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  • Opinions: A Decade of Arguments, Criticism, and Minding Other People's Business cover image

    Roxane Gay

    Sold out

    From beloved and bestselling author Roxane Gay, “a strikingly fresh cultural critic” (Washington Post) comes an exhilarating collection of her essays on culture, politics, and everything in between.

    Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle big issues embroiling society—state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy—alongside more individually personalized matters: can I tell my co-worker her perfume makes me sneeze? Is it acceptable to schedule a daily 8 am meeting? In her role as a New York Times opinion section contributor and the publication’s “Work Friend” columnist, she reaches millions of readers with her wise voice and sharp insights.

    Opinions is a collection of Roxane Gay’s best nonfiction pieces from the past ten years. Covering a wide range of topics—politics, feminism, the culture wars, civil rights, and much more—with an all-new introduction in which she reflects on the past decade in America, this sharp, thought-provoking anthology will delight Roxane Gay’s devotees and draw new readers to this inimitable talent.

  • Going to the Territory cover image

    Ralph Ellison

    $16.00

    The work of one of the most formidable figures in American intellectual life."

    -- Washington Post Book World

    The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.

  • I Just Keep Talking: A Life in Essays cover image

    Nell Irvin Painter

    $35.00

    From the New York Times bestselling author of The History of White People and Old in Art School, a finalist for the NBCC Award, comes a comprehensive new collection of essays spanning art, politics, and the legacy of racism that shapes American history as we know it.

    Throughout her prolific writing career, Nell Painter has published works on such luminaries as Sojourner Truth, Ralph Waldo Emerson, and Malcolm X. Her unique vantage on American history pushes the boundaries of personal narrative and academic authorship. Led by an unbridled curiosity for her subjects, Painter asks readers to reconsider ideas of race, politics, and identity. I Just Keep Talking assembles her writing for the first time into a single volume, displaying the breadth and depth of Painter’s decades-long historical inquiry and the evolution of Black political thought—and includes a dazzling introduction and coda being published for the first time in this collection. From her mining of figures like Carrie Buck and Martin Delaney for their resonance today, to a deep dive into the history of exclusion through the work of Toni Morrison, to a discussion of the American political landscape after the 2016 election, Painter nimbly portrays the trials of a country frequently at war with itself.

    Along with Painter’s writing, this collection offers her original artwork, threaded throughout the book as counterpoint and emphasis. Her visual art shows a deft mind turning toward the tragedy and humor of her subjects; pulling from newspapers, personal records, and original sketches, Painter’s artwork testifies to the dialectic of tremendous change and stasis that continues to shape American history.

    These essays resist easy answers in favor of complexity, the inescapable sense of our country’s potential thwarted by its failures. This collection will surely solidify Painter’s place among the finest critics and writers of the last half century.

  • Book cover image

    by Dr. Martin Luther King Jr.

    $22.99

    A beautiful commemorative edition of Dr. Martin Luther King's last speech "I've Been to the Mountaintop," part of Dr. King's archives published exclusively by HarperCollins.

    On April 3, 1968, Dr. Martin Luther King Jr. stood at the pulpit of Mason Temple in Memphis, Tennessee, and delivered what would be his final speech. Voiced in support of the Memphis Sanitation Worker’s Strike, Dr. King's words continue to be powerful and relevant as workers continue to organize, unionize, and strike across various industries today. Withstanding the test of time, this speech serves as a galvanizing call to create and maintain unity among all people.

    This beautifully designed hardcover edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality.

  • Book cover image

    by Dr. Martin Luther King Jr.

    $22.99

    *ships in 7- 10 business days*

    A beautiful commemorative edition of Dr. Martin Luther King's speech "Our God Is Marching On,” part of Dr. King's archives published exclusively by HarperCollins.

    At the end of the march from Selma to Montgomery on March 25, 1965, Dr. Martin Luther King Jr. stood in front of a crowd and celebrated the demanding work and effort that had been done by all in the fight against racial injustice for the Civil Rights Act of 1964. In this speech, Dr. King testified that this march, for justice had been long and difficult and would continue to be so as those with him resisted the call of normalcy in the name of Jim Crow.

    “Our God Is Marching On” showcases a message of determination, faith, and the unyielding pursuit of equality while remaining committed to nonviolence.

    This beautifully designed hardcover edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality.

  • Book cover image

    by Morgan Parker

    $28.00

    *Ships/ready for pick up in 5-8 business days*

    The award-winning author of Magical Negro traces the difficulty and beauty of existing as a Black woman through American history, from the foundational trauma of the slave trade all the way up to Serena Williams and the aftermath of Hurricane Katrina Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery. In a collection of essays as intimate as being in the room with Parker and her therapist, Parker examines America’s cultural history and relationship to Black Americans through the ages. She touches on such topics as the ubiquity of beauty standards that exclude Black women, the implications of Bill Cosby’s fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious. With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman’s psyche—and of the writer’s search to both tell the truth and deconstruct it.

  • My People : Five Decades of Writing About Black Lives

    by Charlayne Hunter-Gault

    $21.99

     

    *Ships/ready for pick up in 5-8 business days*

    From a legendary Emmy Award–winning journalist comes a collection of ground-breaking reportage from across five decades, vividly chronicling the experience of Black life in America yesterday and today.

    “Charlayne Hunter-Gault is that rarest of historical figures. . . . The essays collected here affirm her status as one of the most consistently original, insightful, and passionate interpreters of both American and African society, politics, and culture. Her thoughtful reflections, delightfully written and deeply engaging, are a testament both to her unique position in the history of journalism and to her status as an acute and keen commentator, reminding us how and why ‘race matters.’ This book is a must-read for all students of race in our times.”—Henry Louis Gates, Jr.

    At just eighteen years old, in January 1961, Charlayne Hunter-Gault made national news when she mounted a successful legal challenge that culminated in her admission to the University of Georgia—making her one of the first two Black students to integrate the institution. As an adult, Charlayne switched from being the subject of news to covering it, becoming one of its most recognized and acclaimed interpreters.

    Over more than five decades, this dedicated reporter charted a course through some of the world’s most respected journalistic institutions, including the New Yorker and the New York Times, where she was often the only Black woman in the newsroom. Throughout her storied career, Charlayne has chronicled the lives of Black people in America—shining a light on their experiences and giving a glimpse into their community as never before.

    My People showcases Charlayne’s lifelong commitment to reporting on Black people in their totality, “in ways that are recognizable to themselves.” Spanning from the civil rights movement through the election and inauguration of America’s first Black president and beyond, this invaluable collection shows the breadth and nuance of the Black experience through the trials, tragedies, and triumphs of everyday lives.

  • Carving Space: The Indigenous Voices Awards Anthology

    edited by Jordan Abel, Carleigh Baker & Madeleine Reddon

    $19.95

    *Ships/ready for pick up in 5-8 business days*

    To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.

    Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada.

    Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. 

    This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga’a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favourites.

  • Mounted : On Horses, Blackness, and Liberation

    Bitter Kalli

    $22.00

    Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture.

    Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.

    In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?

    Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

  • Wannabe : Reckonings with the Pop Culture That Shapes Me

    Aisha Harris

    $18.99

    In nine lively essays, critic Aisha Harris invites us into the wonderful, maddening process of making sense of the pop culture we consume.

    Aisha Harris, cohost of NPR’s beloved Pop Culture Happy Hour, has made a name for herself as someone you can turn to for a razor- sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.

    In the opening essay, an interaction with Chance the Rapper prompts an investigation into the origin myth of her name. Elsewhere, Aisha traces the evolution of the “Black Friend” trope from its Twainian origins through to the heyday of the Spice Girls, teen comedies like She’s All That, and sitcoms of the New Girl variety. And she examines the overlap of taste and identity in this era, rejecting the patriarchal ethos that you are what you like. Whatever the subject, sitting down with her book feels like hanging out with your smart, hilarious, pop culture–obsessed friend—and it’s a delight.

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