*ships in 7 -10 business days*

The first major case for cancel culture as a fundamental means of democratic expression throughout history, and timely necessity aimed at combating systems of oppression.

“___ is canceled.” Chances are, you’ve heard this a lot lately. What was once a niche digital term has been legitimized in the discourse of presidents, politicians, and lawmakers.

But what really is cancel culture? It’s time to raise the bar on our definition-- to think of cancel culture less as scandal or suppression, and more as an essential means of democratic expression and accountability.

The Case for Cancel Culture does just that. This cultural critique from award-winning journalist Ernest Owens offers a fresh progressive lens in favor of cancel culture as a tool for activism and change. It will help readers reflect on and learn the long history of canceling, how the left and right uniquely equip it as part of their political toolkits; how intersections of society wield it for justice; and ultimately how it levels the playing field for the everyday person’s voice to matter.

In a world where protest and free speech are being challenged by the most powerful institutions, those without power deserve to understand the nuance and importance of this democratic tool available to them.
Readers will walk away from this first-of-its-kind exploration not despising cancel culture but embracing it as a form of democratic expression that’s always been leading the charge in liberating us all.

*Ships in 7-10 Business Days*

The first book to focus on Black women and depression, through the author’s “absorbing and inspirational” (Washington Post) personal journey.

When Nana-Ama Danquah, a twenty-two-year-old single mother, began to suffer from a variety of depressive symptoms after giving birth to her daughter, she thought she was going crazy. Determined to portray strength in a world that often undervalues Black women’s lives, she shrouded her debilitating despair in silence and denial. But when she befriends other Black women who suffer with depression, she finds the support she needs to confront the traumatic childhood events that lie beneath her grief. Twenty-five years after its initial publication, as best-selling author Andrew Solomon writes in an illuminating foreword, Willow Weep for Me “remains a brave book . . . but at the time of its writing it was humblingly audacious.” Also including an afterword from the author, this groundbreaking classic is a powerful meditation on courage and a litany for survival.

“An important and moving memoir. [Danquah] describes beautifully her experiences with depression.” —Kay Redfield Jamison, author of An Unquiet Mind

*ships in 7-10 business days*

In this sequel to the New York Times best-selling novel, The Belles, Camellia Beaureguard, the former favorite Belle, must race against time to find the ailing Princess Charlotte, who has disappeared without a trace.

The evil queen Sophia’s imperial forces will stop at nothing to keep Camille, her sister Edel, and her loyal guard, Rémy, from returning Charlotte to the palace and her rightful place as queen.

With the help of an underground resistance movement called the Iron Ladies–a society that rejects beauty treatments entirely–and the backing of alternative newspaper the Spider’s Web, Camille uses her powers, her connections, and her cunning to outwit her greatest nemesis, Sophia, and attempt to restore peace to Orléans. But enemies lurk in the most unexpected places, forcing Camille to decide just how much she’s willing to sacrifice to save her people.

Nothing is what it seems in this must-read sequel to the instant New York Times best-seller.

Catalog Copy: *"With wonderfully descriptive language, Clayton builds a grand and lavish world, carefully chipping away at the veneer to reveal its dark, sinister interior... A refreshingly original concept, this substantial fantasy...is an undeniable page-turner." —Kirkus Reviews, starred review

A twisted world. A beautiful power.

Camellia Beauregard is a Belle. In the opulent world of Orléans, Belles are revered, for they control Beauty, and Beauty is a commodity coveted above all else. In Orléans, the people are born gray, they are born damned, and only with the help of a Belle and her talents can they transform and be made beautiful.

But it’s not enough for Camellia to be just a Belle. She wants to be the favorite—the Belle chosen by the Queen of Orléans to live in the royal palace, to tend to the royal family and their court, to be recognized as the most talented Belle in the land.

But once Camellia and her Belle sisters arrive at court, it becomes clear that being the favorite is not everything she always dreamed it would be. Behind the gilded palace walls live dark secrets, and Camellia soon learns that the very essence of her existence is a lie—that her powers are far greater, and could be more dangerous, than she ever imagined. And when the queen asks Camellia to risk her own life and help the ailing princess by using Belle powers in unintended ways, Camellia now faces an impossible decision.

Catalog Copy: In this all-new novel from the world of Dhonielle Clayton’s sweeping, lush Belles series, rebellious, outspoken, fan-favorite Edel Beauregard enters the Beauty Trials—a deadly competition to find the next Queen of Orléans.

Sophia, the dangerous and erratic former queen, has been imprisoned, restoring peace to Orléans. Now her sister, Charlotte, sits on the throne and has decided to invoke the ancient tradition of the Beauty Trials—a series of harrowing tests meant to find the true ruler of Orléans. Edel, who has always aspired to be more than a Belle, decides to enter and, after promising to bind her arcana to keep from having an unnatural advantage, joins a few dozen other hopefuls intent on becoming the next Queen of Orléans.

But the Trials are far worse than any of them bargained for. As the women are put through tasks that test their strength, confidence, composure, and bravery, many perish, and Edel is mysteriously attacked by one of the other competitors—forcing her to use her powers just to survive. Will her subterfuge cost her the crown, or is there a larger conspiracy at play?

New York Times best-selling author Dhonielle Clayton returns to her sweeping, lush fantasy series with an all-new story teeming with high-stakes court intrigue and danger disguised by beauty.

Bestselling author Janae Marks returns with a bighearted and empowering sequel to the critically acclaimed From the Desk of Zoe Washington, following Zoe and her recently exonerated father as they build their new relationship and work to open their own restaurant together.

You are listening to On Air with Zoe Washington . . .

Two years ago, Zoe Washington helped clear Marcus’ name for a crime he didn’t commit. Now her birth father has finally been released from prison and to an outpouring of community support. So, everything should be perfect. Right?

With Zoe and Marcus now co-workers at Ari’s Cakes, it’s true life has never been better. But when Marcus reveals his lifelong dream of opening his own restaurant, Zoe becomes determined to help him achieve it—with her as his pastry chef of course. She still has a lot of new desserts to invent! 

However, starting a new place is much more difficult than it looks, and despite being innocent—Marcus is having a harder time re-entering society than anyone expected. Determined to find a solution, Zoe starts a podcast to bring light to the struggles exonerees experience and fundraise for their restaurant.

Between hosting her show, testing recipes, managing shifting friend dynamics, and trying to make sure Marcus and her stepdad each have enough time with her—Zoe is stretched thin. She knows the power of using her voice. But with waning public interest in their story, will anyone still be listening? 

*ships in 7 - 10 business days*

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today.

For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistance

Black students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.

Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.

School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.

*Ships in 7-10 Business Days*

For readers of The Twelve Tribes of Hattie and The Turner House, an intimately told story about a woman living by her own rules and the rural community that struggles to understand her.

Azalea “Knot” Centre is determined to live life as she pleases. Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home.

Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light.
Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.

*Ships in 7-10 Business Days*

Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel

A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their bodies, gestures and individuality—at the forefront.
The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved.
Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.

The court, the ball and the hoop: Barkley Hendricks paints basketball

The third book of the five-volume publication project on Hendricks, famed for his postmodern portraiture of Black Americans.

The third book of the five-volume publication project presents the artist's basketball paintings. The publication highlights how basketball was a vital inspiration for Hendricks' art, as well as a way to experiment with the different shapes and forms of the playing court. For the first time, they are grouped together in a dedicated volume.

Skira and Jack Shainman Gallery have partnered to realize an unprecedented book project dedicated to the artist Barkley L. Hendricks (1945-2017). The project consists of 4 booklets, each of which provides an in-depth exploration of a body of work integral to the artist's output (Works on Paper, Landscape Paintings, Basketball Paintings, Photography), in addition to a comprehensive 300-page monograph which traces the artist's evolution for the entirety of his career.

The project is tied to an extensive and never-accomplished-before recovery of the artist's archive. Each book will contain essays by different scholars that are leading international players. Each booklet allows for a detailed, oriented study of key bodies of works

A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves

Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.
Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.
Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.

A powerful picture book biography of Stacey Abrams, politician, voters’ rights activist, and Nobel Peace Prize nominee, that shows how Abrams’s fight for voters’ rights was inspired by luminaries before her, such as Sojourner Truth and Fannie Lou Hamer. Brilliant artwork from Laura Freeman, Coretta Scott King Honoree for Hidden Figures, brings Stacey’s journey to life. Perfect for fans of Kamala Harris: Rooted In Justice by Nikki Grimes and I Dissent by Debbie Levy.

Read about Stacey Abrams, politician and Nobel Peace Prize nominee, in this poetic picture book that follows Abrams’s fight for voters’ rights, narrated by Sojourner Truth, Ida B. Wells-Barnett, Septima Poinsette Clark, and Fannie Lou Hamer.

“Sometimes she would light the way. Sometimes her way would be lit by others…”

Stacey Abrams was always destined for big things because she always imagined more. Now she protects the least powerful, works toward making voting fair and easy, and demands better for Georgia and every other state in this nation. Stacey Abrams’s determination, perseverance, and courage will inspire younger generations to make meaningful change in the world.

The companion to the #1 New York Times bestseller and NAACP Image Award winner Stacey's Extraordinary Words, from political leader Stacey Abrams and artist Kitt Thomas.

Stacey’s favorite day of the week is Thursday, when the whole class goes to the library and she gets to lose herself in her beloved books.

On one of these special days, Stacey discovers that a new student named Julie has trouble reading in English, so they begin sharing books and stories to practice. Soon, more students start to join them.

Books take the group on magical adventures and reveal other worlds and cultures—but best of all, they bring them together as friends.

This is another inspiring tale, based on a true story from Stacey Abrams’s childhood, about the life-changing power of books.

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

• Activists and agitators
• Art book lovers
• Students of Black history
• Teachers and parents looking for colorful ways to talk to young people about activism and resistance

*ships in 7-10 business days

An ambitious and unflinching tale of colonialism, conquest, and revenge, Queen of the Conquered begins a powerful fantasy series set in a Caribbean-inspired world. 

*Named one of TIME's Top 100 Fantasy Books Of All Time
* World Fantasy Award for Best Novel, winner

On the islands of Hans Lollik, Sigourney Rose was the only survivor when her family was massacred by the colonizers. When the childless king of the islands declares he will choose his successor from amongst eligible noble families, Sigourney is ready to exact her revenge.

But someone is killing off the ruling families to clear a path to the throne. And as the bodies pile up and all eyes regard her with suspicion, Sigourney must find allies among her prey and the murderer among her peers... lest she become the next victim. 

The long-awaited first major monograph on the iconic portraitist of Black Americans

This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser & Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.
Amy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. She has been included in countless group shows at galleries and museums worldwide as well as the subject of solo exhibitions at Hauser & Wirth and Spelman College Museum of Fine Art, among others. Sherald lives in Baltimore and New Jersey.

America’s most popular sports media figure tells it like it is in this surprisingly personal book, not only dishing out his signature, uninhibited opinions but also revealing the challenges he overcame in childhood as well as at ESPN, and who he really is when the cameras are off.

Stephen A. Smith has never been handed anything, nor was he an overnight success. Growing up poor in Queens, the son of Caribbean immigrants and the youngest of six children, he was a sports-obsessed kid who faced a number of struggles, from undiagnosed dyslexia to getting enough cereal to fill his bowl. As a basketball player at Winston-Salem State University, he got a glimmer of his true calling when he wrote a newspaper column arguing for the retirement of his own Hall of Fame coach, Clarence Gaines.

Smith hustled and rose up from a high school reporter at Daily News (New York) to a general sports columnist at The Philadelphia Inquirer in the 1990s, before getting his own show at ESPN in 2005. After he was unceremoniously fired from the network in 2009, he became even more determined to fight for success. He got himself rehired two years later and, with his razor-sharp intelligence and fearless debate style, found his role on the show he was destined to star in: First Take, the network’s flagship morning program.

In Straight Shooter, Smith writes about the greatest highs and deepest lows of his life and career. He gives his thoughts on Skip Bayless, Ray Rice, Colin Kaepernick, the New York Knicks, the Dallas Cowboys, and former President Donald Trump. But he also pulls back the curtain and talks about life beyond the set, sharing authentic stories about his negligent father, his loving mother, being a father himself, his battle with life-threatening COVID-19, and what he really thinks about politics and social issues. He does it all with the same intelligence, humor, and charm that has made him a household name.

Provocative, moving, and eye-opening, this book is the perfect gift for lovers of sports, television, and anyone who likes their stories delivered straight to the heart.

How artists from Paul Klee and Mierle Laderman Ukeles to Faith Ringgold and Deborah Roberts have explored childhood themes of innocence, spontaneity and storytelling

Artists have long been inspired by children—by their imagination, creativity and unique ways of seeing and being in the world—and have made work that depicts and involves children as collaborators, that represents or mimics their ways of drawing or telling stories, that highlights their unique cultures, and that addresses ideas of innocence and spontaneity closely associated with children. To Begin Again: Artists and Childhood surveys how artists have reflected on and contributed to notions of childhood from the early 20th century to the present. The works in To Begin Again offer distinctive viewpoints and experiences, revealing how time and place, economics and race, and representation and aesthetics fundamentally shape how we experience and understand early development. The catalog underscores that while there is no single, uniform idea of childhood, it is nevertheless the ground upon which so much of society is built, negotiated and imagined.
Artists include: Ann Agee, John Ahearn, Njideka Akunyili Crosby, Francis Alÿs, Jean-Michel Basquiat, Brian Belott, Jordan Casteel, Lenka Clayton, Allan Rohan Crite, Henry Darger, Karon Davis, Robert Gober, Jay Lynn Gomez, Trenton Doyle Hancock, Duane Hanson, Mona Hatoum, Sharon Hayes, Ekua Holmes, Mary Kelly, Paul Klee, Justine Kurland, Helen Levitt, Tau Lewis, Glenn Ligon, Oscar Murillo, Rivane Neuenschwander, Berenice Olmedo, Charles Ray, Faith Ringgold, Deborah Roberts, Tim Rollins and K.O.S., Rachel Rose, Heji Shin, Sable Elyse Smith, Becky Suss, Mierle Laderman Ukeles, Cathy Wilkes and Carmen Winant.

Black women are powerful, brilliant, and brave, and it’s time to affirm these truths with more than 100 affirmations and journal prompts Black women can use to empower themselves.

In a world that perpetuates negative stereotypes about Black women, it’s more important than ever to affirm Black women for their power, brilliance, and bravery. With Affirmations for Black Women: A Journal, Black women will find more than 100 affirmations from their emotional, mental, and physical wellbeing, to the practical, professional, and social aspects of their lives. You’ll also learn specifically why affirmations are essential for Black women in order to heal from the effects of misogynoir, to build up your confidence, to build a self-care practice, and much more. You’ll discover how to apply affirmations to your daily life and use them in order to manifest what you desire and deserve.

Best of all, you’ll find short prompts after each affirmation to reflect on the affirmation and to take them one step further. Prompts will help you cement the affirmation into your mind, and into your reality as you incorporate them fully into your life. With Affirmations for Black Women: A Journal, you’ll celebrate being a Black woman, affirm your talent and worth, and bring your dreams to fruition.

A profound offering and call to action—collective stories, testimonials, and incantations for renewing political and spiritual liberation grounded in Black, Indigenous, People of Color, and Queer and Trans healing justice lineages

We reclaim the power, resilience, and innovation of our ancestors through this book. To embody their wisdom across centuries and generations is to continue their legacy of liberation and healing.

In this anthology, Black Queer Feminist editors Cara Page and Erica Woodland guide readers through the history, legacies, and liberatory practices of healing justice—a political strategy of collective care and safety that intervenes on generational trauma from systemic violence and oppression. They call forth the ancestral medicines and healing practices that have sustained communities who have survived genocide and oppression, while radically imagining what comes next.

Anti-capitalist, Black feminist, and abolitionist, Healing Justice Lineages is a profound and urgent call to embrace community and survivor-led care strategies as models that push beyond commodified self-care, the policing of the medical industrial complex, and the surveillance of the public health system. Centering disability, reproductive, environmental, and transformative justice and harm reduction, this collection elevates and archives an ongoing tradition of liberation and survival—one that has been largely left out of our history books, but continues to this day.

In the first section, “Past: Reckoning with Roots and Lineage,” Page and Woodland remember and reclaim generations-long healing justice and community care work, asking critical questions like: How did our ancestors transform trauma and violence in their liberation work? What were our ancestors reckoning with—and what did they imagine?

The next sections, “Origins of Healing Justice” and “Alchemy: Theory + Praxis,” explore regional stories of healing justice in response to the current political and cultural landscape. The last section, “Political + Spiritual Imperatives for the Future,” imagines a future rooted in lessons of the past; addresses the ways healing justice is being co-opted and commodified; and uplifts emergent work that’s building infrastructure for care, safety, healing, and political liberation.

A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times).

Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future.

Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician.

When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola’s lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.

*ships in 5-7 business days

A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, and so on. But even though the path to love is not easy, it is a path worth treading.

Love is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: “How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love—but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along—cheering for us and reminding us that love is abundant.”

Written in English and combined with a Spanish translation by poet David Ruano, “Promises of Gold explores many forms of love and how “a promise made isn’t always a promise kept,” as Olivarez grapples with the contradictions of the American Dream laying bare the ways in which “love is complicated by forces larger than our hearts.”

He writes, “For those of us who are hyphenated Americans, where do we belong? Promises of Gold attempts to reckon with colonial legacy and the reality of what those promises have borne out for Mexican descendants. I wrote this book to imagine and document an ongoing practice of healing—healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.”

Whether readers enter this collection in English or Spanish, these extraordinary poems are sure to become beloved for their illuminations of life—and love.

Paletero Man meets Fry Bread in this vibrant and cheerful ode to platanos, the star of Dominican cuisine, written by award-winning poet Lissette Norman and illustrated by Sara Palacios.

Platanos are Yesenia’s favorite food. They can be sweet and sugary, or salty and savory. And they’re a part of almost every meal her Dominican family makes. 

Stop by her apartment and find out why platanos go with everything—especially love!

___

Los plátanos son la comida favorita de Yesenia. Pueden ser dulces y azucarados o salados y sabrosos. Y son parte de casi todas las comidas que prepara su familia dominicana.

Pasa por su apartamento y descubre por qué los plátanos van con todo, ¡especialmente con el amor!

From the NAACP Image Award–nominated author of Happily Ever Afters comes a dual POV rom-com about Reggie and Delilah, who fall in love through missed connections and chance meetings on holidays over the course of a year. 

Delilah always keeps her messy, gooey insides hidden behind a wall of shrugs and yeah, whatevers. She goes with the flow—which is how she ends up singing in her friends’ punk band as a favor, even though she’d prefer to hide at the merch table.

Reggie is a D&D Dungeon Master and self-declared Blerd. He spends his free time leading quests and writing essays critiquing the game under a pseudonym, keeping it all under wraps from his disapproving family.

These two, who have practically nothing in common, meet for the first time on New Year’s Eve. And then again on Valentine’s Day. And then again on St. Patrick’s Day. It’s almost like the universe is pushing them together for a reason.

Delilah wishes she were more like Reggie—open about what she likes and who she is, even if it’s not cool. Except . . . it’s all a front. Reggie is just role-playing someone confident. The kind of guy who could be with a girl like Delilah.

As their holiday meetings continue, the two begin to fall for each other. But what happens once they realize they’ve each fallen for a version of the other that doesn’t really exist?

*ships in 7-10 business days

Debut author Charlene Allen delivers a captivating YA contemporary mystery about a teen boy trying to keep his best friend’s legacy alive through a video game while getting swept up in a murder investigation that points to his other best friend as the prime suspect.

In the game of life, sometimes other people hold all the controls. Or so it seems to VZ. Four months have passed and he still can’t believe his best friend Ed was killed by a white man in a Brooklyn parking lot. VZ and his other best friend Jack grieve in their own ways: Jack leads protests about Ed’s murder, but VZ can’t bring himself to do the same . . . and the two of them don’t talk much anymore.

Then Singer, the man who killed Ed, is found dead in the same spot where Ed was murdered. And all signs point to Jack as the prime suspect. But there’s no way Jack could have done it, right? For VZ, it’s time to show up for his friends. He’s going to complete the video game Ed never finished and enter it into a big gaming contest. And he’s going to figure out who actually killed Singer.

With help from Diamond, the girl he’s crushing on at work, VZ falls into Ed’s quirky gameiverse. As the police close in on Jack, the game starts to uncover details that could lead to the truth about the murder. Can VZ honor Ed and help Jack before it’s too late?