Using the head as a site of investigation, Basquiat's frenetic drawings of faces are at once immediate and contemplative

Between 1981 and 1983, Jean-Michel Basquiat made between 50 and 100 drawings of heads. Working with oil stick on paper, he created a series far removed from his public paintings and collages filled with words and symbols―a more concentrated, private study whose pieces are rarely exhibited and seldom offered for sale. Stripped of external references, they read as intimate meditations on identity, perception and the fragile balance between presence and disappearance.
Bringing this exceptional group together for the first time in decades in an oversize folio, Headstrong sheds new light on a lesser-known aspect of Basquiat's practice. Essays by Pulitzer Prize–winning author Hilton Als and artists including George Condo and Julie Mehretu explore the drawings' formal invention and psychological intensity, showing how Basquiat transformed the head into a vessel for everything he was thinking and feeling―a space where imagination, history and lived experience converge.
Jean-Michel Basquiat (1960–88) is one of the most successful Black visual artists in history, despite his brief career. He emerged on the New York City arts scene in the late 1970s and quickly skyrocketed to international fame, becoming one of the most important artists of his generation. Basquiat's work and legacy continue to influence popular culture, especially art, music and fashion.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

Batgirl™ is on the case when strange attacks start happening at Gotham Academy. The long shadows of Gotham City stretch deeper than she imagined when evidence points to black magic and something more sinister still in this original suspense novel!

Thanks to a scholarship to the prestigious Gotham Academy, Barbara Gordon, aka Batgirl, gets to experience how some of the city’s wealthiest teens live with fast cars, expensive clothes, and more. But when these advantages and luxuries are not enough, Barbara discovers that the some of them have turned to dabbling in black magic to get their kicks . . . setting off a series of strange events and deaths. Batgirl quickly steps in to investigate, but finding the killer proves to be more difficult than usual. The prime suspect’s brother is an irresistible distraction from the case at the same her growing relationship with Robin, the Boy Wonder, is hitting an all-time low. If all that wasn’t troubling enough, the hard facts aren’t to be lining up. Batgirl isn’t one to believe in black magic, but there seem to be forces in Gotham City’s shadows growing hungrier and stronger, and if she doesn’t find a way to shed some light on the case soon, the creeping darkness just might take possession of her . . . forever!
Batgirl and supernatural thriller fans will love the mystery and horror lurking in this action-packed original novel!

I be boy. All bliss boy. All fine beat. All beau boy. Beautiful.

This study uses the participation of free colored men, whether mulatos, pardos, or morenos (i.e., Afro-Spaniards, Afro-Indians, or "pure blacks"), in New Spain's militias as a prism for examining race relations, racial identity, racial categorization, and issues of social mobility for racially stigmatized groups in colonial Mexico. By 1793, nearly 10 percent of New Spain's population was made up of people who could trace some African ancestry―people subject to more legal disabilities and social discrimination than mestizos, who in turn fell below white creoles, who in turn fell below the Spanish-born, in the stratified and caste-like society of colonial Spanish America.

The originality of this study lies in approaching race via a single, important institution, the military, rather than via abstractions or examples taken from particular regions or single runs of legal documents. By exploring the lives of tens of thousands of part-time and full-time free colored soldiers, who served the colony as volunteers or conscripts, and by adopting a multi-regional approach, the author is able not only to show how military institutions evolved with reference to race and vice versa, but to do so in a manner that reveals discontinuities and regional differences as well as historical trends. He also is able to examine black lives beyond the institution of slavery and to achieve a more nuanced impression of the meaning of freedom in colonial times.

From the 1550s on, free colored forces figured prominently in the colony's military forces, and units of free colored soldiers evolved with increasing autonomy in the seventeenth and eighteenth centuries. The author concludes, however, that the Bourbon reforms of the 1760s―which clearly expanded the military establishment and the role of Spanish soldiers born in the New World―came at the expense of free colored companies, which experienced a reduction in both numbers and institutional privileges.

This powerful picture book is a gorgeous lyrical ode teaching and instilling self-love, the power of one's Blackness, and confidence into young males of color.

A simple yet poetic composition celebrating and uplifting positive attributes of Black boys such as strength, bravery, and joy.

From New York Times bestselling author Shanora Williams comes an emotional page-turner about two people still reeling from tragedy who look to each other for the strength to move forward.

It’s been months since her dreams of forever were brutally shattered. Seven long months since her husband and soulmate, Lew, died in her arms, leaving her to carry on. Alone. And Davina Klein-Roberts still isn’t sure how to move forward.

To escape her anguish, Davina throws everything into work, pushing Golden Oil Co., her self-built skin care line, to become a viral success. Now she’s poised to clinch a major endorsement deal too. But it’s bittersweet without Lew by her side.

A meeting with Deke Bishop, the hot NBA star she’s courting for her brand, leaves Davina flustered. With his dimpled smile and warm handshake, Deke’s a natural pitchman. And he’s clearly interested―not only in her lotions.

Davina soon discovers that Deke’s more than just another player and carries his own pain. But as her feelings for him grow, so does her guilt. Will the pain of a future already lost keep her from embracing hope for a new one?

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In Becoming Abolitionists, Purnell draws from her experiences as a lawyer, writer, and organizer initially skeptical about police abolition. She saw too much sexual violence and buried too many friends to consider getting rid of police in her hometown of St. Louis, let alone the nation. But the police were a placebo. Calling them felt like something, and something feels like everything when the other option seems like nothing.

Purnell details how multi-racial social movements rooted in rebellion, risk-taking, and revolutionary love pushed her and a generation of activists toward abolition. The book travels across geography and time, and offers lessons that activists have learned from Ferguson to South Africa, from Reconstruction to contemporary protests against police shootings.

In my family, when the sun goes down, our hair goes up!

My brother slips a durag over his locs.
Sis swirls her hair in a wrap around her head.
Daddy covers his black waves with a cap.
Mama gathers her corkscrew curls in a scarf.
I always wear a bonnet over my braids, but tonight I can’t find it anywhere!

Bedtime Bonnet gives readers a heartwarming peek into quintessential Black nighttime hair traditions and celebrates the love between all the members of this close-knit, multi-generational family.

Nikki Grimes, Coretta Scott King Award winning author, and illustrator Elizabeth Zunon's latest children's masterpiece creates an imagination-fueled journey to bedtime.

Your bookshelf is noisy with stories.
"Which one?" I ask.
You point, frozen like a fawn
until you hear "Once upon a time."

It's bedtime, but Mommy's little boy is not sleepy.

He growls like a bear, he questions like an owl, he tosses his mane like a lion. He hunts for water like a sly wolf, and hides like a snake.

Paperback Release: January 27, 2026

In the latest from “mystery master” Walter Mosley, a family member’s terminal illness leads P.I. Joe King Oliver to the investigation of his life: tracking down his long-lost father, and meanwhile, a new case pits King’s professional responsibility against his own moral code. (TheWashington Post)

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he’s been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it’s in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can’t help but want her near.  

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything.

It couldn’t save their marriage.

Yasmen wasn’t prepared for how her life fell apart, but she’s is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had.

Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

Award-winning and bestselling "powerhouse" author Kennedy Ryan is at her absolute best in this compelling, scorching novel about hope and healing, and what it truly means to love for a lifetime (USA Today).

The black experience in America--starting from its origins in western Africa up to 1961--is examined in this seminal study from a prominent African American figure. The entire historical timeline of African Americans is addressed, from the Colonial period through the civil rights upheavals of the late 1950s to 1961, the time of publication. "Before the Mayflower" grew out of a series of articles Bennett published in Ebony magazine regarding "the trials and triumphs of a group of Americans whose roots in the American soil are deeper than the roots of the Puritans who arrived on the celebrated Mayflower a year after a 'Dutch man of war' deposited twenty Negroes at Jamestown." Bennett's history is infused with a desire to set the record straight about black contributions to the Americas and about the powerful Africans of antiquity. While not a fresh history, it provides a solid synthesis of current historical research and a lively writing style that makes it accessible and engaging reading.

After discussing the contributions of Africans to the ancient world, "Before the Mayflower" tells the history of "the other Americans," how they came to America, and what happened to them when they got here. The book is comprehensive and detailed, providing little-known and often overlooked facts about the lives of black folks through slavery, Reconstruction, America's wars, the Great Depression, and the civil rights movement. The book includes a useful time line and some fascinating archival images.

A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.

The familiar story of civil rights goes something like this: Once, the American legal system was dominated by racist officials who shut Black people out and refused to recognize their basic human dignity. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law—and soon, everyday African Americans joined with them to launch the Civil Rights Movement. In Before the Movement, historian Dylan C. Penningroth overturns this story, demonstrating that Black people had long exercised “the rights of everyday use,” and that this lesser-known private-law tradition paved the way for the modern vision of civil rights. Well-versed in the law, Black people had used it to their advantage for nearly a century to shape how they worked, worshiped, learned, and loved. Based on long-forgotten sources found in the basements of county courthouses, Before the Movement recovers a vision of Black life allied with, yet distinct from, “the freedom struggle.”

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A lyrical and poignant coming-of-age story about one girl's immigration experience, as she moves from Haiti to New York City, by award-winning author Edwidge Danticat.

It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York.

The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living and her brother's uneasy adjustment to American society, and at the same time encounters her own challenges with learning and school violence.

National Book Award finalist Edwidge Danticat weaves a beautiful, honest, and timely story of the American immigrant experience in this luminous novel about resilience, hope, and family.

Perfect.Privileged.Strong.Spoiled.Uptight.Useless.If there’s any one thing Pierre and Logan have in common, it’s their ability to invite snap judgements based on shallow views of who they are.Logan is the privileged only daughter of a respected family whose legacy runs long and deep.Pierre is the moody, orphaned son of big screen royalty who couldn’t possibly live up to the prestige of his pedigree.Or maybe not.Perhaps they’re just two people trying to navigate the pressures of a world hellbent on telling them what they should be, and eschewing the limits of other people’s expectations. Maybe what they need most is somebody who can see beyond the shallow first impressions – just one person they can allow to see behind the scenes of who they are.Maybe they have more in common than it seems.

Winner of the Lee Smith Novel Prize,Behind the Waterline takes readers to the home of a teenager and his grandmother in a New Orleans neighborhood on the eve of Katrina, where there are few resources and little warning of what is about to happen, in this novel that mixes magical realism with reality.

When Hurricane Katrina approaches New Orleans, teenaged Eric and his grandmother and many of their neighbors decide to ride out the storm. Kionna Walker LeMalle's masterful debut novel brings her readers, like the rising water, onto Eric's street in the Third Ward, where stranded dogs bark for a time, where neighbors are floating on doors, and where Eric and his grandmother must take refuge in his second floor bedroom. After days of heat, dwindling supplies, and relentless rising water, neighbors begin to disappear and Eric's grandmother, already known as an eccentric, begins to falter. It is then that Eric-in a dream, a hallucination, or something else-discovers a room beyond his closet wall, a place he has never seen. What he discovers inside will send him on a path to discover secrets to survival, bitter progress, and, ultimately, the history of his own people-those he sorely misses and those he never even knew.