New York Times Bestseller

From the author of the classic Their Eyes Were Watching God comes a landmark publication of the American experience, now in paperback!

“A profound impact on Hurston’s literary legacy.”— New York Times

In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Lewis was enslaved fifty years after the transoceanic slave trade was outlawed. At the time, Cudjo Lewis was the only known person alive who could recount this integral part of the nation’s history. As a cultural anthropologist and ethnographer, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn’t always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or be lost in reveries of his homeland.

Hurston persisted, though, and during an intense period of about three months, she and Cudjo Lewis communed over her gifts of peaches and watermelon, and gradually Lewis, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by, Amazons, the female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda, as “cargo,” along with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.

Barracoon reflects Hurston’s skills as both a social scientist and a writer, and brings to life Cudjo Lewis’s singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted for others of the Middle Passage. This profound work is an invaluable contribution to our history and culture.

Award-winning creator Kadir Nelson delivers the perfect gift for basketball fans of any age-a beautifully illustrated history of the game and its key players over the years-in this companion to his bestselling We Are the Ship: The Story of Negro League Baseball.

Basketball has evolved by leaps and bounds since its origin over 125 years ago, but what remains is the passion of the players, the heat of competition, and supreme strategy and athleticism on the court. In this visual tour de force, celebrated artist Kadir Nelson weds his love for the game with showstopping paintings that bring its heart-pounding history to life.

The sage voice of an elder player narrates the journey from the early days of the slow game of "basket ball" to today's dazzlingly athletic and fast-paced sport. Engaging profiles of revolutionary players-including Wilt Chamberlain, Magic Johnson, Michael Jordan, LeBron James, and Stephen Curry-are featured, along with notable quotes from major figures of the game. With each breathtaking page turn, fans young and old will learn the gripping story of the all-American game and meet its iconic, indomitable heroes.

In less than a decade, Jean-Michel Basquiat went from being a teenage graffiti artist to an international art star. His meteoric rise to fame coincided with the outrageous excess of the heady ’80s art boom. A fixture of the downtown scene, with its explosive mix of music, fashion, art, and drugs, he soon became involved with some of its most celebrated personalities, including Keith Haring, Andy Warhol, and Madonna. 

Basquiat fulfilled that cynical aphorism: Die young and leave a beautiful corpse. But Basquiat did more than that: he left a beautiful corpus. With each passing year, the remarkable energy, perspicacity and originality of his work increases in power. 

In a world where Black Lives Matter and the imperative need for diversity are among the driving forces of our time, Basquiat’s success in the 1980s white art world, and his ongoing universal celebrity, have made him a significant role model for generation of artists to come. 

From the rise and fall of the graffiti movement, to the East Village art scene, to the art dealers and out-of-control auction houses, Basquiat: A Quick Killing in Art, the definitive biography of the young painter, is a vivid portrait of both the artist and his time. 

Basquiat: A Quick Killing in Art includes 12-14 photographs.

Introducing Mudpuppy's new Board Book: ""Basquiat Colors"".  Immerse your child in the dynamic world of colors through the iconic artwork of Jean-Michel Basquiat in this engaging and educational board book. With the inclusion of translations in English, French, and Spanish for each color, this book offers a multicultural journey through language, inviting children to expand their horizons while learning about colors. From ""rouge"" to ""rojo"" to ""red,"" each translation fosters curiosity and appreciation for diversity.

PERFECT FOR GIFTING – Crafted from sturdy board pages, this book is designed to withstand the enthusiastic handling of little hands. The large, colorful illustrations and clear text make it perfect for early learners to engage independently or enjoy with a caregiver. Whether it's storytime at home, a multicultural learning experience in the classroom, or a gift for an art-loving child, "Basquiat Colors" is sure to inspire creativity, curiosity, and cultural appreciation.    

EDUCATIONAL –  The inclusion of translations in English, French, and Spanish introduces children to basic vocabulary in multiple languages, fostering early language skills. Introducing children to the artwork of Jean-Michel Basquiat also encourages appreciation for contemporary art and diverse artistic styles.  Engaging with colorful illustrations and learning new words in different languages provides a multisensory learning experience, stimulating cognitive development.  
 
FAMILY BONDING –  The Basquiat Colors Board Book is a wonderful family bonding activity because it engages children and parents alike, promotes literacy and color appreciation, creates lasting memories, encourages creativity, and fosters a sense of togetherness and joy. Children associate the joy of reading with the warmth and comfort of spending time with their parents, strengthening the parent-child bond. Sharing the experience of reading will become a cherished family memory!

MUDPUPPY - For over 25 years, Mudpuppy has created quality non-digital puzzles, games and toys for children and families that facilitate creative play and imaginative thinking. One of our core design principles is to engage kids and promote learning without the use of digital screens or technology. Mudpuppy is committed to designing and producing eco-friendly products that have a minimal carbon footprint. All Mudpuppy products adhere to CPSIA, ASTM, and CE Safety Regulations

The Basquiat Horn Players 500 Piece Book Puzzle features the artist’s iconic Horn Players artwork, an homage to Charlie Parker and Dizzy Gillespie, Parker’s Ornithology (recorded in 1945), and referenced in the middle section of this triptych. Basquiat was a musician, a jazz fan, and often painted with jazz playing in the studio. This book shaped keepsake box has a magnetic closure and looks great on the bookshelf or coffee table.

•    Box: 6.5 x 8.25 x 2”, 165 x 210 x 50 mm
•    Puzzle Size: 14 x 18.5”, 356 x 470 mm
•    Keepsake box with magnetic closure with printed interior box liner
•    Includes color puzzle insert with full puzzle image
•    Puzzle greyboard contains 90% recycled paper. Packaging contains 70% recycled paper and is made responsibly from FSC-certified material. Printed with nontoxic soy-based inks.

Now available in paperback, this exciting book charts Jean-Michel Basquiat's groundbreaking career.

Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO©. From there he went on to work with others on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. This book places his collaborations in a wider art historical context and looks at his career through the lens of performance. Six thematic chapters offer compelling research, with essays from poet Christian Campbell on SAMO©; curator Carlo McCormick on New York/New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz. This insightful survey also features rare archival material and extensive illustrations, demonstrating how Basquiat's legacy remains more powerful and relevant than ever today.

Using the head as a site of investigation, Basquiat's frenetic drawings of faces are at once immediate and contemplative

Between 1981 and 1983, Jean-Michel Basquiat made between 50 and 100 drawings of heads. Working with oil stick on paper, he created a series far removed from his public paintings and collages filled with words and symbols―a more concentrated, private study whose pieces are rarely exhibited and seldom offered for sale. Stripped of external references, they read as intimate meditations on identity, perception and the fragile balance between presence and disappearance.
Bringing this exceptional group together for the first time in decades in an oversize folio, Headstrong sheds new light on a lesser-known aspect of Basquiat's practice. Essays by Pulitzer Prize–winning author Hilton Als and artists including George Condo and Julie Mehretu explore the drawings' formal invention and psychological intensity, showing how Basquiat transformed the head into a vessel for everything he was thinking and feeling―a space where imagination, history and lived experience converge.
Jean-Michel Basquiat (1960–88) is one of the most successful Black visual artists in history, despite his brief career. He emerged on the New York City arts scene in the late 1970s and quickly skyrocketed to international fame, becoming one of the most important artists of his generation. Basquiat's work and legacy continue to influence popular culture, especially art, music and fashion.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

Batgirl™ is on the case when strange attacks start happening at Gotham Academy. The long shadows of Gotham City stretch deeper than she imagined when evidence points to black magic and something more sinister still in this original suspense novel!

Thanks to a scholarship to the prestigious Gotham Academy, Barbara Gordon, aka Batgirl, gets to experience how some of the city’s wealthiest teens live with fast cars, expensive clothes, and more. But when these advantages and luxuries are not enough, Barbara discovers that the some of them have turned to dabbling in black magic to get their kicks . . . setting off a series of strange events and deaths. Batgirl quickly steps in to investigate, but finding the killer proves to be more difficult than usual. The prime suspect’s brother is an irresistible distraction from the case at the same her growing relationship with Robin, the Boy Wonder, is hitting an all-time low. If all that wasn’t troubling enough, the hard facts aren’t to be lining up. Batgirl isn’t one to believe in black magic, but there seem to be forces in Gotham City’s shadows growing hungrier and stronger, and if she doesn’t find a way to shed some light on the case soon, the creeping darkness just might take possession of her . . . forever!
Batgirl and supernatural thriller fans will love the mystery and horror lurking in this action-packed original novel!

I be boy. All bliss boy. All fine beat. All beau boy. Beautiful.

Borrowing from Romare Bearden’s aesthetic palette and inspired by his Odysseus series, Bearden’s Odyssey gathers, for the first time, poems from thirty-five of the most revered African diaspora poets in the United States. Poetic echoes come forth in themes of inspiration with historical intersections of one of the greatest visual artists of the twentieth century.
 
The award-winning editors, Kwame Dawes and Matthew Shenoda, assemble an esteemed literary congregation, with original poems by Chris Abani, Rita Dove, Lyrae Van Clief-Stefanon, Ed Roberson, Aracelis Girmay, Yusef Komunyakaa, and more. With a powerful foreword by Nobel laureate Derek Walcott and stunning visual reproductions of select Bearden masterpieces, this anthology fuses art and literature, standing as a testament to Romare Bearden’s power and influence in the contemporary artistic world.

This powerful picture book is a gorgeous lyrical ode teaching and instilling self-love, the power of one's Blackness, and confidence into young males of color.

A simple yet poetic composition celebrating and uplifting positive attributes of Black boys such as strength, bravery, and joy.

From New York Times bestselling author Shanora Williams comes an emotional page-turner about two people still reeling from tragedy who look to each other for the strength to move forward.

It’s been months since her dreams of forever were brutally shattered. Seven long months since her husband and soulmate, Lew, died in her arms, leaving her to carry on. Alone. And Davina Klein-Roberts still isn’t sure how to move forward.

To escape her anguish, Davina throws everything into work, pushing Golden Oil Co., her self-built skin care line, to become a viral success. Now she’s poised to clinch a major endorsement deal too. But it’s bittersweet without Lew by her side.

A meeting with Deke Bishop, the hot NBA star she’s courting for her brand, leaves Davina flustered. With his dimpled smile and warm handshake, Deke’s a natural pitchman. And he’s clearly interested―not only in her lotions.

Davina soon discovers that Deke’s more than just another player and carries his own pain. But as her feelings for him grow, so does her guilt. Will the pain of a future already lost keep her from embracing hope for a new one?

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In Becoming Abolitionists, Purnell draws from her experiences as a lawyer, writer, and organizer initially skeptical about police abolition. She saw too much sexual violence and buried too many friends to consider getting rid of police in her hometown of St. Louis, let alone the nation. But the police were a placebo. Calling them felt like something, and something feels like everything when the other option seems like nothing.

Purnell details how multi-racial social movements rooted in rebellion, risk-taking, and revolutionary love pushed her and a generation of activists toward abolition. The book travels across geography and time, and offers lessons that activists have learned from Ferguson to South Africa, from Reconstruction to contemporary protests against police shootings.

In my family, when the sun goes down, our hair goes up!

My brother slips a durag over his locs.
Sis swirls her hair in a wrap around her head.
Daddy covers his black waves with a cap.
Mama gathers her corkscrew curls in a scarf.
I always wear a bonnet over my braids, but tonight I can’t find it anywhere!

Bedtime Bonnet gives readers a heartwarming peek into quintessential Black nighttime hair traditions and celebrates the love between all the members of this close-knit, multi-generational family.

Paperback Release: January 27, 2026

In the latest from “mystery master” Walter Mosley, a family member’s terminal illness leads P.I. Joe King Oliver to the investigation of his life: tracking down his long-lost father, and meanwhile, a new case pits King’s professional responsibility against his own moral code. (TheWashington Post)

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he’s been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it’s in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can’t help but want her near.  

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything.

It couldn’t save their marriage.

Yasmen wasn’t prepared for how her life fell apart, but she’s is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had.

Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

Award-winning and bestselling "powerhouse" author Kennedy Ryan is at her absolute best in this compelling, scorching novel about hope and healing, and what it truly means to love for a lifetime (USA Today).

The black experience in America--starting from its origins in western Africa up to 1961--is examined in this seminal study from a prominent African American figure. The entire historical timeline of African Americans is addressed, from the Colonial period through the civil rights upheavals of the late 1950s to 1961, the time of publication. "Before the Mayflower" grew out of a series of articles Bennett published in Ebony magazine regarding "the trials and triumphs of a group of Americans whose roots in the American soil are deeper than the roots of the Puritans who arrived on the celebrated Mayflower a year after a 'Dutch man of war' deposited twenty Negroes at Jamestown." Bennett's history is infused with a desire to set the record straight about black contributions to the Americas and about the powerful Africans of antiquity. While not a fresh history, it provides a solid synthesis of current historical research and a lively writing style that makes it accessible and engaging reading.

After discussing the contributions of Africans to the ancient world, "Before the Mayflower" tells the history of "the other Americans," how they came to America, and what happened to them when they got here. The book is comprehensive and detailed, providing little-known and often overlooked facts about the lives of black folks through slavery, Reconstruction, America's wars, the Great Depression, and the civil rights movement. The book includes a useful time line and some fascinating archival images.

A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.

The familiar story of civil rights goes something like this: Once, the American legal system was dominated by racist officials who shut Black people out and refused to recognize their basic human dignity. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law—and soon, everyday African Americans joined with them to launch the Civil Rights Movement. In Before the Movement, historian Dylan C. Penningroth overturns this story, demonstrating that Black people had long exercised “the rights of everyday use,” and that this lesser-known private-law tradition paved the way for the modern vision of civil rights. Well-versed in the law, Black people had used it to their advantage for nearly a century to shape how they worked, worshiped, learned, and loved. Based on long-forgotten sources found in the basements of county courthouses, Before the Movement recovers a vision of Black life allied with, yet distinct from, “the freedom struggle.”

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A lyrical and poignant coming-of-age story about one girl's immigration experience, as she moves from Haiti to New York City, by award-winning author Edwidge Danticat.

It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York.

The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living and her brother's uneasy adjustment to American society, and at the same time encounters her own challenges with learning and school violence.

National Book Award finalist Edwidge Danticat weaves a beautiful, honest, and timely story of the American immigrant experience in this luminous novel about resilience, hope, and family.