Strategies to Help Blackwomen Succeed in the Corporate Workplace Culture

"What a gift to Black women in the workplace!…For those committed to challenging stereotypes and enhancing workplace inclusion, this book is a must-read." —Dana Brownlee, Forbes Careers senior contributor

#1 Best Seller in Women & Business and Business Etiquette

I'm Not Yelling is a strategy guide empowering Black businesswomen to combat workplace discrimination, redefine workplace culture, and find their voices in toxic work environments.

Navigate corporate America fearlessly. Explore the data and hear the accounts of Black women in business who face, work through, and rise above workplace discrimination. This book offers a blueprint for Black women in business to tackle a toxic work environment and assert their rightful place. Facing obstacles such as imposter syndrome and structural racism, I'm Not Yelling arms you with the knowledge and strategy needed to succeed in the face of adversity.

Become a strong Black leader and instill positive change in the workplace culture. I'm Not Yelling is your guide to understanding and implementing changes in human resource management that promote diversity and inclusion. Celebrate the significance of Black History Month, define racism in its subtle and overt forms, and emerge as a beacon of strength and resilience.

Inside discover:

• Proven strategies to navigate a toxic work environment, enhancing your professional resilience
• Insightful perspectives on black feminism and its role in shaping successful black businesswomen
• Effective techniques for influencing human resource management, fostering a diverse and inclusive workplace culture
• Empowering narratives on overcoming workplace discrimination

If you have read books like Black Women Will Save the World, We Should All Be Millionaires, The Light We Carry, White Women, or Your Next Level Life, then you’ll love I'm Not Yelling: A Black Woman’s Guide to Navigating the Workplace.

Created by real-life rivals and #1 New York Times bestselling authors Kwame Alexander and Jerry Craft this hilarious illustrated story features two talented fifth graders going head-to-head in a competition for the ages.

J and K are the most creative fifth graders at Dean Ashley Public School (DAPS). J loves to draw and his wordless stories are J-ENIUS! K loves to write and his stories are K-LASSIC!! Both J and K are determined to win the DAPS annual creative storytelling contest or at least get in the top five. And when they find out that they are both entering The Contest, it's the beginning of one of the most intense rivalries the world has ever seen.
 
It’s artist vs. writer with plenty of shady double crosses as J and K plot their way to the top. This epic match-up from Newbery medal winners Kwame Alexander (The Crossover) and Jerry Craft (New Kid) celebrates comics, creativity, and the magic of collaboration.

Eight-year-old kid barber J.D. joins forces with his sister, who has beauty shop dreams, in this hilarious illustrated chapter book and follow-up to J.D. and the Great Barber Battle.

J.D. is a barber battle champion. He's graduated from home haircuts to having a regular chair at the neighborhood shop, Hart and Son, and he's making enough money to keep his candy jar stocked and his comic book collection growing. And yet, J.D. knows it's time for his next challenge. He doesn't just want to be the best barber in Meridian, Mississippi—he wants to be the best barber in the state . . . and maybe the country! When his older sister, Vanessa, starts to gain a following online for her hair tutorials, the kids decide that to truly level up, they must join forces. How do two siblings with big personalities, big ambitions, and competitive spirits work together (or not) to take over the hair world?

Check out the other chapter books in the J.D. the Kid Barber series:
J.D. and the Great Barber Battle
J.D. and the Hair Show Showdown

Eight-year-old J.D. turns a tragic home haircut into a thriving barber business in this hilarious new illustrated chapter book series

J.D. has a big problem--it's the night before the start of third grade and his mom has just given him his first and worst home haircut. When the steady stream of insults from the entire student body of Douglass Elementary becomes too much for J.D., he takes matters into his own hands and discovers that, unlike his mom, he's a genius with the clippers. His work makes him the talk of the town and brings him enough hair business to open a barbershop from his bedroom. But when Henry Jr., the owner of the only official local barbershop, realizes he's losing clients to J.D., he tries to shut him down for good. How do you find out who's the best barber in all of Meridian, Mississippi? With a GREAT BARBER BATTLE!

From the hilarious and creative mind of J. Dillard, an entrepreneur, public speaker, and personal barber, comes a new chapter book series with characters that are easy to fall for and nearly impossible to forget. Akeem S. Roberts' lively illustrations make this series a must-buy for reluctant readers.

2021 New York Public Library Best Books
2021 Chicago Public Library Best Books
2021 School Library Journal Best Books
2022-2023 Texas Bluebonnet Award Master List
2022 NCTE Charlotte Huck Award Honor

When it comes to Jabari Hicks, competition is non-existent. With a keen focus on securing a championship ring, Jabari’s only compettion is himself. On the court he is deadly, off the court he’s a protector and as a Lord, he’s fierce and loyal.

Kinnidi Trent has a light that illuminates the dark spaces of her mind, but she can’t completely shine until she lands in a place of peace. When she escapes the restraints that stifle her creativity and happiness, Kinnidi finds herself in the right place at the right time.

Tattoos and tortured souls. Loyalty and protection.

The game is like love full of passion teamwork and moments that take your breath away.

In this magical middle grade fantasy perfect for fans of The Marvellers and Amari and the Night Brothers, a shy boy must step up and become his own hero after his best friend disappears at a magical school.

Jaden and Elijah have been best friends since they were born. They're so close that Jaden doesn't even mind that he's constantly living in talented, high-achieving Elijah's shadow-well, he doesn't mind much.

But then Elijah disappears, leaving behind nothing but a cryptic note asking for Jaden's help. The next day, Jaden is invited to attend Elijah's fancy private boarding school. Only, it turns out it's not a boarding school at all. It's a school for magic! Somehow, before Elijah vanished, he used his note to transfer part of his own magic into Jaden-a feat that is supposed to be impossible.

Determined to find his friend, Jaden agrees to attend the school and learn to control his new powers. But a sinister force is threatening to destroy the whole magical world. And if Jaden doesn't stop it, he'll be the next to disappear.

A transformative love story about two best friends who fall for each other, fall apart, and try to find their way back together in their tight-knit British-Jamaican community.

South London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed.

Daphne’s attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic, and they form an intense bond. As they navigate growing up in a volatile, rapidly changing city, their families become close, and their friendship begins to shift into something more complicated. When Connie reveals that he and his mother “nuh land”—meaning they’re in England illegally—Daphne realizes that she is dangerously entangled in Connie’s fragile home life. Soon, long-buried secrets in both families threaten to tear them apart permanently.

Spanning one tumultuous decade, from the industrial docklands of the Thames to the sandy beaches of Calabash Bay, Jamaica Road is a deftly plotted and emotionally expansive debut novel about race and class, the family you’re born with and the family you choose, and the limits of what true love can really conquer.

The first full-length monograph of Houston-based visual artist Jamal Cyrus (born 1973), this publication features an overview of Cyrus’ practice of cobbling modern artifacts that trace the evolution of Black identity as it migrates across the African Diaspora, Middle Passage, jazz age and civil rights movements from the 1960s to now.
Published to accompany Cyrus’ first career survey exhibition at the Blaffer Art Museum, the catalog includes materially diverse and conceptually charged textile-based pieces, assemblages, performances, installations, paintings and works on paper produced in the past two decades, including his ongoing Pride Records installation series.

Together, these multidisciplinary artworks demonstrate Cyrus’ commemoration, translation and reactivation of sociopolitical struggles in African American history—forging a revised chronicle of histories, hybridity and redemption.

"A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written."—Alice Walker, author of The Color Purple

More relevant today than it was 36 years ago, the wisdom of Jambalaya reconnects us to the natural and spiritual world, and the centuries-old traditions of African ancestors, whose voices echo through time, guiding us and blending with our own.

Referencing everything from Erykah Badu to ancient Egyptian deities, Jamea Richmond-Edwards creates a brilliant multimedia panorama of Black history

Detroit–based artist Jamea Richmond-Edwards (born 1982) creates work in dialogue with Afrofuturism, mythology, history and Black fashion. Her vibrantly colored canvases take inspiration from the AfriCOBRA collective and are layered with collage and portraiture. This catalog follows her largest solo museum exhibition to date, at the Museum of Contemporary Art, North Miami, and features a monumental painting, several large-scale paintings and a newly commissioned film. Using glitter, fabric and soft sculpture, these paintings depict the artist and her family reimagined as Egyptian deities, encountering dragons and paying homage to Indigenous leaders. The film Ancient Future uses a majorette performance superimposed against the cosmos activated by an experimental jazz soundtrack in collaboration with Richmond-Edwards’ son. The catalog features a selection of stills from the film and a gatefold of the new monumental work.

Photo albums from the archives of the iconic chronicler of New York's 1980s rap, hip-hop and Black culture

The influential Brooklyn-based photographer Jamel Shabazz has been making portraits of New Yorkers for more than 40 years, creating an archive of cultural shifts and struggles across the city. His portraits of different communities underscore the street as a space for self-presentation, whether through fashion or pose. In every instance Shabazz aims, in his words, to represent individuals and communities with “honor and dignity.” This book—awarded the Gordon Parks Foundation/Steidl Book Prize—presents, for the first time, Shabazz’s work from the 1970s to ’90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.
Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates. This book features selections from over a dozen albums, many previously unseen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz’s work within the broader history of photography.
Born and raised in Brooklyn, Jamel Shabazz (born 1960) picked up his first camera at the age of 15 and began documenting his communities, inspired by photographers such as Leonard Freed, James Van Der Zee and Gordon Parks. His work has been featured in numerous solo and group exhibitions, including those at the Brooklyn Museum, the Studio Museum in Harlem, the J. Paul Getty Museum and the Victoria and Albert Museum. Shabazz is the author of Back in the Days (2001) and Sights in the City (2017).

Celebrating the Centenary of James Baldwin's birth, a box set of Baldwin's principal novels, featuring Go Tell It on the Mountain, Giovanni's Room, and If Beale Street Could Talk.

These deluxe editions feature new introductions by Roxane Gay, Kevin Young, and Brit Bennett.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood. With lyrical precision and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. One of the first novels to openly explore the theme of homosexuality, it paved the way for generations of gay and lesbian novelists.

And If Beale Street Could Talk is a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime --a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published.

This stunningly designed slipcase with art by Baldwin's friend and contemporary Beauford Delaney will make the perfect perennial gift and keepsake.

Toni Morrison's definitive edition of James Baldwin's incomparable nonfiction.

Contains all the major essays collections in their entirety, plus 36 uncollected essays.

James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published.

With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political.

The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin's reputation as a writer who fused unblinking realism and rare verbal eloquence. His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin's own experience, of a preacher's son coming of age in 1930's Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as "an attempt to exorcise something, to find out what happened to my father, what happened to all of us." Giovanni's Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America's racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin's most ambitious novel. Going to Meet the Man (1965) collects Baldwin's short fiction, including the masterful "Sonny's Blues," the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: "For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness."

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.

The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and ’70s.

With such landmark novels as Go Tell It on the Mountain, Giovanni’s Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and ’70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too “pessimistic” for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion—for music, for justice, for life—and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Never before available, the unexpurgated last interview with James Baldwin

“I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only.” When, in the fall of 1987, the poet Quincy Troupe traveled to the south of France to interview James Baldwin, Baldwin’s brother David told him to ask Baldwin about everything—Baldwin was critically ill and David knew that this might be the writer’s last chance to speak at length about his life and work.

The result is one of the most eloquent and revelatory interviews of Baldwin’s career, a conversation that ranges widely over such topics as his childhood in Harlem, his close friendship with Miles Davis, his relationship with writers like Toni Morrison and Richard Wright, his years in France, and his ever-incisive thoughts on the history of race relations and the African-American experience.

Also collected here are significant interviews from other moments in Baldwin’s life, including an in-depth interview conducted by Studs Terkel shortly after the publication of Nobody Knows My Name. These interviews showcase, above all, Baldwin’s fearlessness and integrity as a writer, thinker, and individual, as well as the profound struggles he faced along the way.

A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view • From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

The bookclub meeting will take place on January 25, 2024 at 7 PM in The Reading Room (inside The Post). Be sure to show up with the book read (or partially read) but you are always welcome to just come and take up space. 

ABOUT THE BOOK

Disrupt and push back against capitalism and white supremacy. In this book, Tricia Hersey, aka The Nap Bishop, encourages us to connect to the liberating power of rest, daydreaming, and naps as a foundation for healing and justice.

What would it be like to live in a well-rested world? Far too many of us have claimed productivity as the cornerstone of success. Brainwashed by capitalism, we subject our bodies and minds to work at an unrealistic, damaging, and machine‑level pace –– feeding into the same engine that enslaved millions into brutal labor for its own relentless benefit.

In Rest Is Resistance, Tricia Hersey, aka the Nap Bishop, casts an illuminating light on our troubled relationship with rest and how to imagine and dream our way to a future where rest is exalted. Our worth does not reside in how much we produce, especially not for a system that exploits and dehumanizes us. Rest, in its simplest form, becomes an act of resistance and a reclaiming of power because it asserts our most basic humanity. We are enough. The systems cannot have us.

Rest Is Resistance is rooted in spiritual energy and centered in Black liberation, womanism, somatics, and Afrofuturism. With captivating storytelling and practical advice, all delivered in Hersey’s lyrical voice and informed by her deep experience in theology, activism, and performance art, Rest Is Resistance is a call to action, a battle cry, a field guide, and a manifesto for all of us who are sleep deprived, searching for justice, and longing to be liberated from the oppressive grip of Grind Culture.

BOOK CLUB MEETING DEETS

When: Thursday, January 30 @ 7 PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Fiction Book Club!

ABOUT SONG OF SOLOMON

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

BOOK CLUB MEETING DEETS

When: Wednesday, January 29 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Romance Book Club!

ABOUT THEY CAME BEFORE COLUMBUS

They Came Before Columbus reveals a compelling, dramatic, and superbly detailed documentation of the presence and legacy of Africans in ancient America. Examining navigation and shipbuilding; cultural analogies between Native Americans and Africans; the transportation of plants, animals, and textiles between the continents; and the diaries, journals, and oral accounts of the explorers themselves, Ivan Van Sertima builds a pyramid of evidence to support his claim of an African presence in the New World centuries before Columbus.
 
Combining impressive scholarship with a novelist’s gift for storytelling, Van Sertima re-creates some of the most powerful scenes of human history: the launching of the great ships of Mali in 1310 (two hundred master boats and two hundred supply boats), the sea expedition of the Mandingo king in 1311, and many others. In They Came Before Columbus, we see clearly the unmistakable face and handprint of black Africans in pre-Columbian America, and their overwhelming impact on the civilizations they encountered.

BOOK CLUB MEETING DEETS

When: Tuesday, January 16 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Romance Book Club!

ABOUT REEL

Neevah Saint is ready for the spotlight. After months as an understudy, this is her night to shine. She never imagined he would be in the audience. Canon Holt. Famous film director. Fascinating. Talented. Fine.

Before she can catch her breath, everything is changing. Neevah goes from backstage Broadway to center stage Hollywood. From being unknown, to having her name on everyone’s lips when Canon casts her as the lead in a star-studded Harlem Renaissance biopic.

But forbidden attraction, scandal, and circumstances beyond Neevah’s control soon put her dream in jeopardy. Could this one shot—the role of a lifetime, the love of a lifetime—cost her everything?

Benjamin "Chappie" Puttbutt, a black juior professor at the overwhelmingly white Jack London College, lusts after tenure and its glorious perks (including a house in the Oakland Hills). He spends most of his time trying to divine the ideological climate of the school and obligingly adapting his beliefs to it. When Puttbutt's mysterious Japanese tutor, who promises to teach him Japanese by spring, suddenly becomes the school's new president and appoints Puttbutt as academic dean, the fun really begins—for Puttbutt sets out to stir things up and settle old scores.

Turning every contemporary political and social movement on its head—from feminism to nationalism to jingoism—this boistrois and irreverent novel manages to be by turns hilarious and totally serious.

"One of the funniest satires of university politics I've ever read. Ishmael Reed is funnier than Norman Mailer or Gore Vidal." —Leslie Marmon Silko

"Reed is, as always, an American original; a wiseguy whose wisdom is the real thing," —The Boston Sunday Globe

A novel of ghosts, grief and the friends who make it all ok by #1 New York Times bestselling co-author Mark Oshiro!

"Heartfelt, funny, fast-paced, and spooky―this book will indeed haunt you in all the best ways. I was hooked from page one!"
―Rick Riordan, New York Times #1 best-selling author of the Percy Jackson and the Olympians series

Jasmine Garza has a problem: a ghost has been following her for years, ever since her Papi died. Not that Mami will admit anything supernatural is going on. But even the ghost she won’t acknowledge makes real trouble, so Jasmine and her mami are moving (again) to a new apartment in East Hollywood. This time Jasmine is committed to living a normal life with normal friends.

Enter: Bea Veracruz and Jorge Barrera. They’re the only two members of Jasmine's middle school's Gay Straight Alliance and they’re already obsessed with all things supernatural. Bea wants to prove herself to her paranormal investigator parents and Jorge is determined to overcome his fear of the beyond. And when Jasmine confesses she’s been tormented by a ghost for years, they not only believe her, they’re thrilled!

Together they set out to prove that Jasmine’s not just acting out after her father’s death–ghosts are real and Jasmine is haunted. But not everyone agrees how to deal with the departed. As Jasmine’s hauntings increase in intensity, her resentment builds. Why is her Mami so secretive about her past? Why is she the center of such a terrible vortex of supernatural activity? And why hasn’t her Papi ever reached out to her since he passed?

In order to face her ghosts―both internal and external―Jasmine must come to terms with her own history.

Race through Jason Reynolds’s New York Times bestselling Track series, now in a complete boxed set.

Ghost. Patina. Sunny. Lu. A fast but fiery group of kids from wildly different backgrounds, chosen to compete on an elite track team. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves. Discover each of their stories in this complete collection of Jason Reynolds’s explosive New York Times bestselling Track series.

This collection includes:
Ghost
Patina
Sunny
Lu

All Aboard! The sequel to Jax Freeman and the Phantom Shriek has pulled into the station!

From the award-winning author of the best-selling Tristan Strong trilogy comes a magical series about a special boy who is granted summoning powers from his ancestors.

Seventh grader Jackson "Jax" Freeman recently learned two important facts: one, he's a summoner—someone who can call on the magical powers of his ancestors to help him do amazing things—and two, he isn’t the only person with this ability.

After much training, Jax and four of his summoner classmates from DuSable Middle school in Chicago are thrust into a competition called the Tournament of Spirits where they'll face the most skilled summoners from around the world.

But while everyone is focused on winning, Jax is given a special side quest by the elders of the four magical families: he has to spy on each of the competitors—including his own teammates—in order to uncover who is releasing endangered, and very dangerous, cryptids into the arena.

Can Jax take the top spot in the tournament and save himself and his friends from a mysterious foe?

Kwame Mbalia's incredible imagination and world-building talents are on full display in this thrilling adventure that's packed with magic, friendship, non-stop action, and a lot of heart.

Jayylen is extra excited for Christmas this year. His brother Manuel, who is serving in the Army, will be home for the first time in three years! But when Momma gets the call that Manuel won't be able to make it because he's needed on base in Alaska, Jayylen doesn't know what to do. Can he figure out a way for the whole family to be together?

This workshop invites participants into a deep, reflective process, one that uses jazz as a portal into memory, personal truth, and ancestral presence. Through layered prompts and intentional pacing, it creates space to explore the quiet corners of the self, to name what’s been buried, and to reconnect with the parts of our history that often go unspoken.