Before the Civil War, colonization schemes and black laws threatened to deport former slaves born in the United States. Birthright Citizens recovers the story of how African American activists remade national belonging through battles in legislatures, conventions, and courthouses. They faced formidable opposition, most notoriously from the US Supreme Court decision in Dred Scott. Still, Martha S. Jones explains, no single case defined their status. Former slaves studied law, secured allies, and conducted themselves like citizens, establishing their status through local, everyday claims. All along they argued that birth guaranteed their rights.

With fresh archival sources and an ambitious reframing of constitutional law-making before the Civil War, Jones shows how the Fourteenth Amendment constitutionalized the birthright principle, and black Americans' aspirations were realized. Birthright Citizens tells how African American activists radically transformed the terms of citizenship for all Americans.

In the vein of Eloquent Rage and Minor Feelings—a passionate, no-holds-barred memoir about the Asian American experience in a nation defined by racial stratification

When Julia Lee was fifteen, her hometown went up in smoke during the 1992 Los Angeles riots. The daughter of Korean immigrant store owners in a predominantly Black neighborhood, Julia was taught to be grateful for the privilege afforded to her. However, the acquittal of four white police officers in the beating of Rodney King, following the the murder of Latasha Harlins by a Korean shopkeeper, forced Julia to question her racial identity and complicity. She was neither Black nor white. So who was she?

This question would follow Julia for years to come, resurfacing as she traded in her tumultuous childhood for the white upper echelon of elite academia. It was only when she began a PhD in English that she found answers—not in the Brontës or Austen, as Julia had planned, but rather in the brilliant prose of writers like James Baldwin and Toni Morrison. Their works gave Julia the vocabulary and, more important, the permission to critically examine her own tortured position as an Asian American, setting off a powerful journey of racial reckoning, atonement, and self-discovery that has shaped her adult life.

With prose by turns scathing and heart-wrenching, Julia Lee lays bare the complex disorientation and shame that stems from this country’s imposed racial hierarchy to argue that Asian Americans must leverage their liminality for lasting social change alongside Black and brown communities.

From multi-award winner Whoopi Goldberg comes a new and unique memoir of her family and their influence on her early life.

If it weren't for Emma Johnson, Caryn Johnson would have never become Whoopi Goldberg. Emma gave her children the loving care and wisdom they needed to succeed in life, always encouraging them to be true to themselves. When Whoopi lost her mother in 2010--and then her older brother, Clyde, five years later--she felt deeply alone; the only people who truly knew her were gone.

Emma raised her children not just to survive, but to thrive. In this intimate and heartfelt memoir, Whoopi shares many of the deeply personal stories of their lives together for the first time. Growing up in the projects in New York City, there were trips to Coney Island, the Ice Capades, and museums, and every Christmas was a magical experience. To this day, she doesn't know how her mother was able to give them such an enriching childhood, despite the struggles they faced--and it wasn't until she was well into adulthood that Whoopi learned just how traumatic some of those struggles were.

Fans of personal memoirs such as Finding Me by Viola Davis and In Pieces by Sally Field will be touched by Bits and Pieces: a moving tribute from a daughter to her mother, and beautiful portrait of three people who loved each other deeply. Whoopi writes, "Not everybody gets to walk this earth with folks who let you be exactly who you are and who give you the confidence to become exactly who you want to be. So, I thought I'd share mine with you."

From National Book Award finalist Akwaeke Emezi comes a companion novel to the critically acclaimed PET that explores both the importance and cost of social revolution—and how youth lead the way.

After a childhood in foster care, Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the city of Lucille.
 
Bitter’s instinct is to stay safe within the walls of Eucalyptus…but her friends aren’t willing to settle for a world that’s so far away from what they deserve. Pulled between old friendships, her artistic passion, and a new romance, Bitter isn’t sure where she belongs—in the studio or in the streets.  And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost? 
 
This timely and riveting novel—a  companion to the  National  Book Award finalist Pet—explores the power of youth, protest, and art.

From the beloved author of The Thing About Home comes a dual timeline tale of family, grief, secrets, and the sweet redemption that lies within the bonds of sisterhood.

-The Present-

When summoned to Georgetown, South Carolina, sisters Mariah Clark and Sabrina Holland both assume their ailing grandfather's health has gotten worse. Neither expects their grandmother's undeniable request--save the family restaurant.

Mariah is at a crossroad in her life. After being dumped by her husband and forced to walk away from their diner that she helped rescue from bankruptcy, bitter feelings consume her. Even though the restaurant has been in the family for eighty-six years, giving her all to another struggling business isn't something she wants to do.

Living out of her van and striving for a fresh start, Sabrina yearns for stability for herself and her daughter and a chance to turn her baking hustle into a bona-fide business. The family restaurant may be just the blessing she needs--but as old tensions and angry disagreements resurface, Sabrina wonders if her sister will let her have a say.

-The Past-

After falling victim to a love she thought would last a lifetime, Tabitha Cooper finds herself away from home and struggling to survive in Charleston in the early twentieth century. She is determined to turn corn into cornbread and to take care of her children the best way she knows how--by serving food that's good for the soul--and along the way forges a path that leaves a legacy of success for generations to come.

Through letters that reveal Tabitha's complicated past, the sisters discover truths that just might be the right recipe to mend their hearts--if they can find a way to savor the blessing of today and leave the bitter aftertaste of old memories behind them.

It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written with the perspective of white men at the forefront. It could even be said that the historical devaluation and elimination of the experiences of Black people is as American as apple pie. Or rioting after football games. Or calling the cops on Black Americans for walking around their own neighborhoods, or listening to music, or bird-watching, or any other normal everyday activity.

In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.

A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves

Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.
Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.
Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.

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“M.J. Fievre is the best friend, the confidante everyone yearns for.”—Mike, the Poet, author of Dear Woman and The Boyfriend Book

From the bestselling author of Badass Black Girl comes a much-needed space for Black teens and kids to say “I am enough.” In this self-acceptance guidebook for teen boys, be empowered by 52 weeks of Black self-love and anti-racism lessons, affirmations for positive thinking, and prompts for Black Boy Joy.

A Black male handbook for self-care. Black & Resilient includes prompts for teens to reflect and divulge what they're feeling on a deeper level. It comes with mind-strengthening affirmations for teens, stories of truth and power, and practices to teach Black teen boys how to stay empowered despite what life throws at them. This Black confidence book is a catalyst for change and healing to enter the heart and spirit of Black teens everywhere.

Part of the Bold & Black series for Black self-love and antiracism. The Bold & Black series is specifically designed to help Black teens create a safe space to be themselves. The world often forgets that Black boys also need affirmations and words of empowerment to get through the day. Black & Resilient seeks to give Black teens the space to heal, find Black Boy Joy, and become empowered to walk boldly in their everyday lives.

Inside, you’ll find: 

• Instruction for gaining perspective, freedom, and power in the face of macro- and microaggressions
• A safe place to acknowledge how racism affects you and create coping strategies to combat it
• Encouragement for living your best life as a BIPOC person with self-acceptance and confidence

If you liked Black confidence and anti-racism books for boys like This Book is Anti-Racist Journal, Cry Like a Man, or 39 Lessons for Black Boys & Girls, you’ll be empowered by Black & Resilient.

The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era

During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse.
 
The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States.

Published in association with the Dixon Gallery and Gardens

Exhibition Schedule:

Dixon Gallery and Gardens, Memphis
(October 22, 2023–January 14, 2024)
 
Crocker Art Museum, Sacramento
(February 4–May 19, 2024)

From New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage.

As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn’t have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn’t alone—and her dream wasn’t impossible.

In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women’s stories to a new generation of readers and gives them the recognition they deserve.

With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.

A portrait of worker solidarity in the South, and of the fight for Black liberation.

In 1928, the Third International adopted a resolution on the right of self-determination for African Americans in the Black Belt, in the southeastern US. Over the next decade, this resolution guided the CPUSA's regional focus in the US South, as a frontline organization in the struggle against white supremacy. This was a period of great experiments in building an independent multiracial working class movement in North America, a movement that confronted the remnants of slavery, under conditions that foreshadowed the fascism that would soon develop in Europe. Across the cities and rural areas of the US South, communists engaged existing traditions of struggle, and planted seeds for the growth of the movement against racism in the following decades.

This reader presents primary documents from the period to aid the study of the history, theory, and political application of the Black Belt thesis.

EUGENE PURYEAR is a journalist, activist, politician, and host on Breakthrough News. He is a founding member of the Party for Socialism and Liberation, and is the author of Shackled and Chained: Mass Incarceration in Capitalist America.

Black Boy is a classic of American autobiography, a subtly crafted narrative of Richard Wright’s journey from innocence to experience in the Jim Crow South. An enduring story of one young man’s coming of age during a particular time and place, Black Boy remains a seminal text in our history about what it means to be a man, black, and Southern in America.

When Black Boy was first published in 1945, it soared to the top of the bestseller lists, became a Book-of-the-Month Club selection, and Ralph Ellison discerned it belonged to the tradition of the blues, an elegant gesture of testifying, “both to the agony of life and the possibility of conquering it through sheer toughness of spirit.” Sixty years later and now a classic, Black Boy is an eloquent and deeply moving document of a young boy’s struggle for survival.

For the amazing and joyful Black boy in your life!

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Celebrate the joys of Black boyhood with stories from seventeen bestselling, critically acclaimed Black authors—including Jason Reynolds (the Track series), Jerry Craft (New Kid), and Kwame Mbalia (the Tristan Strong series)!

Black boy joy is…

Picking out a fresh first-day-of-school outfit.
Saving the universe in an epic intergalactic race.
Finding your voice—and your rhymes—during tough times.
Flying on your skateboard like nobody’s watching.

And more! From seventeen acclaimed Black male and non-binary authors comes a vibrant collection of stories, comics, and poems about the power of joy and the wonders of Black boyhood.

This listing is for our upcoming school visit at the Imani School on October 13, 2022.

Dear boy, Black boy, I believe in you so.

Let's start your story—ready, set, go.

From athlete and activist Colin Kaepernick to musician Sam Cooke, inventor Elijah McCoy to writer Chinua Achebe, there are so many inspirational men in Black history. Imagine what you can be and the great things you can do with the strength of people throughout history that have paved the way for Black boys.

This inspiring, lyrical picture book combines an uplifting, motivational text with references to wonderful figures throughout history. The combination is both encouraging and educational, prompting boys to imagine what they can be and the great things they can do in their own lives.

A bold anthem that celebrates the power and potential of young Black boys by the award-winning creative team of author Brynne Barnes and superstar illustrator Bryan Collier.

From the celebrated author of Black Girl Rising and Colors of Me and four-time Caldecott Honor recipient and multiple-award-winning illustrator of Trombone Shorty, Rosa, and many more, this is a picture book to read, share, and cherish across generations.

Black Boy, Rise combines gorgeous, moving text—filled with lyrical references to poets and writers whose voices have lifted and defined the Black experience, including Langston Hughes, Lucille Clifton, W. E. B. Du Bois, and James Weldon Johnson—with vibrant, beautifully rendered watercolor images that powerfully reflect the soul and gloriousness of Black boys in all their brilliance: the rich legacy of their past, the grit and grace of their present, and the divine promise of their future.

BLACK JOY: This dynamic anthem speaks directly to the need of families, educators, and young readers to see the full beauty, richness, and complexity of Black boys’ experiences reflected in thoughtful, empowering children’s literature that positively portrays and celebrates Black boyhood.

A GREAT GIFT: From graduation to birthdays to other milestone events, this book makes a perfect present for anyone looking to celebrate, empower, and inspire the men in their lives—whether sons, grandsons, nephews, cousins, or friends.

AFRICAN AMERICAN BOOKS FOR KIDS: For fans of All Because You Matter and Crown: An Ode to the Fresh Cut, Brynne Barnes brings a fresh spin with her rhythmic rhyming text that exhorts readers to “Make beauty. Make joy. Make believe, and pretend. Make wonder. Makes wishes. Make magic begin.”
 

Perfect for:
* Parents, grandparents, and caregivers
* Teachers and librarians seeking diverse books
* Anyone interested in books about Black joy or Black history
* Gift-givers looking for a unique and inspiring book for the boys (or men) in their lives
* Readers who loved Martin’s Big Words, I Am Every Good Thing, and Black Boy Joy

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Explores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal ways

In Black Buddhists and the Black Radical Tradition, Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.

Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.

The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.

This long-awaited and much-needed volume shines new light on one of America’s most beloved, and profound, poets—Lucille Clifton.

Black Buffalo Woman is a deep, comprehensive dive into Clifton’s work through the eyes of celebrated poet and scholar, Kazim Ali. 

Collecting chapters of Clifton’s early manuscripts, late drafts, and integrating her books of children’s literature, Ali’s meticulously researched volume provides a brilliant and fresh perspective on Clifton’s life and work.

Various chapters examine Clifton’s treatment of the body as a site of both joy and danger, spirituality, and an interrogation of American history, politics, and popular culture. The result of Ali’s scholarship and care highlights a dazzling array of Clifton’s poetic techniques and forms that will continue to inspire poets, readers, and Lucille Clifton fans—past, present and future—for decades to come.

In this moving debut novel, two estranged siblings must set aside their differences to deal with their mother’s death and her hidden past—a journey of discovery that takes them from the Caribbean to London to California and ends with her famous black cake.

In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking journey Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their family, and themselves.

Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right?” Will their mother’s revelations bring them back together or leave them feeling more lost than ever? 

Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names, can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

For numerous migrants who ventured westward in the twentieth century in search of greater opportunities, the glitter of California often proved to be mere fool’s gold—promising easy riches but frequently resulting in dispossession and displacement. Poet Wendy M. Thompson is descended from two of these migrant waves—post-1965 Chinese immigrants and Black southerners of the Second Great Migration—whose presence has permanently transformed the region.

In this arresting debut poetry collection, Thompson traces the past and present of California’s Bay Area, exploring themes of family, migration, girlhood, and identity against a backdrop of urban redevelopment, advanced gentrification, and the erasure of Black communities. Traveling down both familiar highways and obscure side streets, her poems map a region where race, class, and language are just some of the fault lines that divide communities and produce periodic tremors of violence and resistance.

Confronting assimilationist myths of the American Dream, Black California Gold depicts a setting that is less a melting pot than a smelting pot, subjecting different ethnic groups to searing trials and extreme pressures that threaten to break them down entirely. Yet, it also celebrates the Black residents of the Bay Area who have struggled to sustain home and hope amid increasingly desperate conditions.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.

For the dope Black Creative in your life!

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Who are Black Creoles? Saloy's new poems address ancestral connections to contemporary life, traditions celebrated, New Orleans Black life today, Louisiana Black life today, enduring and surviving hurricanes, romance, #BlackLivesMatter, #wematter, as well as poems of the pandemic lockdown from New Orleans. Saloy's new collection of verse advances and updates narratives of Black life to now, including day-to-day Black speech, the lives of culture keepers, and family tales. These poems detail cultural and historical memory of enslavement not taught and offer healing and hope for tomorrow.

Groundbreaking new book based on the popular site blackcrossword.com featuring over 100 original puzzles inspired by the Diaspora and covering history, popular culture, trailblazers, literature, and politics.  

“Crosswords, and puzzles in general, are good in times of stress,” Will Shortz, the puzzle editor of The New York Times, has said, and during the pandemic sales of crossword puzzles and participants in online games such as Wordle, skyrocketed. Frustrated by the dearth of Black people creating puzzles or appearing as clues, entrepreneur Juliana Pache created blackcrossword.com in early 2023. The site at once took off counting such regular players and fans as Academy Award winner Questlove, popular social activist Brittney Packet Cunningham, and author and cultural critic Hanif Abdurraqib.

Now, to expand her platform, Pache is looking to bring her cultural crossword puzzles to book publishing. Like her site, the concept for the first BLACK CROSSWORD is a game that places emphasis on terms and clues from across the diaspora. By highlighting prominent cultural figures, movements, artistic achievements, and Black vernacular from across the globe, BLACK CROSSWORD on the page will serve as a simple yet impactful way for solvers to engage in the diaspora and celebrate Black culture.

In a crossword landscape that is predominantly white, BLACK CROSSWORD will provide puzzles to an underserved and passionate market. While the puzzles are meant to increase Black representation in crosswords, they also underscore the fact that this historically underserved market — Black solvers who would like puzzles that are culturally relevant to them—has the potential to become both a commercial hit and resonate with multiple generations of readers. BLACK CROSSWORD has the potential to become a series of books, including a general edition, a calendar edition, a pop culture edition across the diaspora, a Black History edition, and a trailblazer edition. While in a trade paperback format, BLACK CROSSWORD could have an elevated look/tone that would be a perfect gift or keepsake – the possibilities are endless.

An innovative contribution to the growing body of research about urban African-American culture in the South, Black Dixie is the first anthology to track the black experience in a single southern city across the entire slavery/post-slavery continuum. It combines the best previously published scholarship about black Houston and little-known contemporary eyewitness accounts of the city with fresh, unpublished essays by historians and social scientists.

Divided into four sections, the book covers a broad range of both time and subjects. The first section analyzes the development of scholarly consciousness and interest in the history of black Houston; slavery in nineteenth-century Houston is covered in the second section; economic and social development in Houston in the era of segregation are looked at in the third section; and segregation, violence, and civil rights in twentieth-century Houston are dealt with in the final section.

Collectively, the contents of Black Dixie utilize the full range of primary sources available to scholars studying the black South. These include such traditional material as newspapers and diaries as well as newer techniques involving quantification and statistical analysis. The editors' remarks relate the individual essays to one another as well as placing them within the context of scholarly literature on the subject. Hence Black Dixie will serve both as a resource and as a model for the study of black urban culture in Texas and throughout the South.

A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it.

In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others.

Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.”

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A pioneering work of Afrofuturism and antiracist fiction by the author of Black No More, about a Black scientist who masterminds a worldwide conspiracy to take back the African continent from imperial powers

A Penguin Classic

“An amazing serial story of Black genius against the world” is how Black Empire was promoted upon its original publication as a serial in The Pittsburgh Courier from 1936 to 1938. It tells the electrifying tale of Dr. Henry Belsidus, a Black scientific genius desperate to free his people from the crushing tyranny of racism. To do so, he concocts a plot to enlist a crew of Black intellectuals to help him take over the world, cultivating a global network to reclaim Africa from imperial powers and punish Europe and America for white supremacy and their crimes against the planet’s Black population.

At once a daring, high-stakes science fiction adventure and a strikingly innovative Afrofuturist classic, this controversial and fearlessly political work lays bare the ethical quandaries of exactly how far one should go in the name of justice.