Throughout his esteemed career, William Cross has tried to reconcile how Black men he met in the barber shop “seemed so normal,” but the portrayal in college textbooks of Black people in general—and the Black working class in particular—is self-hating and pathological. In Black Identity Viewed from a Barber’s Chair, Cross revisits his ground-breaking model on Black identity awakening known as Nigrescence, connects W. E. B. DuBois’s concept of double consciousness to an analysis of how Black identity is performed in everyday life, and traces the origins of the deficit perspective on Black culture to scholarship dating back to the 1930s. He follows with a critique showing such deficit and Black self-hatred tropes were always based on extremely weak evidence.

Black Identity Viewed from a Barber’s Chair ends with a new understanding of the psychology of slavery that helps explain why and how, during the first twelve years of emancipation, countless former slaves exhibited amazing psychological, political, and cultural independence. Once free, their previously hidden psychology became public.

His booksets out to disrupt and agitate as Cross attempts to more accurately capture the humanity of Black people that has been overlooked in previous research.

Learn how artificial intelligence can reflect human-created biases, and how we can address this to create a more fair, just world.

This is a kids’ book about AI bias. AI consumes lots of information and uses that data to predict patterns. But when the information has biases or prejudices, the predicted patterns can perpetuate injustice.

This book was made to help kids aged 5-9 understand how AI bias works and what we can do to address it. If AI technology doesn't work fairly for everyone, it's not helpful AI. Fortunately, we can make a difference when we use our voices to advocate for fair, just technologies.

A Kids Book About AI Bias features:
* A large and bold, yet minimalist font design that allows kids freedom to imagine themselves in the words on the pages.
* A friendly, approachable, empowering, and child-appropriate tone throughout.
* An incredible and diverse group of authors in the series who are experts or have first-hand experience of the topic.

Tackling important discourse together!

The A Kids Book About titles are best used when read together. Helping to kickstart important, challenging, and empowering conversations for kids and their grown-ups through beautiful and thought-provoking pages. The series supports an incredible and diverse group of authors, who are either experts in their field, or have first-hand experience on the topic.

A Kids Co. is a new kind of media company enabling kids to explore big topics in a new and engaging way, with a growing series of books, podcasts, and blogs made to empower. Learn more about us online by searching for A Kids Co.

Claudia Jones stood at many crossroads. Her world was one of heated battles for Black liberation, of anti-fascism in the build-up to World War II, of national liberation struggles across the Global South, of the US government persecuting her and her comrades for their activism and membership in the Communist Party. And as a Black woman, she was also determined to bring to light how race and gender are embedded in and essential to the struggles of the working class.

At a time when the hegemony of imperialism and capitalism remain strong while new contradictions and signs of struggle arise, Jones' political writings are a lesson in identifying the most urgent tasks for moving socialism, the political project of the working class, forward. From her poetry, to newspaper articles, to pamphlets, to speeches, A Fighting Dream: The Political Writings of Claudia Jones brings her to us as she was: unrelenting, fearless, and a Communist.

Claudia Jones challenges us all to stand with our principles, to build organization, and to clearly see how understanding the intersectional aspects of our struggle is crucial for the liberation of humanity and the planet.

This book unearths a food story buried deep within the soil of American civil rights history. Drawing on archival research, interviews, and oral histories, Bobby J. Smith II re-examines the Mississippi civil rights movement as a period when activists expanded the meaning of civil rights to address food as integral to sociopolitical and economic conditions. For decades, white economic and political actors used food as a weapon against Black sharecropping communities in the Yazoo-Mississippi Delta, but members of these communities collaborated with activists to transform food into a tool of resistance. Today, Black youth are building a food justice movement in the Delta to continue this story, grappling with inequalities that continue to shape their lives.

Drawing on multiple disciplines including critical food studies, Black studies, history, sociology, and southern studies, Smith makes critical connections between civil rights activism and present-day food justice activism in Black communities, revealing how power struggles over food empower them to envision Black food futures in which communities have the full autonomy and capacity to imagine, design, create, and sustain a self-sufficient local food system.

Black Gurl Reliable does the original work of curating Black girls’ and women’s experiences and experiential knowledge, indexing sociocultural tactics (schooling) that foreclose Black girl aliveness, while advancing embodiment as a key ingredient of Black mattering. Elevating Black Girlhood Studies as an ethos, narratives presented offer redress to inequities and hauntings of race-gender structures of dominance and position Black girls and girlhood as more than lamentation and what happens to the body. Hill solicits the strength and utility of arts-based methods in capturing identity, performance, and experimental design for ephemerality and improvisation. Hill makes clear Black feminism’s insistence that knowledge and possibility are produced through the body.

As a means of mitigating the deleterious effects of schooling on Black girls’ and women’s bodies and making legible the insights and knowledge produced from schooling experiences, Hill introduces the concept of Transgressngroove. This living feminist practice explores the relationships between Black girlhood, education, and the body, as researched for over a decade through workshops, consulting, classrooms, personal development, and other teaching/learning spaces.

With a Foreword by Simone Biles

The sensational two-time Olympian Jordan Chiles’s heartfelt, inspiring memoir chronicling her unlikely path to the podium—including the unprecedented challenges, the joy of winning, the crushing pain of defeat, and the love and support of her devoted family and teammates that helps her stay strong. 

It was a rare and stunning reversal: after the judges at the 2024 Paris Olympics determined that Jordan had rightfully scored third place for her performance—following a successful challenge by her coach—she earned the bronze medal. Later, Jordan’s euphoria turned to devastation when the Court of Arbitration for Sport stripped her of that medal based on nothing but semantics. Jordan called the ruling, “One of the most challenging moments of my career. Believe me when I say I have had many.”

In her powerful, eye-opening memoir, Jordan digs deep, sharing the story of her life’s challenges—the racism she encountered as a gifted Black girl in a predominantly white elite sport, the battles with body image and subsequent unhealthy relationship with food, the grueling practices, the injuries, the moments of nearly calling it quits. Through it all, Jordan refused to give up. Through sheer grit—and the love of her family—she kept working and winning. When Simone Biles stepped away from the 2020 Tokyo Olympics after a case of the “twisties,” Jordan stepped in to play a key role in securing silver for Team USA. And in Paris, Jordan made history as part of the first all-Black podium in all of men's and women’s gymnastics.

Told with refreshing candor and Jordan’s irrepressible spirit, I’m That Girl is a glimpse of life in the psychologically and physically demanding upper echelons of women’s elite gymnastics. Exploring the deep bonds so often forged in pressure cookers, Jordan speaks openly about her relationships with her teammates, including her best friend and “big sister” Simone Biles, and how their support for one another has proved invaluable on and off the mat.

With the highs, lows, twists, and turns characteristic of the sport, and featuring a 16-page color photo insert, I’m That Girl reveals how one extraordinary young woman keeps her balance in a uniquely dizzying life. By way of her unwavering tenacity, Jordan has changed the culture of gymnastics, fighting every day to ensure that the girls she inspires are not pre-judged for their hair, their bodies, or their skin color. Insightful and deeply moving, I’m That Girl is a testament to the power of perseverance and the transformative joy of doing what you love, told by a fierce and unique individual who has been and will always be That Girl—the ultimate hype woman who shows up and gives it her all.

Create your own signature cocktails with this essential recipe book for homemade blends and alcohol infusions.

The Infused Cocktail Handbook is the essential guide to homemade blends and infusions. The illustrated recipes explain which ingredients and flavors go best when infusing vodka, gin, tequila, whiskey, rum, and sherry. Make an infused simple syrup or try out a shrub and spice up your next party!

You’ll find a range of globetrotting flavor profiles such as:

* Earl Gray tea (great for a gin infusion)
* Lemongrass
* Cardamom
* Walnuts
* Gummy bears
* Bacon (who doesn’t love bacon?)

Craft delicious libations using The Infused Cocktail Handbook as your starting point to infuse liquors with new flavors that you can use in any cocktail. Not only will you know how to make your very own signature cocktails, you’ll save money — and have fun — doing it.

A primer on contemporary artist Lauren Halsey’s latest site-specific installation, outlining her process, past work, and influences drawn from Afrofuturism, ancient Egyptian iconography, and Los Angeles
 
Lauren Halsey is known for her sculptures, mixed media works, and site-specific installations that remix (or, as Halsey says, “funkify”) history by combining signs, symbols, and architecture from the past, present, and future. In her new installation for The Met’s Roof Garden Commission series, she brings together ancient Egyptian–inspired iconography and sculpture with signage and texts drawn from the artist’s local community in South Central Los Angeles. Accompanied by new photography and unpublished sketches from Halsey’s studio, this compact volume contains an insightful essay by curator Abraham Thomas that examines Halsey’s artistic process and considers this installation in the context of her past work. In a revealing interview with poet Douglas Kearney, the artist discusses her diverse influences—which include ancient Egyptian relief carving, funk music, Afrofuturism, and the architecture of L.A.— and elaborates on the importance of community building and engagement in the spaces she creates.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press  

Exhibition Schedule:

The Metropolitan Museum of Art, New York
(April 18–October 22, 2023)

‘I may pay rent to a friend for my place in Greensboro, but the South’s my landlord; and I’m trapped in its stomach trying to get to its brain. Here, I see butterflies with Confederate flag-grown wings and minstrel vestiges of Daddy Rice collecting dough. I can’t move because I’m stuck in Aunt Jemima’s syrup.’ Spell, Time, Practice, American, Body is the highly anticipated first book by artist, filmmaker, and writer RaMell Ross. Bringing together Ross’s large-format photographs, sculptures, conceptual works, and selected films, together with illuminating texts by Ross and a host of writers, this ambitious publication presents a chronicle of the American South that is both mysterious and quotidian, a historical document and a radical imagining of the future. The book opens with a series of illuminating colour photographs from Hale County, Alabama, Ross’s adoptive home and the setting of his Academy Award-nominated documentary Hale County This Morning, This Evening (2018). It then moves through a series of photographic and mixed-media works and writings that examine, deconstruct, and rewrite visual representations of the South. Amidst these works, at the book’s heart, is Ross’s film Return to Origin, a remarkable conceptual work in which Ross freight ships himself in a 4x8-foot box – a nod to Henry Brown who shipped himself to freedom in 1849. With Spell, Time, Practice, American, Body, Ross creates a new visual narrative of the South, freed from its iconic meanings to reveal the earth, dirt, soil, and land beneath. With texts by RaMell Ross, Tracy K. Smith, Richard McCabe, and Scott Matthews

A loving and powerful photobook following the lineage of one Black family, interrogating the semiotics of family portraiture

This profoundly moving and visually ravishing photobook, the first major monograph by American photographer Nydia Blas (born 1981), is an exploration of one Ithaca-based Black family and its community across many generations. The book is also a formally rigorous examination of the taxonomy and syntax of family portraiture.
Blas’ contemporary works are integrated with selections from her historical family albums in order to tell an extended intergenerational story, and to bring forward the evolving and recurring nature of the portrait photograph throughout the medium’s history. Deploying doubling, repetition and more subtle echoing and mirroring, Love, You Came from Greatness builds a powerful line of feeling and thought across generations and photographic tropes and styles. It features an illustrated discussion among Blas, curator Kate Addleman-Frankel and Cornell art historian Cheryl Finley. The volume concludes with the republication of bell hooks’ seminal 1995 essay "In Our Glory: Photography and Black Life," a deeply personal text that expands on crucial themes of family, photography, and Black identity and community.

Combining representation and abstraction, Abney's vibrant works reference gender, sexuality and pop culture

Committed to sharing social realities through fantastic, expansive forms, Nina Chanel Abney is an artist possessed of an iconic style and wit. Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s paintings and collages use dynamic color and form to draw viewers into complex narratives.
Big Butch Energy/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a figure in a work of art.
Nina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design. Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania Academy of the Fine Arts, among others.

This book was published in conjunction with Institute of Contemporary Art, Miami/Museum of Contemporary Art Cleveland

"The Chicago-born artist Charles White (1918–79) was celebrated during his lifetime for depictions of African-American men, women and children that acquired the name “images of dignity. White’s draftsmanship, his direct address of the social and political concerns of his time, and his commitment to media that gave his art wide circulation established him as a major artist, and one with significant influence both on his contemporaries and on later generations.

Beginning with White’s early days as an artist in the Chicago of the 1930s and ’40s, moving through his time spent developing his craft in New York in the late 1940s and ’50s, and closing with his final decades as a revered figure in Los Angeles, Charles White: Black Pope explores the artist’s practice and strategies through consideration of key works. It devotes particularly close examination to his late masterwork "Black Pope (Sandwich Board Man)," in the collection of The Museum of Modern Art. By creating visually compelling, ideologically complex works that engage audiences on many levels, White established himself as a key figure of his time, one whose work continues to resonate today."

How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies

A New York Times critics' pick | Best Art Books 2021

Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States.

The architects, designers, artists and writers who were invited to contribute to this book―and to the exhibition at the Museum of Modern Art for which it serves as a “field guide”―reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal.

A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume’s richly illustrated presentations of the architectural projects at the heart of MoMA’s groundbreaking exhibition.

The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era

During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse.
 
The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States.

Published in association with the Dixon Gallery and Gardens

Exhibition Schedule:

Dixon Gallery and Gardens, Memphis
(October 22, 2023–January 14, 2024)
 
Crocker Art Museum, Sacramento
(February 4–May 19, 2024)

"Dutchman is designed to shock—its basic idea, its language and its murderous rage." —New York Times

Centered squarely on the Negro-white conflict, both Dutchman and The Slave are shocking plays—in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem—and they bring an eloquent and exceptionally powerful voice to the American theatre.

Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

From the award-winning actor and playwright Anna Deavere Smith, two teeming, pungent cross-sections of the American experience.

In the provocative and at times bitterly funny play House Arrest, Smith examines the relationships between a succession of American presidents and their observers in and out of the press. Arcing from Clinton and Monica Lewinsky to Jefferson and Sally Hemings and alive with the voices of such real-life figures as Ed Bradley, George Stephanopoulos, Anita Hill, and Abraham Lincoln, the result is a priceless examination of the intersection of public power and private life.

In Piano, Smith casts her gaze back a century as she follows the tangled lines of race, sex, and exploitation in a prosperous Cuban household on the eve of the Spanish-American War. Deftly and suspensefully, Smith tells a story of ruptured allegiances and ramifying deceptions in which no one—master or servant, friend or enemy—is what he or she pretends to be. Together these two plays are further proof that Anna Deavere Smith is one of the most searing and revelatory voices in the American theater.

"Smith’s powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope.” —The Village Voice 

Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. "One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation” (Variety). 

Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”)

Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope.

Vivienne Leblanc seems to have it all. She is absolutely stunning, smart, and driven to turn her fantastic job as a Music Marketing Director into her true career as a singer. She lives in a gorgeous New Orleans home with her childhood sweetheart and fiancé, Malik McKenna, a Music Producer. Vivienne is living the dream. Or so it seems.

Malik's music-producing career begins to soar with his new rap artist, Lyric. Malik and Lyric work closely together and are always plastered on social media, leaving Vivienne to wonder if there's something more than music between her future husband and his artist. The higher Malik's star rises, the more the idyllic façade Vivienne has created begins to crumble around her.

In the midst of her relationship's growing pains, her fiancé's best friend, up-and-coming singer Caine Guidry, begins to confide in her. Malik and Caine are like brothers, but Caine never embraced Vivienne like a sister. Despite always being in the same circles, sharing a connection with Malik, and working together, Vivienne and Caine were never really friends. He barely talked to her before, so why is he talking to her now?

Their love of music and the pursuit of their dreams unite Vivienne and Caine in a way that neither of them could've ever imagined. As their friendship blossoms and their dynamic changes, Vivienne feels closer to Caine than anyone else in her life, even Malik. There's an awakening inside of Vivienne that brings her desires and a deep sense of longing bubbling up to the surface, unveiling emotions as foreign to her as her newfound friendship with Caine.

Juggling her professional and personal life as they collide, Vivienne doesn't know what she really wants. Does she continue building the life she's begun with the only man she's ever envisioned being with? Does she pursue the dreams that she pushed aside to support Malik's aspirations? Or maybe she wants something or someone else entirely.

As these decisions weigh on her, Vivienne starts to wonder if she has to make a choice. Can Vivienne have her cake and eat it too, or will wanting it all cost her everything?"

Peace.

That's what Synovi now had and cherished more than anything. Free from all the disturbances his chaotic life once ensued, he wanted nothing more than to keep it that way. With a thriving business and relationship, almost nothing could take him back to that dark place of no love. His Love didn't reside there.

His world is still hers, and she is still his.

Without warning, Torin inserted herself into Synovi's life and remained. She's the person he can run to when everything begins to fade, but there's a price to pay when you have a good heart. It's costly, depending on the circumstances, and Torin isn't sure her light is enough for the both of them to make it through the tunnel again.

Is keeping her to himself all in vain, or is their bond strong enough to prove otherwise?

Please note: Keep Giving Me Love is book #2 in the Unorthodox Loves series with no cliffhanger. It is best to read the interconnected standalone books in order.

Doggerel is a revelatory meditation on Blackness, masculinity, and vulnerability from one of poetry’s boldest voices.

Reginald Dwayne Betts is our foremost chronicler of the ways prison shapes and transforms American life. In Doggerel, Betts examines this subject through a more prosaic―but equally rich―lens: dogs. He reminds us that, as our lives are broken and put back together, the only witness often barks instead of talks. In these poems, which touch on companionship in its many forms, Betts seamlessly and skillfully deploys the pantoum, ghazal, and canzone, in conversation with artists such as Freddie Gibbs and Lil Wayne.

Simultaneously philosophical and playful, Doggerel is a meditation on family, falling in love, friendship, and those who accompany us on our walk through life. Balancing political critique with personal experience, Betts once again shows us “how poems can be enlisted to radically disrupt narrative” (Dan Chiasson, The New Yorker)―and, in doing so, reveals the world anew.

“. . . every story becomes a multiplication,

If the naming is filled less with names than

With the best parts, the barking & everything

Else, because who among us hasn’t been

As mangy as a rescue, even on our best

Days, desiring mostly to be loved.”

―from “Rings”

A powerfully moving debut poetry collection about the violence of colonialist occupation

One more rock thrown onto the pile to tumble the mountain on my chest

 ―Hasib Hourani

Hasib Hourani’s rock flight is a book-length poem that, over seven chapters, follows a single personal and historical narrative centered on the violent occupation of Palestine. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions, and surveillance technology that Palestinians face both within Palestine and across the diaspora. Searing and fierce, tender and pleading, rock flight invites the reader to embark on an exploration of space while limited by the box-like confines of the page. Through the whole, Hourani moves between poetry and prose, historical events and meditations on language, Fluxus-like instructions and interactions with friends, strangers, and family.

As incantatory and stirring as Inger Christensen’s alphabet or Raúl Zurita’s Inri, rock flight adapts themes of displacement and refusal into an interactive reading experience where the book becomes an object in flux.

From the Pulitzer Prize–winning author of The Sympathizer (now an HBO series) comes a moving and unflinchingly personal meditation on the literary forms of otherness and a bold call for expansive political solidarity.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans.

The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing? Over the course of six captivating and moving chapters, Nguyen explores the idea of being an outsider through lenses that are, by turns, literary, historical, political, and familial.

Each piece moves between writers who influenced Nguyen’s craft and weaves in the haunting story of his late mother’s mental illness. Nguyen unfolds the novels and nonfiction of Herman Melville, F. Scott Fitzgerald, Ralph Ellison, William Carlos Williams, and Maxine Hong Kingston, until aesthetic theories give way to pressing concerns raised by war and politics. What is a writer’s responsibility in a time of violence? Should we celebrate fiction that gives voice to the voiceless―or do we confront the forces that render millions voiceless in the first place? What are the burdens and pleasures of the “minor” writer in any society? Unsatisfied with the modest inclusion accorded to “model minorities” such as Asian Americans, Nguyen sets the agenda for a more radical and disquieting solidarity with those whose lives have been devastated by imperialism and forever wars.

A truly unfortunate first day of work leads to unexpected love in this sparkling debut from Romance in Colour podcast cohost Tati Richardson.

Rumpled and ragged was not how architect Ari James envisioned kicking off her first day at a new firm. And few things can top the horror of her new—and extremely hot—colleague walking in on her at the worst moment ever. Learning that she’ll be working with him on the project that’s supposed to get her career back on top makes it harder than ever to focus on her big comeback.

With a partnership at his firm on the line, nothing is going to stand in the way of Porter Harrison absolutely killing it on his new project: not his obnoxious rival, not his unpredictable brother and definitely not his new coworker whose gorgeous curves he accidentally saw and now can’t get out of his head.

Though neither of them is looking for love, once their creative juices get flowing, Ari and Porter’s connection is obvious. But when their shared goal has always been winning at work, building a solid foundation for a relationship might end up costing them everything…

He’s her biggest competition.

And the key to her success.

When Keisha Edwards collides with Rhodes scholar Julian Langley, she briefly considers switching from her MBA to chemistry—because theirs is off the charts! But when Tall, Dark and Arrogant asks for her number? The answer is no. Besides, if Keisha’s going to graduate top of her class, she doesn’t have time for romance.

Julian is no novice when it comes to beautiful women, yet when Keisha turns him down, it stings. But not as much as discovering she’s in his MBA program—and she’s the one to beat for top marks. Well, the competition is on—until they’re assigned to a group project. As their chemistry threatens to boil over, it’ll be a test to see if these frenemies can work together to succeed in business…and in love…

From Harlequin Special Edition: Believe in love. Overcome obstacles. Find happiness.

The Friendship Chronicles

Book 1: The Shoe Diaries
Book 2: Bloom Where You're Planted
Book 3: London Calling
Book 4: Her New York Minute
Book 5: Falling for the Competition

Uncover the secrets to a thriving marriage. Focusing on reconciling differences and forging true intimacy, Two Equals One emphasizes the crucial roles of communication, understanding, and concerted team effort.

100% of marriages that end in divorce are cited for "irreconcilable differences." Things that brought couples together are now tearing them apart. Simple occasional frustrations have morphed into everyday fights causing complex fractures. Marriages are miserable, families are affected, and the equation for a marriage made one is elusive.

In Two Equals One, Jimmy and Irene Rollins introduce you to a solution that is counter-cultural to a society that encourages you to give up, to not give your spouse any more chances, or use pain as permission to step out on your spouse. A solution that with two committed people coupled with the power of God can be the equation for a marriage made one. Two Equals One presents the case to stay rather than leave. To lean in rather than let go. To give you a framework and path to discover a marriage equation of love, laughter, and longevity.

From tackling tough topics such as addiction and resentment to addressing the impact of neglecting spousal roles, Two Equals One is a comprehensive guide to strengthening and salvaging relationships, while offering practical challenges, prayers, and resources to actively engage couples.

Jimmy and Irene will help readers to:

* Move from cussing and fussing to communicating and forgiving
* Learn tools to have hard conversations that will improve your communication and connection in relationships
* Find hope and healing in areas in your relationship where there is real hurt, broken trust, and rebuild your relationship together
* Discover how two completely different people can accept, learn from, and leverage their differences to make a marriage made one

Jimmy and Irene encourage couples to identify differences and navigate through them, providing guidance on conflict management and expectation setting. They stand firm in their belief that with effort and commitment, any marriage can overcome challenges and thrive. Your irreconcilable difference can be reconciled.

Faith in Action: Being a Gospel-Driven Change-Maker

Christians are called to be the hands and feet of Jesus in the world. To be proclaimers of good news—agents of reconciliation with a message of hope, and faith that takes action. We need wisdom from God’s Word, power from His Spirit, hope from His gospel, and faith that He will equip us for the task.

The Breathe Life Bible invites you to experience Scripture through the lens of the BREATHE acronym: Believe, Reconcile, Exalt, Act, Trust, Hope, and Elevate. Receive practical biblical encouragement. Find answers to some of life’s most difficult situations. Discover what faith in action really looks like as we pursue God’s vision of being a community where all people are valued and cared for.

Features include:

* Introduction article by Rev. Dr. Bernice A. King
* Foreword by Ambassador Andrew Young
* Prayer of dedication by Bishop Hezekiah Walker
* Encouragement letters from Rev. Matthew Wesley Williams (President, Interdenominational Theological Center), Dr. Thelma Thomas Daley (President, National Council of Negro Women), and Derrick Johnson (President, NAACP)
* The Sky Dive more deeply into faith in action with these three focused articles. Through God’s Word, you are empowered to live a fruitful, abundant life, fully engaged in the pursuit of healthy relationships with God and others.
* The Air Increase your understanding with introductions and overviews for each book of the Bible’s content and themes, plus insights on each book’s relevance to the hearts of people of color today.
* We Speak Look at life through the eyes of 49 people in the Bible. Relate to the joys, sorrows, victories, and defeats of those who lived long ago and glean insights on how to live today.
* Life Support Explore how God’s truth can be applied to action steps in your life through 10 passages in the Bible.
* Inhale-Exhale A Q&A format addresses some of the most difficult life situations with answers that remind you that it is possible to rise above challenges in God’s power.
* #Oxygen Be challenged and encouraged with 98 brief snippets of wisdom drawn straight from the Word.
* Release Focus on tenets of the BREATHE acronym—Believe, Reconcile, Exalt, Act, Trust, Hope, Elevate—through this series of 49 devotions developed by Christian pastors and teachers who seek hope and guidance in God’s Word.
* Cross references and concordance
* Words of Christ in red
* Clear and readable 10-point NKJV Comfort Print®

Additional Contributors:

Dr. Charrita Danley Quimby

Rev. Dr. Eric W. Lee

Michele Clark Jenkins

Stephanie Perry Moore

Min. Derrick Moore

Bishop Kenneth Ulmer

Dr. Arthur Satterwhite

Pastor Debra B. Morton

Pastor Tommy Kyllonen

Rev. Dr. Helen Delaney

Pastor Tommy Stevenson

Bishop Vashti McKenzie

Bishop Marvin Sapp

Dr. Franklin Perry, Sr.

Rev. Dr. LaKeesha Walrond

Antonio Neal Phelon

Elder De’Leice R. Drane

S. James Guitard

Dr. Lakeba H. Williams

Rev. Dr. Walter L. Kimbrough

Jekalyn Carr

First Lady Jamell Meeks

From the New York Times bestselling author of The History of White People and Old in Art School, a finalist for the NBCC Award, comes a comprehensive new collection of essays spanning art, politics, and the legacy of racism that shapes American history as we know it.

Throughout her prolific writing career, Nell Painter has published works on such luminaries as Sojourner Truth, Ralph Waldo Emerson, and Malcolm X. Her unique vantage on American history pushes the boundaries of personal narrative and academic authorship. Led by an unbridled curiosity for her subjects, Painter asks readers to reconsider ideas of race, politics, and identity. I Just Keep Talking assembles her writing for the first time into a single volume, displaying the breadth and depth of Painter’s decades-long historical inquiry and the evolution of Black political thought—and includes a dazzling introduction and coda being published for the first time in this collection. From her mining of figures like Carrie Buck and Martin Delaney for their resonance today, to a deep dive into the history of exclusion through the work of Toni Morrison, to a discussion of the American political landscape after the 2016 election, Painter nimbly portrays the trials of a country frequently at war with itself.

Along with Painter’s writing, this collection offers her original artwork, threaded throughout the book as counterpoint and emphasis. Her visual art shows a deft mind turning toward the tragedy and humor of her subjects; pulling from newspapers, personal records, and original sketches, Painter’s artwork testifies to the dialectic of tremendous change and stasis that continues to shape American history.

These essays resist easy answers in favor of complexity, the inescapable sense of our country’s potential thwarted by its failures. This collection will surely solidify Painter’s place among the finest critics and writers of the last half century.

A deeply personal, paradigm-shifting book rethinking traditional therapy and self-care, creating much-needed space for those left out of the narrative

Writer and therapist Sahaj Kaur Kohli grew up knowing exactly what it means to straddle multiple cultures at once. Like many children of immigrants, she has often found herself plagued by questions: Can I establish my own values and embrace where I come from? Is prioritizing my mental health really rejecting my culture? How do I set boundaries and care for myself when family and community mean everything? Even after becoming a therapist herself, she saw those same gaps in the mental health world, leading her to wonder, like so many children of immigrants: what about us?

While conversations around mental health are becoming increasingly open, our models remain largely Eurocentric and focused on individuality. Sahaj has sought to challenge these long-held models, using deep personal reflection, therapy, community building, and a whole lot of trial and error, eventually navigating her own way to understanding and acceptance. Here, she shows us how to get there, all the while reminding us that personal healing is inextricably connected to collective healing.

But What Will People Say? elegantly weaves together personal narrative, anecdotal analysis, and comprehensive research. Sahaj offers advice and tools for everything from navigating generational trauma, guilt, and boundaries, to breaking down stigmas around therapy and celebrating cultural duality. Democratizing and decolonizing the way we think about mental health and self-help, Sahaj’s incredible work is nothing short of a revolution.

A gloomy, rainy day is turned upside down when Gran-moman takes Petite Marie on an adventure through town. Celebrate joy, Louisiana Creole culture, community, and the love of a wonderful grandparent in this gorgeous story about making every day count.

"Conveys the big power of small actions and the bolstering effect of community." Publisher's Weekly, Starred Review

"As Petite Marie moves around the town with her grandmother, their loving bond is expressed through all
their interactions." Booklist

Rain falls outside an old Louisiana Creole house until the ground is as soggy as a bowl of cush cush. Petite Marie thinks she's going to have to spend all day indoors, but Gran-moman takes Petite Marie on an unexpected journey around town. Soon, Petite Marie is having a magical day filled with friends, delicious Louisiana creole cooking, and a lot of care and kindness. With the help of Gran-moman she discovers that any day can be beautiful, no matter the weather.