A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

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From the best-selling author and global feminist icon—an illustrated, guided journal containing her most powerful and inspiring quotes, as well as an introductory essay written exclusively for this publication, to help readers discover their own feminist journeys.

Her award-winning novels, including Half of a Yellow Sun and Americanah; her stirring calls to arms We Should All Be Feminists and Dear Ijeawele; her collaboration with Beyoncé; sharing the stage with Michelle Obama—each of these accomplishments has contributed to Chimamanda Ngozi Adichie’s becoming one of the most iconic feminist figures of our time.

Now, in this beautiful journal, her most inspirational words encourage you to find your own voice, to define what feminism means to you, and to tell your own story. Featuring a series of writing prompts, quotes, and important events in the history of feminism, We Should All Be Feminists: A Guided Journal promises to give readers the tools to understand feminism, as well as to empower them to become better, more confident writers and communicators.

A stunning narrative from one of the most powerful young writers at work today—We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.

Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, he and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.

Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land, as he develops his voice as a storyteller and artist in his own right. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional artform nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.

Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. Soulful, formally daring, indelible work from an important new voice.

For gentle reminders on self-love, inner growth, and seeing yourself with kindness, this empowering calendar offers daily encouragement and comfort.

Each colorful page of the We the Urban 2026 Day-to-Day Calendar: Affirmations for the Soul showcases a quote emphasizing empathetic self-acceptance from Willie Greene, creator of the beloved We the Urban community on Instagram. 

Features include:
* No single-use plastic
* Page size 4.606" x 4.606"
* Box size 5.118" x 1.339" 
* Recyclable chipboard easel backer for desk or tabletop display
* Printed on FSC® certified paper with soy-based ink
* Full-color tear-off pages
* Back of pages are blank for notes or shopping lists
* Day/Date reference on each page
* Combined weekend pages
* Official major world holidays and observances
* Inspiring quotes on self-love from Willie Greene, author of Not Sure Who Needs to Hear This, But . . .

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We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

From island life in the Caribbean to a new beginning in France, a young man comes of age in a sweeping and lyrical novel about family, loss, secrets, and finding freedom from the past.

Eighteen-year-old Salomon Destin graduates high school and anxiously trades life on Guadeloupe in the Caribbean for France to continue his studies.

Strasbourg is his new home. He’s carving out a promising new path for himself. And most of all, he’s left behind the disorder of so much family drama, including that of a dissolute father, a mother who turns a blind eye to the chaos, his troubled and aimless brother Junior, and Salomon’s inherited obligations as peacekeeper. Although one year away, in love for the first time, and an ocean safely separating his old life and new, Salomon is pulled back to the island by the news of a tragedy. As unexpectedly comforting as Guadeloupe is―the food, music, ocean, and sun stirring up beautiful island memories―the traumas of the past remain.

Years later, while facing the echoes of family demons in his own marriage and confronting the stunning secrets and revelations to come, Salomon, and everyone he loves, must find the strength to move forward once and for all. But will freedom come with a price?

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.

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Two young girls. Two disparate stories. One unlikely friendship....

Dani comes from the richest, most famous Black family in Texas and seems to have everything a girl could want. So why does she keep using and engaging in other self-destructive behavior?

Camila’s Colombian-American family doesn’t have much, but she knows exactly what she wants out of life and works her ass off to get it. So why does she keep failing, and why does she self-harm every time she does?

When Dani and Camila find themselves rooming together at Peach Tree Hills, a treatment facility in beautiful rural Georgia, they initially think they’ll never get along—and they’ll never get better. But then they find a mysterious music box filled with letters from a former resident of PTH, and together they set out to solve the mystery of who this girl was . . . and who she’s become. The investigation will bring them together, and what they find at the end might just bring them hope.

From award-winning author Stephanie Kuehn comes a breathtaking tale of friendship and healing. Both poignant and timely, We Weren’t Looking to Be Found is complex, hopeful, and heartbreaking all at once.

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through.

“Cancel” or “call-out” culture is a source of much tension and debate in American society. The infamous "Harper’s Letter,” signed by public intellectuals of both the left and right, sought to settle the matter and only caused greater division. Originating as a way for marginalized and disempowered people to address harm and take down powerful abusers, often with the help of social media, call outs are seen by some as having gone too far. But what is “too far” when you’re talking about imbalances of power and patterns of harm? And what happens when people in social justice movements direct their righteous anger inward at one another?

In We Will Not Cancel Us, movement mediator adrienne maree brown reframes the discussion for us, in a way that points to possible paths beyond this impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes even from from its targets. However, brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us? Does it prefigure the sort of world we want to live in? And, if it doesn’t, how do we seek accountability and redress for harm in ways that reflect our values?

With an Afterword by Malkia Devich-Cyril.

Escape from grind culture and dehumanizing systems with this visionary guide from the author of the New York Times bestseller Rest Is Resistance
 
We don’t believe we are worthy of rest unless we burn ourselves out to accomplish it. Our thinking has been limited by disconnection, sleep deprivation, and the unattainable call for perfection. The systems will never give us rest. It is something we must create for ourselves and each other. 
 
Just as the North Star guided the enslaved on their journeys to freedom, visionary artist and founder of The Nap Ministry Tricia Hersey leads us to imagine a new world: one in which we subvert the narrative of productivity at all costs and embrace rest as a healing spiritual practice. 
 
Inspired by vintage hymnals, prayer books, and abolitionist pamphlets, We Will Rest! is a modern sacred object, medicine for a sick and exhausted world. Weaving together meditations and poetry with storytelling and powerful art, Hersey provokes liberation through refusal and trickster rebellion in the face of capitalism and white supremacy. 
 
There is another way. Focus on the escape. Focus on the transformation. We can just be. We are beautiful. We are enough. We are escape artists. We Will Rest!
 
 ***
 
Have you ever noticed
when you ask for rest
the body becomes a holy trumpet
the walls come tumbling down?

Essence bestselling author Kayla Perrin delivers a novel of suspense where a night of revenge turns deadly.

"I was thinking of some kind of initiation. Tailored just for her. The kind that will teach her a lesson not to mess with me."
--from We'll Never Tell

Shandra James is a man stealer. It's a sport to her, a game that she always wins. As a pledge of the exclusive Alpha Sigma Pi sorority, she should know her place, and know not to throw herself at a sister's boyfriend. But she's marked a new target: Henry Reid.

Henry's fiancée, Phoebe, and her sorority sisters, Miranda and Camille, decide to teach Shandra a lesson one night. A lesson that involves humiliation but nothing more. But unexpectedly the lesson turns deadly and the three women find themselves facing three new rules: Never mention what happened that night, protect each other, and tell no one. Yet when a murderer comes calling, they each discover that rules are meant to be broken.

We'll Never Tell is Kayla Perrin's most provocative, suspenseful novel yet.

A collection of exceptional new essays by one of the most significant contemporary writers on the world stage

Tracing a loose arc from Edwidge Danticat’s childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We’re Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.

Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so “we’re alone” is both a fearsome admission and an intimate invitation―we’re alone now, we can talk. We’re Alone is a book that asks us to think through some of the world’s intractable problems while deepening our understanding of one of the most significant novelists at work today.

Here's a humorous picture book that shows the ways in which we are all different... and how that's really cool! The kid-friendly text and vibrant illustrations explore external and internal similarities and differences through comparisons of animals, objects, and people. A perfect gift for children ages 4-8.

Do you know there's something totally cool about each of us? We're different in all kinds of ways... fun and wonderful ways!

We can be different on the outside, like a red apple and a yellow apple. But we can also be as different as apples and dogs, with different shapes, sizes, and colors.

We can be different on the inside too! We can have different emotions, different dreams, and different ways of expressing ourselves.

There are so many ways we can be different. But it’s not only okay… it’s totally cool!

With Camey Yeh’s warm text, comical comparisons, and quirky illustrations, We’re Different and It’s Totally Cool! is the perfect read-aloud book that celebrates everyone's uniqueness and all the ways we are fabulously different—inside and out!

Can Wednesday and her service dog, Woof, sniff out Mrs. Winter’s missing cat before her big trip? This is the first book of a fun full-color early chapter book series about the best detectives in the Midwest!

Detective Tip #1 Try not to jump to conclusions. Wednesday and her service dog, Woof, are the best detectives in the whole world—or at least their neighborhood. But can they find Mrs. Winters’s missing cat before her big trip? Or will the case of the cat-napped kitty be their first unsolved mystery? 

HarperChapters build confident readers one chapter at a time! With short, fast-paced books, art on every page, and milestone markers at the end of every chapter, they're the perfect next step for fans of I Can Read!

Did Wednesday’s friend really take her twin brother’s missing drone? Wednesday and her service dog, Woof, are on the case in the second book of this full-color, fully illustrated HarperChapters series.

Every book in the HarperChapters line of early chapter books sets newly independent readers up for success with short chapters, art on every page, and interactive features that celebrate progress and effort!

Detective Tip #2: Don’t forget to use your eyes, ears, and even your nose!

Wednesday’s brother’s drone went missing in their own backyard. And that can mean only one thing—the thief is one of their friends! Can the neighborhood’s newest service dog help Wednesday and Woof sniff out the bandit? Or will the case of the missing drone be a doggone disaster? 

A double mystery means double the pressure for Wednesday and Woof when a robot and a hamster go missing right before the school science fair in this full-color, fully-illustrated HarperChapters series.

Every HarperChapters early chapter book sets newly independent readers up for success with short chapters, art on every page, and interactive features that celebrate progress and effort!

Detective Tip #3: Use your imagination and stay calm! 

When a classmate’s DIY robot goes missing right before the school science fair, Detective Wednesday Nadir and her service dog, Woof, are sure they can find it…until the class hamster also disappears! Now the pressure is on! Can Wednesday and Woof use the scientific method to solve two cases at once—or will the stress cause a mess?

Using traditional techniques such as direct carving and lost-wax casting, Mosley's early works in wood and later works in bronze enter into a dance between the organic and manmade

Born in 1926 in New Castle, Pennsylvania, Thaddeus Mosley has made sculptures from wood for over six and a half decades from his home in Pittsburgh. Using only a chisel and gauge to maintain the integrity of the original log, Mosley reworks salvaged timber into monumental abstractions. Through a process of direct carving, the artist's marks respond to and rearticulate the natural gradations of the material's surface. With influences ranging from Isamu Noguchi to Constantin Brâncusi, from Scandinavian design to West African sculpture--Mosley's "sculptural improvisations," as he calls them, also take cues from the modernist traditions of jazz. Weight in Space is the most comprehensive monograph on the artist's oeuvre to date. In addition to a detailed chronology, this volume features new scholarship by Fred Moten and Catharina Manchanda, a conversation between Mosley and Hans Ulrich Obrist, and excerpts from an extensive oral history interview conducted by Bridget R. Cooks and Amanda Tewes.

A poignant and ruthlessly honest journey through cultural expectations of size, race, and gender—and toward a brighter future—from National Book Award nominee Evette Dionne

My body has not betrayed me; it has continued rebounding against all odds. It is a body that others map their expectations on, but it has never let me down.

In this insightful, funny, and whip-smart book, acclaimed writer Evette Dionne explores the minefields fat Black woman are forced to navigate in the course of everyday life. From her early experiences of harassment to adolescent self-discovery in internet chatrooms to diagnosis with heart failure at age twenty-nine, Dionne tracks her relationships with friendship, sex, motherhood, agoraphobia, health, pop culture, and self-image.

Along the way, she lifts back the curtain to reveal the subtle, insidious forms of surveillance and control levied at fat women: At the doctor’s office, where any health ailment is treated with a directive to lose weight. On dating sites, where larger bodies are rejected or fetishized. On TV, where fat characters are asexual comedic relief. But Dionne’s unflinching account of our deeply held prejudices is matched by her fierce belief in the power of self-love.

An unmissable portrait of a woman on a journey toward understanding our society and herself, Weightless holds up a mirror to the world we live in and asks us to imagine the future we deserve.

From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction.

A rural town finds itself under the authoritarian sway of a tree that punishes children. A pair of old friends navigate their fraught history as strange happenings escalate in a Mexican restaurant. A pair of narcissistic friends wreak havoc on an activist community. An aloof young man finds himself living through his lover’s memories. And a day of LARPing takes a cosmic turn.

In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.

Eleven-year-old Tony Weaver, Jr. loves comic books, anime, and video games, and idolizes the heroic, larger-than-life characters he finds there. But his new classmates all think he’s a weirdo. Bullied by his peers, Tony struggles with the hurt of not being accepted and tries to conform to other people's expectations. After a traumatic event shakes him to his core, he embarks on a journey of self love that will require him to become the hero of his own story.

Weirdo is a triumphant, witty, and comedic story for any kid who's ever felt awkward, left out, or like they don't belong. An adolescence survival guide that will give every reader the confidence to make it to the other side.

Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston’s hip hop culture. Interviews with local rap artists, producers, and managers inform an exploration of how artists, audiences, music, and place interact to create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area’s hip hop-related car culture. What emerges is a portrait of a dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space.

A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers readers an inside look at a unique musical culture.

Welcome to My Table

Welcome to My Table is not just a cookbook — it is a philosophy of living.

Written by physician-turned-lifestyle authority Jeannie Jacobs, Welcome to My Table invites readers to slow down and rediscover the beauty of everyday moments through food, home, and intentional hospitality.

Rooted in presence rather than performance, this book is designed for women who love beauty but no longer want to feel overwhelmed by it. The recipes are approachable, repeatable, and meant to be enjoyed often — not saved for special occasions that never arrive.

Interwoven throughout are personal stories drawn from family, tradition, and the quiet rituals that shaped the author long before she had language for why they mattered.

More than a collection of recipes, Welcome to My Table is an immersive lifestyle experience. Interactive QR codes guide readers to short videos, tablescape inspiration, playlists, and visual tutorials — extending the page into modern, multi-sensory living.

At a time when hosting has become intimidating and cooking has become content, this book offers a quieter, more grounded alternative:
warm gatherings, lived-in homes, and meaningful moments — without striving for perfection.

Welcome to My Table is for anyone who believes the most beautiful lives are built not through excess, but through intention — one meal, one gathering, one moment at a time.

From New York Times bestselling author of Rich AF and CEO and founder of Your Rich BFF, Vivian Tu, comes a guide to leveling up your finances to improve your life, relationships, and legacy.

You've mastered the basics of becoming Rich AF. Your bills are paid, your loans are shrinking, and you've even started saving. But what's next? Every dollar you spend--or don't spend--is a choice that shapes your future. How do you balance today's dreams with tomorrow's security?

In this fun, practical roadmap, Vivian Tu--New York Times bestselling author, financial expert, and the internet's favorite money bestie--shows you how to strategically spend, directing your cash toward what matters most while positioning yourself to grow real, lasting wealth. This book answers all your burning questions, like:

- Should I rent or buy a home?

- Do I really need a prenup?

- What about my car - do I finance, lease, or buy?

- How much do I actually need to be setting aside for retirement?

- How do I set my kids up with lasting generational wealth without making them lazy and entitled?

- Should I get life insurance? What about pet insurance, or renter's insurance?

Picking up where her first bestselling book left off, Vivian breaks down the biggest financial decisions of your late twenties, thirties, and beyond--homeownership, marriage, family--and teaches you how to align your spending with your values, your goals, and the legacy you hope to leave. With the insider savvy of a former Wall Street trader and the honesty of your smartest friend, she shows you how to make your money work harder so you can live richer in every sense. Well Endowed goes beyond the basics of personal finance to show you how to accumulate wealth and use it to benefit your most important assets: yourself and your loved ones.

Smart, relatable, and packed with game-changing advice, this is the ultimate guide to leveling up your finances--and your future.

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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

 Meticulous and driven Gwen Gilmore knows what she wants... especially in a man. She is newly single and doesn't have time for lackluster chemistry or mixed signals. But the dating scene proves to be slow and unserious, and she realizes she may need some help.

Professional help.

A matchmaker, to be more specific.

Nothing will distract her from finding a man who checks all the boxes, except maybe her brother's grumpy best friend who's just moved into her home.

Anthony Woods has had a crush on his best friend's sister since the day he met her, and he's managed the unfortunate affliction by keeping his distance. However, when apartment problems have him temporarily sleeping on her couch, Gwen is suddenly closer than ever. And as much as he tries, his scowls and frowns can't stop the sparks from flying.

 As they connect and get to know each other, Gwen can't help but notice when the perfect-on-paper boyfriend she has in mind starts to take an unexpected shape. Will she stick to the dating plan outlined by the professionals? Or admit when it comes to love, there's no right way to fall.

Inspired by Richard Scarry’s What Do People Do All Day?, these joyous portraits of Black men engaged in everyday life celebrate the deep roots and rich cultures of African American communities.

Have you ever wondered . . .
What do brothas do all day?
Brothas drive. Brothas dance. Brothas work. Brothas listen. And brothas love.

Scarry’s now-classic book, first published in 1968, is a richly illustrated guide to the places, jobs, and activities that defined the daily lives of grown-ups. Author-illustrator Ajuan Mance created What Do Brothas Do All Day?, like Scarry, in response to children’s innate curiosity about the activities and experiences of others, but also to meet the longing many kids have for characters and communities that look and feel like the people and places they know.

This joyous reflection of real Black men and boys engaged in everyday life is a gift for Black kids who rarely see themselves reflected in the pages of a book and an affirmation of their world and the people who populate it. From grocery shopping and waiting for a trim at the barbershop to singing, dancing, and laughing with friends, Mance captures the beauty in the ordinary, affirming the enduring strength of the Black community.

DIVERSE BOOKS FOR KIDS: This picture book features real Black men the author has observed in the world—everyday people, not models or stereotypes. One fan describes it as "just a rainbow of Black men, a beautiful rainbow of Black men."

LIBRARIAN LOVE: What Do Brothas Do All Day? began as an all-ages zine, but the author began to conceive of it as a children's book after being approached by two children's librarians.

INSPIRED BY A CLASSIC: As the author notes in the book, "I first encountered Richard Scarry’s work in the early 1970s when I was about six years old. The world of adults, with its grocery lists, PTA meetings, shopping trips, and dinner parties, seemed both tantalizingly exotic and impossibly complex. Today, those same descriptors can be applied to the ways that many people of all ages perceive Black men."

AN INVITATION: The book ends with an invitation, perhaps even a call to action: What will you do today?

Perfect for:

• Parents and grandparents seeking engaging read-aloud and read-along picture books
• Teachers and librarians looking for books featuring Black communities
• Gift for readers of Jacqueline Woodson, Kwame Alexander, Cedella Marley, and Derrick Barnes books
• Fans of Richard Scarry's What Do People Do All Day?

 A writer’s search for her missing friend becomes a real-life thriller in a twisting novel of suspense by the New York Times bestselling author of These Toxic Things.

Bailey Meadows has just moved into the remote Topanga Canyon home of thriller author Jack Beckham. As his writer-in-residence, she’s supposed to help him once again reach the bestseller list. But she’s not there to write a thriller—she’s there to find Sam Morris, a community leader dedicated to finding missing people, who has disappeared in the canyon surrounding Beckham’s property.

The missing woman was last seen in the drought-stricken forest known for wildfires and mountain lions. Each new day, Bailey learns just how dangerous these canyons are—for the other women who have also gone missing here…and for her. Could these missing women be linked to strange events that occurred decades ago at the Beckham estate?

As fire season in the canyons approaches, Bailey must race to unravel the truth from fiction before she becomes the next woman lost in the forest.

NEW YORK TIMES BESTSELLER • “With a thoughtfully curated series of essays, poetry, and conversations, the brilliant scientist and climate expert Ayana Elizabeth Johnson has assembled a group of dynamic people who are willing to imagine what seems impossible, and articulate those visions with enthusiastic clarity.”—Roxane Gay

Our climate future is not yet written. What if we act as if we love the future?

A SMITHSONIAN BEST BOOK OF THE YEAR

Sometimes the bravest thing we can do while facing an existential crisis is imagine life on the other side. This provocative and joyous book maps an inspiring landscape of possible climate futures.

Through clear-eyed essays and vibrant conversations, infused with data, poetry, and art, Ayana Elizabeth Johnson guides us through solutions and possibilities at the nexus of science, policy, culture, and justice. Visionary farmers and financiers, architects and advocates, help us conjure a flourishing future, one worth the effort it will take—from every one of us, with whatever we have to offer—to create.

If you haven’t yet been able to picture a transformed and replenished world—or to see yourself, your loved ones, and your community in it—this book is for you. If you haven’t yet found your role in shaping this new world or you’re not sure how we can actually get there, this book is for you.

With grace, humor, and humanity, Johnson invites readers to ask and answer this ultimate question together: What if we get it right?

On possibility and transformation with:
Paola Antonelli • Xiye Bastida • Jade Begay • Wendell Berry • Régine Clément • Steve Connell • Erica Deeman • Abigail Dillen • Brian Donahue • Jean Flemma • Kelly Sims Gallagher • Rhiana Gunn-Wright • Olalekan Jeyifous • Corley Kenna • Bryan C. Lee Jr. • Franklin Leonard • Adam McKay • Bill McKibben • Kate Marvel • Samantha Montano • Kate Orff • Leah Penniman • Marge Piercy • Colette Pichon Battle • Kendra Pierre-Louis • Judith D. Schwartz • Jigar Shah • Ayisha Siddiqa • Bren Smith • Oana Stănescu • Mustafa Suleyman • Jacqueline Woodson