Celebrating the Centenary of James Baldwin's birth, a box set of Baldwin's principal novels, featuring Go Tell It on the Mountain, Giovanni's Room, and If Beale Street Could Talk.

These deluxe editions feature new introductions by Roxane Gay, Kevin Young, and Brit Bennett.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood. With lyrical precision and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. One of the first novels to openly explore the theme of homosexuality, it paved the way for generations of gay and lesbian novelists.

And If Beale Street Could Talk is a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime --a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published.

This stunningly designed slipcase with art by Baldwin's friend and contemporary Beauford Delaney will make the perfect perennial gift and keepsake.

Toni Morrison's definitive edition of James Baldwin's incomparable nonfiction.

Contains all the major essays collections in their entirety, plus 36 uncollected essays.

James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published.

With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political.

The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin's reputation as a writer who fused unblinking realism and rare verbal eloquence. His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin's own experience, of a preacher's son coming of age in 1930's Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as "an attempt to exorcise something, to find out what happened to my father, what happened to all of us." Giovanni's Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America's racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin's most ambitious novel. Going to Meet the Man (1965) collects Baldwin's short fiction, including the masterful "Sonny's Blues," the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: "For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness."

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.

The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and ’70s.

With such landmark novels as Go Tell It on the Mountain, Giovanni’s Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and ’70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too “pessimistic” for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion—for music, for justice, for life—and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Never before available, the unexpurgated last interview with James Baldwin

“I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only.” When, in the fall of 1987, the poet Quincy Troupe traveled to the south of France to interview James Baldwin, Baldwin’s brother David told him to ask Baldwin about everything—Baldwin was critically ill and David knew that this might be the writer’s last chance to speak at length about his life and work.

The result is one of the most eloquent and revelatory interviews of Baldwin’s career, a conversation that ranges widely over such topics as his childhood in Harlem, his close friendship with Miles Davis, his relationship with writers like Toni Morrison and Richard Wright, his years in France, and his ever-incisive thoughts on the history of race relations and the African-American experience.

Also collected here are significant interviews from other moments in Baldwin’s life, including an in-depth interview conducted by Studs Terkel shortly after the publication of Nobody Knows My Name. These interviews showcase, above all, Baldwin’s fearlessness and integrity as a writer, thinker, and individual, as well as the profound struggles he faced along the way.

A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view • From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

"A gratifying romance between kind, confident, deserving leads." ―Kirkus Reviews

A single mom gets a second chance at love with her high school sweetheart.

Wary of love after divorce, Janae Sanders focuses on the best things in her life: her son James and her besties in the Savvy, Sexy, and Single Club. As for romance? Not today, Satan. That is, until high school heartthrob Adam Henderson crashes back into her life at their 20-year reunion. Sparks fly, but just when Janae considers dating again, the new superintendent of James’ school district slashes his beloved arts program. Instead of getting her groove back, Janae gets her protest on.

Returning home after twenty years, Adam jumps at the chance to reacquaint himself with Janae, the one who got away. But he’s nearly reached his limit, juggling a meddling father, school politics, and―unbeknownst to him―Janae’s ire. If he can’t get the head of the PTA off his back after cutting programs that were costing the district money, his debut role as superintendent and his love life hang in the balance.

When a school board meeting is called and they both realize they’ve been dating the enemy, Janae gives Adam two choices: restore the program or lose her. Adam proposes a third option: one weekend at his cabin to talk it all out―funding the arts, and old feelings too. When her girls cheer her on, Janae must decide if she’s willing to risk it all. Armed with sass, sarcasm, and a suitcase full of emotional baggage, Janae and Adam discover that sometimes love shows up in the most infuriating and unexpectedly sexy ways.

The bookclub meeting will take place on January 25, 2024 at 7 PM in The Reading Room (inside The Post). Be sure to show up with the book read (or partially read) but you are always welcome to just come and take up space. 

ABOUT THE BOOK

Disrupt and push back against capitalism and white supremacy. In this book, Tricia Hersey, aka The Nap Bishop, encourages us to connect to the liberating power of rest, daydreaming, and naps as a foundation for healing and justice.

What would it be like to live in a well-rested world? Far too many of us have claimed productivity as the cornerstone of success. Brainwashed by capitalism, we subject our bodies and minds to work at an unrealistic, damaging, and machine‑level pace –– feeding into the same engine that enslaved millions into brutal labor for its own relentless benefit.

In Rest Is Resistance, Tricia Hersey, aka the Nap Bishop, casts an illuminating light on our troubled relationship with rest and how to imagine and dream our way to a future where rest is exalted. Our worth does not reside in how much we produce, especially not for a system that exploits and dehumanizes us. Rest, in its simplest form, becomes an act of resistance and a reclaiming of power because it asserts our most basic humanity. We are enough. The systems cannot have us.

Rest Is Resistance is rooted in spiritual energy and centered in Black liberation, womanism, somatics, and Afrofuturism. With captivating storytelling and practical advice, all delivered in Hersey’s lyrical voice and informed by her deep experience in theology, activism, and performance art, Rest Is Resistance is a call to action, a battle cry, a field guide, and a manifesto for all of us who are sleep deprived, searching for justice, and longing to be liberated from the oppressive grip of Grind Culture.

BOOK CLUB MEETING DEETS

When: Thursday, January 30 @ 7 PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Fiction Book Club!

ABOUT SONG OF SOLOMON

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

BOOK CLUB MEETING DEETS

When: Wednesday, January 29 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Romance Book Club!

ABOUT THEY CAME BEFORE COLUMBUS

They Came Before Columbus reveals a compelling, dramatic, and superbly detailed documentation of the presence and legacy of Africans in ancient America. Examining navigation and shipbuilding; cultural analogies between Native Americans and Africans; the transportation of plants, animals, and textiles between the continents; and the diaries, journals, and oral accounts of the explorers themselves, Ivan Van Sertima builds a pyramid of evidence to support his claim of an African presence in the New World centuries before Columbus.
 
Combining impressive scholarship with a novelist’s gift for storytelling, Van Sertima re-creates some of the most powerful scenes of human history: the launching of the great ships of Mali in 1310 (two hundred master boats and two hundred supply boats), the sea expedition of the Mandingo king in 1311, and many others. In They Came Before Columbus, we see clearly the unmistakable face and handprint of black Africans in pre-Columbian America, and their overwhelming impact on the civilizations they encountered.

BOOK CLUB MEETING DEETS

When: Tuesday, January 16 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Romance Book Club!

ABOUT REEL

Neevah Saint is ready for the spotlight. After months as an understudy, this is her night to shine. She never imagined he would be in the audience. Canon Holt. Famous film director. Fascinating. Talented. Fine.

Before she can catch her breath, everything is changing. Neevah goes from backstage Broadway to center stage Hollywood. From being unknown, to having her name on everyone’s lips when Canon casts her as the lead in a star-studded Harlem Renaissance biopic.

But forbidden attraction, scandal, and circumstances beyond Neevah’s control soon put her dream in jeopardy. Could this one shot—the role of a lifetime, the love of a lifetime—cost her everything?

We're meeting to discuss The Girls Who Grew Big by Leila Mottley!

BOOK CLUB MEETING DEETS

When: Thursday, January 22 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT THE GIRLS WHO GREW BIG

We're meeting to discuss In Deadly Company by L.S. Stratton!

BOOK CLUB MEETING DEETS

When: Tuesday, January 27 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT  IN DEADLY COMPANY

We're meeting to discuss A Fighting Dream: The Political Writings of Claudia Jones by Claudia Jones!

BOOK CLUB MEETING DEETS

When: Tuesday, January 20 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT A FIGHTING DREAM

We're meeting to discuss The Echo of Forever by Asia Monique!

BOOK CLUB MEETING DEETS

When: Tuesday, January 13 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT THE ECHO OF FOREVER

Benjamin "Chappie" Puttbutt, a black juior professor at the overwhelmingly white Jack London College, lusts after tenure and its glorious perks (including a house in the Oakland Hills). He spends most of his time trying to divine the ideological climate of the school and obligingly adapting his beliefs to it. When Puttbutt's mysterious Japanese tutor, who promises to teach him Japanese by spring, suddenly becomes the school's new president and appoints Puttbutt as academic dean, the fun really begins—for Puttbutt sets out to stir things up and settle old scores.

Turning every contemporary political and social movement on its head—from feminism to nationalism to jingoism—this boistrois and irreverent novel manages to be by turns hilarious and totally serious.

"One of the funniest satires of university politics I've ever read. Ishmael Reed is funnier than Norman Mailer or Gore Vidal." —Leslie Marmon Silko

"Reed is, as always, an American original; a wiseguy whose wisdom is the real thing," —The Boston Sunday Globe

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.

October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the house: no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.

October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible omen: a young foreign man who appears outside her window.

One of these people is a ghost, and one of these stories is a lie.

Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Hit the ground running with all five books in Jason Reynolds’s award-winning and New York Times bestselling Track series, now available together in one hardcover boxed set.

Ghost. Patina. Sunny. Lu. A fast and fiery group of kids from wildly different backgrounds, chosen to compete on an elite track team. They all have a lot to lose, a lot to gain, and, most of all, a lot to prove, not only to each other, but to themselves. Under the caring yet firm-handed guidance of their coach, however, they may achieve more than they ever dreamed possible.

Here are all their stories, even Coach’s from when he was a boy coming into his own as a track superstar, in this explosive five-book series.

This hardcover boxed set includes:
Ghost
Patina
Sunny
Lu
Coach

Race through Jason Reynolds’s New York Times bestselling Track series, now in a complete boxed set.

Ghost. Patina. Sunny. Lu. A fast but fiery group of kids from wildly different backgrounds, chosen to compete on an elite track team. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves. Discover each of their stories in this complete collection of Jason Reynolds’s explosive New York Times bestselling Track series.

This collection includes:
Ghost
Patina
Sunny
Lu

All Aboard! The sequel to Jax Freeman and the Phantom Shriek has pulled into the station!

From the award-winning author of the best-selling Tristan Strong trilogy comes a magical series about a special boy who is granted summoning powers from his ancestors.

Seventh grader Jackson "Jax" Freeman recently learned two important facts: one, he's a summoner—someone who can call on the magical powers of his ancestors to help him do amazing things—and two, he isn’t the only person with this ability.

After much training, Jax and four of his summoner classmates from DuSable Middle school in Chicago are thrust into a competition called the Tournament of Spirits where they'll face the most skilled summoners from around the world.

But while everyone is focused on winning, Jax is given a special side quest by the elders of the four magical families: he has to spy on each of the competitors—including his own teammates—in order to uncover who is releasing endangered, and very dangerous, cryptids into the arena.

Can Jax take the top spot in the tournament and save himself and his friends from a mysterious foe?

Kwame Mbalia's incredible imagination and world-building talents are on full display in this thrilling adventure that's packed with magic, friendship, non-stop action, and a lot of heart.

Jayylen is extra excited for Christmas this year. His brother Manuel, who is serving in the Army, will be home for the first time in three years! But when Momma gets the call that Manuel won't be able to make it because he's needed on base in Alaska, Jayylen doesn't know what to do. Can he figure out a way for the whole family to be together?

This workshop invites participants into a deep, reflective process, one that uses jazz as a portal into memory, personal truth, and ancestral presence. Through layered prompts and intentional pacing, it creates space to explore the quiet corners of the self, to name what’s been buried, and to reconnect with the parts of our history that often go unspoken. 

A vital and surprising hardcover collection of poems about, and inspired by, jazz music. AN EVERYMAN'S LIBRARY POCKET POET. Selected and Edited by Kevin Young.

Ever since its first flowering, jazz has had a powerful influence on American poetry; this scintillating anthology offers a treasury of poems that are as varied and as vital as the music that inspired them.

From the Harlem Renaissance to the beat movement, from the poets of the New York school to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force—one that Jazz Poems makes palpable. We hear it in the poems of Langston Hughes, E. E. Cummings, William Carlos Williams, Frank O’Hara, and Gwendolyn Brooks, and in those of Yusef Komunyakaa, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty, William Matthews, and C. D. Wright. Here are poems that pay tribute to jazz’s great voices, and poems that throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration.

Includes:

• “Jazz Band in a Parisian Cabaret” by Langston Hughes
• “God Bless the Child” by Billie Holiday and Arthur Herzog, Jr.
• “Jazz Fantasia” by Carl Sandburg
• “Ol’ Bunk’s Band” by William Carlos Williams
• “We Real Cool” by Gwendolyn Brooks
• “Chasing the Bird” by Robert Creeley
• “Victrola” by Robert Pinsky
• “Pres Spoke in a Language” by Amiri Baraka
• “The Day Lady Died” by Frank O’Hara
• “Art Pepper” by Edward Hirsch
• “Snow” by Billy Collins
 
Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

An affordable, compact primer on the artist who drastically shifted the course of late 20th-century art

This reader provides a concise introduction to the widely popular yet oft-misunderstood artist Jean-Michel Basquiat. Guided by the steady hand of Basquiat scholar Larry Warsh, it is one of the few books of this kind to be directly approved by the artist’s estate and family: a notable distinction amid all of the buzz.
Jean-Michel Basquiat Handbook begins with a portrait of the young Basquiat, from his years as a precocious child in Brooklyn, to his rebellious teenagedom, to his meteoric rise in fame, to his tragic early death. The book then discusses the development of his groundbreaking style through the recurrent themes of his practice: urban life, the human figure, music and sports, to name just a few. The backend of the book provides a sampling of sketches from Basquiat’s notebooks, a chronology and incisive essays from scholars Henry Geldzahler and Henry Louis Gates Jr.
One of the first African American artists to reach international stature and wealth in the art world, Jean-Michel Basquiat (1960–88) was celebrated for his fusion of multicultural symbols, social commentary and distinctive graphic style. He has been the subject of numerous exhibitions across the globe, and his work is included in the collections of the Museum of Modern Art, New York, the Whitney Museum of American Art and the Broad Contemporary Art Museum, among many others.

Naomi has always felt different-like she doesn't belong at home, at school, or anywhere at all. No matter how hard she tries, she just can't seem to fit in.

One night, after feeling especially discouraged, Naomi drifts off to sleep and finds herself in a surprising place. There, she meets someone who reminds her of a powerful truth: God created her on purpose and for a purpose.

Through this heartwarming story, young readers will be reminded that they are wonderfully made, deeply loved, and uniquely gifted by God. Naomi's Journey encourages children to embrace who they are, stop comparing themselves to others, and discover the beauty of the gifts God has placed inside of them.

Perfect for children ages 5-12, this book is filled with hope and encouragement that will inspire kids to see themselves the way God does-special, chosen, and enough.

The first major publication on Baltimore-based painter Jerrell Gibbs, whose contemplative portraits of Black sitters thrum with a vivid sense of place and reflect the complexity and emotional depth of everyday Black life.

This book captures a prolific period of self-examination and observation for contemporary artist Jerrell Gibbs (b. 1988). Known for his luminously rendered, expressionistic oil paintings, Gibbs uses the figure as a dynamic and recurring motif to explore themes of Black masculinity, fatherhood, legacy, and remembrance.

Drawing from archival family photographs, Gibbs emphasizes placement, size, and proportion, blending intimate mark-making with bold painterly gestures. By complicating and subverting visual stereotypes, Gibbs engages deeply with the materiality of painting, offering tender, emotionally evocative portrayals of Black men as husbands, fathers, brothers, and sons. These allegorical and autobiographical works underscore quiet moments of joy, sorrow, and beauty as vital components of Black life. Additionally, commissioned portraits of such figures as Elijah Cummings and August Wilson are juxtaposed with allegorical figures from Gibbs’s dreams, reflecting his growth as an artist and individual. Gibbs’s work offers a fresh approach to painting the human form, following in the footsteps of other Black figurative painters Kerry James Marshall, Henry Taylor, and Amy Sherald.