The great Kenyan writer and Nobel Prize nominee’s novel that he wrote in secret, on toilet paper, while in prison—featuring an introduction by Namwali Serpell, the author of the novel The Old Drift

One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Black Boy is a classic of American autobiography, a subtly crafted narrative of Richard Wright’s journey from innocence to experience in the Jim Crow South. An enduring story of one young man’s coming of age during a particular time and place, Black Boy remains a seminal text in our history about what it means to be a man, black, and Southern in America.

When Black Boy was first published in 1945, it soared to the top of the bestseller lists, became a Book-of-the-Month Club selection, and Ralph Ellison discerned it belonged to the tradition of the blues, an elegant gesture of testifying, “both to the agony of life and the possibility of conquering it through sheer toughness of spirit.” Sixty years later and now a classic, Black Boy is an eloquent and deeply moving document of a young boy’s struggle for survival.

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A pioneering work of Afrofuturism and antiracist fiction by the author of Black No More, about a Black scientist who masterminds a worldwide conspiracy to take back the African continent from imperial powers

A Penguin Classic

“An amazing serial story of Black genius against the world” is how Black Empire was promoted upon its original publication as a serial in The Pittsburgh Courier from 1936 to 1938. It tells the electrifying tale of Dr. Henry Belsidus, a Black scientific genius desperate to free his people from the crushing tyranny of racism. To do so, he concocts a plot to enlist a crew of Black intellectuals to help him take over the world, cultivating a global network to reclaim Africa from imperial powers and punish Europe and America for white supremacy and their crimes against the planet’s Black population.

At once a daring, high-stakes science fiction adventure and a strikingly innovative Afrofuturist classic, this controversial and fearlessly political work lays bare the ethical quandaries of exactly how far one should go in the name of justice.

Set in a diner where the food isn't very good and the ambience veers between heaven and hell, this bestselling novel from the author of Mama Day and The Women of Brewster Place is a feast for the senses and the spirit. "A virtuoso orchestration of survival, suffering, courage and humor."--New York Times Book Review.

For the first time in a deluxe, hardcover collector's edition, the landmark post-apocalyptic trilogy from the Hugo, Locus, and Nebula Award-winning author of Kindred, the Parable novels, and “Bloodchild”

From the Hugo, Locus, and Nebula Award-winning author of Kindred, the Parable novels, and “Bloodchild,” here in its spellbinding entirety is Octavia E. Butler’s epic of human survival and transformation. Conceived against a backdrop of Reagan-era nuclear brinksmanship, Lilith’s Brood: The Xenogenesis Trilogy—a classic of Afrofuturist speculative fiction—offers profound reflections on race, biology, colonialism, resistance, consent, sexuality, community, hybridity, technology, power, and the future of humankind.

At the beginning of Dawn, Butler’s heroine Lilith Iyapo is awakened in a white cell, after centuries of suspended animation. She is a survivor, as is gradually revealed, of a nuclear apocalypse—and is now being healed, aboard an alien spaceship, by the terrifying and yet awe-inspiring Oankali. Searching the galaxy for new combinations of genes and DNA to acquire and trade, these advanced, uncanny beings are drawn to Lilith’s cancer, which will give them new powers: but should she, and the few of her kind that remain, agree to become one with their extraterrestrial saviors?

Adulthood Rites tells the story of Lilith’s son, Akin, as he comes of age on a newly repopulated Earth. A “construct”—part-human, and part-Oankali—he is raised among human “resisters,” who live apart from Oankali technology. Negotiating the complexities of interspecies politics and his own hybrid identity, he emerges as a leader, forging a new path on Mars for the human/Oankali future.

Imago follows another of Lilith’s hybrid progeny, Jodahs, through the jungles of a regenerating Earth. Raised as a male child, he discovers in his adolescence that he is becoming the first part-human ooloi, a member of the Oankali’s shapeshifting, astonishingly powerful and perceptive third sex—a discovery with intense personal and planetary consequences.

Continuing the Library of America’s definitive edition of Butler’s works, this volume offers authoritative texts of the novels, helpful notes, and a chronology of Butler's life and career.

From the author of the classic novel Invisible Man, Ralph Ellison's Juneteenth is a powerful and brilliantly crafted tale that explores themes of identity, race, and ambition.

"[A] stunning achievement. . . . Ellison sought no less than to create a Book of Blackness, a literary composition of the tradition at its most sublime and fundamental."—Henry Louis Gates, Jr., Time

The story follows Adam Sunraider, a race-baiting senator, whose life takes an unexpected turn when he calls for Alonzo Hickman, an old Black minister, to be by his side as he faces a mortal wound. As the two men intimately share their stories and memories, the true shape and substance of the past begin to emerge. 

Here is Ellison, a virtuoso of American vernacular—the preacher’s hyperbole and the politician’s rhetoric, the rhythms of jazz and gospel and ordinary speech—at the height of his powers, telling a moving, evocative tale of a prodigal of the twentieth century. 

With an introduction and additional notes by John F. Callahan, who first compiled Juneteenth out of thousands of manuscript pages in 1999, and a preface by National Book Award-winning author Charles R. Johnson.

“Beautifully written and imaginatively conceived, Juneteenth, like Invisible Man, deserves to be read and reread by generations.” —The Atlanta Journal-Constitution

Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin's reputation as a writer who fused unblinking realism and rare verbal eloquence. His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin's own experience, of a preacher's son coming of age in 1930's Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as "an attempt to exorcise something, to find out what happened to my father, what happened to all of us." Giovanni's Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America's racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin's most ambitious novel. Going to Meet the Man (1965) collects Baldwin's short fiction, including the masterful "Sonny's Blues," the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: "For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness."

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

One of the New York Times’s 100 Best Books of the 21st Century

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017.
 
The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed.
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A philosopher, psychiatrist, and political activist, Frantz Fanon was a fierce, acute critic of racism and oppression. Born of African descent in Martinique in 1925, Fanon fought in defense of France during World War II but later against France in Algeria’s war for independence. His last book, The Wretched of the Earth, published in 1961, inspired leaders of diverse liberation movements: Steve Biko in South Africa, Che Guevara in Latin America, the Black Panthers in the States. Wideman’s novel is disguised as the project of a contemporary African American novelist,Thomas, who undertakes writing a life of Fanon. The result is an electrifying mix of perspectives, traveling from Manhattan to Paris to Algeria to Pittsburgh. Part whodunit, part screenplay, part love story, Fanon introduces the French film director Jean-Luc Godard to the ailing Mrs. Wideman in Homewood and chases the meaning of Fanon’s legacy through our violent, post-9/11 world, which seems determined to perpetuate the evils Fanon sought to rectify.

This eclectic, moving, and wonderfully enjoyable collection is the essential introduction to Korean literature. Journeying through Korea's dramatic twentieth century, from the Japanese occupation and colonial era to the devastating war between North and South and the rapid, disorienting urbanization of later decades, The Penguin Book of Korean Short Stories captures a hundred years of Korea's vibrant short-story tradition. Here are peddlers and donkeys traveling across moonlit fields; artists drinking and debating in the tea-houses of 1920s Seoul; soldiers fighting for survival; exiles from the war who can never go home again; and lonely men and women searching for connection in the dizzying modern city. The collection features stories by some of Korea's greatest writers, including Pak Wanso, O Chonghui, and Cho Chongnae, as well as many brilliant contemporary voices, such as P'yon Hyeyong, Han Yujoo, and Kim Aeran. Curated by Bruce Fulton, this is a volume that will surprise, unsettle, and delight.

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The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith

A Penguin Classic

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition. As Minor Notes clarifies, the work of contemporary Black poets is perhaps best understood through the lens of a long-standing tradition of the poet as witness, as prophetic voice, as communal bard, and as scholar of the everyday and the miraculous. The poets featured in Volume 1 are George Moses Horton, Fenton Johnson, Georgia Douglas Johnson, Henrietta Cordelia Ray, David Wadsworth Cannon Jr., Anne Spencer, and Angelina Weld Grimké.

A Contemporary Classics hardcover omnibus of the complete fiction of one of the most gifted writers of the Harlem Renaissance, including her most famous novel, Passing

Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the Black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen’s best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white racist. Just as disquieting is the portrait in Quicksand of biracial Helga Crane, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a vibrant sense of place.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

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Chinua Achebe is considered the father of modern African literature, the writer who "opened the magic casements of African fiction." The African Trilogy--comprised of Things Fall Apart, Arrow of God, and No Longer at Ease--is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire.

The trilogy opens with the groundbreaking Things Fall Apart, the tale of Okonkwo, a hero in his village, whose clashes with missionaries--coupled with his own tragic pride--lead to his fall from grace. Arrow of God takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in No Longer at Ease, Okonkwo's grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite. 

Drawing on the traditional Igbo tales of Achebe's youth, The African Trilogy is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, "African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed."

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From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com)

“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.

This is the devastating premise of Richard Wright's scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

BOOKER PRIZE WINNER • A modern classic that reveals the tension between the land of the living, with its violence and political struggles, and the temptations of the carefree kingdom of the spirits. •  "A dazzling achievement for any writer in any language." —The New York Times Book Review

In the decade since it won the Booker Prize, Ben Okri's Famished Road has become a classic. Like Salman Rushdie's Midnight's Children or Gabriel Garcia Marquez's One Hundred Years of Solitude, it combines brilliant narrative technique with a fresh vision to create an essential work of world literature.

The narrator, Azaro, is an abiku, a spirit child, who in the Yoruba tradition of Nigeria exists between life and death. The life he foresees for himself and the tale he tells is full of sadness and tragedy, but inexplicably he is born with a smile on his face. Nearly called back to the land of the dead, he is resurrected. But in their efforts to save their child, Azaro's loving parents are made destitute.

PRE-ORDER: ON SALE DATE: January 13, 2026

A gripping and genre-defying novel by a rediscovered great of twentieth-century Black American writing, about what it means to be a writer at the dawn of a new era

First published in 1965, The Catacombs is a metafictional account set in early 1960s Rome, where the author had returned to study art history after serving on the Italian front during World War II.

African-American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, who is living in Rome and employed as one of Elizabeth Taylor's handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, he is both a participant in and observer of her life as she enters into an affair with an Italian count. Bill Demby's growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.

Interrupted constantly by headlines from television and newspapers, slipping in and out of fiction and metafiction, The Catacombs is a time capsule from an era on the brink and a novel unlike any other.

PRE-ORDER: ON SALE DATE: January 13, 2026

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

A radical landmark in Caribbean literature, reissued with a new foreword by Jamaica Kincaid to mark Wilson Harris' centenary: a visionary masterpiece tracing the dreamlike voyage of a riverboat crew through the jungle.

I dreamt I awoke with one dead seeing eye and one living closed eye ...

A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ...

A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers.

"The Guyanese William Blake … [Such] poetic intensity." ― Angela Carter

This dreamlike masterpiece is a radical landmark in modern literature, reissued with a foreword by poet Ishion Hutchinson to mark Wilson Harris' centenary.

I dreamt I awoke with one dead seeing eye and one living closed eye ...

British Guiana. An ancient landscape of rainforests and swamplands; a colony haunted by the enduring legacies of slavery and murder.

A riverboat crew led charts a quest seeking indigenous peoples to exploit as plantation labour; but their journey becomes a spiritual voyage towards the Palace of the Peacock ...

A genius money-lender, illegitimate child, and beggar become entangled in a strange drama that illuminates how slavery's descendants struggle to achieve true freedom ...

A man accused of a murder he didn't commit is on the run in the jungle swamplands; but as his innocence is disputed, he stages his death, entering a hallucinatory otherworld ...

A government surveyour captaining a boat crew encounters an elderly local man who accuses him of unfair dealings and threatens rebellion, building to a nightmarish climax ...

Reissued as a new omnibus with a foreword by Ishion Hutchinson to mark Sir Wilson Harris’ centenary, The Guyana Quartet - The Palace of the Peacock, The Far Journey of Oudin, The Whole Armour and The Secret Ladder - is a dazzling, mythic, epic masterpiece, as revolutionary today as it was over half a century ago.

"The Guyanese William Blake … [Such] poetic intensity." ― Angela Carter

“An intense, provocative, and vital crime story that excavates paradoxical dimensions of race, class, sexism, family bonds, and social obligation while seeking the deepest meaning of the law." — Booklist

Originally published posthumously by his daughter and literary executor Julia Wright, A Father’s Law is the novel Richard Wright, acclaimed author of Black Boy and Native Son, never completed. Written during a six-week period prior to his death in Paris in 1960, it offers a fascinating glimpse into the writer’s process as well as providing an important addition to Wright’s body of work.

In rough form, Wright expands the style of a crime thriller to grapple with themes of race, class, and generational conflicts as newly appointed police chief Ruddy Turner begins to suspect his own son, Tommy, a student at the University of Chicago, of a series of murders in Brentwood Park. Under pressure to solve the killings and prove himself, Turner spirals into an obsession that forces him to confront his ambivalent relationship with a son he struggles to understand.

Prescient, raw, and powerful, A Father's Law is the final gift from a literary giant.

At the beginning of this masterpiece of African literature, Clarence, a white man, has been shipwrecked on the coast of Africa. Flush with self-importance, he demands to see the king, but the king has just left for the south of his realm. Traveling through an increasingly phantasmagoric landscape in the company of a beggar and two roguish boys, Clarence is gradually stripped of his pretensions, until he is sold to the royal harem as a slave. But in the end Clarence’s bewildering journey is the occasion of a revelation, as he discovers the image, both shameful and beautiful, of his own humanity in the alien splendor of the king.

How Stella Got Her Groove Back is full of Terry McMillan's signature humor, heart, and insight. More than a love story, it is ultimately a novel about how a woman saves her own life—and what she must risk to do it.

Stella Payne is forty-two, divorced, a high-powered investment analyst, mother of eleven-year-old Quincy- and she does it all. In fact, if she doesn't do it, it doesn't get done, from Little League carpool duty to analyzing portfolios to folding the laundry and bringing home the bacon. She does it all well, too, if her chic house, personal trainer, BMW, and her loving son are any indication. So what if there's been no one to share her bed with lately, let alone rock her world? Stella doesn't mind it too much; she probably wouldn't have the energy for love—and all of love's nasty fallout—anyway.

But when Stella takes a spur-of-the-moment vacation to Jamaica, her world gets rocked to the core—not just by the relaxing effects of the sun and sea and an island full of attractive men, but by one man in particular. He's tall, lean, soft-spoken, Jamaican, smells of citrus and the ocean—and is half her age. The tropics have cast their spell and Stella soon realizes she has come to a cataclysmic juncture: not only must she confront her hopes and fears about love, she must question all of her expectations, passions, and ideas about life and the way she has lived it.

The work of one of the most formidable figures in American intellectual life."

-- Washington Post Book World

The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.

A compelling novel of a man brought to reckon with his buried past...

In St. Adrienne, a small black community in Louisiana, Reverend Phillip Martin—a respected minister and civil rights leader—comes face to face with the sins of his youth in the person of Robert X, a young, unkempt stranger who arrives in town for a mysterious "meeting" with the Reverend.  

In the confrontation between the two, the young man's secret burden explodes into the open, and Phillip Martin begins a long-neglected journey into his youth to discover how destructive his former life was, for himself and for those around him.

“…on every page there's an authentic moment, or a dead-right knot of conversation, or a truer-than-true turn of phrase…”—Kirkus Reviews

This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.

“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.

Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.

A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.

Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.

The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

NATIONAL BESTSELLER • A New York Times Notable Book • From the acclaimed Nobel Prize winner: an emotional powerhouse of a novel about a modern Odysseus returning to a 1950s America mined with lethal pitfalls for an unwary Black man

When Frank Money joined the army to escape his too-small world, he left behind his cherished and fragile little sister, Cee. After the war, he journeys to his native Georgia with a renewed sense of purpose in search of his sister, but it becomes clear that their troubles began well before their wartime separation. Together, they return to their rural hometown of Lotus, where buried secrets are unearthed and where Frank learns at last what it means to be a man, what it takes to heal, and—above all—what it means to come home.

Rediscover America's most honored writer of children's literature in this deluxe collector's edition of her finest work: five classic novels about African American young people confronting the world and its many challenges

Playing out themes of memory, folklore, and tradition in enthralling, often wildly inventive stories, Virginia Hamilton transformed American children’s literature in the 1960s and 70s. Her award-winning novels brought Black characters center stage, creating a multifaceted portrait of African American life that she called “liberation literature.” This volume collects five of her best known and most beloved works.

In Zeely (1967), Geeder Perry and her brother, Toeboy, go to their uncle’s farm for the summer and encounter a six-and-a-half-foot-tall Watusi queen and a mysterious night traveler.

In the Edgar Award–winning The House of Dies Drear (1968), Thomas Small and his family move to a forbidding former waystation on the Underground Railroad—a house whose secrets Thomas must discover before it’s too late.

Junior Brown, a three-hundred-pound musical prodigy, plays a silent piano in The Planet of Junior Brown (1971), while his homeless friend Buddy Clark draws on all his New York City wit to protect Junior’s disintegrating mind.

In the National Book Award–winning M.C. Higgins, The Great (1974), Mayo Cornelius Higgins sits atop a forty-foot pole on the side of Sarah’s Mountain and dreams of escape. Poised above his family’s home is a massive spoil heap from strip-mining that could come crashing down at any moment. Can he rescue his family and save his own future? Must he choose?

And in Sweet Whispers, Brother Rush (1982), fifteen-year-old Tree’s life revolves around her ailing brother, Dab, until she sees cool, handsome Brother Rush, an enigmatic figure who may hold the key to unlocking her family’s troubled past.

This Library of America edition contains twenty beautifully restored illustrations, ten in full color for the first time; a selection of writings in which Hamilton discusses her work; and a newly researched chronology of Hamilton’s life and career.

Based off of the bestselling author's family history, this novel tells the story of Kunta Kinte, who is sold into slavery in the United States where he and his descendants live through major historic events.

When Roots was first published forty years ago, the book electrified the nation: it received a Pulitzer Prize and was a #1 New York Times bestseller for 22 weeks. The celebrated miniseries that followed a year later was a coast-to-coast event-over 130 million Americans watched some or all of the broadcast. In the four decades since then, the story of the young African slave Kunta Kinte and his descendants has lost none of its power to enthrall and provoke.

Now, Roots once again bursts onto the national scene, and at a time when the race conversation has never been more charged. It is a book for the legions of earlier readers to revisit and for a new generation to discover.

To quote from the introduction by Michael Eric Dyson: "Alex Haley's Roots is unquestionably one of the nation's seminal texts. It affected events far beyond its pages and was a literary North Star.... Each generation must make up its own mind about how it will navigate the treacherous waters of our nation's racial sin. And each generation must overcome our social ills through greater knowledge and decisive action. Roots is a stirring reminder that we can achieve these goals only if we look history squarely in the face."

The star- studded cast in this new event series includes Academy Award-winners Forest Whitaker and Anna Paquin, Laurence Fishburne, Jonathan Rhys Meyers, Derek Luke, Grammy Award-winner Tip "T.I." Harris, and Mekhi Phifer. Questlove of The Roots is the executive music producer for the miniseries's stirring soundtrack.

A rediscovered classic from the Harlem Renaissance about a young Black woman’s journey passing as white in 1920s New York City and her quest for self-acceptance—with an introduction by Glory Edim, founder and author of Well-Read Black Girl.

Jessie Redmon Fauset is one of the literary titans and foremost tastemakers of the Harlem Renaissance—hired by W. E. B. Du Bois to edit The Crisis, she helped popularize writers like Nella Larsen, Claude McKay, Langston Hughes, amongst countless others. And yet, her own work has been largely underread in the twenty-first century. Written in 1929, at the height of the Harlem renaissance, Fauset’s celebrated second novel tells the story of Angela Murray.
 
Growing up in a Black middle-class Philadelphia neighborhood, Angela has always dreamed of becoming a painter. But the profession is largely reserved for white society. So when Angela’s parents prematurely pass away, she moves to roaring New York City, where she befriends elite artists and presents herself as a white woman. While her sister Virginia’s complexion resembles that of their father’s, Angela’s is lighter, like her mother’s, and passing, she believes, is the only way she’ll ever achieve success. Virginia, meanwhile, refuses to bow to racist pressures, and stays in Philadelphia to embrace her heritage with pride. 
 
Each time Angela thinks she’s found artistic, professional, and romantic fulfillment, her ethnicity gets exposed and she finds herself stripped of everything she cares about. As she navigates a world of seduction, betrayal, lust, and heartbreak, she’s forced to consider: What does it mean to find genuine success in a society marred by injustice? Fauset’s “novel without morals” never passes judgement and stays teeming with tenderness. Full of moments that underline the joy of every day Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.

A classic and influential story centered on the cultural and political stakes of life in Marcos-era Philippines

One of The Atlantic’s Great American Novels of the Past 100 Years

Welcome to Manila in the turbulent period of the Philippines’ late dictator. It is a world in which American pop culture and local Filipino tradition mix flamboyantly, and gossip, storytelling, and extravagant behavior thrive.

A wildly disparate group of characters—including movie stars and waiters, a young junkie and the richest man in the Philippines—becomes ensnared in a spiral of events culminating in a beauty pageant, a film festival, and an assassination. At the center of this maelstrom is Rio, a feisty schoolgirl who will grow up to live in America and look back with longing on the land of her youth.