The companion to the #1 New York Times bestseller and NAACP Image Award winner Stacey's Extraordinary Words, from political leader Stacey Abrams and artist Kitt Thomas.

Stacey’s favorite day of the week is Thursday, when the whole class goes to the library and she gets to lose herself in her beloved books.

On one of these special days, Stacey discovers that a new student named Julie has trouble reading in English, so they begin sharing books and stories to practice. Soon, more students start to join them.

Books take the group on magical adventures and reveal other worlds and cultures—but best of all, they bring them together as friends.

This is another inspiring tale, based on a true story from Stacey Abrams’s childhood, about the life-changing power of books.

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

• Activists and agitators
• Art book lovers
• Students of Black history
• Teachers and parents looking for colorful ways to talk to young people about activism and resistance

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An ambitious and unflinching tale of colonialism, conquest, and revenge, Queen of the Conquered begins a powerful fantasy series set in a Caribbean-inspired world. 

*Named one of TIME's Top 100 Fantasy Books Of All Time
* World Fantasy Award for Best Novel, winner

On the islands of Hans Lollik, Sigourney Rose was the only survivor when her family was massacred by the colonizers. When the childless king of the islands declares he will choose his successor from amongst eligible noble families, Sigourney is ready to exact her revenge.

But someone is killing off the ruling families to clear a path to the throne. And as the bodies pile up and all eyes regard her with suspicion, Sigourney must find allies among her prey and the murderer among her peers... lest she become the next victim. 

The long-awaited first major monograph on the iconic portraitist of Black Americans

This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser & Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.
Amy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. She has been included in countless group shows at galleries and museums worldwide as well as the subject of solo exhibitions at Hauser & Wirth and Spelman College Museum of Fine Art, among others. Sherald lives in Baltimore and New Jersey.

America’s most popular sports media figure tells it like it is in this surprisingly personal book, not only dishing out his signature, uninhibited opinions but also revealing the challenges he overcame in childhood as well as at ESPN, and who he really is when the cameras are off.

Stephen A. Smith has never been handed anything, nor was he an overnight success. Growing up poor in Queens, the son of Caribbean immigrants and the youngest of six children, he was a sports-obsessed kid who faced a number of struggles, from undiagnosed dyslexia to getting enough cereal to fill his bowl. As a basketball player at Winston-Salem State University, he got a glimmer of his true calling when he wrote a newspaper column arguing for the retirement of his own Hall of Fame coach, Clarence Gaines.

Smith hustled and rose up from a high school reporter at Daily News (New York) to a general sports columnist at The Philadelphia Inquirer in the 1990s, before getting his own show at ESPN in 2005. After he was unceremoniously fired from the network in 2009, he became even more determined to fight for success. He got himself rehired two years later and, with his razor-sharp intelligence and fearless debate style, found his role on the show he was destined to star in: First Take, the network’s flagship morning program.

In Straight Shooter, Smith writes about the greatest highs and deepest lows of his life and career. He gives his thoughts on Skip Bayless, Ray Rice, Colin Kaepernick, the New York Knicks, the Dallas Cowboys, and former President Donald Trump. But he also pulls back the curtain and talks about life beyond the set, sharing authentic stories about his negligent father, his loving mother, being a father himself, his battle with life-threatening COVID-19, and what he really thinks about politics and social issues. He does it all with the same intelligence, humor, and charm that has made him a household name.

Provocative, moving, and eye-opening, this book is the perfect gift for lovers of sports, television, and anyone who likes their stories delivered straight to the heart.

How artists from Paul Klee and Mierle Laderman Ukeles to Faith Ringgold and Deborah Roberts have explored childhood themes of innocence, spontaneity and storytelling

Artists have long been inspired by children—by their imagination, creativity and unique ways of seeing and being in the world—and have made work that depicts and involves children as collaborators, that represents or mimics their ways of drawing or telling stories, that highlights their unique cultures, and that addresses ideas of innocence and spontaneity closely associated with children. To Begin Again: Artists and Childhood surveys how artists have reflected on and contributed to notions of childhood from the early 20th century to the present. The works in To Begin Again offer distinctive viewpoints and experiences, revealing how time and place, economics and race, and representation and aesthetics fundamentally shape how we experience and understand early development. The catalog underscores that while there is no single, uniform idea of childhood, it is nevertheless the ground upon which so much of society is built, negotiated and imagined.
Artists include: Ann Agee, John Ahearn, Njideka Akunyili Crosby, Francis Alÿs, Jean-Michel Basquiat, Brian Belott, Jordan Casteel, Lenka Clayton, Allan Rohan Crite, Henry Darger, Karon Davis, Robert Gober, Jay Lynn Gomez, Trenton Doyle Hancock, Duane Hanson, Mona Hatoum, Sharon Hayes, Ekua Holmes, Mary Kelly, Paul Klee, Justine Kurland, Helen Levitt, Tau Lewis, Glenn Ligon, Oscar Murillo, Rivane Neuenschwander, Berenice Olmedo, Charles Ray, Faith Ringgold, Deborah Roberts, Tim Rollins and K.O.S., Rachel Rose, Heji Shin, Sable Elyse Smith, Becky Suss, Mierle Laderman Ukeles, Cathy Wilkes and Carmen Winant.

Black women are powerful, brilliant, and brave, and it’s time to affirm these truths with more than 100 affirmations and journal prompts Black women can use to empower themselves.

In a world that perpetuates negative stereotypes about Black women, it’s more important than ever to affirm Black women for their power, brilliance, and bravery. With Affirmations for Black Women: A Journal, Black women will find more than 100 affirmations from their emotional, mental, and physical wellbeing, to the practical, professional, and social aspects of their lives. You’ll also learn specifically why affirmations are essential for Black women in order to heal from the effects of misogynoir, to build up your confidence, to build a self-care practice, and much more. You’ll discover how to apply affirmations to your daily life and use them in order to manifest what you desire and deserve.

Best of all, you’ll find short prompts after each affirmation to reflect on the affirmation and to take them one step further. Prompts will help you cement the affirmation into your mind, and into your reality as you incorporate them fully into your life. With Affirmations for Black Women: A Journal, you’ll celebrate being a Black woman, affirm your talent and worth, and bring your dreams to fruition.

A profound offering and call to action—collective stories, testimonials, and incantations for renewing political and spiritual liberation grounded in Black, Indigenous, People of Color, and Queer and Trans healing justice lineages

We reclaim the power, resilience, and innovation of our ancestors through this book. To embody their wisdom across centuries and generations is to continue their legacy of liberation and healing.

In this anthology, Black Queer Feminist editors Cara Page and Erica Woodland guide readers through the history, legacies, and liberatory practices of healing justice—a political strategy of collective care and safety that intervenes on generational trauma from systemic violence and oppression. They call forth the ancestral medicines and healing practices that have sustained communities who have survived genocide and oppression, while radically imagining what comes next.

Anti-capitalist, Black feminist, and abolitionist, Healing Justice Lineages is a profound and urgent call to embrace community and survivor-led care strategies as models that push beyond commodified self-care, the policing of the medical industrial complex, and the surveillance of the public health system. Centering disability, reproductive, environmental, and transformative justice and harm reduction, this collection elevates and archives an ongoing tradition of liberation and survival—one that has been largely left out of our history books, but continues to this day.

In the first section, “Past: Reckoning with Roots and Lineage,” Page and Woodland remember and reclaim generations-long healing justice and community care work, asking critical questions like: How did our ancestors transform trauma and violence in their liberation work? What were our ancestors reckoning with—and what did they imagine?

The next sections, “Origins of Healing Justice” and “Alchemy: Theory + Praxis,” explore regional stories of healing justice in response to the current political and cultural landscape. The last section, “Political + Spiritual Imperatives for the Future,” imagines a future rooted in lessons of the past; addresses the ways healing justice is being co-opted and commodified; and uplifts emergent work that’s building infrastructure for care, safety, healing, and political liberation.

A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times).

Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future.

Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician.

When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola’s lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.

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A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, and so on. But even though the path to love is not easy, it is a path worth treading.

Love is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: “How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love—but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along—cheering for us and reminding us that love is abundant.”

Written in English and combined with a Spanish translation by poet David Ruano, “Promises of Gold explores many forms of love and how “a promise made isn’t always a promise kept,” as Olivarez grapples with the contradictions of the American Dream laying bare the ways in which “love is complicated by forces larger than our hearts.”

He writes, “For those of us who are hyphenated Americans, where do we belong? Promises of Gold attempts to reckon with colonial legacy and the reality of what those promises have borne out for Mexican descendants. I wrote this book to imagine and document an ongoing practice of healing—healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.”

Whether readers enter this collection in English or Spanish, these extraordinary poems are sure to become beloved for their illuminations of life—and love.

Paletero Man meets Fry Bread in this vibrant and cheerful ode to platanos, the star of Dominican cuisine, written by award-winning poet Lissette Norman and illustrated by Sara Palacios.

Platanos are Yesenia’s favorite food. They can be sweet and sugary, or salty and savory. And they’re a part of almost every meal her Dominican family makes. 

Stop by her apartment and find out why platanos go with everything—especially love!

___

Los plátanos son la comida favorita de Yesenia. Pueden ser dulces y azucarados o salados y sabrosos. Y son parte de casi todas las comidas que prepara su familia dominicana.

Pasa por su apartamento y descubre por qué los plátanos van con todo, ¡especialmente con el amor!

From the NAACP Image Award–nominated author of Happily Ever Afters comes a dual POV rom-com about Reggie and Delilah, who fall in love through missed connections and chance meetings on holidays over the course of a year. 

Delilah always keeps her messy, gooey insides hidden behind a wall of shrugs and yeah, whatevers. She goes with the flow—which is how she ends up singing in her friends’ punk band as a favor, even though she’d prefer to hide at the merch table.

Reggie is a D&D Dungeon Master and self-declared Blerd. He spends his free time leading quests and writing essays critiquing the game under a pseudonym, keeping it all under wraps from his disapproving family.

These two, who have practically nothing in common, meet for the first time on New Year’s Eve. And then again on Valentine’s Day. And then again on St. Patrick’s Day. It’s almost like the universe is pushing them together for a reason.

Delilah wishes she were more like Reggie—open about what she likes and who she is, even if it’s not cool. Except . . . it’s all a front. Reggie is just role-playing someone confident. The kind of guy who could be with a girl like Delilah.

As their holiday meetings continue, the two begin to fall for each other. But what happens once they realize they’ve each fallen for a version of the other that doesn’t really exist?

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Debut author Charlene Allen delivers a captivating YA contemporary mystery about a teen boy trying to keep his best friend’s legacy alive through a video game while getting swept up in a murder investigation that points to his other best friend as the prime suspect.

In the game of life, sometimes other people hold all the controls. Or so it seems to VZ. Four months have passed and he still can’t believe his best friend Ed was killed by a white man in a Brooklyn parking lot. VZ and his other best friend Jack grieve in their own ways: Jack leads protests about Ed’s murder, but VZ can’t bring himself to do the same . . . and the two of them don’t talk much anymore.

Then Singer, the man who killed Ed, is found dead in the same spot where Ed was murdered. And all signs point to Jack as the prime suspect. But there’s no way Jack could have done it, right? For VZ, it’s time to show up for his friends. He’s going to complete the video game Ed never finished and enter it into a big gaming contest. And he’s going to figure out who actually killed Singer.

With help from Diamond, the girl he’s crushing on at work, VZ falls into Ed’s quirky gameiverse. As the police close in on Jack, the game starts to uncover details that could lead to the truth about the murder. Can VZ honor Ed and help Jack before it’s too late?  

This stunning, poetic picture book shows how one little girl’s careful tending of a pecan tree creates the living center of a loving, intergenerational Black family.

Before her grandchildren climbed the towering tree,

explored its secret nests,

                       raced to its sturdy trunk,

                                   read in its cool shade,

                       or made pies with its pecans . . .

Nell buried a seed.

And just as, with Nell’s love and care, her tree grows and thrives—so do generations of her close-knit family.

Inspired by the pecan trees of her own childhood, Anne Wynter’s lyrical picture book, brought to life with gorgeous illustrations by Daniel Miyares, brims with wonder and love.

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Nova Albright was going to be the first Black homecoming queen at Lovett High—but now she's dead. Murdered on coronation night. Fans of One of Us Is Lying and The Other Black Girl will love this unputdownable thriller.

Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.

Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.

No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t face the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.

Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her.

But Tinsley has an agenda, too.

Everyone loved Nova. And sometimes, love is exactly what gets you killed.

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Rare. Moving. Powerful. This beautiful, page-turning and redemptive story of a mother’s gripping journey across the Caribbean to find her stolen children in the aftermath of slavery marks the arrival of a remarkable new talent.
 
Her search begins with an ending.…


The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.
 
Away from Providence, she begins a desperate search to find her children—the five who survived birth and were sold. Are any of them still alive? Rachel has to know. The grueling, dangerous journey takes her from Barbados then, by river, deep into the forest of British Guiana and finally across the sea to Trinidad. She is driven on by the certainty that a mother cannot be truly free without knowing what has become of her children, even if the answer is more than she can bear. These are the stories of Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. But above all this is the story of Rachel and the extraordinary lengths to which a mother will go to find her children...and her freedom.

A black British poet making her thrilling American debut explores the importance of “quiet” in producing forms of community, resistance, and love.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."

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Devotions, Scripture verses, and God’s truths to help teen girls rise above their anxiety, worries, and fears

The teen years can be complicated, and managing anxiety on top of everything can make everyday life more challenging. This candid and conversational devotional helps teen girls find inner strength, grace, and resilience through God. Christian therapist Khia Glover discusses and interprets Scripture to address everyday teen concerns while offering faith-based tools and techniques that help teens process emotions, build trust, and achieve their goals.

Rising Above features:
• 52 weekly devotions and prayers that reflect on teen concerns and provide comfort and inspiration during difficult moments.
• Scripture verses full of God’s truth that teach teens to lean on him and focus on his love and light.
• Weekly anxiety relief activities to help teens navigate everyday challenges and take charge with confidence and determination.
• Faith-based licensed therapist who passionately advocates for teens to express themselves as God intended—their best authentic selves.

Kids 12 and up can discover ways to work toward a better future in this illustrated workbook guiding them to reflect on their understanding of race—from the #1 New York Times bestselling author of How to Be an Antiracist.

Antiracism is not a destination but a journey—one that takes deliberate, consistent work. Dr. Ibram X. Kendi's concept of antiracism has changed the way we talk about race, equality, and justice in America, pointing us toward new ways of thinking about ourselves and our society. Young people must be included in conversations on race, which is why Dr. Kendi has created this workbook with bestselling YA author Nic Stone for readers age twelve and up.

Reflection questions include:  

• Have you ever tried to change something about yourself to fit in? Did it work? Why or why not?

• How does the word racist feel when you hear or say it? Is it a weapon or a descriptor? Why?

• Why is empathy an important tool for any antiracist's toolbox?

The most influential work by “the father of Black history”, reflecting the long-standing tradition of antiracist teaching pioneered by Black educators

A Penguin Classic

   The Mis-education of the Negro (1933) is Woodson’s most popular classic work of Black social criticism, drawing on history, theory, and memoir. As both student and teacher, Woodson witnessed the distortions of Black life in the history and literature taught in schools and universities. He argued that there was a relationship between these distortions and the violence that circumscribed Black life in the material world, declaring, “There would be no lynching it if did not start in the schoolroom.” Woodson’s primary focus was the impact dominant modes of schooling had on Black youth. From Emancipation through the 1930s, white Americans continued to control the institutional and ideological development of Black schools, based on a system of knowledge that reinforced ideas of Black inferiority.
    Across the country, Black teachers organized to make their curricula more relevant for students, and they critiqued the studious omission of Black life in formal curricula, anticipating many of the ideas appearing in Mis-education two decades later. Woodson wrote that the overrepresentation of white people and narratives of white achievement in curricula presented an outsize image of whites and their importance in the history of human progress. These distortions had the power to motivate white students to achieve and aspire and demotivate students of races that suffered under the hand of white supremacy. They cultivated an aspiration to whiteness among Black people and/or led them to despise their own race for its supposed lack of achievement. This was a systematic process of mis-education, articulating an aspect of Black America’s experience that scholars before and after Woodson recognized and worked to challenge.
    Woodson argued that students, teachers, and leaders needed to be educated in a manner that was accountable to Black experiences and lived realities, both past and present. With current debates over teaching race in U.S. classrooms, the ideas associated with Mis-education continue to resonate today.

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A pioneering work of Afrofuturism and antiracist fiction by the author of Black No More, about a Black scientist who masterminds a worldwide conspiracy to take back the African continent from imperial powers

A Penguin Classic

“An amazing serial story of Black genius against the world” is how Black Empire was promoted upon its original publication as a serial in The Pittsburgh Courier from 1936 to 1938. It tells the electrifying tale of Dr. Henry Belsidus, a Black scientific genius desperate to free his people from the crushing tyranny of racism. To do so, he concocts a plot to enlist a crew of Black intellectuals to help him take over the world, cultivating a global network to reclaim Africa from imperial powers and punish Europe and America for white supremacy and their crimes against the planet’s Black population.

At once a daring, high-stakes science fiction adventure and a strikingly innovative Afrofuturist classic, this controversial and fearlessly political work lays bare the ethical quandaries of exactly how far one should go in the name of justice.

The Hate U Give meets One of Us Is Lying in this trailblazing, blockbuster YA mystery about three teen boys of color who must investigate their principal’s murder to clear their own names—for fans of Angie Thomas, Jason Reynolds, and Karen McManus.

The Urban Promise Prep School vows to turn boys into men. As students, J.B., Ramón, and Trey are forced to follow the prestigious "program's" strict rules. Extreme discipline, they’ve been told, is what it takes to be college bound, to avoid the fates of many men in their neighborhoods. This, the Principal Moore Method, supposedly saves lives.

But when Moore ends up murdered and the cops come sniffing around, the trio emerges as the case's prime suspects. With all three maintaining their innocence, they must band together to track down the real killer before they are arrested. But is the true culprit hiding among them? This exquisitely taut thriller shines a glaring light on how the system too often condemns Black and Latinx teen boys to failure before they’ve even had a chance at success.

An unforgettable debut about a young British Ghanaian woman as she navigates her twenties and finds her place in the world, for readers of Queenie and The Other Black Girl.

Maame (ma-meh) has many meanings in Twi but in my case, it means woman.

It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting.

When her mum returns from her latest trip to Ghana, Maddie leaps at the chance to get out of the family home and finally start living. A self-acknowledged late bloomer, she’s ready to experience some important “firsts”: She finds a flat share, says yes to after-work drinks, pushes for more recognition in her career, and throws herself into the bewildering world of internet dating. But it's not long before tragedy strikes, forcing Maddie to face the true nature of her unconventional family, and the perils––and rewards––of putting her heart on the line.

Smart, funny, and deeply affecting, Maame deals with the themes of our time with humor and poignancy: from familial duty and racism, to female pleasure, the complexity of love, and the life-saving power of friendship. Most important, it explores what it feels like to be torn between two homes and cultures—and it celebrates finally being able to find where you belong.

In this charming, lyrical novel from Nicole D. Collier, twelve-year-old Maya turns to her trusty “Wheel of Fortunes” for guidance on the toughest questions—like why her best friend suddenly feels far away, or when her daddy will move back home. But can Maya find the courage to write her own fortune? Perfect for fans of Meg Medina and Renée Watson.

Maya J. Jenkins is bursting with questions:

• Will she get the MVP award at this year’s soccer banquet?
• Who will win the big Grill-Off between Daddy and Uncle J?
• When will she pass the swim test and get a green bracelet?

For answers and a dose of good luck, twelve-year-old Maya turns to her Wheel of Fortunes, a cardboard circle covered with the small slips of wisdom she’s collected from fortune cookies.

But can the fortunes answer her deep-down questions? The ones she’s too scared to ask out loud? Like, where did Mama’s smile go, the real one that lit up everything around her? When will Daddy move back home? And most of all, does she have enough courage to truly listen to the voice in her heart?

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It’s Christmas in Catalina Cove, a time full of promise and second chances... One Christmas Wish is an all-new, holiday-themed romance in New York Times bestselling author, Brenda Jackson's beloved Catalina Cove series.

"Jackson brings the quaint Southern town to life in a memorable holiday romance complete with affable characters."—Publishers Weekly on One Christmas Wish

It’s Christmas in Catalina Cove, a time of promise and second chances. But when you’re starting over, love is the last thing you’re wishing for…

Vaughn Miller’s Wall Street career was abruptly ended by a wrongful conviction and two years in prison. Since then, he’s returned to his hometown, kept his head down and forged a way forward. When he is exonerated and his name cleared, he feels he can hold his head up once again, maybe even talk to the beautiful café owner who sets his blood to simmering.

Sierra Crane escaped a disastrous marriage—barely. She and her six-year-old goddaughter have returned to the only place that feels like home. Determined to make it on her own, Sierra opens a soup café. Complication is the last thing she needs, but the moment Vaughn walks into her café, she can’t keep her eyes off the smoldering loner.

When they give in to their attraction, what Sierra thought would be a onetime thing becomes so much more. Vaughn knows she’s the one. Sierra can’t deny the way Vaughn makes her feel, but she’s been burned before. With Christmas approaching, Vaughn takes a chance to prove his love, and it will be up to Sierra to decide if her one Christmas wish—true happiness—will come true.