Noni Reid has grown up in the shadow of her mother, Dr. Radiance Castine, renowned scholar of Black literature, who is alarmingly perfect at just about everything.

When Dr. Castine takes a job as the president of the prestigious Stonepost College in rural Virginia, Noni is forced to leave her New England home and, most importantly, a prime internship and her friends. She and her mother move into the “big house” on Tangleroot Plantation.

Tangleroot was built by one of Noni’s ancestors, an enslaved man named Cuffee Fortune―who Dr. Castine believes was also the original founder of Stonepost College, and that the school was originally formed for Black students. Dr. Castine spends much of her time trying to piece together enough undeniable truth in order to change the name of the school in Cuffee’s honor―and to force the university to reckon with its own racist past.

Meanwhile, Noni hates everything about her new home, but finds herself morbidly fascinated by the white, slaveholding family who once lived in it. Slowly, she begins to unpeel the layers of sinister history that envelop her Virginia town, her mother’s workplace, her ancestry―and her life story as she knew it. Through it all, she must navigate the ancient prejudices of the citizens in her small town, and ultimately, she finds herself both affirming her mother’s position and her own―but also discovering a secret that changes everything.

A tender picture book about a veteran’s PTSD and a family’s love for each other—on good days and hard days—from award-winning creators Winsome Bingham and Rahele Jomepour Bell

Momma wears combat boots, a camouflage jacket, and a U.S. ARMY tag on her chest. She is a fighter for her country’s freedom, but she is also a fighter for her family. When Momma comes home from a long deployment, however, something has changed. Our narrator, Momma’s “Baby," misses the big hugs, uniform fashion shows, and music mornings they used to share. And she really misses planting vegetables together. Now her Momma won’t even come out to the garden. But maybe, just maybe, she can bring the garden to Momma.

Missing Momma is the poignant and ultimately hopeful, comforting story of a child with a parent affected by PTSD. Sensitively written by Winsome Bingham and movingly illustrated by Rahele Jomepour Bell, Missing Momma beautifully reminds kids that a family’s love endures even on days that aren’t picture perfect.

An intriguing and spine-tingling guide to the world of djinn.

Lurking in the corner of your living room, perhaps reading this sentence over your shoulder right now, is an often invisible creature that is everywhere and nowhere. Djinn are the cool breezes in warm rooms, the materializations of your deepest desires, the monsters waiting beneath your bed. They have appeared in the stories of Muslim communities across time and throughout the world, but this is the first comprehensive illustrated guide to these beguiling creatures.

Emmy Award–winning journalist Seema Yasmin and Pulitzer Prize-winning illustrator Fahmida Azim invite readers into the world of djinn, whether they are practicing Muslims steeped in the stories from childhood or are simply curious about Islamic culture and international folklore. Cultural and religious context, poetic reflections, and a collection of spooky tales are all nestled within a compelling narrative about the mysterious Dr. N, a contemporary scientist discovering the djinn realm. This book shines a light on a long-overlooked yet dazzlingly rich subject.

INCLUSIVE VISION OF ISLAMIC LORE: Written by two contemporary Muslim women, this book welcomes readers with diverse relationships to Islam. Yasmin and Azim blend a deep respect for and knowledge of the lore with a fresh perspective. The book incorporates stories from a Muslim diaspora that stretches from Paris to New Jersey and from Durban to Shanghai, showcasing a kaleidoscopic variety of djinn legends.

DELUXE TOME: In this richly illustrated volume, Fahmida Azim's expressive and sensitive art captures the mysterious nature of djinn. A centerpiece map shows the djinn realm overlaid over our own world, and the book itself is embellished with shimmering accents and a striking dyed page edge.

PERFECT FOR MYTHOLOGY AND FOLKLORE FANS: This is the perfect addition to any collection of world mythology. Anyone who enjoys learning about cultures through their folklore will relish the chance to explore the realm of the djinn.

Perfect for:
* Folklore and mythology lovers
* Muslims seeking to celebrate their heritage
* Anyone interested in Islamic history and culture
* Spooky story buffs
* Fans of illustrated books
* Fans of mock-memoir fantasy novels like A Natural History of Dragons.

Mazes and mind games await in this epic third book about the theme park of your dreams, where Cam Walker goes head-to-head with the villains who have been after Futureland from the start. An electrifying illustrated series for fans of Spider-Man: Miles Morales.

"Hold on tight, Futureland will be the ride of your life . . . and maybe the last!" —Kwame Mbalia, #1 New York Times bestselling author

Team Futureland. Their archenemies. A showdown in spectacularly futuristic Egypt.

After Futureland emerges from back-to-back scandals, Cam Walker and his family are ready to confront the people who keep targeting their flying park. A group called the Architects has been after them since Futureland made its Atlanta stop, and the Walkers have had enough.

To settle things, the Architects propose the very first Architect Games, where the Walkers and the Architects will battle in a series of challenges. If the Walkers win, then the Architects will leave them alone once and for all. But if Cam and his family lose, they will lose everything—including Futureland and its prized tech.

The Architects can't be trusted, but Cam doesn't have a choice. If he can lead his team to victory, his family and friends will be free. Otherwise, there's no telling what the Architects will do once they get their hands on Futureland. . . .

The high-stakes sequel to Thieves' Gambit, for fans of Jennifer Lynn Barnes and Ally Carter.

It's been six months since the end of the Gambit. Instead of winning an impossible wish, Ross has the threat of her family’s execution hanging over her head. Devroe, the only person Ross thought she could trust, could wish the Quests into oblivion at any time. Shockingly, despite his betrayal, Devroe is still making a play for Ross’s heart as the two work together pulling jobs for the Organization. But Ross has learned her lesson: A Quest can only trust another Quest.

When Ross finds herself at the center of a power struggle within the Organization, she sees her chance to change her fortunes. As a new deadly Gambit develops for control of the criminal underworld, Ross strikes a risky deal to guarantee protection for herself and her family.

In this final clash, Ross will square off against a ruthless opponent who will stop at nothing to seize power, and in their corner will be not only Devroe but his mother, who wants to destroy the Quests at any cost.

The new Gambit takes Ross and her crew into the intoxicating casinos of Monte Carlo and across treacherous snow-covered slopes in Antarctica as Ross competes against Devroe in a fight for her life. Loyalties will be tested, backs stabbed, hearts broken. May the best thief win.

Discover the life of Serena Williams―a story about challenging yourself and achieving your dreams for kids ages 6 to 9

Serena Williams is one of the most famous and talented tennis players in history. Before she became a legendary professional athlete, she was a young girl who loved reading and gymnastics and started playing tennis at three years old! In this book about Serena Williams for kids, new readers will explore how she faced discrimination, injuries, and many other challenges, but still worked hard to be the best player she could be.

Independent reading―This biography book for kids is broken down into short chapters and simple language so they can read and learn on their own.

Critical thinking―Kids will learn the Who, What, Where, When, Why, and How of Serena's life, find definitions of new words, discussion questions, and more.

A lasting legacy―Find out how Serena's love for her family and her community inspired her to get involved with important charity work, helping people all over the world.

How will Serena's competitive spirit inspire you?

From the acclaimed author of The Banned Bookshop of Maggie Banks and Must Love Books comes a heartfelt bookclub read following one woman's journey to reconnect with her estranged Black family in the south, just as it's on the brink of falling apart, perfect for fans of The Chicken Sisters and The Last Summer at the Golden Hotel.

One estranged family. One lost recipe. One last barbecue on the line. Mae is about to learn what happens when things go south…

Mae Townsend has always dreamed of connecting with her estranged Black family in the South. She grew up picturing relatives who looked like her, crowded dinner tables, bustling kitchens. And, of course, the Townsend family barbecue, the tradition that kept her late father flying to North Carolina year after year, despite the mysterious rift that always required her to stay behind. 

But as Mae's wedding draws closer, promising a future of always standing out among her white in-laws, suddenly not knowing the Townsends hits her like a blow. So when news arrives that her paternal grandmother has passed, she decides it's time to head South. 

What she finds is a family in turmoil, a long-standing grudge intact, a lost mac & cheese recipe causing grief, and a family barbecue on the brink of disaster. Not willing to let her dreams of family slip away, Mae steps up to throw a barbecue everyone will remember.

For better or for worse.

An exceptional resource, this comprehensive reader brings together primary and secondary documents related to efforts to redress historical wrongs against African Americans. These varied efforts are often grouped together under the rubric “reparations movement,” and they are united in their goal of “repairing” the injustices that have followed from the long history of slavery and Jim Crow. Yet, as this collection reveals, there is a broad range of opinions as to the form that repair might take. Some advocates of redress call for apologies; others for official acknowledgment of wrongdoing; and still others for more tangible reparations: monetary compensation, government investment in disenfranchised communities, the restitution of lost property and rights, and repatriation.

Written by activists and scholars of law, political science, African American studies, philosophy, economics, and history, the twenty-six essays include both previously published articles and pieces written specifically for this volume. Essays theorize the historical and legal bases of claims for redress; examine the history, strengths, and limitations of the reparations movement; and explore its relation to human rights and social justice movements in the United States and abroad. Other essays evaluate the movement’s primary strategies: legislation, litigation, and mobilization. While all of the contributors support the campaign for redress in one way or another, some of them engage with arguments against reparations.

Among the fifty-three primary documents included in the volume are federal, state, and municipal acts and resolutions; declarations and statements from organizations including the Black Panther Party and the NAACP; legal briefs and opinions; and findings and directives related to the provision of redress, from the Oklahoma Commission to Study the Tulsa Race Riot of 1921 to the mandate for the Greensboro Truth and Reconciliation Commission. Redress for Historical Injustices in the United States is a thorough assessment of the past, present, and future of the modern reparations movement.

Contributors. Richard F. America, Sam Anderson, Martha Biondi, Boris L. Bittker, James Bolner, Roy L. Brooks, Michael K. Brown, Robert S. Browne, Martin Carnoy, Chiquita Collins, J. Angelo Corlett, Elliott Currie, William A. Darity, Jr., Adrienne Davis, Michael C. Dawson, Troy Duster, Dania Frank, Robert Fullinwider, Charles P. Henry, Gerald C. Horne, Robert Johnson, Jr., Robin D. G. Kelley, Jeffrey R. Kerr-Ritchie, Theodore Kornweibel, Jr., David Lyons, Michael T. Martin, Douglas S. Massey , Muntu Matsimela , C. J. Munford, Yusuf Nuruddin, Charles J. Ogletree Jr., Melvin L. Oliver, David B. Oppenheimer, Rovana Popoff, Thomas M. Shapiro, Marjorie M. Shultz, Alan Singer, David Wellman, David R. Williams, Eric K. Yamamoto, Marilyn Yaquinto

A landmark exhibition on display at the Brooklyn Museum from April 21 through September 17, 2017, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It showcases the work of black women artists such as Emma Amos, Maren Hassinger, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, and Betye Saar, making it one of the first major exhibitions to highlight the voices and experiences of women of color. In so doing, it reorients conversations around race, feminism, political action, art production, and art history in this significant historical period.

The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. These documents include articles, manifestos, and letters from significant publications as well as interviews, some of which are reproduced in facsimile form. The Sourcebook also includes archival materials, rare ephemera, and an art-historical overview essay. Helping readers to move beyond standard narratives of art history and feminism, this volume will ignite further scholarship while showing the true breadth and diversity of black women’s engagement with art, the art world, and politics from the 1960s to the 1980s.

We Wanted a Revolution will also be on display at the California African American Museum in Los Angeles from October 13, 2017 through January 14, 2018; the Albright-Knox Art Gallery in Buffalo, New York from February 17, 2018 through May 27, 2018; and at the Institute of Contemporary Art/Boston from June 26, 2018 through September 30, 2018.

Published by the Brooklyn Museum and distributed by Duke University Press

The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.

*ships or ready for pick up in 7 - 10 business days*

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Power plays, spilled blood, and romance abound in this thrilling sequel to the New York Times and USA TODAY bestseller Immortal Longings, inspired by Shakespeare’s Antony and Cleopatra.

Calla Tuoleimi has succeeded in the impossible. Despite the odds, she has won San-Er’s bloody games and eliminated King Kasa, her tyrant uncle and the former ruler of Talin. She serves now as royal advisor to Kasa’s adopted son, August Shenzhi, who has risen to the throne.

Only Calla knows it isn’t really August.

Anton Makusa is still furious about Calla’s betrayal in the final round of the games. In an impossible feat, he took over August’s body to survive, and has no intention of giving up this newfound power. But when his first love, the beautiful, explosive Otta Avia, awakens from a years-long coma and reveals a secret that threatens the monarchy’s authority over Talin, chaos erupts. As tensions come to a boiling point, Calla and Anton must set their conflicts aside and head to the kingdom’s far reaches to prevent anarchy…even if their empire might be better off burning.

A grandmother and granddaughter share a magical trip to the Hudson River affirming intergenerational love and the power of water in this heart-song of a picture book.

Every day, Abuela misses the ocean in Puerto Rico. But on Saturdays, when the sun is high, Abuela takes her granddaughter on a walk down the hill in Harlem to Twelfth Avenue, to a place that is just as magical: the Hudson River.

There, they visit Yamaya, mermaids that invoke child-like wonder and hold onto the memory of all who have passed through their waters. Together, Abuela, her granddaughter, and the spirits of ancient religion and familial love celebrate the river that brought millions of new Americans to its shores through the generations.

A dazzling hybrid of personal memoir and criticism, considering the work of Black visual artists as a means to explore loss, legacy, and the reclamation of life through art.

At the age of twenty-one, Erica Cardwell finds herself in New York City, reeling from the loss of her mother and numb to the world around her. She turns inward instead, reading books and composing poetry, eventually falling into the work of artists such as Blondell Cummings, Lorna Simpson, Lorraine O’Grady, and Kara Walker. Through them, she communes with her mother’s spirit and legacy, and finds new ways to interrogate her writing and identity.

Wrong Is Not My Name weaves together autobiography, criticism, and theory, and considers how Black women create alternative, queer, and “hysterical” lives through visual culture and performance. In poetic, interdisciplinary essays—combining analytical and lyrical stream-of-consciousness—Cardwell examines archetypes such as the lascivious Jezebel, the caretaking Mammy, and the elusive Sapphire to formulate new and inventive ways to write about art.

Pioneering and inquisitive, Wrong Is Not My Name celebrates Black womanhood, and illuminates the ways in which art and storytelling reside at the core of being human.

Remy Pendergast and his royal vampire companions return to face an enemy that is terrifyingly close to home in Rin Chupeco’s queer, bloody Gothic epic fantasy series for fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.

Remy Pendergast, vampire hunter, and his unexpected companions, royal vampires Lord Zidan Malekh and Lady Xiaodan Song, are on the road through the kingdom of Aluria again after a hard-won first battle against the formidable Night Empress, who threatens to undo a fragile peace between humans and vampires. Xiaodan, severely injured, has lost her powers to vanquish the enemy’s new superbreed of vampire, but if the trio can make it to Fata Morgana, the seat of Malehk’s court—dubbed “the Court of Wanderers”—there is hope of nursing her and bringing them back.

En-route to the Third Court, Remy crosses paths with his father, the arrogant, oftentimes cruel Lord of Valenbonne. He also begins to suffer strange dreams of the Night Empress, whom he has long suspected to be Ligaya Pendergast, his own mother. As his family history unfolds during these episodes, which are too realistic to be coincidence, he realizes that she is no ordinary vampire—and that he may end up having to choose between the respective legacies of his parents.

Posing as Malek and Xiaodan’s human familiar, Remy contends with Aluria’s intimidating vampire courts and a series of gruesome murders with their help—and more, as the three navigate their relationship. But those feelings and even their extraordinary collective strength will be put to the test as each of them unleashes new powers in combat at what may be prove to be the ultimate cost.

Silver Under Nightfall #2

A finalist for the 2022 World Fantasy Award for Best Novel
One of BookPage's Best Science Fiction and Fantasy Books of 2021
One of Tor.com Reviewers' Choice Best Books of 2021
One of Book Riot's Best SFF Standalones of 2021

“Ghosts. Gods. Gangsters. Black Water Sister has it all…a wildly entertaining coming-of-age story for the twentysomething set, with a protagonist who is almost painfully relatable at times.”—Vulture

"A twisty, feminist, and enthralling page-turner."—BuzzFeed

"A sharp and bittersweet story of past and future, ghosts and gods and family."—Naomi Novik, New York Times bestselling author of A Deadly Education

A reluctant medium discovers the ties that bind can unleash a dangerous power in this compelling Malaysian-set contemporary fantasy.

  When Jessamyn Teoh starts hearing a voice in her head, she chalks it up to stress. Closeted, broke and jobless, she’s moving back to Malaysia with her parents – a country she last saw when she was a toddler.

She soon learns the new voice isn’t even hers, it’s the ghost of her estranged grandmother. In life, Ah Ma was a spirit medium, avatar of a mysterious deity called the Black Water Sister. Now she’s determined to settle a score against a business magnate who has offended the god—and she's decided Jess is going to help her do it, whether Jess wants to or not.

Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business, but dealing with her grandmother is just as complicated. Especially when Ah Ma tries to spy on her personal life, threatens to spill her secrets to her family and uses her body to commit felonies.  As Jess fights for retribution for Ah Ma, she’ll also need to regain control of her body and destiny – or the Black Water Sister may finish her off for good.

From Cornelius Eady, one of America's most engaging voices, comes an exciting collection of poetry that at once delineates the arc of the poet's universe and highlights the range of his considerable talents.

Cornelius Eady’s poems show him in full control of his considerable talents and displaying a rich maturity as he enters midlife. His poems are sly, unsentimental, and witty, full of truths that are intimate and profound.

Hardheaded Weather ranges widely, reflecting the new found responsibilities Eady has assumed as he transitions from urban renter to nonplussed rural homeowner, as well as the sobering influence of war and the intimation of his own mortality. Yet even at his angriest, the poet has always had a depth of compassion rare in our polarized age, with a sense of humor that is both sophisticated and demotic. These poems will resonate deeply.

As exciting as the new poems are, his selected earlier poems dazzle, too, as they demonstrate the arc of Cornelius Eady’s maturation and the originality of his voice. Taken together, Hardheaded Weather forms a moving—and sometimes searing—testament to the power of poetry.

Fifteen contemporary artists engage with the notion of space within Black culture

Following the eponymous exhibition at Gray Gallery, this publication gathers a selection of multimedia works by 15 artists exploring historical and emergent instances of Black space, including contributions by Dawoud Bey, McArthur Binion, Nick Cave, Coco Fusco, Theaster Gates and Rashid Johnson.

Both personal and universal, Harris’ multimedia works weave together legacies of family dynamics, racial discrimination and queer histories

Gathering photographs and installations from both his celebrated and lesser-known series, Our First and Last Love charts new connections across the artistic practice of New York–based artist Lyle Ashton Harris (born 1965). Inspired by his adolescence divided between New York City and Dar es Salaam, Harris explores the complexities of African and African American collective identity while forging his own personal narrative as a queer Black man. The retrospective exhibition chronicles Harris’ approach to representation and self-portraiture while tracing central themes and formal techniques in his work over the last 35 years. Central to this collection are Harris’ most recently completed pieces. Titled Shadow Works, these multimedia assemblages set photographic prints amid Ghanaian funerary textiles, shells, pottery and locks of the artist’s hair. In the exhibition and the corresponding catalog, the pieces function as starting points for thematic groups of Harris’ other works. Juxtaposed with handwritten notes and family photographs, these arrangements underscore Harris’ layered approach to his practice.

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”

In this magical middle grade fantasy perfect for fans of The Marvellers and Amari and the Night Brothers, a shy boy must step up and become his own hero after his best friend disappears at a magical school.

Jaden and Elijah have been best friends since they were born. They're so close that Jaden doesn't even mind that he's constantly living in talented, high-achieving Elijah's shadow-well, he doesn't mind much.

But then Elijah disappears, leaving behind nothing but a cryptic note asking for Jaden's help. The next day, Jaden is invited to attend Elijah's fancy private boarding school. Only, it turns out it's not a boarding school at all. It's a school for magic! Somehow, before Elijah vanished, he used his note to transfer part of his own magic into Jaden-a feat that is supposed to be impossible.

Determined to find his friend, Jaden agrees to attend the school and learn to control his new powers. But a sinister force is threatening to destroy the whole magical world. And if Jaden doesn't stop it, he'll be the next to disappear.

Cinderella is dead, but Snow White fights on . . .

New York Times bestselling author Kalynn Bayron makes her highly anticipated return to the realm of fairy tales with this thrilling twist on the classic story of Snow White.

Princess Eve was raised with one purpose: to destroy the Knight, an evil sorcerer who terrorizes Queens Bridge with his wicked magic. Her own unique magic--the ability to conjure weapons from nature--makes her a worthy adversary. Far too many of subjects of Queens Bridge have been devastated by the Knight's trickery.

As she approaches her seventeenth birthday, Eve is ready to battle. But her mother, Queen Regina, has been acting bizarrely, talking to a strange mirror alone every night. Then a young man claiming to be the Knight's messenger appears and shares a shocking truth about Eve's past. Unsure of who to trust or what to do next, Eve must find the courage to do what she's always done: fight. But will it be enough to save her family and her queendom?

A Guardian Best Book of the Year

Finalist for the T. S. Eliot Prize and The Costa Poetry Award

“Exquisite.” ―The New York Times Book Review

“Brave, tender and generous. . . . A haunting study of what we can find in the silences of history when history is recognized as more than a noun, when recognized as something alive and kinetic.” ―Camonghne Felix, author of Build Yourself a Boat

On the heels of his much-lauded debut collection, Raymond Antrobus continues his essential investigation into language, miscommunication, place, and memory in All The Names Given, while simultaneously breaking new ground in both form and content. 

The collection opens with poems about the author’s surname―one that shouldn’t have survived into modernity―and examines the rich and fraught history carried within it. As Antrobus outlines a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet reckons with his own ancestry, and bears witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space―shifting fluidly between England, South Africa, Jamaica, and the American South―and brilliantly move from an examination of family history into the wandering lust of adolescence and finally, vividly, into a complex array of marriage poems―matured, wiser, and more accepting of love’s fragility. Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, in which the art of writing captions attempts to fill in the silences and transitions between the poems as well as moments inside and outside of them. 

Formally sophisticated, with a weighty perception and startling directness, All The Names Given is a timely, tender book full of humanity and remembrance from one of the most important young poets of our generation.

Featured on NPR's Morning Edition

A Best Book of the Year at The Guardian, The Sunday Times, Poetry School, New York Public Library, and Entropy Magazine

Winner of the Ted Hughes Award, Rathbones Folio Prize, and Somerset Maugham Award; finalist for the Griffin Poetry Prize and Reading the West Book Award

In the wake of his father’s death, the speaker in Raymond Antrobus’ The Perseverance travels to Barcelona. In Gaudi’s Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. “Even though,” he says, “I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer.”

The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

‘Johnson is a leading voice of his generation.’ – New York Times

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.

PRE-ORDER.  ON SALE: September 8, 2026

A major new publication looking at the rich history of photographic practice by Black female and non-binary artists from the late nineteenth century to the present day.

For decades, women have been overlooked in the cultural history of photography, especially Black female and genderfluid artists of African descent whose crucial contributions to this relatively young medium are often missing.

More than just a corrective, this stunning, image-led survey features up to one hundred artists and photographers from diverse cultural backgrounds, geographic locations, and genres. Readers will encounter the works of Florestine Perrault Collins—one of the few African American women working in photography at the beginning of the 20th century—and iconic imagery by pioneering artists such as Ming Smith and Carrie Mae Weems. The book will showcase the potent visual activism of Zanele Muholi, Lola Flash, Vanessa Charlot, Sheela Pree Bright, Rahima Gambo, and Aida Silvestri, as well as a constituency of creative practitioners working with performance and lens-based media such as Ayana V. Jackson, Nona Faustine, Atong Atem, Lebohang Kganye, Heather Agyepong, Silvia Rosi, and many others.

This carefully curated visual survey stands on its own as an impressive collection of portrait, fashion, documentary, critical fine art, and socially engaged global photography.

Sumptuous and tender portraits of an empowered Black queer experience

Eric Hart Jr.’s black-and-white photo series presents more than 70 portraits focusing on the notion of power as it relates to the Black queer experience. Begun in 2019, When I Think About Power investigates and expands the contemporary reimagining of men through themed chapters. “I'm fascinated with the intersectionality and the layers of what it means to be Black in the modern day,” he has said. “From masculinity, queerness, to dress, I strive to utilize image-making in a way that displays people like myself in all of their power and all of their beauty.” Hart's approach stems from his own journey toward self-acceptance growing up in Macon, Georgia. By visually exploring the differences and similarities between himself and the men who surround him, studying the words of Black queer icons and researching the visibility of power in eras such as the Ming dynasty or ancient Egypt, Hart has created an iconography of a power that so many queer individuals seek.
The work of Brooklyn-based photographer Eric Hart Jr. (born 1999) has been published in Rolling Stone, the Washington Post, the New York Times and i-D magazine, and has been praised by artists such as Beyoncé and Spike Lee. Hart is a two-time Gordon Parks scholar, a 2022 Forbes 30 under 30 Art & Style choice, and in 2020 was named one of Men's Health magazine's “20-year-old mavericks changing America.”

1.75 inches tall. Soft enamel with black plating. 2 posts. Pin comes with 2 rubber pin backs. 

"Black power is giving power to people who have not had power to determine their destiny."
"I have the people behind me and the people are my strength."
"You can jail a Revolutionary, but you can't jail the Revolution!"

Part 3 of the Radical Dreams Black Liberation Series celebrating 50 years of the Black Panther Party.

2.25 inches tall
Soft enamel with black plating
2 posts
Comes with 2 rubber pin backs 

In this dark and seductive YA fantasy debut, perfect for fans of Fourth Wing and These Violent Delights, a siren assassin falls for a forbidden man.

Killer. Liar. Soldier. Spy.

Saoirse is a killer: Her ability to sing men to an early death makes her the top assassin in the kingdom.

Saoirse is a liar: If the royal family ever finds out she's a siren, she'll be executed immediately.

Saoirse is a soldier: As the top student at the most prestigious training academy in Kierdre, Saoirse has spent years honing herself into the perfect killing machine.

Saoirse is a spy: When her little sister is blackmailed, Saoirse takes a dangerous job to protect her-personal bodyguard to the crown prince. One misstep, and Saoirse will lose her life.

But the biggest threat of all is to her heart. Prince Hayes would call for her death in an instant if he knew the truth. But the closer Saoirse gets to Hayes, the harder it gets to resist him.

A perfect book for young readers to discover lesser-known works of art and culture that have shaped Black history in the United States.

The Banjo Lesson. The Brownies Book. "Rapper's Delight." Throughout history, Black people have performed, created art, and broken barriers that helped propel the fight for equality forward. Celebrate little-known groundbreaking contributions to art and culture like these and learn about their social impact on American history in Overlooked Creations of Black Art and Culture.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.