*Paperback Release Date -02/02/27*

A dedicated journalist unearths a generations-old family secret—and a connection to a string of missing girls that hits way too close to home—in this gripping debut novel.

In the wake of her grandmother's passing, Sydney Singleton finds a hidden photograph of a little girl who looks more like Sydney than her own sister or mother. She soon discovers the mystery girl in the photograph is her aunt, Carol, who was one of six North Carolina Black girls to go missing in the 1960s. For the last several decades, not a soul has talked about Carol or what really happened to her. But now, with her grandmother gone and Sydney looking to start a family of her own, she is determined to unravel the truth behind her long-lost aunt’s disappearance, and the sinister silence that surrounds her.

Unfortunately, this is familiar territory for Sydney: Years earlier, while she worked the crime beat as a journalist, her obsession with the case of another missing girl led to a psychotic break. And now, in the suffocating grip of fertility treatments and a marriage that's beginning to crumble, Sydney’s relentless pursuit for answers might just lead her down the same path of self-destruction. As she delves deeper into Carol's fate, her own troubled past reemerges, clawing its way to the surface with a vengeance. The web of secrets and lies entangling her family leaves Sydney questioning everything—her fixation on the missing girls, her future as a mom, and her trust in those she knows and loves.

Delving into family, community, secrets, and motherhood, We Don’t Talk About Carol is a gripping and deeply emotional story about overcoming the rot at the roots of our family trees—and what we’ll do for those we love.

"One day all these classrooms / will no longer hold any of us. / Leave no evidence we were here. / We exist in the whisper...." Lupe Mendez's innovative new collection captures a unique time in Houston, Texas, "a sliver of a moment for Mexican-American and Mexican communities in the early 1970s," that explores Houston ISD's racist plan to integrate schools by sending Mexican-American children--labeled as white--to predominantly African-American schools, thereby satisfying federal desegregation laws. Incensed that its children would have to travel to schools that were no better than the ones they could walk to, the Chicano community resisted by instituting a walkout, or huelga, and creating its own schools in churches, homes and neighborhood centers. Weaving poetry and history, the book contains "found" poems created from newspaper articles about the strike; oral history interviews with teachers, principals and students; notes from visits the author made to the sites where classes were held more than 50 years ago; docupoems created from official Huelga School papers; and historical documents such as photographs, charts, fliers and letters. In his illuminating notes about the book, Mendez describes the methodology for creating this collection and includes a list of best practices for the "poethnographer." His research revealed the racism that existed in this era, perpetuated by the majority white population and between brown and black populations forced to compete for every resource. Ultimately, Mendez asserts the Huelga School strike had a critical impact on Houston, both in the development of Mexican-American leaders who got their start in these "freedom schools" and the nascent collaborations between diverse communities. This creative, thought-provoking volume is a must-read for anyone interested in education, history and Mexican Americans' fight for equality.

From beloved food writer and author of the James Beard Award finalist Black Girl Baking comes a joyous cookbook that transforms everyday meals into something special and unexpected with just a few simple flourishes.

Fanciness is a mindset. It’s realizing that you can make everyday food feel special using what you likely already have on hand. It’s about seeing the act of cooking not just as another thing to do, but as a nourishing ritual to help ease away the day’s stress.

In We Fancy, Jerrelle Guy teaches you how to use pantry staples like canned beans, crackers, or a pint of vanilla ice cream, and tools like sheet pans and your air fryer, to transform typical weeknight dinners into something easy but memorable. Think: Nearly Instantaneous Risotto made with black or roasted garlic, Double-Stacked Black Bean Burgers smashed with tortilla chips, Artichokes in the Perfect Butter Wine Sauce, and Olive Oil Brownie Pudding covered with chopped nuts.

We Fancy shows that cooking is both a creative and a practical act, and in these pages with beautiful and wise writing that is meant to heal, guide and inspire, Jerrelle gives us new recipes and reasons to look forward to dinner.

A woman’s trip home reveals frightening truths in a twisty novel of murder and family secrets by the New York Times bestselling author of And Now She’s Gone and These Toxic Things.

TV writer Yara Gibson’s hometown of Palmdale, California, isn’t her first choice for a vacation. But she’s back to host her parents’ twentieth-anniversary party and find the perfect family mementos for the celebration. Everything is going to plan until Yara receives a disturbing text: I have information that will change your life.

The message is from Felicia Campbell, who claims to be a childhood friend of Yara’s mother. But they’ve been estranged for years—drama best ignored and forgotten. But Yara can’t forget Felicia, who keeps texting, insisting that Yara talk to her “before it’s too late.”

But the next day is already too late for Felicia, whose body is found floating in Lake Palmdale. Before she died, Felicia left Yara a key to a remote lakeside cabin. In the basement are files related to a mysterious tragedy, unsolved since 1998. What secrets was Felicia hiding? How much of what Yara knows about her family has been true?

The deeper Yara digs for answers, the more she fears that Felicia was right. Uncovering the truth about what happened at the cabin all those years ago will change Yara’s life—or end it.

“An important part of American history told with a clear-eyed and forceful brilliance.” —National Book Award winner Jacqueline Woodson

“We Refuse to Forget reminds readers, on damn near every page, that we are collectively experiencing a brilliance we've seldom seen or imagined…We Refuse to Forget is a new standard in book-making.” —Kiese Laymon, author of the bestselling Heavy: An American Memoir
 
A landmark work of untold American history that reshapes our understanding of identity, race, and belonging

In We Refuse to Forget, award-winning journalist Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full citizens. Thanks to the efforts of Creek leaders like Cow Tom, a Black Creek citizen who rose to become chief, the U.S. government recognized Creek citizenship in 1866 for its Black members. Yet this equality was shredded in the 1970s when tribal leaders revoked the citizenship of Black Creeks, even those who could trace their history back generations—even to Cow Tom himself.

Why did this happen? How was the U.S. government involved? And what are Cow Tom’s descendants and other Black Creeks doing to regain their citizenship? These are some of the questions that Gayle explores in this provocative examination of racial and ethnic identity. By delving into the history and interviewing Black Creeks who are fighting to have their citizenship reinstated, he lays bare the racism and greed at the heart of this story. We Refuse to Forget is an eye-opening account that challenges our preconceptions of identity as it shines new light on the long shadows of white supremacy and marginalization that continue to hamper progress for Black Americans.

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

This vibrant and irresistible board book featuring simple cut-outs and bright patterns invites babies and toddlers to explore the world through triangles.

Babies and toddlers will delight in this beautifully designed introduction to shapes. This sturdy interactive board book features bold, stylish illustrations, patterns, and precise die-cut shapes to teach little readers to observe and identify the triangles around them. Parents and children will delight in this rich reflection of Black culture that inspires curiosity and fosters creativity.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

*ships in 7-10 business days*

From the best-selling author and global feminist icon—an illustrated, guided journal containing her most powerful and inspiring quotes, as well as an introductory essay written exclusively for this publication, to help readers discover their own feminist journeys.

Her award-winning novels, including Half of a Yellow Sun and Americanah; her stirring calls to arms We Should All Be Feminists and Dear Ijeawele; her collaboration with Beyoncé; sharing the stage with Michelle Obama—each of these accomplishments has contributed to Chimamanda Ngozi Adichie’s becoming one of the most iconic feminist figures of our time.

Now, in this beautiful journal, her most inspirational words encourage you to find your own voice, to define what feminism means to you, and to tell your own story. Featuring a series of writing prompts, quotes, and important events in the history of feminism, We Should All Be Feminists: A Guided Journal promises to give readers the tools to understand feminism, as well as to empower them to become better, more confident writers and communicators.

A stunning narrative from one of the most powerful young writers at work today—We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.

Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, he and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.

Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land, as he develops his voice as a storyteller and artist in his own right. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional artform nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.

Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. Soulful, formally daring, indelible work from an important new voice.

For gentle reminders on self-love, inner growth, and seeing yourself with kindness, this empowering calendar offers daily encouragement and comfort.

Each colorful page of the We the Urban 2026 Day-to-Day Calendar: Affirmations for the Soul showcases a quote emphasizing empathetic self-acceptance from Willie Greene, creator of the beloved We the Urban community on Instagram. 

Features include:
* No single-use plastic
* Page size 4.606" x 4.606"
* Box size 5.118" x 1.339" 
* Recyclable chipboard easel backer for desk or tabletop display
* Printed on FSC® certified paper with soy-based ink
* Full-color tear-off pages
* Back of pages are blank for notes or shopping lists
* Day/Date reference on each page
* Combined weekend pages
* Official major world holidays and observances
* Inspiring quotes on self-love from Willie Greene, author of Not Sure Who Needs to Hear This, But . . .

*Ships in 7-10 business days*

We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

From island life in the Caribbean to a new beginning in France, a young man comes of age in a sweeping and lyrical novel about family, loss, secrets, and finding freedom from the past.

Eighteen-year-old Salomon Destin graduates high school and anxiously trades life on Guadeloupe in the Caribbean for France to continue his studies.

Strasbourg is his new home. He’s carving out a promising new path for himself. And most of all, he’s left behind the disorder of so much family drama, including that of a dissolute father, a mother who turns a blind eye to the chaos, his troubled and aimless brother Junior, and Salomon’s inherited obligations as peacekeeper. Although one year away, in love for the first time, and an ocean safely separating his old life and new, Salomon is pulled back to the island by the news of a tragedy. As unexpectedly comforting as Guadeloupe is―the food, music, ocean, and sun stirring up beautiful island memories―the traumas of the past remain.

Years later, while facing the echoes of family demons in his own marriage and confronting the stunning secrets and revelations to come, Salomon, and everyone he loves, must find the strength to move forward once and for all. But will freedom come with a price?

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.

*ships in 7-10 business days*

Two young girls. Two disparate stories. One unlikely friendship....

Dani comes from the richest, most famous Black family in Texas and seems to have everything a girl could want. So why does she keep using and engaging in other self-destructive behavior?

Camila’s Colombian-American family doesn’t have much, but she knows exactly what she wants out of life and works her ass off to get it. So why does she keep failing, and why does she self-harm every time she does?

When Dani and Camila find themselves rooming together at Peach Tree Hills, a treatment facility in beautiful rural Georgia, they initially think they’ll never get along—and they’ll never get better. But then they find a mysterious music box filled with letters from a former resident of PTH, and together they set out to solve the mystery of who this girl was . . . and who she’s become. The investigation will bring them together, and what they find at the end might just bring them hope.

From award-winning author Stephanie Kuehn comes a breathtaking tale of friendship and healing. Both poignant and timely, We Weren’t Looking to Be Found is complex, hopeful, and heartbreaking all at once.

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through.

“Cancel” or “call-out” culture is a source of much tension and debate in American society. The infamous "Harper’s Letter,” signed by public intellectuals of both the left and right, sought to settle the matter and only caused greater division. Originating as a way for marginalized and disempowered people to address harm and take down powerful abusers, often with the help of social media, call outs are seen by some as having gone too far. But what is “too far” when you’re talking about imbalances of power and patterns of harm? And what happens when people in social justice movements direct their righteous anger inward at one another?

In We Will Not Cancel Us, movement mediator adrienne maree brown reframes the discussion for us, in a way that points to possible paths beyond this impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes even from from its targets. However, brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us? Does it prefigure the sort of world we want to live in? And, if it doesn’t, how do we seek accountability and redress for harm in ways that reflect our values?

With an Afterword by Malkia Devich-Cyril.

Escape from grind culture and dehumanizing systems with this visionary guide from the author of the New York Times bestseller Rest Is Resistance
 
We don’t believe we are worthy of rest unless we burn ourselves out to accomplish it. Our thinking has been limited by disconnection, sleep deprivation, and the unattainable call for perfection. The systems will never give us rest. It is something we must create for ourselves and each other. 
 
Just as the North Star guided the enslaved on their journeys to freedom, visionary artist and founder of The Nap Ministry Tricia Hersey leads us to imagine a new world: one in which we subvert the narrative of productivity at all costs and embrace rest as a healing spiritual practice. 
 
Inspired by vintage hymnals, prayer books, and abolitionist pamphlets, We Will Rest! is a modern sacred object, medicine for a sick and exhausted world. Weaving together meditations and poetry with storytelling and powerful art, Hersey provokes liberation through refusal and trickster rebellion in the face of capitalism and white supremacy. 
 
There is another way. Focus on the escape. Focus on the transformation. We can just be. We are beautiful. We are enough. We are escape artists. We Will Rest!
 
 ***
 
Have you ever noticed
when you ask for rest
the body becomes a holy trumpet
the walls come tumbling down?

Essence bestselling author Kayla Perrin delivers a novel of suspense where a night of revenge turns deadly.

"I was thinking of some kind of initiation. Tailored just for her. The kind that will teach her a lesson not to mess with me."
--from We'll Never Tell

Shandra James is a man stealer. It's a sport to her, a game that she always wins. As a pledge of the exclusive Alpha Sigma Pi sorority, she should know her place, and know not to throw herself at a sister's boyfriend. But she's marked a new target: Henry Reid.

Henry's fiancée, Phoebe, and her sorority sisters, Miranda and Camille, decide to teach Shandra a lesson one night. A lesson that involves humiliation but nothing more. But unexpectedly the lesson turns deadly and the three women find themselves facing three new rules: Never mention what happened that night, protect each other, and tell no one. Yet when a murderer comes calling, they each discover that rules are meant to be broken.

We'll Never Tell is Kayla Perrin's most provocative, suspenseful novel yet.

A collection of exceptional new essays by one of the most significant contemporary writers on the world stage

Tracing a loose arc from Edwidge Danticat’s childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We’re Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.

Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so “we’re alone” is both a fearsome admission and an intimate invitation―we’re alone now, we can talk. We’re Alone is a book that asks us to think through some of the world’s intractable problems while deepening our understanding of one of the most significant novelists at work today.

Here's a humorous picture book that shows the ways in which we are all different... and how that's really cool! The kid-friendly text and vibrant illustrations explore external and internal similarities and differences through comparisons of animals, objects, and people. A perfect gift for children ages 4-8.

Do you know there's something totally cool about each of us? We're different in all kinds of ways... fun and wonderful ways!

We can be different on the outside, like a red apple and a yellow apple. But we can also be as different as apples and dogs, with different shapes, sizes, and colors.

We can be different on the inside too! We can have different emotions, different dreams, and different ways of expressing ourselves.

There are so many ways we can be different. But it’s not only okay… it’s totally cool!

With Camey Yeh’s warm text, comical comparisons, and quirky illustrations, We’re Different and It’s Totally Cool! is the perfect read-aloud book that celebrates everyone's uniqueness and all the ways we are fabulously different—inside and out!

For readers of Homegoing and Frying Plantain, a stirring intergenerational saga stretching from the Caribbean to Canada where womanhood and mothering demands what the body wants to forget.

Woven together with folklore and memory, We've Been Here Before begins with the childhood stories of Lise-Rose, who struggles with speech and coming of age in a community anchored in both West African spirituality and the Catholic Church. Lise-Rose must choose either to follow the ancestral ways of her father, who is spiritually bound to the sea, or her mother, who has rooted herself in Catholicism. The path of her life changes, however, after an encounter with a shape-shifting figure from the village.

Like Lise-Rose's ancestors, her descendants struggle to honour ancestral knowledge while living on foreign lands. Margaux, Lise-Rose's great-granddaughter, embarks on a new life with her mother in Canada. Facing racism and isolation, they attempt to establish roots in a country that seems both limitless and oppressive.

Across generations, Sodhi explores how a woman reclaims a connection to her stories and ancestors while forging her own voice.

Can Wednesday and her service dog, Woof, sniff out Mrs. Winter’s missing cat before her big trip? This is the first book of a fun full-color early chapter book series about the best detectives in the Midwest!

Detective Tip #1 Try not to jump to conclusions. Wednesday and her service dog, Woof, are the best detectives in the whole world—or at least their neighborhood. But can they find Mrs. Winters’s missing cat before her big trip? Or will the case of the cat-napped kitty be their first unsolved mystery? 

HarperChapters build confident readers one chapter at a time! With short, fast-paced books, art on every page, and milestone markers at the end of every chapter, they're the perfect next step for fans of I Can Read!

Did Wednesday’s friend really take her twin brother’s missing drone? Wednesday and her service dog, Woof, are on the case in the second book of this full-color, fully illustrated HarperChapters series.

Every book in the HarperChapters line of early chapter books sets newly independent readers up for success with short chapters, art on every page, and interactive features that celebrate progress and effort!

Detective Tip #2: Don’t forget to use your eyes, ears, and even your nose!

Wednesday’s brother’s drone went missing in their own backyard. And that can mean only one thing—the thief is one of their friends! Can the neighborhood’s newest service dog help Wednesday and Woof sniff out the bandit? Or will the case of the missing drone be a doggone disaster? 

A double mystery means double the pressure for Wednesday and Woof when a robot and a hamster go missing right before the school science fair in this full-color, fully-illustrated HarperChapters series.

Every HarperChapters early chapter book sets newly independent readers up for success with short chapters, art on every page, and interactive features that celebrate progress and effort!

Detective Tip #3: Use your imagination and stay calm! 

When a classmate’s DIY robot goes missing right before the school science fair, Detective Wednesday Nadir and her service dog, Woof, are sure they can find it…until the class hamster also disappears! Now the pressure is on! Can Wednesday and Woof use the scientific method to solve two cases at once—or will the stress cause a mess?

Using traditional techniques such as direct carving and lost-wax casting, Mosley's early works in wood and later works in bronze enter into a dance between the organic and manmade

Born in 1926 in New Castle, Pennsylvania, Thaddeus Mosley has made sculptures from wood for over six and a half decades from his home in Pittsburgh. Using only a chisel and gauge to maintain the integrity of the original log, Mosley reworks salvaged timber into monumental abstractions. Through a process of direct carving, the artist's marks respond to and rearticulate the natural gradations of the material's surface. With influences ranging from Isamu Noguchi to Constantin Brâncusi, from Scandinavian design to West African sculpture--Mosley's "sculptural improvisations," as he calls them, also take cues from the modernist traditions of jazz. Weight in Space is the most comprehensive monograph on the artist's oeuvre to date. In addition to a detailed chronology, this volume features new scholarship by Fred Moten and Catharina Manchanda, a conversation between Mosley and Hans Ulrich Obrist, and excerpts from an extensive oral history interview conducted by Bridget R. Cooks and Amanda Tewes.

A poignant and ruthlessly honest journey through cultural expectations of size, race, and gender—and toward a brighter future—from National Book Award nominee Evette Dionne

My body has not betrayed me; it has continued rebounding against all odds. It is a body that others map their expectations on, but it has never let me down.

In this insightful, funny, and whip-smart book, acclaimed writer Evette Dionne explores the minefields fat Black woman are forced to navigate in the course of everyday life. From her early experiences of harassment to adolescent self-discovery in internet chatrooms to diagnosis with heart failure at age twenty-nine, Dionne tracks her relationships with friendship, sex, motherhood, agoraphobia, health, pop culture, and self-image.

Along the way, she lifts back the curtain to reveal the subtle, insidious forms of surveillance and control levied at fat women: At the doctor’s office, where any health ailment is treated with a directive to lose weight. On dating sites, where larger bodies are rejected or fetishized. On TV, where fat characters are asexual comedic relief. But Dionne’s unflinching account of our deeply held prejudices is matched by her fierce belief in the power of self-love.

An unmissable portrait of a woman on a journey toward understanding our society and herself, Weightless holds up a mirror to the world we live in and asks us to imagine the future we deserve.

From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction.

A rural town finds itself under the authoritarian sway of a tree that punishes children. A pair of old friends navigate their fraught history as strange happenings escalate in a Mexican restaurant. A pair of narcissistic friends wreak havoc on an activist community. An aloof young man finds himself living through his lover’s memories. And a day of LARPing takes a cosmic turn.

In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.

Eleven-year-old Tony Weaver, Jr. loves comic books, anime, and video games, and idolizes the heroic, larger-than-life characters he finds there. But his new classmates all think he’s a weirdo. Bullied by his peers, Tony struggles with the hurt of not being accepted and tries to conform to other people's expectations. After a traumatic event shakes him to his core, he embarks on a journey of self love that will require him to become the hero of his own story.

Weirdo is a triumphant, witty, and comedic story for any kid who's ever felt awkward, left out, or like they don't belong. An adolescence survival guide that will give every reader the confidence to make it to the other side.

Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston’s hip hop culture. Interviews with local rap artists, producers, and managers inform an exploration of how artists, audiences, music, and place interact to create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area’s hip hop-related car culture. What emerges is a portrait of a dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space.

A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers readers an inside look at a unique musical culture.