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A vibrant collection of love stories from a debut author, retelling myths, folktales, and histories from around the world.

A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen.

A young businesswoman attempts a great leap in her company, and an even greater one in her love life.

A powerful Ghanaian spokeswoman is forced to decide whether she should uphold her family’s politics or be true to her heart.

In her debut collection, internationally acclaimed writer Bolu Babalola retells the most beautiful love stories from history and mythology with incredible new detail and vivacity. Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places.

With an eye towards decolonizing tropes inherent in our favorite tales of love, Babalola has created captivating stories that traverse across perspectives, continents, and genres.

Love in Color is a celebration of romance in all its many splendid forms.

...a message to the Black Youth.This is a compilation of individual essays written during the summer-fall of 1992. The essays are designed to inspire thought within the Black Mind. These writings are primarily targeted toward the Black Youth of this day, of which I am a part of. I am not a Master of these teachings, but these teachings I wish to Master.They say that my generation is not intelligent enough to read a book. I say that They are wrong. It is just that They are not writing about anything of interest that is relevant to our lives!And when They do write something, they have to write in the perfect King's English to impress their Harvard Professors! Here we are with a book in one hand, and a dictionary in the other, trying to understand what in the hell the author is talking about!If you have got something to say, just say it! We are not impressed by your 27-letter words, or your Shakespearian style of writing. The Black Youth of today don't give a damn about Shakespeare!!! This ain't no damn poetry contest! Wear are dealing with the life, blood, and salvation of our entire Black Nation!If you want to reach the People, you have to embrace us where we are, and then take us where we need to go. So, these writings are from my generation and for my generation with respect and love.If no one will teach, love and guide us, then we will teach love and guide ourselves.Peace.

A collection of essays about language and its constructive role in national culture, history, and identity, that advocates for linguistic decolonization.

'The language of literature', Ngũgĩ writes, 'cannot be discussed meaningfully outside the context of those social forces which have made it both an issue demanding our attention, and a problem calling for a resolution.' First published in 1986, Decolonising the Mind is one of Ngũgĩ's best-known and most-cited non-fiction publications, helping to cement him as a pre-eminent voice theorizing the 'language debate' in postcolonial studies.

Ngũgĩ wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu. He describes the book as 'a summary of some of the issues in which I have been passionately involved for the last twenty years of my practice in fiction, theatre, criticism, and in teaching of literature...'. Split into four essays - 'The Language of African Literature', 'The Language of African Theatre', 'The Language of African Fiction', and 'The Quest for Relevance' - the book offers an anti-imperialist perspective on the destiny of Africa and the role of languages in combatting and perpetrating imperialism and neo-colonialism in African nations.

“Among the most profound and dazzling debuts I've ever read.” —Kiese Laymon, award-winning author of Heavy: An American Memoir

An essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

In a time when music is spearheading Black Americans’ connection with Africans on The Continent, Burney takes trips to cover the bubbling creative scenes in Lagos and Johannesburg that inspire teary-eyed reflections of self and belonging. Seeing his mother perform as the opening act at a Gil Scott-Heron show as a child inspires an essay about parent-child relationships and how personal taste is often inherited. And a Maryland crab feast with family facilitates an assessment of how the Black people in his home state have historically improvised paths for their liberation.

Taking us on a journey from the streets of Baltimore to the concert halls of Lagos, No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, it’s like an album that hits all the right notes, from a promising writer on the rise.

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In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? “I learned early that being right pales next to staying in the room,” she writes.


This brilliant assembly of essays, poems, documents, and images disrupts the false comfort of our culture’s liminal and private spaces―the airport, the theater, the dinner party, the voting booth―where neutrality and politeness deflect true engagement in our shared problems. Rankine makes unprecedented art out of the actual voices and rebuttals of others: White men responding to, and with, their White male privilege; a friend clarifying her unexpected behavior at a play; and women on the street expressing the political currency of dyeing their hair blond, all running alongside fact-checked notes and commentary that complement Rankine’s own text, complicating notions of authority and who gets the last word. Funny, vulnerable, and prescient, Just Us is Rankine’s most intimate and urgent book, a crucial call to challenge our vexed reality.

My ignorance was on my side. I wasn’t afraid. I didn’t know what to be afraid of. I did one thing, I did another. I did what I now call crashing about. One day I started to write.

This collection of Jamaica Kincaid’s nonfiction writing, including early pieces from publications such as The New Yorker, The Village Voice, and Ms., proves what her admirers have always known: from the start, she has been a consummate stylist, and she has always been herself.

From “Jamaica Kincaid’s New York,” which narrates her move to the city from Antigua at the age of sixteen and a half, to the classic “Biography of a Dress,” her cultural criticism, and her original thinking about the meaning of the garden, Kincaid writes about the world as she finds it, imparting her own quizzical, rapier-sharp response to whatever crosses her path.

Putting Myself Together is a brilliant, trenchant, hilarious self-portrait of the artist and a testament to how this inimitable, self-created mind and spirit, endowed with wit, humor, and fearlessness, has become one of our greatest, most original writers.

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A tour-de-force collection of stories about the Black experience, by award-winning, bestselling, and emerging African American YA authors.

Black is... two sisters navigating their relationship at summer camp in Portland, Oregon as written by Renée Watson.

Black is… Jason Reynolds writing about three guys walking back from the community pool talking about nothing and everything.

Black is… Nic Stone’s bougie debutante dating a boy her momma would never approve of.

Black is …two girls kissing in Justina Ireland’s story set in Maryland.

Black is urban and rural, wealthy and poor, mixed race, immigrants, and more—because there are countless ways to be Black enough.

Edited by National Book Award finalist Ibi Zoboi, this is an essential collection of captivating stories about what it’s like to be young and Black in America.

Contributors:

Justina Ireland

Varian Johnson

Rita Williams-Garcia

Dhonielle Clayton

Kekla Magoon

Leah Henderson

Tochi Onyebuchi

Jason Reynolds

Nic Stone

Liara Tamani

Renée Watson

Tracey Baptiste

Coe Booth

Brandy Colbert

Jay Coles

Ibi Zoboi

Lamar Giles

Hardcover

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature, with a foreword by Mahogany L. Browne.

In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

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Welcome to the ultimate literary parlor game—a collection of unattributed erotic stories written by a stellar list of authors, including winners of the Pulitzer Prize, National Book Awards, PEN Awards, the Women’s Prize for Fiction, Edgar Awards, and more. Anthology editors Hillary Jordan and Cheryl Lu-Lien Tan present an elegant, international collection of erotica, that explores the diverse spectrum of desire. There are stories of sexual obsession and sexual love, of domination and submission. There’s revenge sex, unrequited sex, funny sex, tortured sex, fairy tale sex, and even sex in the afterlife.

This seductive anthology is true to its name: while the authors are listed in alphabetical order at the beginning of the book, none of the stories are attributed, providing readers with a glimpse into the landscape of sexuality as explored by twenty-seven of today’s best-known authors.

Contributors include: Robert Olen Butler, Catherine Chung, Trent Dalton, Heidi Durrow, Tony Eprile, Louise Erdrich, Jamie Ford, Julia Glass, Peter Godwin, Hillary Jordan, Rebecca Makkai, Valerie Martin, Dina Nayeri, Chigozie Obioma, Téa Obreht, Helen Oyeyemi, Mary-Louise Parker, Victoria Redel, Jason Reynolds, S.J. Rozan, Meredith Talusan, Cheryl Lu-Lien Tan, Souvankham Thammavongsa, Jeet Thayil, Paul Theroux, Luis Alberto Urrea, Edmund White

Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew).

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers’ drug addictions.

JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother’s illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria’s new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her.

Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry’s stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.

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In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism

“Tananarive Due is the master of Black horror, even teaching a class where Jordan Peele guest-lectured. So her new collection, The Wishing Pool, out in mid-April, is a major treat, full of major scares. Due excels at twist endings but also brilliantly creates an atmosphere of creeping dread in which you know something terrible is coming. The Wishing Pool is helpfully divided into four sections, and each feels like a movement in a symphony. There are classic tales of horror, then a series of stories set in a Florida town where the swamp tends to swallow people up; the final two sections shift to science fiction about post-apocalyptic futures. (These last sections include pandemic stories, written before 2020, which hit harder now.) Due shows just how much territory she can cover in one short book and just how versatile terrifying tales can be.”
—Washington Post

American Book Award–winning author Tananarive Due’s second collection of stories includes offerings of horror, science fiction, and suspense—all genres she wields masterfully. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due’s stories all share a sense of dread and fear balanced with heart and hope.

In some of these stories, the monster is racism itself; others address the monster within, each set against the supernatural or surreal. All are written with Due’s trademark attention to detail and deeply drawn characters.

In addition to previously published work, this collection contains brand-new stories, including “Rumpus Room,” a supernatural horror novelette set in Florida about a woman’s struggle against both outer and inner demons.

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"These are the stories that came to me to be told after the close of a magical marriage to an extraordinary man that ended in a less-than-magical divorce. I found myself unmoored, unmated, ungrounded in a way that challenged everything I'd ever thought about human relationships. Situated squarely in that terrifying paradise called freedom, precipitously out on so many emotional limbs, it was as if I had been born; and in fact I was being reborn as the woman I was to become."

So says Pulitzer Prize-winning author Alice Walker about her beautiful new book, in which "one of the best American writers today" (The Washington Post) gives us superb stories based on rich truths from her own experience. Imbued with Walker's wise philosophy and understanding of people, the spirit, sex and love, The Way Forward Is with a Broken Heart begins with a lyrical, autobiographical story of a marriage set in the violent and volatile Deep South during the early years of the civil rights movement. Walker goes on to imagine stories that grew out of the life following that marriage—a life, she writes, that was "marked by deep sea-changes and transitions." These provocative stories showcase Walker's hard-won knowledge of love of many kinds and of the relationships that shape our lives, as well as her infectious sense of humor and joy. Filled with wonder at the power of the life force and of the capacity of human beings to move through love and loss and healing to love again, The Way Forward Is with a Broken Heart is an enriching, passionate book by "a lavishly gifted writer" (The New York Times Book Review).

British Fantasy and Bram Stoker-nominated author Gemma Amor brings together a unique line-up of 13 authors to explore heritage and horror, featuring stories from Gabino Iglesias, Erika T. Wurth and many more

It’s a bedtime story, ancient family lore, a secret passed down from generation to generation. Stories that have deep dark roots, ever-growing, ever-creeping.

This anthology explores stories of heritage and horror. The tales we grew up on, hometown rumours and legends.

The things we pass down through our bloodlines.

Featuring stories from:
Erika Wurth
Ai Jiang
Usman T Malik
Adam Nevill
Nuzo Onoh
Premee Mohamed
Gabino Iglesias
Nadia El-Fassi
Ramsey Campbell
V Castro
Hailey Piper
Elena Sichrovsky
Caleb Weinhardt
Sarah Deacon

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Spirits haunt the flooded streets of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow South must save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story "The City Born Great," a young street kid fights to give birth to an old metropolis's soul.

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This collectible edition celebrates James Baldwin’s 100th-year anniversary, revealing and critiquing the realities of Black life in mid-century US

Originally published in Notes of a Native Son, the essays "The Harlem Ghetto," "Journey to Atlanta," and "Notes of a Native Son" will appeal to those interested in the personal and political turmoil of Baldwin's life.

“The Harlem Ghetto” introduces readers to the extremities of life in Baldwin’s native city. “Journey to Atlanta” depicts the faulty relationship between the Black community and the politician, following a quartet called The Melodeers on a trip to Atlanta under the auspices of the Progressive Party. Baldwin concludes this collection with “Notes of A Native Son,” a powerful autobiographical essay about his fractured relationship with his father.

The Harlem Ghetto: Essays explores the American condition through a mix of analytic and autobiographical essays. This second collection in the Baldwin centennial anniversary series is Baldwin’s most personal as he grapples with his childhood and his own affinity with Blackness.

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Literary Nonfiction. Poetry. African & African American Studies. LGBTQIA Studies. Women's Studies. 2019 Over the Rainbow Booklist Selection for Nonfiction. Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes. SISTER LOVE: THE LETTERS OF AUDRE LORDE AND PAT PARKER 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. SISTER LOVE is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

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From comedian Quinta Brunson comes a deeply personal and funny collection of essays about trying to make it when you're struggling, the importance of staying true to your roots, and how she's redefined humor online.

Quinta Brunson is a master at breaking the internet. Before having any traditional background in media, her humorous videos were the first to go viral on Instagram’s platform. From there, Brunson’s wryly observant POV helped cement her status in the comedy world at large, with roles on HBO, Netflix, ABC, Adult Swim, BuzzFeed, the CW, and Comedy Central. Now, Brunson is bringing her comedic chops to the page in She Memes Well, an earnest, laugh-out-loud collection about this unusual road to notoriety.

In her debut essay collection, Quinta applies her trademark humor and heart to discuss what it was like to go from a girl who loved the World Wide Web to a girl whose face launched a thousand memes. With anecdotes that range from the ridiculous—like the time she decided to go clubbing wearing an outfit she describes as "Gary Coleman meets metrosexual pirate"—to more heartfelt material about her struggles with depression, Quinta's voice is entirely authentic and eminently readable. With its intimate tone and hilarious moments, She Memes Well will make you feel as if you're sitting down with your chillest, funniest friend.

13 SCARY STORIES. 13 AUTHORS OF COLOR. 13 TIMES WE SURVIVED... THE FIRST KILL.

The White Guy Dies First includes thirteen scary stories by all-star contributors and this time, the white guy dies first.

Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead....

A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever....

These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.

Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker.

A collection you’ll be dying to talk about… if you survive it.

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A wide-ranging collection, including two novellas and ten stories exploring complex identities, from the acclaimed author of Corregidora, The Healing, and Palmares.

“Gayl Jones’s work represents a watershed in American literature. From a literary standpoint, her form is impeccable . . . and as a Black woman writer, her truth-telling, filled with beauty, tragedy, humor, and incisiveness, is unmatched.”
—Imani Perry, author of Looking for Lorraine and Breathe

Gayl Jones, who was first edited by Toni Morrison, has been described as one of the great literary writers of the 20th century and was recently a finalist for the Pulitzer Prize in fiction. This new collection of short fiction is only the second in her rich career and one that displays her strengths in the genre in many facets. Opening with two novella-length works, “Butter” and “Sophia,” this collection features Jones’s legendary talents in a range of settings and styles, from the hyperrealist to the mystical, in intricate multipart stories, in more traditional forms, and even in short fragments.

Her narrators are women and men, Black, Brown, Indigenous; her settings are historical and contemporary, in South America, Mexico, and the US; her themes center on complex identities, unorthodox longings and aspirations. She writes about spies, photographers, playground designers, cartoonists, and baristas; about workers and revolutionaries, about environmentalism, feminism, poetry, film, and love, but above all about our multicultural, multiethnic, and multiracial society.

Twelve stories by the internationally renowned novelist which recreate with energy and authenticity the major social and political issues that confront contemporary Africans on a daily basis.

"In a world eager to promote the newest wunderkind, grandmother theology carries us two or more generations back: to the kitchens, hair salons, gardens, and church basements of older Black women who are often invisible in theological discourse but without whom the American Christian church would cease to exist."

The church mothers who raised Yolanda Pierce, dean of Howard University School of Divinity, were busily focused on her survival. In a world hostile to Black women's bodies and spirits, they had to be. Born on a former cotton plantation and having fled the terrors of the South, Pierce's grandmother raised her in the faith inherited from those who were enslaved. Now in paperback, In My Grandmother's House follows Pierce as she reckons with that tradition, building an everyday womanist theology rooted in liberating scriptures, experiences in the Black church, and truths from Black women's lives. Pierce tells stories that center the experiences of those living on the underside of history, teasing out the tensions of race, spirituality, trauma, freedom, resistance, and memory. The paperback features a new readers' guide, written by the author, that is useful for individual reflection and group discussion.

A grandmother's theology carries wisdom strong enough for future generations. The Divine has been showing up at the kitchen tables of Black women for a long time. It's time to get to know that God.

*Paperback Release Date - 10/27/26*

A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays

In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.

This eagerly awaited new collection brings Smith’s dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.

With an eye toward the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.

On the heels of the bestseller success of her  novel The Wedding, Dorothy West,  the last surviving member of the Harlem  Renaissance, presents a collection of essays and stories that  explore both the realism of everyday life, and the  fantastical, extraordinary circumstances of one  woman's life in a mythic time. Traversing the  universal themes and conflicts between poverty and  prosperity, men and women, and young and old, and  compiling writing that spans almost seventy years,  The Richer, The Poorer not only  affords an unparalleled window into the  African-American middle class, but also delves into the  richness of experience of "one of the finest writers  produced in this country during the Roaring  Twenties"(Book Page).

In a collection of linked tales filled with irony, humor, and magic, Talking with Boys introduces an unforgettable cast of characters in the Pakistani diaspora in Houston navigating crises of their own making and beyond their control.

Via generations and geographies, the stories expand from Houston into tales from the characters’ pasts in Dubai and Lahore. A community of Pakistani immigrants distract ICE with unlikely bait. A housekeeper in a Dubai mansion plots to liberate her fellow indentured workers. In Lahore, an empty nester finds herself bound by more than a jinxed bracelet. Throughout, Tayyba Kanwal’s remarkable characters navigate economic upheavals, political turmoil, and personal betrayals to pursue love, plot for survival, and play subtle power games to triumph against patriarchal forces of all genders.

From pre-Columbian Mesoamerica, via the powerful figure of Santa Muerte, to racism in the Bronx, this anthology of speculative stories and essays by Latin American writers, about Latin American life and beyond, is an engrossing and important read.

This vibrant anthology presents a selection of speculative stories and fascinating essays highlighting the many voices, mythologies, folklore and storytelling prowess of authors from Latin American countries or writing in the traditions of the Latin American diaspora.

Edited by the wonderful V. Castro, Mexican-American speculative, horror and sci-fi writer extraordinaire and author of Mestiza Blood and The Queen of the Cicadas, the authors featured are: Hector Acosta, Alyssa Alessi, Gustavo Bondoni, David Bowles, Arasibo Campeche and Carra Flowers, Dr. R. Andrew Chesnut, Angel Luis Colón, Rios de la Luz, Ivette N. Diaz, Laura Diaz de Arce, J.F. Gonzalez, L.P. Hernandez, Pedro Iniguez, Ruth Joffre, S. Alessandro Martinez, Juliana Spink Mills, Vanessa Molina, Mo Moshaty, Richie Narvaez, Wi-Moto Nyoka, Daniel A. Olivas, Monique Quintana, A.E. Santana and Richard Z. Santos.These are complemented by new stories selected from open submissions.

Spanning the many cultures of the region, stories range from those that explore heritage and the importance of ancestors to ones that imagine new worlds and futures, but at their core they all celebrate and give agency to oft-underrepresented Latin American characters and concerns, while the book will help counter the lack of contemporary Latin American literature.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

African futurism, gothic romance, ghost story, parable, psychological thriller, inner-space fiction—Dumas’s stories form a vivid, expansive portrait of Black life in America.

Henry Dumas’s fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity, the present and the ancestral. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas’s stories create a collage of mid-twentieth-century Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America’s history of slavery and systemic racism.

Night of the Living Queers is a YA horror anthology that explores a night when anything is possible exclusively featuring queer authors of color putting fresh spins on classic horror tropes and tales.

No matter its name or occasion, Halloween is more than a Hallmark holiday, it’s a symbol of transformation. NIGHT OF THE LIVING QUEERS is a YA horror anthology that explores how Halloween can be more than just candies and frights, but a night where anything is possible. Each short story will be told through the lens of a different BIPOC teen and the Halloween night that changes their lives forever. Creative, creepy, and queer, this collection will bring fresh terror, heart, and humor to young adult literature.

Contributors include editors Alex Brown and Shelly Page, Kalynn Bayron, Ryan Douglass, Sara Farizan, Maya Gittelman, Kosoko Jackson, Em Liu, Vanessa Montalban, Ayida Shonibar, Tara Sim, Trang Thanh Tran, and Rebecca Kim Wells.

A groundbreaking new direction for Claudia Rankine, the best-selling author of Citizen and Just Us

Claudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet.

Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, “collapse” takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other.

Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. “No matter our posture,” Rankine writes, “we are all among the rubble.” This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better.

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“I am completely indebted to Jimmy Baldwin’s prose. It liberated me as a writer.”—Toni Morrison

This collectible edition celebrates James Baldwin’s 100th-year anniversary, probing the shortcomings of the American protest novel and the harmful representations of Black identity in film and fiction

Originally published in Notes of a Native Son, the essays “Autobiographical Notes,” “Everybody’s Protest Novel,” “Many Thousands Gone,” and “Carmen Jones: The Dark is Light Enough,” showcase Baldwin’s incisive voice as a social and literary critic.

“Autobiographical Notes” outlines Baldwin’s journey as a Black writer and his hesitant transition from fiction to nonfiction. In the following essays, Baldwin explores the Black experience through the lens of popular media, critiquing the ways in which Black characters—in Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, Richard Wright’s novel Native Son, and the 1950s film Carmen Jones—are reduced to digestible caricatures.

Everybody’s Protest Novel: Essays is the first of 3 special editions in the James Baldwin centennial anniversary series. Through this collection, Baldwin examines the façade of progress present in the novels of Black oppression. These essays showcase Baldwin’s profound ability to reveal the truth of the Black experience, exposing the failure of the protest novel, and the state of racial reckoning at the dawn of the Civil Rights Movement.