Finalist for the National Book Award for Translated Literature

Full of wit, music, and a rollicking cast of characters, The Villain's Dance shows Fiston Mwanza Mujila is back with a bang.

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines." Things are drawing to a head, but at the Mambo de la Fête, they still dance the Villain's Dance from dusk till dawn.

"Smith’s powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope.” —The Village Voice 

Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. "One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation” (Variety). 

Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”)

Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope.

From the award-winning actor and playwright Anna Deavere Smith, two teeming, pungent cross-sections of the American experience.

In the provocative and at times bitterly funny play House Arrest, Smith examines the relationships between a succession of American presidents and their observers in and out of the press. Arcing from Clinton and Monica Lewinsky to Jefferson and Sally Hemings and alive with the voices of such real-life figures as Ed Bradley, George Stephanopoulos, Anita Hill, and Abraham Lincoln, the result is a priceless examination of the intersection of public power and private life.

In Piano, Smith casts her gaze back a century as she follows the tangled lines of race, sex, and exploitation in a prosperous Cuban household on the eve of the Spanish-American War. Deftly and suspensefully, Smith tells a story of ruptured allegiances and ramifying deceptions in which no one—master or servant, friend or enemy—is what he or she pretends to be. Together these two plays are further proof that Anna Deavere Smith is one of the most searing and revelatory voices in the American theater.

"Dutchman is designed to shock—its basic idea, its language and its murderous rage." —New York Times

Centered squarely on the Negro-white conflict, both Dutchman and The Slave are shocking plays—in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem—and they bring an eloquent and exceptionally powerful voice to the American theatre.

Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era

During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse.
 
The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States.

Published in association with the Dixon Gallery and Gardens

Exhibition Schedule:

Dixon Gallery and Gardens, Memphis
(October 22, 2023–January 14, 2024)
 
Crocker Art Museum, Sacramento
(February 4–May 19, 2024)

How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies

A New York Times critics' pick | Best Art Books 2021

Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States.

The architects, designers, artists and writers who were invited to contribute to this book―and to the exhibition at the Museum of Modern Art for which it serves as a “field guide”―reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal.

A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume’s richly illustrated presentations of the architectural projects at the heart of MoMA’s groundbreaking exhibition.

"The Chicago-born artist Charles White (1918–79) was celebrated during his lifetime for depictions of African-American men, women and children that acquired the name “images of dignity. White’s draftsmanship, his direct address of the social and political concerns of his time, and his commitment to media that gave his art wide circulation established him as a major artist, and one with significant influence both on his contemporaries and on later generations.

Beginning with White’s early days as an artist in the Chicago of the 1930s and ’40s, moving through his time spent developing his craft in New York in the late 1940s and ’50s, and closing with his final decades as a revered figure in Los Angeles, Charles White: Black Pope explores the artist’s practice and strategies through consideration of key works. It devotes particularly close examination to his late masterwork "Black Pope (Sandwich Board Man)," in the collection of The Museum of Modern Art. By creating visually compelling, ideologically complex works that engage audiences on many levels, White established himself as a key figure of his time, one whose work continues to resonate today."

Combining representation and abstraction, Abney's vibrant works reference gender, sexuality and pop culture

Committed to sharing social realities through fantastic, expansive forms, Nina Chanel Abney is an artist possessed of an iconic style and wit. Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s paintings and collages use dynamic color and form to draw viewers into complex narratives.
Big Butch Energy/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a figure in a work of art.
Nina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design. Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania Academy of the Fine Arts, among others.

This book was published in conjunction with Institute of Contemporary Art, Miami/Museum of Contemporary Art Cleveland

A loving and powerful photobook following the lineage of one Black family, interrogating the semiotics of family portraiture

This profoundly moving and visually ravishing photobook, the first major monograph by American photographer Nydia Blas (born 1981), is an exploration of one Ithaca-based Black family and its community across many generations. The book is also a formally rigorous examination of the taxonomy and syntax of family portraiture.
Blas’ contemporary works are integrated with selections from her historical family albums in order to tell an extended intergenerational story, and to bring forward the evolving and recurring nature of the portrait photograph throughout the medium’s history. Deploying doubling, repetition and more subtle echoing and mirroring, Love, You Came from Greatness builds a powerful line of feeling and thought across generations and photographic tropes and styles. It features an illustrated discussion among Blas, curator Kate Addleman-Frankel and Cornell art historian Cheryl Finley. The volume concludes with the republication of bell hooks’ seminal 1995 essay "In Our Glory: Photography and Black Life," a deeply personal text that expands on crucial themes of family, photography, and Black identity and community.

Now back in print, The Vulture is the first novel by the legendary poet, musician, and so-called “godfather of rap” Gil Scott-Heron, written while he was still a university student.

First published in 1970 and digging the rhythms of the street, where the biggest deal life has to offer is getting high, The Vulture is a hip and fast-moving thriller, set in lower Manhattan. It relates the strange story of the murder of a teenage boy called John Lee—telling it in the words of four men who knew him when he was just another kid working after school, hanging out, waiting for something to happen. Just who did kill John Lee and why?

‘I may pay rent to a friend for my place in Greensboro, but the South’s my landlord; and I’m trapped in its stomach trying to get to its brain. Here, I see butterflies with Confederate flag-grown wings and minstrel vestiges of Daddy Rice collecting dough. I can’t move because I’m stuck in Aunt Jemima’s syrup.’ Spell, Time, Practice, American, Body is the highly anticipated first book by artist, filmmaker, and writer RaMell Ross. Bringing together Ross’s large-format photographs, sculptures, conceptual works, and selected films, together with illuminating texts by Ross and a host of writers, this ambitious publication presents a chronicle of the American South that is both mysterious and quotidian, a historical document and a radical imagining of the future. The book opens with a series of illuminating colour photographs from Hale County, Alabama, Ross’s adoptive home and the setting of his Academy Award-nominated documentary Hale County This Morning, This Evening (2018). It then moves through a series of photographic and mixed-media works and writings that examine, deconstruct, and rewrite visual representations of the South. Amidst these works, at the book’s heart, is Ross’s film Return to Origin, a remarkable conceptual work in which Ross freight ships himself in a 4x8-foot box – a nod to Henry Brown who shipped himself to freedom in 1849. With Spell, Time, Practice, American, Body, Ross creates a new visual narrative of the South, freed from its iconic meanings to reveal the earth, dirt, soil, and land beneath. With texts by RaMell Ross, Tracy K. Smith, Richard McCabe, and Scott Matthews

PRE-ORDER: ON SALE DATE: March 20, 2025

Decolonizing Bodies offers novel theorizations of how racial capitalism, colonialism, and heteropatriarchal violence erode the bodily schema and experiences of racialized and colonized populations, profoundly constraining their being in the world. The book invigorates embodiment studies by centering the experiences and struggles of Black, Indigenous, colonized, disabled, queer, and racialized subjects, showing how they live these displacements and disintegrations.

The volume powerfully demonstrates how racism and colonialism sediment in bodily and habitual registers that are active, ongoing, made and remade. Bodies, the contributors argue, powerfully register the impacts of colonial and racialized violence, but through practices of embodiment, they also digest, expel, and transform them. In centering non-normative subjective experiences and making space for different kinds of embodied knowledge, Decolonizing Bodies also takes a step toward decolonizing academic knowledge.

This exciting and urgent book offers readers new ways of imagining, choreographing and enacting the body. Beyond connecting distant geographies of harm, it celebrates polymorphous decolonial repertoires that record, creatively narrate, and heal.

A primer on contemporary artist Lauren Halsey’s latest site-specific installation, outlining her process, past work, and influences drawn from Afrofuturism, ancient Egyptian iconography, and Los Angeles
 
Lauren Halsey is known for her sculptures, mixed media works, and site-specific installations that remix (or, as Halsey says, “funkify”) history by combining signs, symbols, and architecture from the past, present, and future. In her new installation for The Met’s Roof Garden Commission series, she brings together ancient Egyptian–inspired iconography and sculpture with signage and texts drawn from the artist’s local community in South Central Los Angeles. Accompanied by new photography and unpublished sketches from Halsey’s studio, this compact volume contains an insightful essay by curator Abraham Thomas that examines Halsey’s artistic process and considers this installation in the context of her past work. In a revealing interview with poet Douglas Kearney, the artist discusses her diverse influences—which include ancient Egyptian relief carving, funk music, Afrofuturism, and the architecture of L.A.— and elaborates on the importance of community building and engagement in the spaces she creates.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press  

Exhibition Schedule:

The Metropolitan Museum of Art, New York
(April 18–October 22, 2023)

African American women have played significant roles in the ongoing struggle for freedom and equality, but relatively little is known about many of these leaders and activists.

Most accounts of the civil rights movement focus on male leaders and the organizations they led, leaving a dearth of information about the countless black women who were the backbone of the struggle in local communities across the country. At the local level women helped mold and shape the direction the movement would take. Lulu B. White was one of those women in the civil rights movement in Texas.

Executive secretary of the Houston branch of the NAACP and state director of branches, White was a significant force in the struggle against Jim Crow during the 1940s and 1950s. She was at the helm of the Houston chapter when the Supreme Court struck down the white primary in Smith v. Allbright, and she led the fight to get more blacks elected to public office, to gain economic parity for African Americans, and to integrate the University of Texas.

Author Merline Pitre places White in her proper perspective in Texas, Southern, African American, women's, and general American history; points to White's successes and achievements, as well as the problems and conflicts she faced in efforts to eradicate segregation; and looks at the strategies and techniques White used in her leadership roles.

Pitre effectively places White within the context of twentieth-century Houston and the civil rights movement that was gripping the state. In Struggle Against Jim Crow is pertinent to the understanding of race, gender, interest group politics, and social reform during this turbulent era.

Create your own signature cocktails with this essential recipe book for homemade blends and alcohol infusions.

The Infused Cocktail Handbook is the essential guide to homemade blends and infusions. The illustrated recipes explain which ingredients and flavors go best when infusing vodka, gin, tequila, whiskey, rum, and sherry. Make an infused simple syrup or try out a shrub and spice up your next party!

You’ll find a range of globetrotting flavor profiles such as:

* Earl Gray tea (great for a gin infusion)
* Lemongrass
* Cardamom
* Walnuts
* Gummy bears
* Bacon (who doesn’t love bacon?)

Craft delicious libations using The Infused Cocktail Handbook as your starting point to infuse liquors with new flavors that you can use in any cocktail. Not only will you know how to make your very own signature cocktails, you’ll save money — and have fun — doing it.

With a Foreword by Simone Biles

The sensational two-time Olympian Jordan Chiles’s heartfelt, inspiring memoir chronicling her unlikely path to the podium—including the unprecedented challenges, the joy of winning, the crushing pain of defeat, and the love and support of her devoted family and teammates that helps her stay strong. 

It was a rare and stunning reversal: after the judges at the 2024 Paris Olympics determined that Jordan had rightfully scored third place for her performance—following a successful challenge by her coach—she earned the bronze medal. Later, Jordan’s euphoria turned to devastation when the Court of Arbitration for Sport stripped her of that medal based on nothing but semantics. Jordan called the ruling, “One of the most challenging moments of my career. Believe me when I say I have had many.”

In her powerful, eye-opening memoir, Jordan digs deep, sharing the story of her life’s challenges—the racism she encountered as a gifted Black girl in a predominantly white elite sport, the battles with body image and subsequent unhealthy relationship with food, the grueling practices, the injuries, the moments of nearly calling it quits. Through it all, Jordan refused to give up. Through sheer grit—and the love of her family—she kept working and winning. When Simone Biles stepped away from the 2020 Tokyo Olympics after a case of the “twisties,” Jordan stepped in to play a key role in securing silver for Team USA. And in Paris, Jordan made history as part of the first all-Black podium in all of men's and women’s gymnastics.

Told with refreshing candor and Jordan’s irrepressible spirit, I’m That Girl is a glimpse of life in the psychologically and physically demanding upper echelons of women’s elite gymnastics. Exploring the deep bonds so often forged in pressure cookers, Jordan speaks openly about her relationships with her teammates, including her best friend and “big sister” Simone Biles, and how their support for one another has proved invaluable on and off the mat.

With the highs, lows, twists, and turns characteristic of the sport, and featuring a 16-page color photo insert, I’m That Girl reveals how one extraordinary young woman keeps her balance in a uniquely dizzying life. By way of her unwavering tenacity, Jordan has changed the culture of gymnastics, fighting every day to ensure that the girls she inspires are not pre-judged for their hair, their bodies, or their skin color. Insightful and deeply moving, I’m That Girl is a testament to the power of perseverance and the transformative joy of doing what you love, told by a fierce and unique individual who has been and will always be That Girl—the ultimate hype woman who shows up and gives it her all.

From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.

Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like A Wrinkle in Time. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In Black Girls and How We Fail Them, a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.

Black Gurl Reliable does the original work of curating Black girls’ and women’s experiences and experiential knowledge, indexing sociocultural tactics (schooling) that foreclose Black girl aliveness, while advancing embodiment as a key ingredient of Black mattering. Elevating Black Girlhood Studies as an ethos, narratives presented offer redress to inequities and hauntings of race-gender structures of dominance and position Black girls and girlhood as more than lamentation and what happens to the body. Hill solicits the strength and utility of arts-based methods in capturing identity, performance, and experimental design for ephemerality and improvisation. Hill makes clear Black feminism’s insistence that knowledge and possibility are produced through the body.

As a means of mitigating the deleterious effects of schooling on Black girls’ and women’s bodies and making legible the insights and knowledge produced from schooling experiences, Hill introduces the concept of Transgressngroove. This living feminist practice explores the relationships between Black girlhood, education, and the body, as researched for over a decade through workshops, consulting, classrooms, personal development, and other teaching/learning spaces.

This book unearths a food story buried deep within the soil of American civil rights history. Drawing on archival research, interviews, and oral histories, Bobby J. Smith II re-examines the Mississippi civil rights movement as a period when activists expanded the meaning of civil rights to address food as integral to sociopolitical and economic conditions. For decades, white economic and political actors used food as a weapon against Black sharecropping communities in the Yazoo-Mississippi Delta, but members of these communities collaborated with activists to transform food into a tool of resistance. Today, Black youth are building a food justice movement in the Delta to continue this story, grappling with inequalities that continue to shape their lives.

Drawing on multiple disciplines including critical food studies, Black studies, history, sociology, and southern studies, Smith makes critical connections between civil rights activism and present-day food justice activism in Black communities, revealing how power struggles over food empower them to envision Black food futures in which communities have the full autonomy and capacity to imagine, design, create, and sustain a self-sufficient local food system.

Claudia Jones stood at many crossroads. Her world was one of heated battles for Black liberation, of anti-fascism in the build-up to World War II, of national liberation struggles across the Global South, of the US government persecuting her and her comrades for their activism and membership in the Communist Party. And as a Black woman, she was also determined to bring to light how race and gender are embedded in and essential to the struggles of the working class.

At a time when the hegemony of imperialism and capitalism remain strong while new contradictions and signs of struggle arise, Jones' political writings are a lesson in identifying the most urgent tasks for moving socialism, the political project of the working class, forward. From her poetry, to newspaper articles, to pamphlets, to speeches, A Fighting Dream: The Political Writings of Claudia Jones brings her to us as she was: unrelenting, fearless, and a Communist.

Claudia Jones challenges us all to stand with our principles, to build organization, and to clearly see how understanding the intersectional aspects of our struggle is crucial for the liberation of humanity and the planet.

As featured by NBC’s Today Show, Harper’s Bazaar, Forbes, and Vogue France

‘A cookbook to be dipped into for inspiration for intimate late-night suppers and pull-out-the-stops buffets. It is a book to read, to cook from and to savor that will delight the mind and the tastebuds.’ – Jessica B. Harris, Ph.D., food historian, lecturer, and author of High on the Hog

Experience Africa’s vibrant food culture with 120 recipes from the continent’s most exciting culinary voices

Meet the culinarians who are setting the new African table. James Beard Award-winning author Alexander Smalls presents a vibrant library of home cooking recipes and texts contributed by 33 chefs, restaurateurs, caterers, cooks, and writers at the heart of Africa’s food movement.

Organized geographically into five regions, The Contemporary African Kitchen presents 120 warm and delicious dishes, each beautifully photographed and brought to life through historical notes, personal anecdotes, and serving suggestions.

Home cooks will discover a bounty of diverse, delicious dishes ranging from beloved classics to newer creations, all rooted in a shared language of ingredients, spices, and cooking traditions. Learn to make Northern Africa’s famed couscous and grilled meats; Eastern Africa’s aromatic curries; Central Africa’s Peanut Sauce Stew and Cocoyam Dumplings; Southern Africa’s fresh seafood and street food; and Western Africa’s renowned Chicken Yassa.

With text contributions from experts including Pierre Thiam, Selassie Atadika, Anto Cocagne, Coco Reinarhz, and Michael Adé Elégbèdé, the essay and recipe contributors to this ground-breaking survey are at the heart of the food movement of Africa, making it an essential addition to every cook and food lover’s library.

Inviting, instructive, accessible, and exciting, The Contemporary African Kitchen brings the conversation about Africa’s cuisine into homes around the world.

Chefs and countries featured: Zein Abdallah (Uganda); Agatha Achindu (Cameroon); Eric Adjepong (Ghana); Ikenna Akwuebue Bobmanuel (Nigeria); Clara Kapelembe Bwali (Zambia); Akram Cherif (Tunisia); Agness Colley (Togo);  Moustafa Elrefaey (Egypt); Arnaud Gwaga (Burundi); Mohamed Kamal (Egypt); Kudakwashe Makoni (Zimbabwe); Dieuveil Malonga (Republic of Congo); O’miel Moundounga (Gabon); Mwaka Mwiimbu (Zambia); Joseph Odoom (Ghana); Forster Oben Oru (Cameroon); Thabo Phake (South Africa); Mostafa Seif (Egypt); Mogau Seshoene (South Africa); Sifo Sinoyolo (South Africa); Mame Sow (Senegal); Sophia Teshome (Ethiopia); Pierre Thiam (Senegal); Roze Traore (Côte d’Ivoire); Matse Uwatse (Nigeria); Alfonso Videira (Angola); Nana Araba Wilmot (Ghana); Rubia Zablon (Kenya).

Learn how artificial intelligence can reflect human-created biases, and how we can address this to create a more fair, just world.

This is a kids’ book about AI bias. AI consumes lots of information and uses that data to predict patterns. But when the information has biases or prejudices, the predicted patterns can perpetuate injustice.

This book was made to help kids aged 5-9 understand how AI bias works and what we can do to address it. If AI technology doesn't work fairly for everyone, it's not helpful AI. Fortunately, we can make a difference when we use our voices to advocate for fair, just technologies.

A Kids Book About AI Bias features:
* A large and bold, yet minimalist font design that allows kids freedom to imagine themselves in the words on the pages.
* A friendly, approachable, empowering, and child-appropriate tone throughout.
* An incredible and diverse group of authors in the series who are experts or have first-hand experience of the topic.

Tackling important discourse together!

The A Kids Book About titles are best used when read together. Helping to kickstart important, challenging, and empowering conversations for kids and their grown-ups through beautiful and thought-provoking pages. The series supports an incredible and diverse group of authors, who are either experts in their field, or have first-hand experience on the topic.

A Kids Co. is a new kind of media company enabling kids to explore big topics in a new and engaging way, with a growing series of books, podcasts, and blogs made to empower. Learn more about us online by searching for A Kids Co.

Throughout his esteemed career, William Cross has tried to reconcile how Black men he met in the barber shop “seemed so normal,” but the portrayal in college textbooks of Black people in general—and the Black working class in particular—is self-hating and pathological. In Black Identity Viewed from a Barber’s Chair, Cross revisits his ground-breaking model on Black identity awakening known as Nigrescence, connects W. E. B. DuBois’s concept of double consciousness to an analysis of how Black identity is performed in everyday life, and traces the origins of the deficit perspective on Black culture to scholarship dating back to the 1930s. He follows with a critique showing such deficit and Black self-hatred tropes were always based on extremely weak evidence.

Black Identity Viewed from a Barber’s Chair ends with a new understanding of the psychology of slavery that helps explain why and how, during the first twelve years of emancipation, countless former slaves exhibited amazing psychological, political, and cultural independence. Once free, their previously hidden psychology became public.

His booksets out to disrupt and agitate as Cross attempts to more accurately capture the humanity of Black people that has been overlooked in previous research.

The long-awaited reissue of McFadden’s best-selling second novel praised by Toni Morrison, USA Today, Washington Post, and others―published simultaneously with McFadden’s new novel Gathering of Waters.

“McFadden’s reissued second novel takes an unflinching look at the corrosive nature of alcoholism . . . This is not a story of easy redemption . . . McFadden writes candidly about the treacherous hold of addiction.” ―Publishers Weekly

“Riveting . . . so nicely avoids the sentimentality that swirls around the subject matter. I am as impressed by its structural strength as by the searing and expertly imagined scenes.” ―Toni Morrison, author of Beloved

For Kenzie, growing up in the Lowe household means opening the bottom drawer of her father’s dresser to choose which belt she’ll be whipped with that night, furtive trips to the Bee Hive liquor store for her father’s vodka, and dreaming of the day she can escape apartment 5A.

Buoyed by the lyrical, redemptive voice that characterizes McFadden’s writing, The Warmest December tells the powerful, deeply moving story of one Brooklyn family and the alcoholism and abuse that marked the years of their lives. Narrated by Kenzie Lowe, a young woman reminiscent of Jamaica Kincaid’s Annie John, the story moves fluidly between the past and the present as she visits her dying father and finds that choices she once thought beyond her control are very much hers to make. The Warmest December is ultimately a cathartic tale of hope, healing, and forgiveness.

The long-awaited reissue of McFadden’s classic novel about a young woman on a journey of self-discovery

"An engrossing multigenerational saga . . . With her deep engagement in the material and her brisk but lyrical prose, McFadden creates a poignant epic of resiliency, bringing Sherry to a well-earned awareness of her place atop the shoulders of her ancestors, those who survived so that she might one day, too." ―Publishers Weekly

Nothing can mend a broken heart quite like family. Sherry has struggled all her life to understand who she is, where she comes from, and, most important, why her mother slapped her cheek one summer afternoon. The incident has haunted Sherry, and it causes her to dig into her family’s past. Like many family histories, it is fractured and stubbornly reluctant to reveal its secrets; but Sherry is determined to know the full story.

In just a few days time, her extended family will gather for a reunion, and Sherry sets off across the country with her mother, Dumpling, to join them. What Sherry and Dumpling find on their trip is far more important than scenic sites here and there―it is the assorted pieces of their family’s past. Pulled together, they reveal a history of amazing survival and abundant joy.

Following her best-selling, award-winning novel Glorious, McFadden produces a fantastical historical novel featuring the spirit of Emmett Till.

―One of Essence’s "Best Books of the Decade"

―A New York Times Notable Book of 2012

―Gathering of Waters was a finalist for a Phillis Wheatley Fiction Book Award.

“McFadden works a kind of miracle―not only do [her characters] retain their appealing humanity; their story eclipses the bonds of history to offer continuous surprises . . . Beautiful and evocative, Gathering of Waters brings three generations to life . . . The real power of the narrative lies in the richness and complexity of the characters. While they inhabit these pages they live, and they do so gloriously and messily and magically, so that we are at last sorry to see them go, and we sit with those small moments we had with them and worry over them, enchanted, until they become something like our own memories, dimmed by time, but alive with the ghosts of the past, and burning with spirits.” ―Jesmyn Ward, New York Times Book Review, Editors’ Choice

“Read it aloud. Hire a chorus to chant it to you and anyone else interested in hearing about civil rights and uncivil desires, about the dark heat of hate, about the force of forgiveness.” ―Alan Cheuse, All Things Considered, NPR

Gathering of Waters is a deeply engrossing tale narrated by the town of Money, Mississippi―a site both significant and infamous in our collective story as a nation. Money is personified in this haunting story, which chronicles its troubled history following the arrival of the Hilson and Bryant families.

Tass Hilson and Emmet Till were young and in love when Emmett was brutally murdered in 1955. Anxious to escape the town, Tass marries Maximillian May and relocates to Detroit.

Forty years later, after the death of her husband, Tass returns to Money and fantasy takes flesh when Emmett Till’s spirit is finally released from the dank, dark waters of the Tallahatchie River. The two lovers are reunited, bringing the story to an enchanting and profound conclusion.

Gathering of Waters mines the truth about Money, Mississippi, as well as the town’s families, and threads their history over decades. The bare-bones realism―both disturbing and riveting―combined with a magical realm in which ghosts have the final say, is reminiscent of Toni Morrison’s Beloved.

A young woman must learn to love and trust again after experiencing the brutality of ritual servitude in West Africa.

―Longlisted for the 2019 Women’s Prize for Fiction

―A Black Caucus of the American Library Association 2019 Honor title, Fiction

“McFadden, writer of great, imaginative novels for years now (including Sugar and Gathering of Waters), is back with one of her best yet. Exploring ritual sacrifice in contemporary West Africa, Praise Song offers a fascinating, painful glimpse into a world beyond America’s shores, filled with tragedy and love and hope.” ―Entertainment Weekly, One of 20 New Books to Read in August

“The novel has a timeless quality; McFadden is a master of taking you to another time and place. In doing so, she raises questions surrounding the nature of memory, what we allow to thrive, and what we determine to execute . . . McFadden brings the sweeping drama of her earlier works ― The Book of Harlan, Glorious, Gathering of Waters ― into this small book, and reminds me of the gentle fierceness of Edwidge Danticat’s writing.” ―Los Angeles Review of Books

Abeo Kata lives a comfortable, happy life in West Africa as the privileged nine-year-old daughter of a government employee and stay-at-home mother. But when the Katas’ idyllic lifestyle takes a turn for the worse, Abeo’s father, following his mother’s advice, places the girl in a religious shrine, hoping that the sacrifice of his daughter will serve as atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is held in the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again.

In the tradition of Chris Cleave’s Little Bee, this novel is a contemporary story that offers an eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies will break you heart and then heal it.

NATIONAL BESTSELLER • In his final years, one of America’s greatest writers envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project had never been published before acclaimed filmmaker Raoul Peck mined them to compose his Academy Award-nominated documentary.

“Thrilling…. A portrait of one man’s confrontation with a country that, murder by murder, as he once put it, ‘devastated my universe.’” —The New York Times

Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck’s film uses them to jump through time, juxtaposing Baldwin’s private words with his public statements, in a blazing examination of the tragic history of race in America.

This edition contains more than 40 black-and-white images from the film.

A dazzling, electrifying, and thought-provoking novel for readers of Maame and Honey Girl, Things Left Unsaid is a mesmerizing and deeply-felt exploration of discovering your place in the world and the lasting power of love.

When twenty-six year old Shirin Bayat bumps into Kian at a house party in London, she is taken aback by the immediate feelings that resurface. It’s been a decade since they were close friends at school, before painful events pulled them apart, suddenly and seemingly forever. Ever since, Shirin has lived with the aching weight of things left unsaid between them.

Now they're back in each other's lives, at a time when Shirin needs someone she can trust the most. Feeling stuck in a sea of slippery friendships and deeply burned out by her publishing job, Kian is a bright light amongst a sea of gray. There’s nothing worse than losing the person you trust most with your deepest secrets and desires, and Shirin and Kian are determined to hold tightly to each other.

But of course, life often has other plans. Will it be different this time around, or are Shirin and Kian destined to fall apart once more?

"A delicate yet impactful look at depression, disillusioned dreams, second chances at love and the power of bravery. What a book!" - Jessica George

"Intricate and deft...Jafari has written a total stunner." - Amy Jo Burns, author of Mercury

Asia Village is in peril when Private detective Lydia Shepard returns to enlist the help of Lana Lee to solve a rash of unsolved murders and thefts in The Chow Maniac, the latest Noodle Shop Mystery from Vivien Chien.

When Lydia brings Lana onto the case, three of the members of an elite Asian order known as the Eight Immortals have already been murdered. Each member of the order holds one item that represents their immortal counterpart, and someone is dying to get their hands on them all. Lydia's client insists he―and only he―knows who will be next and wants the murderer captured before there is another victim.

Riding below the line of three cities of law enforcement and Lana’s own boyfriend, Detective Adam Trudeau, the two women must tread lightly as they infiltrate a secret organization that even the Mahjong Matrons know nothing about. And somehow protect the next victim without letting on that she’s in danger.

As they dig deeper into the case, Lana finds there are unexpected associations within Asia Village and potential ties to her own family that could be devastating. With the stakes raised on the toughest case she’s ever worked, will Lana be able to keep her own emotions out of the investigation? And will the murderer be found before they become the ultimate “immortal”?

No matter how wrong relationships can be, there’s nothing quite like getting them right.

Every guy’s been a creep at one point or another. That’s just the way it is. Or at least, that’s what Cleo tells herself once she finds out her boyfriend might not be the man she thought he was. Is it possible to keep loving someone you’re not sure you can trust? More to the point, should you? Once the fabric of Cleo’s relationship rips at the seams, the life she had built with him―abroad and away from those closest to her―unravels right before her eyes. Yet, letting it fall to pieces as she walks away is only half the story.

So Long Sad Love swaps out the wobbly transition of weaving a new existence into being post-heartbreak for the surprising effortlessness and simplicity of a life already rebuilt. Cleo not only rediscovers her identity as an artist but uncovers her capacity to find love where she has always been most at home: with other women.

Mirion Malle dares to tell a story with a happier ending in a stunning, full-color follow-up to the multi-award nominated This is How I Disappear. Translated by Governor General Literary Award nominee Aleshia Jensen, So Long Sad Love unabashedly skips to the good part and shines a light on just how rewarding following your bliss can be.

PRE-ORDER: ON SALE DATE: March 3, 2026

A young adventurer must test their skills as a hero while navigating new challenges, friendships, and rivalries in the next blockbuster Minecraft novel. Welcome to Adventure School!

Hero Crowe’s Adventure School is the stuff of legends. Every year, aspiring heroes across the Overworld wait to see where the mysterious school will pop up this time. But before students can even make it to the front steps, they must pass a dangerous admissions test.

Belinda knows she can pass. She has to pass. She needs to prove to everyone (most of all herself) that she’s not a coward, and she is certain that winning the school’s glorious chest of rare, valuable items is the way to do it. She just needs to make sure she wins without revealing too much about her past.

Belinda has competition, though. She and countless other students are up against hair-raising mobs, secret rooms, and saboteurs, facing challenge after challenge as they battle their way through Hero Crowe’s unusual “lessons.” While some students think working together is the best strategy, others prefer the whole lone wolf thing. After all, Hero said there could be only one victor.

Navigating new friendships, rivalries, and plenty of danger, Belinda discovers just what it takes to be a hero. But in the end, will she win the prize and become the school’s one true hero?