighter future.

However, the world of great power and privilege conceals troubling secrets, and soon Jende and Neni notice cracks in their employers’ façades.

When the financial world is rocked by the collapse of Lehman Brothers, the Jongas are desperate to keep Jende’s job—even as their marriage threatens to fall apart. As all four lives are dramatically upended, Jende and Neni are forced to make an impossible choice.

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

In this thrilling mystery from "master of craft and narrative" Walter Mosley (National Book Foundation), Detective Easy Rawlins has settled into the happy rhythm of his new life when a dark siren from his past returns and threatens to destroy the peace he's fought for.

The name Easy Rawlins stirs excitement in the hearts of readers and fear in the hearts of his foes. His success has bought him a thriving detective agency, with its first female detective; a remote home, shared with children and pets and lovers, high atop the hills overlooking gritty Los Angeles; and more trouble, more problems, and more threat to those whom he loves. In other words, he’s still beset on all sides.
 
A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman—Lutisha James, though she’s gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy’s own life, painfully closer to home.

Get grooving, moving, and learning with Gracie’s Corner!

Gracie and friends say good morning and get ready for the day! Inspired by the megapopular “Good Morning Song,” kids will love following along with Gracie as she brushes her teeth, fluffs her hair, and starts her day with a BIIIG smile on her face! The perfect get-ready anthem for any—and every—day.

Features a helpful Good Morning guide in the back to break morning routines down into easy-to-follow steps!

* Upbeat and inspirational, this is the perfect picture book to get kids excited for their mornings and to start their days on a positive note!
* First of its kind Gracie’s Corner picture book adaptation is perfect to read (or sing!) along with your child’s favorite Gracie’s Corner YouTube video!  
* Turn everyday routines—like teeth brushing, hair combing, and more!—into fun for kids with this bright and colorful picture book.
* Created by family team Graceyn, Javoris, and Arlene Hollingsworth,Gracie’s Corner focuses on centering children of color in the edutainment industry and making learning a fun, positive experience.

Sweeping from the eighteenth century to futurist fabulations, Black Bell harmonizes poetry with performance art practices in an investigation of fugitivity.

Inspired by the nineteenth century image of an enslaved woman wearing iron horns and bells, Alison C. Rollins’s Black Bell continues an exploration of cataloging individual experience and collective memory. As Rollins sets out to resuscitate and embody the archive, we see a chorus of historical figures like Eliza Harris, Henry “Box” Brown, and Lear Green; readers can listen in as Phillis Wheatley takes a Turing test or venture through Dante’s Inferno remixed with Wu-Tang Clan’s 36 Chambers. Poems travel across time and space, between the eighteenth century and futuristic fabulations, vibrating with fugitive frequencies, sounds of survival, and nerve-wracking notes tuned toward love and liberation. Black Bell navigates what it means to be both invisible and spectacle, hidden and on display, allowing lyric language to become the material for fashioning wearable sculptures akin to Nick Cave’s “soundsuits.” Integrating performance art practices, metalwork, and sonic, Black Bell becomes multimedia meditation on freedom seeking, furthering the possibilities of both the page and the canvas of the poet’s body.

Okay, so maybe I shouldn’t have broken into their house.

Maybe I shouldn’t have made myself at home and eaten through enough food for two people in twenty minutes.

But after being lost for half the day, I was hungry. And I needed their electricity to charge my phone so I could use the GPS to make it back to my car.

So, I did what I had to do. Besides, it didn’t look like anyone was home. I’d be gone in thirty minutes, tops. And I’d leave a note apologizing about the broken window.

Except, that food knocked me out. And when I woke up it was with a gun to my forehead and three unnecessarily attractive men staring down at me.

Naturally, I expect them to want answers and kick me out. But instead I end up with a proposition I can't refuse

Selah Bailey, an anxious, risk-averse, homebody determined to finally become the main character in her own story, created a "F*ck It List" filled with goals and experiences to force her out of her comfort zone and introduce her to a life outside of her front door.

Realizing she'll need a partner to help complete her more adventurous goals by the deadline, she goes on a few dates in hopes of breaking her dry spell with no luck.

After what may be the worst date ever, she meets Greyson in the elevator of her building.

She soon finds herself running out of time to complete the list and seeks an arrangement with anyone tolerable-though a certain neighbor comes to mind.

Greyson is everything she wasn't prepared for and could be the perfect hero for her story. Except falling in love is against the rules and she should probably leave the house to find it.

Greyson Park is a business oriented extrovert, who's fully content with the life he's built for himself amid his divorce. For the past 7 years, he's prioritized making the best out of everyday and keeping things casual in his love life.

As the creator of a wildly successful dating app, he's become quite the modern day matchmaker. While he loves seeing others in love, he doesn't forgive himself for the past and believes romance isn't in the cards for a second time.

After what may be the most awkward night ever, he meets Selah in the elevator of his building.

He soon finds himself needing a believable date for his ex's wedding to silence the noise about him not moving on and works out an arrangement with his neighbor.

Selah is everything he didn't know he needed and could be the one who introduces him to a life outside of work. Except falling in love is against the rules, and he should probably use his app to find it.

This powerful graphic novel adaptation of Octavia E. Butler’s groundbreaking dystopian novel stands beside the acclaimed previous graphic novel adaptations, Kindred, a #1 New York Times bestseller, and Parable of the Sower, winner of the Hugo Award

Octavia E. Butler’s Parable of the Talents: A Graphic Novel Adaptation is the continuation of the travails of Lauren Olamina. Brought to life by Damian Duffy and John Jennings, the creative team behind the #1 New York Times bestseller Kindred: A Graphic Novel Adaptation, Parable of the Talents is told in the voice of Lauren Olamina’s daughter, Asha Vere—from whom she has been separated for most of the girl’s life—interspersed with sections in the form of Lauren’s own journals.

Against a background of a war-torn continent under the control of a Christian fundamentalist fascist state, Asha searches for answers about her own past while struggling to reconcile with her mother’s legacy—caught between her duty to her chosen family and her calling to lead humankind into a better future among the stars.

Octavia E. Butler's bestselling literary science-fiction masterpieces are essential works in feminist, Afrofuturist, and fantasy genres, and this compelling graphic novel adaptation of Parable of the Talents is a major event.