A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.

In We Should All Be Millionaires, Rachel Rodgers—Black woman, mother of four kids, and self-made millionaire—shared her personal story of how she climbed from crushing debt and financial stress to wealth and abundance, running a multi-million-dollar company.

Her book inspired thousands of readers to construct a new attitude about money, claim their power, and build the financial security that we all need and deserve. Now comes the companion guide to help take that attitude and turn it into action.

This one-of-a-kind guide:

* Summarizes the most important concepts from We Should All Be Millionaires in a brief, succinct way, so these concepts stick firmly in your mind.
* Shifts the focus from “knowing” to “doing,” by giving you small action steps that you can start taking immediately.
* Provides checklists so that you can complete steps, tick things off as you go along, and track your progress.

The goal for completing this workbook is to help all readers develop a new attitude about money, get more cash flowing into their bank account, and realize more emotional riches, too: hope, peace, power, and joy.

Mimi returns for another misadventure in this sweet, funny Graphix Chapters series by Shauna J. Grant.

Get drawn into reading with Graphix Chapters!

Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers.

Boo-hoo! Mimi is not having a good day. She can't get her pigtails to sit right, she's not in the mood for her favorite breakfast, and she's far from feeling like her usual self. Mimi has a case of the Blahs, where nothing feels quite right. With the help of Penelope, her magical toy dog and best friend, she sets out to find a way to get rid of this icky feeling. Will Mimi reclaim her spark, or will the Blahs get the best of her?

Rising star Shauna J. Grant makes her Graphix Chapters debut with this humorous and wholesome series.

Get drawn into reading with Graphix Chapters!

Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers.

Meet Mimi. She's charming! She's cheerful! She's cute!

But that's not all! She's also a loyal friend and fun playmate, who has the best adventures with Penelope, her magical toy dog. But when Mimi notices people treating her like she's too cute, can she show them that she's much more than meets the eye? Or will she be stuck in this cute-astrophe?

A young woman harnesses her newfound power to challenge the ruthless man who controls her , in this brilliant and provocative novel from the award-winning author of Parable of the Sower.

Mary is a treacherous experiment. Her creator, an immortal named Doro, has molded the human race for generations, seeking out those with unusual talents like telepathy and breeding them into a new subrace of humans who obey his every command. The result is Mary: a young black woman living on the rough outskirts of Los Angeles in the 1970s, who has no idea how much power she will soon wield.

Doro knows he must handle Mary carefully or risk her ending like his previous experiments: dead, either by her own hand or Doro's. What he doesn't suspect is that Mary's maturing telepathic abilities may soon rival his own power. By linking telepaths with a viral pattern, she will create the potential to break free of his control once and for all-and shift the course of humanity.

Relax, rejuvenate, and renew your mind, body, and soul with this coloring books designed for Black women that focuses and elevates the already popular—and effective—self-care activity with illustrations to color and affirmations to empower.

Celebrate what makes Black women powerful, brilliant, and brave with Mind, Body, & Soul: A Self-Care Coloring Book for Black Women. As you enjoy coloring in 35 gorgeous art pages, you’ll be practicing self-care as you take the time to relax for just you. You’ll find stunning art pages depicting Black women vibing, being creative in their homes, listening to music, practicing yoga, meditating in nature, and transcending in metaphysical dimensions. With affirmations included on each page, you’ll internalize the positive messages and manifest positive outcomes for yourself as you color.

With Mind, Body, & Soul, every time you sit down to color in these inspiring designs, you’ll be affirming yourself and your right to self-care.

From the Booker Prize finalist and bestselling author: a perceptive novel about a gay Black painter navigating the worlds of art, desire, and creativity

A newcomer to New York, Wyeth is a Black painter who grew up in the South and is trying to find his place in the contemporary Manhattan art scene. It’s challenging. Gallery shows displaying bad art. Pretentious artists jockeying for attention. The gossip and the backstabbing. While his part-time work for an art restorer is engaging, Wyeth suffers from artist’s block with his painting and he is finding it increasingly difficult to spark his creativity. When he meets Keating, a white former seminarian who left the priesthood, Wyeth begins to reconsider how to observe the world, in the process facing questions about the conflicts between Black and white art, the white gaze on the Black body, and the compromises we make – in art and in life.

As he did so adeptly in Booker finalist Real Life and the bestselling The Late Americans, Brandon Taylor brings to life in Minor Black Figures a fascinating set of characters, this time in the competitive art world, and the lives they lead with each and on their own. Minor Black Figures is an involving and tender portrait of friendship, creativity, and the connections between them.

A searing, beautiful novel meditating on war, violence, memory, and the sufferings of the Palestinian people

Finalist for the National Book Award
Longlisted for the International Booker Prize

Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba―the catastrophe that led to the displacement and exile of some 700,000 people―and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand.

Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.

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The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith

A Penguin Classic

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition. As Minor Notes clarifies, the work of contemporary Black poets is perhaps best understood through the lens of a long-standing tradition of the poet as witness, as prophetic voice, as communal bard, and as scholar of the everyday and the miraculous. The poets featured in Volume 1 are George Moses Horton, Fenton Johnson, Georgia Douglas Johnson, Henrietta Cordelia Ray, David Wadsworth Cannon Jr., Anne Spencer, and Angelina Weld Grimké.

John Hope Franklin lived through America's most defining twentieth-century transformation, the dismantling of legally protected racial segregation. A renowned scholar, he has explored that transformation in its myriad aspects, notably in his 3.5-million-copy bestseller, From Slavery to Freedom. Born in 1915, he, like every other African American, could not help but participate: he was evicted from whites-only train cars, confined to segregated schools, threatened―once with lynching―and consistently subjected to racism's denigration of his humanity. Yet he managed to receive a Ph.D. from Harvard; become the first black historian to assume a full professorship at a white institution, Brooklyn College; and be appointed chair of the University of Chicago's history department and, later, John B. Duke Professor at Duke University. He has reshaped the way African American history is understood and taught and become one of the world's most celebrated historians, garnering over 130 honorary degrees. But Franklin's participation was much more fundamental than that.

From his effort in 1934 to hand President Franklin Roosevelt a petition calling for action in response to the Cordie Cheek lynching, to his 1997 appointment by President Clinton to head the President's Initiative on Race, and continuing to the present, Franklin has influenced with determination and dignity the nation's racial conscience. Whether aiding Thurgood Marshall's preparation for arguing Brown v. Board of Education in 1954, marching to Montgomery, Alabama, in 1965, or testifying against Robert Bork's nomination to the Supreme Court in 1987, Franklin has pushed the national conversation on race toward humanity and equality, a life long effort that earned him the Presidential Medal of Freedom, the nation's highest civilian honor, in 1995. Intimate, at times revelatory, Mirror to America chronicles Franklin's life and this nation's racial transformation in the twentieth century, and is a powerful reminder of the extent to which the problem of America remains the problem of color.

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

A powerful manifesto on how speaking your truth and owning your differences can transform your life

In this sensational, agenda-setting debut, Michaela Coel, BAFTA-winning actor and writer of breakout series I May Destroy You and Chewing Gum, makes a compelling case for radical honesty.

Drawing on her unflinching Edinburgh TV Festival MacTaggart lecture, Misfits recounts deeply personal anecdotes from Coel’s life and work to argue for greater transparency. With insight and wit, it lays bare her journey to reclaiming her creativity and power, inviting readers to reflect on theirs.

Advocating for “misfits” everywhere, this timely, necessary book is a rousing and bold case against fitting in.

Where racism and sexism meet—an understanding of anti-Black misogyny

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms.

At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs.

Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.

A companion to Miss Quinces, Kat Fajardo's bestselling, award-winning middle-grade graphic novel!

Sue is heading to Camp Willow this summer! She’s looking forward to hiking, archery, and making comics in the fresh air. She’s especially excited about LARPing (live-action role-playing) and can’t wait for the freedom of being away from home. But she won’t be far from family because her big sister, Carmen, is a camp counselor and her little sister, Ester, is a fellow camper and won’t give her any space! All Sue wants is to make memories with her friends, but they’re assigned to only a few of the same activities. To make matters even worse, her best friend, Sam, has a best camp friend named Marisol? And Sue’s good friend Izzy has a crush on Sue?! This summer isn’t at all going as planned!

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The award-winning author of The Good Negress shares invaluable insights on the precarious journey toward creativity that is the writer’s life, and tells the compelling story of her relationship with Toni Morrison, painting an illuminating portrait of this towering yet enigmatic cultural icon.

With the publication of her debut novel The Good Negress in 1995, A. J. Verdelle became an overnight sensation, winning critical acclaim and competing for prestigious literature prizes. But for Verdelle, the most unexpected consequence was the friendship she formed with the legendary Toni Morrison. Receiving an advance copy of the book, the Pulitzer and Nobel prize-winning author—notorious for never giving early praise—called The Good Negress, “Truly Extraordinary.” It was a writer’s dream come true—a dream that for Verdelle would become simultaneously exhilarating and challenging.

Now, twenty-five years later, Verdelle tells the story of that success and what came after. Miss Chloe begins with the story of young Verdelle’s persistent aim to become an author, spending countless pre-dawn hours writing the novel that became The Good Negress. Verdelle then turns to the heady period after publication, focusing on her relationship with Toni—a precious gift that was most of the time a grace and a blessing, and at other times, confusing and too separate from literature. While Morrison continued to rise as an icon, Verdelle’s writing career took a sharp turn. Verdelle’s next novel—a Western featuring Black characters—is quickly bought by a young editor who leaves for another job before the manuscript is finished. Searching for direction, Verdelle moves to another publisher. Yet this second book will languish for more than fifteen years. In chronicling her journey, Verdelle offers an honest assessment of what it means to be a writer, including the expectations and let downs that famous friendships do not defray.

Miss Chloe ends with the period after Morrison has passed away, when Verdelle is left to face the reality of her writing career, pondering what it means to have promise that is yet to materialize. She finds comfort in advice Morrison offered over the years, insight she shares in this wise book. “In order for Morrison to take you seriously, to have patience with you, to be interested, you had to be able to hear her,” Verdelle writes. “You had to be able to sit still and listen. You had to be able to pipe up in the pauses, and prove you understood. You needed demonstrate that language was a skill you had, that Black culture was known to you and respected by you.” 

In this captivating family drama from award-winning, bestselling author ReShonda Tate Billingsley, four estranged sisters must return to rural Arkansas when their mother is diagnosed with a terminal illness. Their mother wants them to repair their shattered relationships, but first they’ll have to face the lies and obstacles they’ve worked so hard to leave behind…

An intriguing, heartfelt tale about long held family secrets, truths that won’t stay hidden, and how facing the ultimate loss can force us to find our own ways to make amends and heal…
 
Raising four very different daughters on her own in rural Arkansas wasn’t easy for Miss Pearly Bell. And she’s always regretted that the sisters went their separate ways for good—and never wanted to see each other again. But when Pearly is stricken with a terminal illness, she summons them all home—determined to somehow help them get right with each other and forgive…But that means dealing with past secrets and lies first.
 
As the oldest sister, pastor’s wife Maxine took her responsibility way too seriously—and never fails to judge everyone else. But a secret she can no longer keep will explode everything she stands for. Youngest sister Leslie is all about making a very different life with her new love—but she didn’t expect a shattering past truth to be suddenly revealed and uproot everything she ever thought she knew. Elegant PR professional Stella and her earthy twin, Star, don’t see eye-to-eye on anything—and now a long-ago deception could wipe out their last chance at a relationship.
 
Soon each sister must confront the illusions they’ve taken refuge in for so long and deal with each other woman-to-woman. But can building an all-too-fragile trust repair the damage done—and help them come together when they are needed most?

A tender picture book about a veteran’s PTSD and a family’s love for each other—on good days and hard days—from award-winning creators Winsome Bingham and Rahele Jomepour Bell

Momma wears combat boots, a camouflage jacket, and a U.S. ARMY tag on her chest. She is a fighter for her country’s freedom, but she is also a fighter for her family. When Momma comes home from a long deployment, however, something has changed. Our narrator, Momma’s “Baby," misses the big hugs, uniform fashion shows, and music mornings they used to share. And she really misses planting vegetables together. Now her Momma won’t even come out to the garden. But maybe, just maybe, she can bring the garden to Momma.

Missing Momma is the poignant and ultimately hopeful, comforting story of a child with a parent affected by PTSD. Sensitively written by Winsome Bingham and movingly illustrated by Rahele Jomepour Bell, Missing Momma beautifully reminds kids that a family’s love endures even on days that aren’t picture perfect.

A "propulsive page-turner" (Alyssa Cole) and "thriller not to be missed" (Michael Connelly) from the award-winning author of Like a Sister, in which a woman thinks she’s waking up to a romantic vacation—only to find a body in her rental home and her boyfriend gone.

The truth is never skin deep.
 
It was supposed to be a romantic getaway weekend in New York City. Breanna’s new boyfriend, Ty, took care of everything—the train tickets, the dinner reservations, the rented four-story luxury rowhouse in Jersey City with a beautiful view of the Manhattan skyline. But when Bree comes downstairs their final morning, she’s shocked. There’s a stranger laying dead in the foyer, and Ty is nowhere to be found.
 
A Black woman alone in a new city, Bree is stranded and out of her depth—especially when it becomes clear the dead woman is none other than Janelle Beckett, the missing woman the entire Internet has become obsessed with. There’s only one person Bree can turn to: her ex-best friend, a lawyer with whom she shares a very complicated past. As the police and a social media mob close in, all looking for #JusticeForJanelle, Bree realizes that the only way she can help Ty—or herself—is to figure out what really happened that last night.
 
But when people only see what they want to see, can she uncover the truth hiding in plain sight?

"Fantastic. Only Garrett could craft a tale so adroitly attuned to our everyday fears." —S. A. Cosby, New York Times bestselling author of All the Sinners Bleed

"A propulsive murder mystery with relatable characters and heart-stopping twists."―Mary Kubica, New York Times bestselling author of Local Woman Missing and Just the Nicest Couple

"Bree is unforgettable . . . you are in for such a ride." —Rachel Hawkins, New York Times bestselling author of The Villa

A compelling and candid memoir from Allen Iverson, the NBA’s most misunderstood Hall of Famer, detailing his tough childhood in Virginia, his entry into the league as the number one overall pick, and his controversial, culture-changing pro basketball career.

In Misunderstood, Allen Iverson shares in searing clarity and touching candor his meteoric rise from impoverished child in the Virginia projects to high school champion to Georgetown University protégé of legendary coach John Thompson, and finally to NBA All-Star and Reebok’s Vice President of Basketball.

Allen Iverson is a household name—Boomers and Gen Xers watched his decades-long run as a scrappy, tenacious basketball player on the Philadelphia 76ers who redefined the sport’s style (both fashion-wise and playing-wise), while millennials and Gen Zers are perhaps more familiar with his Reebok line’s resurgence in popularity, his callout in Post Malone’s viral hit “White Iverson,” and for being the namesake of Kendall Roy’s son on Succession. Part athletic legend, part fashion icon, part hip-hop muse, Iverson was one of the first celebrities to fuse lifestyle, culture, and sports.

But while everyone may know his name, few have seen behind the curtain on Iverson’s tumultuous life. Misunderstood lifts the veil and brings you into the mind of the pugnacious, ultra-talented misfit whose foremost goal, more than fame or fortune, was always to lift his family and friends out of poverty and violence. In his memoir, Iverson explores how he completely shattered the mold dictating what an NBA star could be in the 1990s and 2000s, all while dealing with legal troubles and personal traumas that only contributed to his sense of individualism and star power. This is the unforgettable story of a trailblazer who not only changed the game of basketball but rewrote the rules of what it means to rise, fall, and rise again while staying unapologetically true to himself.

New York Times bestselling author Kami Garcia has returned with a middle grade graphic novel about the struggles of a game-loving girl who gets diagnosed with dyslexia and her loving support network that help her along in the journey.

Stella knows fifth grade will be the best year ever. Her closest friends, Emiko and Latasha, are in her class and they all got the teacher they wanted. Then their favorite television show, Witchlins, announces a new guidebook and an online game!

But when the classwork starts piling up, Stella struggles to stay on top. Why does it take her so long to read? And how can she keep up with friends in the Witchlins game if she can’t get through the text-heavy guidebook? And when she can’t deal with the text-heavy Witchlins guidebook, she can’t keep up with her friends in the game. It takes loving teachers and her family to recognize that Stella has a learning difference, and after a dyslexia diagnosis she gets the support and tools she needs to succeed.

Bestselling author Kami Garcia was inspired to write this special book by her daughter’s dyslexia journey; her own neurodivergent experience; and the many students she taught over the years. With subtle design and formatting choices making this story accessible to all readers, Mixed-Up shows that our differences don’t need to separate us.

To make reading as comfortable as possible for dyslexic readers, the book has been lettered in Dyslexie.

Praise:

“Mixed-Up is sweet, fun, and important―a cozy blanket for those of us with learning differences. I wish I'd had this book when I was growing up with dyscalculia." ― Hope Larson, New York Times bestselling & Eisner-winning cartoonist of A Wrinkle in Time and All Summer Long

“Mixed-Up carefully and gently discusses the frustrations and struggles of a child living with dyslexia and handles it beautifully with empathy and compassion. This is a must read book.” ―Dan Santat, National Book Award winner and bestelling author and illustrator of A First Time for Everything

“Here’s what I love about this middle grade graphic novel: The pacing, the length―just perfect―the easter eggs, the magic, and Brittney Williams’ art. Kami Garcia has written a very beautiful story about dyslexia, with a very important message about courage.”―Kwame Alexander, Emmy Award-winning producer and #1 New York Times bestselling author of The Crossover and The Door of No Return.

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Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism.Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.

Welcome to Rivers Solomon's dark and wondrous Model Home, a new kind of haunted-house novel.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things―the strange and the unexplainable―began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

As adults, the siblings could finally get away from the horrors of home, leaving their parents all alone in the house. But when news of their parents' death arrives, Ezri is forced to return to Texas with their sisters, Eve and Emanuelle, to reckon with their family’s past and present, and to find out what happened while they were away. It was not a “natural” death for their parents . . . but was it supernatural?

Rivers Solomon turns the haunted-house story on its head, unearthing the dark legacies of segregation and racism in the suburban American South. Unbridled, raw, and daring, Model Home is the story of secret histories uncovered, and of a queer family battling for their right to live, grieve, and heal amid the terrors of contemporary American life.

Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. "James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. "A pioneer in establishing the field of African American art history," writes Jeffreen M. Hayes, who rightly declares that:

James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art."