Shuri and T'Challa set out to remove a curse from Wakanda in this action-packed, totally original graphic novel!

Twelve-year-old Shuri is a lot of things. Scientist. Princess. All around cooler person than her pain-in-the-butt big brother, T’Challa. Shuri knows she could do so much more to help Wakanda, but everyone is obsessed with the prince because he’s the next Black Panther. That is, until Soul Washing Day, one of the most important rituals of Wakandan society.

When an argument between T’Challa and Shuri leads to one of Shuri’s inventions accidentally destroying the sacred ceremony site, chaos reigns instead of prosperity. Suddenly the people of Wakanda, including her mother the queen, are becoming sick! Could this be a curse from the ancestors? Desperate to save her mother, Shuri dives into research and finds an answer hidden deep in an ancient children's myth. It may be nothing more than a fantasy, but with the sickness spreading each day, the young princess must trust her instincts and travel deep into the mysterious Heartlands to save her family and her kingdom.

Joining Shuri on her journey is none other than a meddling T’Challa. If Shuri and T’Challa can set aside their jealousy and resentment of each other long enough to survive this journey, they might just discover that they are far more powerful together than they could ever be apart. But if they can’t face their fears in the Heartlands and lift the so-called curse, it may not be just the end for their family, but the end of Wakanda as they know it. No pressure, right?

An original middle-grade graphic novel starring breakout character (and New Jersey's own) Ms. Marvel!

Kamala Khan (a.k.a Ms. Marvel) is stretched too thin-literally. She's having a hard time balancing schoolwork with being a good friend, being there for her family, becoming the best fanfic writer this side of the Hudson River ... and, you know, becoming a Super Hero. She's tired and just barely keeping control, BUT she's handling it. Totally.

But when a mysterious robot tries to infiltrate Avengers Tower, it'll be up to Ms. Marvel to (again, literally) pull herself together, learn to ask for help, and fix the mess she's made before anyone gets hurt!

Mimi returns for another misadventure in this sweet, funny Graphix Chapters series by Shauna J. Grant.

Get drawn into reading with Graphix Chapters!

Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers.

Boo-hoo! Mimi is not having a good day. She can't get her pigtails to sit right, she's not in the mood for her favorite breakfast, and she's far from feeling like her usual self. Mimi has a case of the Blahs, where nothing feels quite right. With the help of Penelope, her magical toy dog and best friend, she sets out to find a way to get rid of this icky feeling. Will Mimi reclaim her spark, or will the Blahs get the best of her?

Follow Janey on a magical journey as she searches for her missing hoop earring! A perfect picture book for fans of The Queen of Kindergarten and Hair Love.

Golden hoops are magic. That’s what Mommy says.

And Janey has always wanted her own pair of glowing golden hoops, just like the ones her mother wears.

Finally, the day comes when Janey gets her own. With her hoops, Janey can do anything. She feels like a million bucks! But when she gets home, Janey discovers that one of her hoops has gone missing.

Without her special hoops, can Janey find her magic again?

In this fun ode to the tradition of receiving a first pair of hoops, Janey experiences the beauty of inner magic and sisterhood—and learns just how far both can take her.

Award-winning Colombian author Laura Restrepo weaves contemporary themes and ancient myth in this story of star-crossed lovers in a world on the brink of collapse.

Retelling the mythical love story between the Queen of Sheba and King Solomon in the refugee camps of the present day, Song of Ancient Lovers is a sublime ode to love and desire as forces shaping human history, with power that rivals forces of destruction.

Ethereal in its weaving of the real and the mythical, the contemporary and the ancient, this is the story of Bos Mutas, a young writer traveling from South America to northern Africa in search of traces of his obsession. His research unveils the Queen of Sheba as unyielding and committed to her independence, with remarkable influence both in her time—over Solomon and all the subjects in her expansive kingdom—and on thinkers and artists across the centuries, from Thomas Aquinas to Gérard de Nerval, Frida Kahlo to Patti Smith. He also finds traces of her influence in the magic made of devastating circumstances by women he meets on his journey, especially Zahra Bayda, a Somali midwife who has taken it upon herself to show him around.

Stunning and evocative, Song of Ancient Lovers is a triumph of imagination and reverence for the spirit that connects us across boundaries of time and geography.

Translated from the Spanish by Caro De Robertis

An allegorical love story — a modern day Alchemist meets The Never Ending Story —set in a world where a book shopkeeper becomes a reluctant matchmaker, bringing soulmates together through books.

It’s Me They Follow is an allegorical love story set in a not so distant past. It follows The Shopkeeper, a bookseller and reluctant matchmaker. Helping others find love through books comes easily for The Shopkeeper, until it is time for her to find love for herself.

She secretly yearns for her first customer, ME, who took both her most prized book and a piece of her heart when he left. But just when she begins to lose hope, she discovers that she may hold the key to her own happily ever after as well.

Real life Shopkeeper and author Jeannine A. Cook has conjured a magical story that is a book within a book within a book. Soon, readers will find themselves falling under the same love spell as her customers and characters. In this magical bookshop where the line between fiction and reality blurs, stories and real life intertwine in an enchanting and moving narrative about human connection, the power of storytelling, and the spirit of love.

The New York Times bestselling author of The Way Home returns with over 100 fabulous recipes—delicious updates of her favorite childhood meals.

From Kardea Brown: Growing up in a household with a single parent taught me how to make use of things we already had. She made gourmet meals with simple kitchen staples. I invite readers to do the same with my twist on Old School Classic recipes.

Kardea Brown is back with this practical and flavorful cookbook everyone needs. Offering crowd and palate pleasing dishes from morning to noon, and night. 

SAMPLES

Breakfast

Break the fast with Geechee Egg Rice, Sausage and Grits and On the Run Breakfast Sandwiches.

Lunch

Dig intoTurkey Burgers, Tuna Melts, and Ramen Chicken Noddle Soup.

Dinner

Welcome friends and family home with filling, mouthwatering dishes like Grilled “Poke” Chops, Chicken Mafe and “The Poor Man’s Meal”.

Desserts

Sweeten meals with delights such as Ma’s goodie bars, Warm Sticky Apple Pudding and Lemon Snowball Cookies.

Filled with inviting and tasty food that won’t break the bank, illustrated with over 100 color photos, Make Do with What You Have allows you to enjoy great meals every day.

“[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It’s a stunner.” —Publishers Weekly (starred review)

“[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead” —Los Angeles Times

Winner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.

In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.

Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.

Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.

Translated from the Spanish by Elizabeth Bryer

A galvanizing history of abortion recentering people of color to put forth a timely argument that we must liberate abortion for all.

People of color have been having abortions since the dawn of time, yet our access is continuously under attack. In Liberating Abortion, award-winning abortion activist Renee Bracey Sherman and journalist Regina Mahone illustrate the long racist history that brought us to this moment, uncover the hidden figures who set the foundation that activists and storytellers are building on today, and explain how abortion has been and remains essential to the health of our communities.

Liberating Abortion will take you back to the basics of sex education, detailing the traditions of abortion over centuries while examining how society makes us feel about our experiences. You’ll find rigorous research, never-before-heard stories, and eye-opening interviews with more than fifty people of color who’ve had abortions, including activists, actresses, television writers, politicians, and two Black members of Jane, the Chicago feminist service that provided abortions before Roe.

With poignant storytelling and precise analysis, Liberating Abortion will change how you think about abortion forever.

Christina N. Baker’s Contemporary Black Women Filmmakers and the Art of Resistance is the first book-length analysis of representations of Black femaleness in the feature films of Black women filmmakers. These filmmakers resist dominant ideologies about Black womanhood, deliberately and creatively reconstructing meanings of Blackness that draw from their personal experiences and create new symbolic meaning of Black femaleness within mainstream culture. Addressing social issues such as the exploitation of Black women in the entertainment industry, the impact of mass incarceration on Black women, political activism, and violence, these films also engage with personal issues as complex as love, motherhood, and sexual identity. Baker argues that their counter-hegemonic representations have the potential to transform the narratives surrounding Black femaleness. At the intersection of Black feminism and womanism, Baker develops a “womanist artistic standpoint” theory, drawing from the work of Alice Walker, Patricia Hill Collins, bell hooks, Audre Lorde, and Kimberlé Crenshaw.
Analyzing the cultural texts of filmmakers such as Ava DuVernay, Tanya Hamilton, Kasi Lemmons, Gina Prince-Bythewood, and Dee Rees—and including interviews she conducted with three of the filmmakers—Baker emphasizes the importance of applying an intersectional perspective that centers on the shared experiences of Black women and the role of film as a form of artistic expression and a tool of social resistance.

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

In The Militant South, 1800-1861, John Hope Franklin identifies the factors and causes of the South's festering propensity for aggression that contributed to the outbreak of the Civil War in 1861.
 
Franklin asserts that the South was dominated by militant white men who resorted to violence in the face of social, personal, or political conflict. Fueled by their defense of slavery and a persistent desire to keep the North out of their affairs, Southerners adopted a vicious bellicosity that intensified as war drew nearer.
 
Drawing from Southern newspapers, government archives, memoirs, letters, and firsthand accounts, Franklin masterfully details the sources and consequences of antebellum aggression in the South.  First published in 1956, this classic volume is an enduring and impeccably researched contribution to Southern history. This paperback edition features a new preface in which the author discusses controversial responses to the book.

The highly anticipated new novel. When a young single woman in Tokyo decides she’s ready to sell anything—even her womb—to escape the precarity of her life, an agency pairs her with a wealthy couple desperate to have a child. The match seems made in heaven. She even looks a little like the wife. But is anything ever that simple?

Nothing has ever gone right for Riki. She left her boring hometown in Hokkaido, where she worked at a nursing home, for a better life in Tokyo. But as a temp in the big city she has no job security, and barely scrapes by. She eats the same old discount boiled egg for lunch every day, sometimes for dinner, too. Many of her peers have to take on a side hustle just to make ends meet. So when her friend discovers an agency offering a hefty sum for egg donation, both leap at the chance for an interview.

Meanwhile, former ballet star Motoi Kusaoke and his wife, Yuko, have been trying to conceive for years. After trying what feels like every available option, it seems futile—until Motoi dives deep into his research and learns that, while surrogacy is technically illegal in Japan, there is a company that’s found a loophole.

Before long, everyone has an opinion on the matter: from Yuko’s sex-obsessed, asexual best friend, to Motoi’s controlling prima ballerina mother, and even the affable sex-worker-slash-therapist that Riki has been to a couple of times, after she accepted a down payment to be a surrogate.

Acutely funny and addictively page-turning, Swallows pulls at the seams of society, reassessing our understanding of motherhood, self-worth, bodily autonomy, and class. What does it mean to be “in control”? And can money really buy happiness?

De la autora del bestseller #1 del New York Times ¡Solo pregunta!, llega un cuento dulce y potente sobre cómo serte fiel a ti mismo y brillar con toda tu luz. Esta edición en español de ¡Solo brilla! pregunta: ¿Cómo ayudarás a los demás a brillar?

Había una vez una niña que creció en Puerto Rico con un don increíble: era capaz de ayudar a brillar a todos los que la rodeaban. Escuchaba y comprendía a los demás, trabajaba duro y sacaba a relucir la belleza interior de cada persona que conocía.

En este cuento inspirado por el don de su madre de ayudar a los demás a hallar su luz interna, la jueza de la Corte Suprema Sonia Sotomayor les demuestra a los lectores que ayudar a otros es iluminar el mundo entero.

Con ilustraciones por la galardonada artista Jacqueline Alcántara, ¡Solo brilla! ayudará a los lectores a hallar su propia luz interna—y a reconocer la misma en los demás.

From the author of the #1 New York Times bestseller Just Ask! comes a sweet and powerful story about being true to yourself and shining your brightest. This Spanish edition of Just Shine! asks: How will you help people shine?

There once was a little girl who grew up in Puerto Rico with an incredible ability—she was able to make everyone around her shine. She listened, she understood, she worked hard, and she brought out the beauty in each person she met.

In a story inspired by her mother’s ability to help people see their own brilliance, Supreme Court Justice Sonia Sotomayor shows readers how helping others shine makes the whole world brighter.

With art by award-winning illustrator Jacqueline Alcántara, Just Shine! will help readers find their own inner glow—and recognize that glow in those around them.

Part historical fiction, part horror mystery, this thrilling novel is perfect for fans ofBlack Leopard, Red Wolf and Black Sun.

A leader of the Jamaican Maroons crosses paths with an enigmatic sorceress in thisspine-tingling tale of ancient enemies, based on real Jamaican history and legend

Deep in the heart of Jamaica, the stories of insatiable bloodthirsty creatures and dark rituals brought over from the old country have been the stuff of legends for centuries. Queen Nanny, the leader of a community of Maroons, is well versed in military leadership
and spiritual wisdom. But how do you beat an enemy that possesses the power over life and death?

One such figure is the enigmatic White Witch, shrouded in mystery and
superstition—some say she was once a wealthy woman who murdered her husbands while others believe she was a powerful sorceress who used dark magic. As the White Witch threatens the safety of Queen Nanny’s home, she must use every weapon at her disposal to protect her people.

With action and mystery that brings to life a legendary urban myth, this thrilling novel provides a fresh perspective on Jamaica's rich cultural history and is a must-read for horror and thriller enthusiasts.

A picture book that celebrates the community built at the hair salon and the dynamic variety of natural hairstyles!

Today is the day!

A little girl’s first trip to the salon is a rite of passage, but choosing a new hairstyle is feeling like an impossible task! There are so many styles to choose from—bobs, buns, coils, fros, and more. And according to Grandma, Momma, and Sissy, choosing the best one means thinking about ease, lifestyle, and personality…It’s A LOT to think about!

When the options seem overwhelming, the young girl decides to search for what feels right today, and that there’s always a future salon visit to try something new. While admiring the three loving women who have guided her through this big day, she finally sees it…her own kind of beautiful!

From coils and long locs to waves and braids, Salon Saturday offers a vibrant portrayal of Black hairstyles, cherishing them as both a ritual and an ever-evolving journey of self-expression.

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

Food, family, love, and laughter make for the perfect recipe in this sweet picture book from acclaimed author Shauntay Grant.

Taking place over the course of a summer day, we follow a young girl as she and her family gather at her nana's house for a get-together where lessons are shared, food is prepared, and lifelong memories are created. Told in African proverbs, Where There Is Love explores the importance of familial bonds and their lasting impact while presenting proverbs to inspire readers long after the story ends. Throughout the book, Nana's house provides a safe space for our protagonist to make mistakes, learn lessons, and most importantly, find and feel love. This gorgeous picture book provides that same comforting space for readers page after page.

Admire stunning Christian imagery of Ethiopian Orthodox Church art in this lavishly illustrated volume with informative essays and more than 100 images

Ethiopia is one of the world’s oldest Christian civilizations, and its rich artistic history often centers on religious themes and practices. Ranging from the fourteenth to the twentieth centuries, Ethiopian Devotions celebrates an incredible collection of work, from a free-standing basilica carved from living rock, to the tradition of Ethiopic hagiography describing the lives of saints, to diptych and triptych icons of veneration — miniature paintings distinctive for their vibrant colors and soulful eyes.

Insightful essays present Ethiopia’s devotional arts, and place in context the images of illustrated manuscripts, panel paintings, inscribed portraits, murals, crosses, garments, devotional images, prayer staffs, church and monastery architecture, and more, while exploring their connection to liturgical music and literature.

Written by distinguished scholars in the field, the book’s exploration of Ethiopia’s cultural, artistic, and religious traditions is authoritative, and its more than 100 images reveal the depth, beauty and detail embodied in the artwork. Ethiopian Devotions offers readers the opportunity to understand and admire radiant art and learn about its long and remarkable history.

All Aboard! The sequel to Jax Freeman and the Phantom Shriek has pulled into the station!

From the award-winning author of the best-selling Tristan Strong trilogy comes a magical series about a special boy who is granted summoning powers from his ancestors.

Seventh grader Jackson "Jax" Freeman recently learned two important facts: one, he's a summoner—someone who can call on the magical powers of his ancestors to help him do amazing things—and two, he isn’t the only person with this ability.

After much training, Jax and four of his summoner classmates from DuSable Middle school in Chicago are thrust into a competition called the Tournament of Spirits where they'll face the most skilled summoners from around the world.

But while everyone is focused on winning, Jax is given a special side quest by the elders of the four magical families: he has to spy on each of the competitors—including his own teammates—in order to uncover who is releasing endangered, and very dangerous, cryptids into the arena.

Can Jax take the top spot in the tournament and save himself and his friends from a mysterious foe?

Kwame Mbalia's incredible imagination and world-building talents are on full display in this thrilling adventure that's packed with magic, friendship, non-stop action, and a lot of heart.

TWENTY-FIFTH ANNIVERSARY EDITION

The acclaimed collection of Black photography, now featuring more than one hundred photographs from twenty-first-century artists, fundamentally redefines our understanding of American history.

“If a picture truly is worth a thousand words, then Deborah Willis has given us nothing less than an epic history of Homeric proportions. Taken together, Willis’s magnificent gathering of images accompanied by her powerful narrative overturns many common ideas about black life during the last century and a half, and in so doing rewrites American history.”―Robin D. G. Kelley, from the Foreword

Originally published in 2000, Reflections in Black was the first single-volume work to collect the images of leading African American photographers―from the daguerreotype to the digital age. Through its sheer power and inherent beauty, Deborah Willis’s groundbreaking assemblage of photographs of African American life from 1840 to the present triumphantly celebrated family, endurance, and spirituality over the last two centuries as it upended stereotypes and rewrote American history. Aware that so much has changed since 2000, Willis―a world-renowned photographer, curator, and author―has now created a breathtaking twenty-fifth anniversary edition, juxtaposing hundreds of images that appeared in the original edition with 130 new ones.

As the photographic panorama unfolds, we are immersed in hugely moving glimpses of African American life, from the last generation of enslaved people to the urban pioneers of the great migrations of the 1920s, from the rare antebellum daguerreotypes of freemen to the courtly celebrants of the Harlem Renaissance, and from civil rights activists to the postmodern photographic artists of the digital age. Each photograph suggests an astonishing, often spellbinding story. Augustus Washington’s mid-nineteenth-century portraits of key abolitionist figures, for example, offer a seemingly calm window into an era known for its violence. A startling suite of J. P. Ball photographs depicts the life, death, and burial of a Black man hanged for murder in the Montana Territory. Documenting a vibrant family life and a nascent Black middle class as well as Black tenant farmers and educators, the book features James VanDerZee’s famous shot of Marcus Garvey in a Universal Negro Improvement Association parade; Addison N. Scurlock’s dignified portraits of Black intellectuals, artists, and musicians; and John W. Mosley’s World War II–era image of a young drum majorette in an Elks parade in Philadelphia. Reflections in Black also includes a stunning array of celebrity images, among them Booker T. Washington, Langston Hughes, Gladys Bentley, W. E. B. Du Bois, James Baldwin, Martin Luther King Jr., Malcolm X, John Coltrane, Billie Holiday, and a veiled Coretta Scott King, now accompanied in this edition by Michelle Obama, the Roots, and Angela Davis.

This enhanced volume, with a new foreword from Robin D. G. Kelley and a coda from Kalia Brooks, once again affirms the power of photography to reconfigure our conception of Black life in the African diaspora and American history. Featuring the works of photographers such as Albert Chong, LaToya Ruby Frazier, Lorna Simpson, Allison Janae Hamilton, Renee Cox, Carrie Mae Weems, Andre D. Wagner, and Hank Willis Thomas, this new edition is dedicated to the artists who stretch the definition of photography, creating pieces more akin to multimedia and conceptual art. Written and curated during the COVID-19 pandemic and in the aftermath of the brutal killings of George Floyd, Breonna Taylor, Ahmaud Arbery, and Tony McDade, the images that follow serve as a visual response to these unthinkable experiences as well as to the beauty of life.

Exceptionally handsome and historically consequential, Reflections in Black is not only the rare volume that can be given as a gift on any occasion but a work so significant that it has the power to reconfigure the imagination. This anniversary edition demands to be included in every American’s library as an essential part of our country’s heritage.

544 photographs

The rich and varied stories of the great Maya civilization in one compelling and readable volume.

The Maya reigned for almost four millennia and occupied large swathes of what is now southern Mexico and Central America. Their civilization was highly complex, divided into politically fragmented noble houses, which gave rise to a diverse mythology that can vary between groups and retellings. For example, there are three different myths about the origins of the sun and moon. In one of these creation myths, animals and objects rise up to torment humanity, while in another, pots shatter and speak, unleashing demons upon the people.

Elsewhere, heroes descend to the ball-court of the underworld, where trees grow fruit in the likeness of severed heads, the ancestors converse with animals, and the Maize God is caught in a perpetual cycle of death and rebirth. To the Maya these were more than fireside tales―these myths formed the foundation of their culture, weaving together their ancestral and primordial pasts into a cohesive and meaningful narrative.

Mallory Matsumoto skillfully evokes the vibrancy of Maya culture, from the peak of hieroglyphic tradition in the eighth century CE, through the invasions of the Spanish conquistadors, and up to the present day. The book draws from well-known texts such as the Books of Chilam Balam and the Popol Vuh, Spanish texts, as well as lesser-known sources; images; and Maya oral histories―all reflecting a history of contact and change, rather than a sealed-off past. Illustrated throughout, this volume highlights the rich, varied nature of Maya myths, offering a deeper understanding of the communities that produced these captivating stories.

80 illustrations

Examines John Coltrane's "late period" and Miles Davis's "Lost Quintet" through the prisms of digital architecture and experimental photography

Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital fuses biography and style history in order to illuminate the music of two jazz icons, while drawing on the discourses of photography and digital architecture to fashion musical insights that may not be available through the traditional language of jazz analysis. The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as "free jazz" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of "jazz-rock fusion" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. Includes 42 illustrations.

An acclaimed historian narrates the stories of newly emancipated children who were re-enslaved by white masters through apprenticeships and their parents fights to free them

While the Thirteenth Amendment abolished slavery, white southerners established a system of apprenticeship after the Civil War that entrapped Black children and their families, leading to undue hardships for generations to come. In Slavery After Slavery, historian Mary Frances Berry traces the stories behind individual cases from southern supreme courts to demonstrate how formerly enslaved families and their descendants were systemically injured through white supremacist practices, perpetuated by the legal system.

By filling in the family trees of formerly enslaved people to their descendants, Berry documents the intergenerational harm they experienced. The resulting damage of trafficking Black children through apprenticeship laws has been a largely overlooked source of inequality, yet these cases provide specific examples of the kind of economic and physical harm Black families have endured.

Slavery After Slavery tells individual stories, but the fates of their descendants tell our collective American story—contributing powerfully to a case for reparations and restorative justice.

A bold manifesto arguing that there is a clear precedent for paying reparations to atone for America’s original sin of slavery, offering a compelling legal strategy to achieve this goal—from the acclaimed author of The Whiteness of Wealth.

The idea of reparations is not a new or original one; it is one that is baked into American history.

When the District of Columbia Emancipation Act of 1862 went into effect, wealthy slaveowners like Margaret Barber were compensated for the loss of their enslaved workers. Barber received $9,000—an equivalent to $250,000 today. When a group of Italian immigrants were lynched in 1892, President Harrison compensated Italy a total of $25,000 for their deaths—an equivalent to almost $766,000 today. The Indian Claims Commission, an arm of the federal government, paid Indigenous Americans $818 million for underhandedly stealing their land in the eighteenth and nineteenth centuries—an equivalent to almost $350 billion today.

Dorothy A. Brown addresses the glaring question: if reparations can be achieved for others, why not for Black Americans? If lynching can be remedied for Italian immigrants, and slaveholders compensated for losses associated with abolition and emancipation, then the government’s failure to provide such remedies to Black communities harmed by similar violence, loss, and destruction is long overdue. The fight for reparations is truly a fight for the soul of America, to produce the country our founding fathers idealized but never achieved.

Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

Nikki Maxwell’s summer is packed with drama in this fourteenth installment of the #1 New York Times bestselling Dork Diaries series!

Nikki and her bandmates are looking forward to an AWESOME summer on tour as the opening act for the world famous Bad Boyz! Nikki is a little worried when her frenemy, MacKenzie Hollister, weasels her way into a social media intern position with the tour. But she has a total MELTDOWN when she learns that MacKenzie is her new roommate! Will Nikki survive her dream tour as it quickly goes from AWESOME to AWFUL?!

The Return of Black Nationalism and the Death of White Supremacy delves into the dynamic history and powerful future of Black Nationalism in the United States. From the dark days of slavery to today's fight for equality, this compelling book uncovers the relentless struggle of African Americans against systemic white supremacy, a legacy embedded in the very foundation of the country.

Professor Vincent Adejumo takes readers on a fascinating journey through time, unraveling the rich history of Black Nationalism and its role as a steadfast defense against white supremacy. He shines a light on the remarkable individuals and leaders who have shaped Black American identity from the 1700s to the present, bringing their stories to life with vivid detail and insightful analysis.

Discover a different America through Adejumo's eyes, where the concept of 'Separate but Equal' is reinterpreted and the essence of Blackness is celebrated. This book not only explores the past but also connects it to today's economic and political landscape, revealing the lasting influence of Black Nationalism.

Whether you're a history enthusiast or a curious reader, The Return of Black Nationalism and the Death of White Supremacy offers a fresh perspective on American history, uncovering the unsung heroes and unexpected villains who have shaped the nation's journey. This is a must-read for anyone seeking to understand the profound impact of Black Nationalism on America's past, present, and future.

A compelling foreword by Dr. Adeyami Dossintroduces the book. Dozens of historical images complement this important story.

A bold call to rethink authenticity at work

Workplace dynamics in recent years have been a dizzying storm of broken promises. Companies that once encouraged employees to “come as you are” and bring your full, authentic self to work are now shutting down initiatives, part of an ongoing cycle of trading on our identities when it’s convenient and profitable.

Jodi-Ann Burey, writer and critic known for her TED talk “The Myth of Bringing Your Full, Authentic Self to Work,” delves into the dangers of disclosure in environments that aren’t built for our well-being. With insights from pop culture, academic research, and interviews with other professionals of color, Burey argues that we deserve better than shallow ploys for representation.

Our physical and emotional health are at risk, and too much is sacrificed―for ourselves and for collective progress―when our full potential is blocked by racism, sexism, homophobia, transphobia, and ableism. Authentic is a powerful reckoning―and now is the time to reclaim our agency. Even at work.

Drawing on new research, centring Black voices and perspectives, and celebrating Black Cambridge history, Rise Up focuses on the period from 1750 to 1850, when Britain became the world's first industrialised nation and one of history's largest empires. At the same time, Britain played a central role in the Atlantic slave trade, trafficking more captive African people than any other European power. Millions were forcibly abducted and transported to work on British-owned plantations in the Caribbean and Americas.

In Britain, Black and white anti-slaverygroups and individuals campaigned for abolition. Despite opposition, laws were gradually enacted to abolish the slave trade in 1807, and enslavement in 1833. However, other exploitative systems including apprenticeship and indentured labour took their place. Financial compensation was awarded to former enslavers while the formerly enslaved received nothing.

This is the story of the fight to end Atlantic slavery, its aftermath and ongoing legacies. It is told through the stories of individuals from across the Black Atlantic - many silenced or pushed to the margins. It interrogates historic objects and artworks from collections across the University of Cambridge and beyond, in conversation with responses from contemporary artists. Despite the passing of almost two centuries since Britain outlawed slavery, the struggles for autonomy, equality and social justice continue today.

In Unfurled: Designing a Living Home, acclaimed plant stylist Hilton Carter invites readers into the heart of his home―a personal sanctuary that has evolved, layer by layer, to reflect his style, creativity, and love for plants.

Hilton takes readers on a behind-the-scenes journey through every room, from the tranquil primary bedroom to the plant-filled sunroom, the vibrant studio to the inviting guest room, and beyond. With his eye for design, he shares the inspiration that lies behind each space, talking the reader through the mood boards he creates when embarking on a room renovation and explaining the thoughts behind a design, both functional and decorative. Hilton shares how each room has ‘unfurled’ beautifully over time, discussing how to choose colour and texture, offering expert advice on room layout, and showing how to use plants to breathe life into the home. Alongside personal stories and design insights, Unfurled is filled with practical tips and ideas for ways to recreate these looks in your own home, whether you’re working with a spare bedroom or a compact shower room. With Hilton’s guidance, you’ll learn how to incorporate thoughtful styling, select the right plants for your rooms and cultivate a home that's nurturing, dynamic and alive.

The third and final installment in the Healing Verses series finds poet r.h. Sin in The Quiet After—the hard-earned peace from healing your own heart.

Across the volumes of The Healing Verses, r.h. Sin delves deep into the heart of human suffering, offering solace, understanding, and pathways to recovery through the power of words. Each book is a beacon of hope, designed to guide readers through the darkness of their experiences and toward the light of resilience, self-renewal, and ultimately healing. The carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making the series a compassionate companion for anyone navigating the challenging process of healing.
 
In The Quiet After, the third and final installment of the series, Sin welcomes readers into the peace found at the end of the tunnel. The hard-earned quiet is a joyous and freeing reminder that there is life after devastation and, with a bit of resilience, it is a destination we are all able to reach because it has been buried within you the entire time.