From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia.

With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.

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A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time

Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom.

Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

A classic novel of identity, sexuality, religion, and race by the author of Passing, hailed as “an original and hugely insightful writer” by The New York Times—with an introduction by Asali Solomon, author of The Days of Afrekete “Quicksand . . . open[s] up a whole world of experience and struggle that seemed to me, when I first read [it] years ago, absolutely absorbing, fascinating, and indispensable.”—Alice Walker Born to a white Danish mother and a Black American father, Helga Crane has long struggled to carve a path for herself amid the racial segregation of the early twentieth century. As a teacher at an all-Black boarding school in the South, Helga quickly becomes unsettled by the way the school measures excellence based on proximity to whiteness. Journeying to Chicago, Harlem, and Copenhagen, she attempts to thrive free from the constraints of category—mother or wife, promiscuous or chaste, white or Black, American or Danish. But these categories, though slippery and unstable, are constantly reinforced. Helga finally settles into a life that feels secure yet completely at odds with her previous ambitions—married to a preacher in the Deep South, hoping to find peace under the wings of the Church. Landing back where she started, in social and existential oblivion, Helga forces us to consider: In a society marred by injustice, is it even possible to find a true, authentic self? With intriguing parallels to Larsen’s own life, Quicksand is an engrossing page-turner that is as relevant now as ever before. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

A black British poet making her thrilling American debut explores the importance of “quiet” in producing forms of community, resistance, and love.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."

A MOST ANTICIPATED BOOK OF THE YEAR • A hilarious new essay collection from #1 New York Times bestselling unabashed fan-favorite Samantha Irby invites us to share in the gory particulars of her real life, all that festers behind the glitter and glam.

“Irby is back with a new and hilariously relatable essay collection...[she] will have you crying and laughing.” —TODAY

Samantha Irby’s career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts.

Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now—anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog. Quietly Hostile makes light as Irby takes us on another outrageously funny tour of all the gory details that make up the true portrait of a life behind the screenshotted depression memes. Relatable, poignant, and uproarious, once again, Irby is the tonic we all need to get by.

"this book is filled with recipes that look so very, very good to eat." - NIGELLA LAWSON
"it’s refreshing that Rachel Ama is, in many ways, just herself" - RUBY TANDOH

OBSERVER RISING STAR OF FOOD, 2019

Find brilliant plant-based dishes that make cooking and enjoying delicious vegan food every day genuinely easy – and fun - in Rachel Ama’s Vegan Eats.

No bland or boring dishes, and forget all-day cooking. Rachel takes inspiration from naturally vegan dishes and cuisines as well as her Caribbean and West African roots to create great full-flavour recipes that are easy to make and will inspire you to make vegan food part of your daily life.

Rachel’s recipes are quick and often one-pot; ingredients lists are short and supermarket-friendly; dishes can be prepped-ahead and, most importantly, she has included a song with each recipe so that you have a banging playlist to go alongside every plate of delicious food.

Cinnamon French toast with strawberries
Chickpea sweet potato falafel
Peanut rice and veg stir-fry
Caribbean fritters
Plantain burger

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The first comprehensive book about anti-Black bias in the Latino community that unpacks the misconception that Latinos are “exempt” from racism due to their ethnicity and multicultural background

Racial Innocence will challenge what you thought about racism and bias and demonstrate that it’s possible for a historically marginalized group to experience discrimination and also be discriminatory. Racism is deeply complex, and law professor and comparative race relations expert Tanya Katerí Hernández exposes “the Latino racial innocence cloak” that often veils Latino complicity in racism. As Latinos are the second-largest ethnic group in the US, this revelation is critical to dismantling systemic racism. Basing her work on interviews, discrimination case files, and civil rights law, Hernández reveals Latino anti-Black bias in the workplace, the housing market, schools, places of recreation, the criminal justice system, and Latino families.

By focusing on racism perpetrated by communities outside those of White non-Latino people, Racial Innocence brings to light the many Afro-Latino and African American victims of anti-Blackness at the hands of other people of color. Through exploring the interwoven fabric of discrimination and examining the cause of these issues, we can begin to move toward a more egalitarian society.

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A powerful and proven guidebook that shows organizations how to recognize racism in designed artifacts, systems, and experiences—and how to replace them with anti-racist design solutions.

Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare racialized systems of oppression and fundamentally disrupt their replication. In Racism Untaught, Lisa E. Mercer and Terresa Moses, two veteran anti-racist educators, deliver this exact approach.

Mercer and Moses provide a step-by-step guide to anti-racist interventions in academic, business, and community settings that benefits all participants. Adapted from their successful workshop series and filled with concrete examples and ample case studies, their book teaches participants how to analyze design—and reimagine racialized artifacts, systems, and experiences guided by anti-oppressive principles. They demonstrate how to examine positionality within the context of racism and oppression; help us understand how design can reinforce and perpetuate oppression; and reveal the unique relationship among equity, ethics, and responsibility that constitutes the core value of an anti-racist design discipline. In Racism Untaught, Mercer and Moses provide the framework we need to unlearn racialized design practices and move more generatively toward collective liberation.

With a foreword by renowned designer Cheryl D. Miller, Racism Untaught is a valuable tool for anyone who wants to help themselves and their organization create an actionable and inclusive plan to dismantle racial oppression and instead realize equitable, anti-racist, and liberatory design.

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Winner of the Randolph Caldecott Medal and the Coretta Scott King Illustrator Award
Jean-Michel Basquiat and his unique, collage-style paintings rocketed to fame in the 1980s as a cultural phenomenon unlike anything the art world had ever seen. But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.

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Develop a powerful practice of deep relaxation and transformative self-inquiry with this essential guide to yoga nidra, accompanied by downloadable audio meditations.

Yoga nidra is a practice devoted to allowing your body and mind to rest while your consciousness remains awake and aware, creating the opportunity for you to tap into a deeper understanding of yourself and your true nature. At its heart, yoga nidra is about waking up to the fullness of your life. In Radiant Rest, Tracee Stanley draws on over twenty years of experience as a yoga nidra teacher and practitioner to introduce the history of yoga nidra, mind and body relaxation, and the surprising power of rest in our daily lives.

This accessible guide shares six essential practices arranged around the koshas, the five subtle layers of the body: the physical, energetic, mental, intuitive, and bliss bodies. It also offers shorter, accessible practices for people pressed for time. Each practice is explained through step-by-step instructions and ends with self-inquiry prompts. A set of guided audio meditations provide further instruction. Feel a greater sense of stability, peace, and clarity in all aspects of your life as you deepen your yoga nidra practice and discover its true power.

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An inspiring young leader’s moving call to action for anyone who seeks to make the world a better place—and the first title from Melinda French Gates’s Moment of Lift Books.

As the newly appointed minister of education in Sierra Leone, David Moinina Sengeh assumed that the administration he served—not to mention his family and friends—shared his conviction that all girls belong in the classroom. He was shocked to learn that many of those closest to him, including a member of his own family, were against lifting a long-standing policy banning pregnant girls from school.

Radical Inclusion is the dramatic narrative of Sengeh’s drive to guarantee pregnant girls’ right to an education. His story functions as a parable that can help us all advocate for change by reimagining the systems that perpetuate exclusion.

The specifics of his efforts in Sierra Leone are captivating, and the lessons Sengeh shares are universal. In addition to the candid account of his quest for reform, he offers stories and perspective from other parts of his life, drawing on his experiences encountering racial profiling as a Harvard student, developing cutting-edge prosthetic limbs at MIT, and working to combat algorithmic bias as a data scientist.

Sengeh offers readers a road map for pursuing radical inclusion in their own lives and work—from identifying exclusions, to building coalitions and adapting to a new normal. His book is essential reading for modern leaders or anyone who hopes to help unleash the power of a world that is truly, radically inclusive.

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Radical Justice brings together two bodies of socially-engaged photographic portraiture by Accra Shepp, who has documented New York City’s Occupy Wall Street movement starting in 2011 and its racial justice/BLM protests since 2020.  

Working in the style of August Sander with a large format camera and black and white film, Shepp pictures fellow New Yorkers on their city’s streets in acts of sit-ins and active protest, both unplanned and highly organized, both independent and unified, to address notions of the 99% and 1%, which have become part of the American political vernacular.  Bearing witness to defining events of the last decade that echo the United States’ longer historical arch, Shepp’s empathetic depictions of fellow citizens standing up for the fair protection of the Constitution provide a prophetic mirror of current events, which reflects back centuries to where the American experiment began, to suggest where we’ll find ourselves in the years to come.

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A timely groundbreaking book in the vein of Derrick Bell's Faces at the Bottom of the Well, one of the country's foremost voices on reparations, offers a radical and vital new framework going beyond the current debate over this controversial issue.

For over a century, the idea of reparations for the descendants of enslaved Black Americans has divided the United States. However, while the iconic phrase "40 acres and a mule" encapsulates the general notion of reparations, history has proven that the damages of enslavement on the African American community far exceed what a plot of land or a check could repair.  

While reparations are being widely debated once again, current petitions to redress the lasting and collateral consequences of slavery have not moved past economic solutions, even though we know that monetary redress alone is not enough. Not only would many wounds be left unhealed, but relying solely on economics would continue a legacy of neglect for African Americans. In this thoughtful and sure-to-be controversial book, Marcus Anthony Hunter argues that a radical shift in our outlook is necessary; we need more comprehensive solutions such as those currently sought by today's educators, historians, activists, organizers, Afrofuturists, and socially conscious citizens. 

In Radical Reparations, this conversation shifter, social justice pioneer, change agent, and inventor of the hashtag #BlackLivesMatter, which redefined the global conversation on racism and social justice, offers a unifying and unconventional framework for achieving holistic and comprehensive healing of African American communities. Hunter reimagines reparations through a profound new lens as he defines seven types of compensation: political, intellectual, legal, economic, spatial, social, and spiritual, using analysis of historical documents, comparative international cases, and speculative parables. 

Profound and revolutionary, trenchant and timely, Radical Reparations provides a compellingly and provocatively reframing of reparations' past, present, and future, offering a unifying way forward for us all.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan’s “Skyrise for Harlem” project offered a Futuristic vision for Harlem that argued for environmental redesign: “it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience.”
 
Jordan was not an architect in the conventional sense, Saval says. “But in the understanding of someone who sought to propose and build interventions in public space, she was.”

"A year and change into father's diagnosis, his nightly calls began to become more frequent. My sister and I, his youngest children, spent countless hours in his room caring for him as his body gave up. Many nights we'd leave his room both knowing his condition was getting much worse, but we chose to say nothing of it."

I can't stand to see you cry is an exploration of Texas and the surrounding states, as well as the people who are fixed within its complex landscape. Fortune analyses relationships between family, friends and strangers, all caught in a flood of health and environmental issues while working to maintain grace. The artist uses his own personal experiences to explore the friction between public and private life, and the unspoken tensions in daily life through an approach rooted in the landscape. Moreover, Fortune’s biographical approach to photography attempts to unpack his own identity and experience in the midst of a pandemic, civil unrest, a cross-country move, a career, and the loss of a parent, thinking about both the future and past.

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This dazzling debut middle grade novel in verse is a riveting journey toward self-acceptance for fans of Genesis Begins Again. Thirteen-year-old Rain must overcome sadness after her all-star brother is badly beaten up at a white frat party. Eventually, Rain finds hope again and helps her family heal. 

I feel like Rain.

Rain rising through the unexpected.

Gentle and a force like Mom says.

I feel like me.

Rain is keeping a big secret from everyone around her: She's sad. All the time.

Xander, her older brother, is an all-star student athlete and a superhero to Rain since their dad is not around. But even he can’t help Rain with her dark thoughts. Rain hates the way she looks, and she feels inferior to her best friend, Nara, who’s skinny and got more money, lighter skin, and hair that curls.

When Xander is the victim of a hate crime, things take a turn for the worse. Xander stops speaking to everyone, including Rain, whose dark thoughts turn into action.

Rain’s secret battle puts her life on the line. But when her favorite teacher invites her to an after-school circle group, Rain finds friends and the courage to help herself and her family heal. Like the rain, she is both gentle and a force, and though she faces many storms in her life, she finds the strength to rise again. 

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An essential and revelatory coming-of-age narrative from a thrilling new voice, Rainbow Milk follows nineteen-year-old Jesse McCarthy as he grapples with his racial and sexual identities against the backdrop of his Jehovah’s Witness upbringing.

In the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has immigrated to Britain with his wife and children to secure a brighter future. Blighted with unexpected illness and racism, Norman and his family are resilient, but are all too aware that their family will need more than just hope to survive in their new country.
At the turn of the millennium, Jesse seeks a fresh start in London, escaping a broken immediate family, a repressive religious community and his depressed hometown in the industrial Black Country. But once he arrives he finds himself at a loss for a new center of gravity, and turns to sex work, music and art to create his own notions of love, masculinity and spirituality.
A wholly original novel as tender as it is visceral, Rainbow Milk is a bold reckoning with race, class, sexuality, freedom and religion across generations, time and cultures.

Embark on a psychedelic journey of self-discovery with this dreamy, one-of-a-kind tarot deck, where magical figures from the Major and Minor Arcana burst with emotion, energy, and queer pride.

Rainbow Tarot vibrates with So Lazo's contemporary and colorful artwork, offering a fresh take on the iconography of Pamela Colman Smith's time-honored art nouveau tarot illustrations. This deck includes a detailed guidebook featuring card interpretations and customized spreads by writer and third-generation clairvoyant Cyrée Jarelle Johnson.

The accessible art and text make this a perfect starter deck, and the innovative, referential approach will continue to yield rewarding insights as you deepen your spiritual practice. Open your mind and let these radiant cards guide you in channeling your inner power, connecting to the collective unconscious, and embracing every facet of your identity.

EYE-CATCHING ILLUSTRATIONS: Beloved artist So Lazo brings their signature colorful and magical art style to this lively deck. Building on traditional Rider-Waite tarot, this modern version features distinctive artwork inspired by magic, mythology, and folk art.
 
GREAT TOOL FOR SELF-REFLECTION: Use these cards for seeking guidance and growth, gaining insight into a specific question, contemplating a decision, setting an intention, or just checking in with yourself. The detailed guidebook includes information about each card as well as three spreads for readings tailored to more nuanced inquiries.
 
DISPLAY-WORTHY OBJECT: With gorgeous artwork, shiny foil stamping on the box, and holographic card edges, this deck is as beautiful to display as it is enlightening to use.
 
GREAT GIFT FOR ART LOVERS AND MODERN SEEKERS: This colorful and unique tarot deck is a must-have for fans of richly illustrated decks like the Star Spinner Tarot, Mystic Mondays Tarot, or Tarot of the Divine. Pair it with one of So Lazo’s books as a unique gift!

Perfect for:
* Fans of So Lazo’s cute, colorful, and queer artwork
* Dedicated tarot readers and oracle deck collectors
* LBGTQIA+ tarot enthusiasts and people looking for diverse and inclusive decks
* Tarot cards for beginners and anyone interested in learning about tarot
* Color lovers, artists, and creatives with a mystic mindset
* Gift for friends and loved ones interested in modern witchcraft and mysticism

Bilingual English/Spanish. A young Mayan girl isn't allowed to use her mother's thread to weave, so with a little ingenuity she discovers how to repurpose plastic bags to create colorful weavings. Based on an actual recycling movement in Guatemala.

Ixchel wants to follow in the long tradition of weaving on backstrap looms, just as her mother, grandmother, and most Mayan women have done for more than two thousand years. But Ixchel's mother is too busy preparing her weavings for market. If they bring a good price, they will have money to pay for Ixchel's school and books. And besides, there is not enough extra thread for Ixchel to practice with.

Disappointed, Ixchel first tries weaving with blades of grass, and then with bits of wool, but no one would want to buy the results. As she walks around her village, Ixchel finds it littered with colorful plastic bags. There is nowhere to put all the bags, so they just keep accumulating.

Suddenly, Ixchel has an idea! She collects and washes the plastic bags. Then she cuts each bag into thin strips. Sitting at her loom, Ixchel weaves the plastic strips into a colorful fabric that looks like a beautiful rainbow--just like the weavings of Mayan women before her.

Learn about raising inclusive, antiracist children in an informed, actionable, and accountable way with this must-have guide from antiracist and anti-biased educator and advocate Britt Hawthorne.

Raising inclusive, antiracist children is a noble goal for any parent, caregiver, or educator, but it can be hard to know where to start. In Raising Antiracist Children, Britt Hawthorne—a nationally recognized teacher and advocate—and her coauthor Natasha Yglesias offer an interactive guide for strategically incorporating the tools of inclusivity into everyday life and parenting. Hawthorne and Yglesias break down antiracist parenting into four comprehensive sections to help adults and kids find common ground in becoming anti-biased and antiracist (ABAR) human beings:

-Healthy bodies—Establishing a safe and body-positive home environment to combat stereotypes and create boundaries that will keep kids of all ages safe.
-Radical minds—Encouraging children to be brave agents of change, accompanied by scripts for teaching advocacy, giving and taking productive feedback, and becoming a coconspirator for change.
-Conscious shopping—Raising awareness of how local shopping (from food deserts to independently-owned businesses) can empower or hinder a community’s ability to thrive, and teaching readers of all ages how to create shopping habits that support their community.
-Thriving communities—Acknowledging the personal power we have to shape our schools, towns, and worlds, accompanied by exercises for instigating change.

Full of questionnaires, stories, practical activities, helpful tips, and tools to foster an antiracist lens, Raising Antiracist Children empowers you and your kids to become conscious citizens and active participants in working towards justice. This must-have, practical guide is essential for parents and caregivers everywhere.

Now, there’s a guide to help you teach your kids how to thrive—even when it feels like the world is against them. From racial profiling and police encounters to the whitewashed lessons of history taught in schools, raising Black kids is no easy feat. In Raising Confident Black Kids, teacher M.J. Fievre passes on the tips and guidance that have helped her educate her Black students, including:

• How to encourage creativity and build self-confidence in your kids
• Ways to engage in activism and help build a safer community with and for your children—and ways to rest when you need to
• How to explain systemic racism, intersectionality, and micro-aggressions

The first ever book on Ellison's lifelong photography practice, from New York scenes to domestic vignettes

Ralph Ellison is a leading figure in American literature, hailed for his seminal novel Invisible Man (1952), a breakthrough representation of the American experience and Black everyday life. Lesser known, however, is his lifelong engagement with photography. Photographer is the first book dedicated to Ellison’s extensive work in the medium, which spans the 1930s to the ’90s.
Throughout his life, photography played multiple roles for Ellison: a hobby, a source of income, a notetaking tool and an artistic outlet. During his formative years in New York City in the 1940s, he keenly photographed his surroundings—at times alongside fellow photographer Gordon Parks—with many images serving as field notes for his writing. In the last decades of his life, as he grappled with his much-anticipated second novel, Ellison turned inward, and he studied his private universe at home with a Polaroid camera. At all times his photography reveals an artist steeped in modernist thinking who embraced experimentation to interpret the world around him, particularly Black life in America. In a 1956 letter to fellow writer Albert Murray, Ellison underscored photography’s importance to his creative process: “You know me, I have to have something between me and reality when I’m dealing with it most intensely.” Accompanying the photographs in this book are several essays situating Ellison’s work within his broader career as a writer, as well an excerpt from his 1977 essay “The Little Man at Chehaw Station: The American Artist and His Audience.”
Ralph Ellison was born in Oklahoma City in 1913. His love of music led him to enroll at Booker T. Washington’s Tuskegee Institute in Macon County, Alabama, as a music major. In 1936 he visited New York City, where he befriended established authors and intellectuals who encouraged him to pursue a career in writing. He joined the Federal Writers’ Project and began contributing essays and short stories for publications such as New Masses, The Negro Quarterly, New Republic and Saturday Review. By 1945 he had signed a contract to write what was to become Invisible Man (1952); it won the National Book Award in 1953 but remained his only novel published during his lifetime. He published two subsequent collections of essays, Shadow and Act (1964) and Going to the Territory (1986). For many years Ellison worked on a second novel, which he never completed; its central narrative was published posthumously as Three Days Before the Shooting... (2010). Ellison died in 1994.

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

‘Johnson is a leading voice of his generation.’ – New York Times

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.

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Illuminates how the Rastafari movement managed to evolve in the face of severe biases

Misunderstood, misappropriated, belittled: though the Rastafari feature frequently in media and culture, they have most often been misrepresented, their political and religious significance minimized. But they have not been vanquished.

Charles Price’s Rastafari: The Evolution of a People and Their Identity reclaims the rich history of this relatively new world religion. Charting its humble and rebellious roots in Jamaica’s backcountry in the late nineteenth century to the present day, Price explains how Jamaicans’ obsession with the Rastafari wavered from campaigns of violence to appeasement and cooptation. Indeed, he argues that the Rastafari as a political, religious, and cultural movement survived the biases and violence they faced through their race consciousness and uncanny ability to ride the waves of anti-colonialism and Black Power.

This social movement traveled throughout the Caribbean, Africa, Central America, and the United States, capturing the heart and imagination of much of the African diaspora. Rastafari spans the movement’s struggle for autonomy, its multiple campaigns for repatriation to Africa, and its leading role in the Black consciousness movements of the twentieth century. Not satisfied with simply narrating the past, Rastafari also takes on the challenges of gender equality and the commodification of Rastafari culture in the twenty-first century without abandoning its message of equality and empowering the downpressed.

Rastafari shows how this cultural and political context helped to shape the development of a Black collective identity, demonstrating how Rastafarians confronted society-wide ridicule and oppression and emerged prouder and more united, steadfast in their conviction that they were a chosen people.

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A revolutionary new educational model that encourages educators to provide spaces for students to display their academic brilliance without sacrificing their identities

Building on the ideas introduced in his New York Times best-selling book, For White Folks Who Teach in the Hood, Christopher Emdin introduces an alternative educational model that will help students (and teachers) celebrate ratchet identity in the classroom. Ratchetdemic advocates for a new kind of student identity—one that bridges the seemingly disparate worlds of the ivory tower and the urban classroom.

Because modern schooling often centers whiteness, Emdin argues, it dismisses ratchet identity (the embodying of “negative” characteristics associated with lowbrow culture, often thought to be possessed by people of a particular ethnic, racial, or socioeconomic status) as anti-intellectual and punishes young people for straying from these alleged “academic norms,” leaving young people in classrooms frustrated and uninspired. These deviations, Emdin explains, include so-called “disruptive behavior” and a celebration of hip-hop music and culture.

Emdin argues that being “ratchetdemic,” or both ratchet and academic (like having rap battles about science, for example), can empower students to embrace themselves, their backgrounds, and their education as parts of a whole, not disparate identities. This means celebrating protest, disrupting the status quo, and reclaiming the genius of youth in the classroom.