Discover the 20th Anniversary edition of Edwidge Danticat’s unforgettable National Book Award Finalist story collection—complete with a new story.

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer.

Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more."

These stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense—we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast. Spare, elegant and moving, these stories cohere into a superb collection.

Undoubtedly the most influential black intellectual of the twentieth century and one of America's finest historians, W.E.B. DuBois knew that the liberation of the African American people required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, DuBois saw education as fundamentally subversive. This was as much a function of the well-established role of educationfrom Plato forwardas the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education's fundamentally radical nature in view.

Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance.

For the first time in a deluxe, hardcover collector's edition, the landmark post-apocalyptic trilogy from the Hugo, Locus, and Nebula Award-winning author of Kindred, the Parable novels, and “Bloodchild”

From the Hugo, Locus, and Nebula Award-winning author of Kindred, the Parable novels, and “Bloodchild,” here in its spellbinding entirety is Octavia E. Butler’s epic of human survival and transformation. Conceived against a backdrop of Reagan-era nuclear brinksmanship, Lilith’s Brood: The Xenogenesis Trilogy—a classic of Afrofuturist speculative fiction—offers profound reflections on race, biology, colonialism, resistance, consent, sexuality, community, hybridity, technology, power, and the future of humankind.

At the beginning of Dawn, Butler’s heroine Lilith Iyapo is awakened in a white cell, after centuries of suspended animation. She is a survivor, as is gradually revealed, of a nuclear apocalypse—and is now being healed, aboard an alien spaceship, by the terrifying and yet awe-inspiring Oankali. Searching the galaxy for new combinations of genes and DNA to acquire and trade, these advanced, uncanny beings are drawn to Lilith’s cancer, which will give them new powers: but should she, and the few of her kind that remain, agree to become one with their extraterrestrial saviors?

Adulthood Rites tells the story of Lilith’s son, Akin, as he comes of age on a newly repopulated Earth. A “construct”—part-human, and part-Oankali—he is raised among human “resisters,” who live apart from Oankali technology. Negotiating the complexities of interspecies politics and his own hybrid identity, he emerges as a leader, forging a new path on Mars for the human/Oankali future.

Imago follows another of Lilith’s hybrid progeny, Jodahs, through the jungles of a regenerating Earth. Raised as a male child, he discovers in his adolescence that he is becoming the first part-human ooloi, a member of the Oankali’s shapeshifting, astonishingly powerful and perceptive third sex—a discovery with intense personal and planetary consequences.

Continuing the Library of America’s definitive edition of Butler’s works, this volume offers authoritative texts of the novels, helpful notes, and a chronology of Butler's life and career.

Rediscover the sensational 1967 literary thriller that captures the bitter struggles of postwar Black intellectuals and artists

With a foreword by Ishmael Reed and a new introduction by Merve Emre about how this explosive novel laid bare America's racial fault lines

Max Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames, a character loosely modelled on Richard Wright.

In Amsterdam, among Harry’s papers, Max uncovers explosive secret government documents outlining “King Alfred,” a plan to be implemented in the event of widespread racial unrest and aiming “to terminate, once and for all, the Minority threat to the whole of the American society.” Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help.

Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider’s view of Washington politics in the era of segregation and the Civil Rights Movement, including fictionalized portraits of Martin Luther King, Jr., and Malcolm X. John A. Williams and his lost classic are overdue for rediscovery.

Few novels have so deliberately blurred the boundaries between fiction and reality as The Man Who Cried I Am (1967), and many of its early readers assumed the King Alfred plan was real. In her introduction, Merve Emre examines the gonzo marketing plan behind the novel that fueled this confusion and prompted an FBI investigation. This deluxe paperback also includes a new foreword by novelist Ishmael Reed.

A groundbreaking, yet controversial novel of the Harlem Renaissance about a young, dark-skinned Black woman reckoning with colourism as she navigates 1920s Harlem, reissued and repackaged for the Herald Classics line.

Emma Lou Morgan's dark complexion is a source of sorrow and humiliation not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho. Hoping to find a safe haven, Emma travels to New York's Harlem, the Black Mecca of the 1920s. Wallace Thurman brings to life this legendary time and place in rich detail, describing Emma's visits to nightclubs, dance halls, and house-rent parties, her sex life and catastrophic love affairs, her dreams and her disillusions and the momentous decision she makes to survive.

A lost classic of Black American literature, The Blacker the Berry is a compelling portrait of the destructive depth of intra-racial bias in the Black community.

Alexandre Dumas’s epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment—nominated as one of America’s best-loved novels by PBS’s The Great American Read

Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo, and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration.

Robin Buss’s lively translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes, and suggestions for further reading.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From "the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. 

Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist.

Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.

Written by Harriet Ann Jacobs, using the pen name "Linda Brent," Incidents in the Life of a Slave Girl  is an in-depth chronological account of Jacobs's life as a slave, and the decisions and choices she made to gain freedom for herself and her children. It addresses the struggles and sexual abuse that young women slaves faced on the plantations, and how these struggles were harsher than what men suffered as slaves.

A special 25th anniversary edition of the extraordinary international bestseller, including a new Foreword by Paulo Coelho.

Combining magic, mysticism, wisdom and wonder into an inspiring tale of self-discovery, The Alchemist has become a modern classic, selling millions of copies around the world and transforming the lives of countless readers across generations.

Paulo Coelho's masterpiece tells the mystical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure. His quest will lead him to riches far different—and far more satisfying—than he ever imagined. Santiago's journey teaches us about the essential wisdom of listening to our hearts, of recognizing opportunity and learning to read the omens strewn along life's path, and, most importantly, to follow our dreams.

Langston Hughes's debut novel, a moving portrait of African American family life in 1930s Kansas, newly reissued for Union Square & Co.’s Herald Classics line.

Originally published in 1930, Not Without Laughter follows Sandy Rogers as a boy living in rural Kansas to his arrival in Chicago as a young man, set against a backdrop of poverty, racial segregation, and the onset of World War I. Orbiting Sandy are a host of vividly realized family members, including his mother Annjee, a housekeeper for a wealthy white family; his irresponsible father Jimboy, who plays guitar and is constantly in search of work; his aunts, blues-singing Aunt Harriet and social-climbing Aunt Tempy; and his pious, strong-willed grandmother Hager, who holds the generations together.

Partly inspired by Langston Hughes’s early life in the Midwest, Not Without Laughter is the debut novel of the literary giant, a sweeping and elegiac family drama that traces Black life in the early twentieth century, an important setting in the history of a racially divided America.

From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume.

“An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books

James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society.

Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”

The stunning repackage of a timeless Newbery Award Winner, with cover art by two-time Caldecott Honor Award winner Kadir Nelson!

With the land to hold them together, nothing can tear the Logans apart.

Why is the land so important to Cassie's family? It takes the events of one turbulent year—the year of the night riders and the burnings, the year a white girl humiliates Cassie in public simply because she is black—to show Cassie that having a place of their own is the Logan family's lifeblood. It is the land that gives the Logans their courage and pride, for no matter how others may degrade them, the Logans possess soemthing no one can take away.

"[Taylor] writes not with rancor or bitterness of indignities, but with pride, strength, and respect for humanity."—The New York Times Book Review

"The vivid story of a black family whose warm ties to each other and their land give them strength to defy rural Southern racism during the Depression . . . Entirely through its own internal development, the novel shows the rich inner rewards of black pride, love, and independence despite the certainty of outer defeat."—Booklist, starred review

* Newbery Medal winner
* A National Book Award Nominee
* American Book Award Honor Book
* An ALA Notable Book
* A NCSS-CBC Notable Children's Trade Book in the Field of Social Studies
* A Boston Globe-Horn Book Award Honor Book

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature’s most compelling and influential authors. Hurston’s powerful novels of the South—including Jonah’s Gourd Vine and, most famously, Their Eyes Were Watching God—continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality. First published in 1942, Dust Tracks on a Road is Hurston’s personal story, told in her own words. The Perennial Modern Classics Deluxe edition includes an all-new forward by Maya Angelou, an extended biography by Valerie Boyd, and a special P.S. section featuring the contemporary reviews that greeted the book’s original publication.

A classic novel of identity, sexuality, religion, and race by the author of Passing, hailed as “an original and hugely insightful writer” by The New York Times—with an introduction by Asali Solomon, author of The Days of Afrekete “Quicksand . . . open[s] up a whole world of experience and struggle that seemed to me, when I first read [it] years ago, absolutely absorbing, fascinating, and indispensable.”—Alice Walker Born to a white Danish mother and a Black American father, Helga Crane has long struggled to carve a path for herself amid the racial segregation of the early twentieth century. As a teacher at an all-Black boarding school in the South, Helga quickly becomes unsettled by the way the school measures excellence based on proximity to whiteness. Journeying to Chicago, Harlem, and Copenhagen, she attempts to thrive free from the constraints of category—mother or wife, promiscuous or chaste, white or Black, American or Danish. But these categories, though slippery and unstable, are constantly reinforced. Helga finally settles into a life that feels secure yet completely at odds with her previous ambitions—married to a preacher in the Deep South, hoping to find peace under the wings of the Church. Landing back where she started, in social and existential oblivion, Helga forces us to consider: In a society marred by injustice, is it even possible to find a true, authentic self? With intriguing parallels to Larsen’s own life, Quicksand is an engrossing page-turner that is as relevant now as ever before. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

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The new edition of an American masterpiece, this is the harrowing story of Ursa Corregidora, a blues singer in the early 20th century forced to confront the inherited trauma of slavery.

A literary classic that remains vital to our understanding of the past, Corregidora is Gayl Jones’s powerful debut novel, examining womanhood, sexuality, and the psychological residue of slavery. Jones masterfully tells the story of Ursa, a Kentucky blues singer, who, in the wake of a tragic loss, confronts her maternal history and the legacy of Corregidora, the Brazilian slave master who fathered both her mother and grandmother. Consumed and haunted by her hatred of the man who irrevocably shaped her life and the lives of her family, Ursa Corregidora must come to terms with a past that is never too distant from the present.

Selected, edited, and first edited by Toni Morrison, it is “the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women,” (James Baldwin) and “a tale as American as Mount Rushmore and as murky as the Florida swamps.” (Maya Angelou).

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Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order.

Langston Hughes's debut novel, a moving portrait of African American family life in 1930s Kansas, newly reissued for Union Square & Co.’s Herald Classics line.

Originally published in 1930, Not Without Laughter follows Sandy Rogers as a boy living in rural Kansas to his arrival in Chicago as a young man, set against a backdrop of poverty, racial segregation, and the onset of World War I. Orbiting Sandy are a host of vividly realized family members, including his mother Annjee, a housekeeper for a wealthy white family; his irresponsible father Jimboy, who plays guitar and is constantly in search of work; his aunts, blues-singing Aunt Harriet and social-climbing Aunt Tempy; and his pious, strong-willed grandmother Hager, who holds the generations together.

Partly inspired by Langston Hughes’s early life in the Midwest, Not Without Laughter is the debut novel of the literary giant, a sweeping and elegiac family drama that traces Black life in the early twentieth century, an important setting in the history of a racially divided America.

Celebrating the Centenary of James Baldwin's birth, a box set of Baldwin's principal novels, featuring Go Tell It on the Mountain, Giovanni's Room, and If Beale Street Could Talk.

These deluxe editions feature new introductions by Roxane Gay, Kevin Young, and Brit Bennett.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood. With lyrical precision and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. One of the first novels to openly explore the theme of homosexuality, it paved the way for generations of gay and lesbian novelists.

And If Beale Street Could Talk is a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime --a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published.

This stunningly designed slipcase with art by Baldwin's friend and contemporary Beauford Delaney will make the perfect perennial gift and keepsake.

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America

Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow.

Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage.

Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America.

A major hardcover compendium of poetry and fiction by the legendary Black American poet of the Harlem Renaissance

One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet, but he was also a brilliant storyteller, blending elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Perhaps more than any other writer, Langston Hughes made the white America of the 1920s and 1930s aware of the Black culture thriving in its midst. Hughes's poetry and fiction works are messages from that America, sharply etched vignettes of its daily life, cruelly accurate portrayals of Black and white collisions.

This Everyman's Library compendium comprises Hughes's debut poetry collection, The Weary Blues, which catapulted him into literary stardom at just twenty-four years old; his award-winning debut novel, Not Without Laughter, published in 1930 to critical raves; and his 1933 collection of short stories The Ways of White Folks, currently only available in Vintage Classics trade paperback.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

“Warm and intimate. . . . An accomplished novel, with sharply drawn characters, exuberant prose, plenty of period detail and a wise, forgiving outlook on family life.” — Los Angeles Times Book Review

Tumbling is the beloved bestselling debut novel that launched the luminous career of Diane McKinney Whetstone, critically acclaimed author of Tempest Rising, Blues Dancing, Leaving Cecil Street, and Trading Dreams at Midnight. Writing in a style as accessible as Terry McMillan, yet with the literary touches of Toni Morrison, McKinney Whetstone’s Tumbling is a poignant, exquisitely rendered story of the ties that bind us and the secrets that keep us apart.

Noon and Herbie are deeply in love and living in a tightly knit African American neighborhood in South Philadelphia during the 1940s. But their marriage remains unconsummated because of a horrible incident in Noon's past, so each seeks comfort elsewhere: Noon in the warm acceptance of the neighborhood church; Herbie in the arms of Ethel, a jazz singer. Then one day an infant girl is left on their doorstep, and later Ethel blesses them with her five-year-old niece. Suddenly and unexpectedly a family, Herbie, Noon, and their two girls draw closer—until an outside threat reawakens a fire in Noon, causing her to rise up and fight to hold her family and her community together.

Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin's reputation as a writer who fused unblinking realism and rare verbal eloquence. His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin's own experience, of a preacher's son coming of age in 1930's Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as "an attempt to exorcise something, to find out what happened to my father, what happened to all of us." Giovanni's Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America's racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin's most ambitious novel. Going to Meet the Man (1965) collects Baldwin's short fiction, including the masterful "Sonny's Blues," the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: "For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness."

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war.

"Baldwin is one of the few genuinely indispensable American writers." —Saturday Review

At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.

For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 

Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.

Una obra maestra de la ganadora del Premio Nobel de Literatura 1993.

Esta es la historia de Sula y Nel, dos niñas que crecen juntas en un barrio de negros, compartiendo sus sueños e ilusiones. Ambas son precoces y curiosas, hijas de familias pobres. Pero el tiempo pasa y, cuando Nel se casa, Sula se marcha del suburbio para ir a la universidad y viajar por el país. Diez años después, Sula regresa e involuntariamente destruye la familia y la felicidad de Nel. A partir de entonces, los pintorescos habitantes del suburbio la consideran una bruja malvada...

Ambientada en los EE.UU. en el período de entreguerras, Sula es un portentoso retrato del poder de lo femenino en una comunidad pobre y rural de negros, donde las mujeres reinan como madres, hechiceras y depositarias de la tradición oral.

Reseña:
«Un aullido de amor y rabia, travieso y divertido, duro y amargo.»
The New York Times

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid’s The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman’s inexorable evolution, evoked in startling and magical prose.

This novel tells the deeply charged story of a woman’s life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela’s childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela’s is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her fear of her father, her desperate loneliness, and her deep sympathy for those who share her history. But underlying all is “the black room of the world” that is Xuela’s motherlessness and barrenness.

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“There’s no way not to suffer. But you try all kinds of ways to keep from drowning in it.” The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water.

It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.

By turns haunting, heartbreaking, and horrifying—and informed throughout by Baldwin’s uncanny knowledge of the wounds racism has left in both its victims and its perpetrators—Going to Meet the Man is a major work by one of our most important writers.

“ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive.

Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it.

From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

One of the New York Times’s 100 Best Books of the 21st Century

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.