The Destruction of Black Civilization took Chancellor Williams sixteen years of research and field study to compile. The book, which was to serve as a reinterpretation of the history of the African race, was intended to be "a general rebellion against the subtle message from even the most 'liberal' white authors (and their Negro disciples): 'You belong to a race of nobodies. You have no worthwhile history to point to with pride.'" The book was written at a time when many black students, educators, and scholars were starting to piece together the connection between the way their history was taught and the way they were perceived by others and by themselves. They began to question assumptions made about their history and took it upon themselves to create a new body of historical research. The book is premised on the question: "If the Blacks were among the very first builders of civilization and their land the birthplace of civilization, what has happened to them that has left them since then, at the bottom of world society, precisely what happened? The Caucasian answer is simple and well-known: The Blacks have always been at the bottom." Williams instead contends that many elements--nature, imperialism, and stolen legacies-- have aided in the destruction of the black civilization.

The Destruction of Black Civilization is revelatory and revolutionary because it offers a new approach to the research, teaching, and study of African history by shifting the main focus from the history of Arabs and Europeans in Africa to the Africans themselves, offering instead "a history of blacks that is a history of blacks. Because only from history can we learn what our strengths were and, especially, in what particular aspect we are weak and vulnerable. Our history can then become at once the foundation and guiding light for united efforts in serious[ly] planning what we should be about now." It was part of the evolution of the black revolution that took place in the 1970s, as the focus shifted from politics to matters of the mind.

The true story of Black activist Opal Lee and her vision of Juneteenth as a holiday for everyone celebrates Black joy and inspires children to see their dreams blossom. Growing up in Texas, Opal knew the history of Juneteenth, but she soon discovered that many Americans had never heard of the holiday that represents the nation's creed of "freedom for all."

Every year, Opal looked forward to the Juneteenth picnic--a drumming, dancing, delicious party. She knew from Granddaddy Zak's stories that Juneteenth celebrated the day the freedom news of President Lincoln's Emancipation Proclamation finally sailed into Texas in 1865--over two years after the president had declared it! But Opal didn't always see freedom in her Texas town. Then one Juneteenth day when Opal was twelve years old, an angry crowd burned down her brand-new home. This wasn't freedom at all. She had to do something! Opal Lee spent the rest of her life speaking up for equality and unity. She became a teacher, a charity worker, and a community leader. At the age of 89, she walked from Fort Worth, Texas to Washington, D.C., in an effort to gain national recognition for Juneteenth.

Through the story of Opal Lee's determination and persistence, children ages 4 to 8 will learn:

• all people are created equal
• the power of bravery and using your voice for change
• the history of Juneteenth, or Freedom Day, and what it means today
• no one is free unless everyone is free
• fighting for a dream is worth every difficulty

Featuring the illustrations of New York Times bestselling illustrator Keturah A. Bobo (I am Enough), Opal Lee and What It Means to Be Free celebrates the life and legacy of a modern-day Black leader while sharing a message of hope, unity, joy, and strength.

Jonah's Gourd Vine, Zora Neale Hurston's first novel, originally published in 1934, tells the story of John Buddy Pearson, "a living exultation" of a young man who loves too many women for his own good. Lucy, his long-suffering wife, is his true love, but there's also Mehaley and Big 'Oman, as well as the scheming Hattie, who conjures hoodoo spells to ensure his attentions. Even after becoming the popular pastor of Zion Hope, where his sermons and prayers for cleansing rouse the congregation's fervor, John has to confess that though he is a preacher on Sundays, he is a "natchel man" the rest of the week.

And so in this sympathetic portrait of a man and his community, Zora Neale Hurston shows that faith, tolerance, and good intentions cannot resolve the tension between the spiritual and the physical. That she makes this age-old dilemma come so alive is a tribute to her understanding of the vagaries of human nature.

In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls “sitting with”—a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland’s arrest and death reveal the affective resonances of blackness, and he contends that Sterling’s physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness.

Review

About the Author

Jay is living his best life at Karloff Country, one of the world’s most famous resorts. He’s got his family, his crew, and an incredible after-school job at the property’s main theme park. Life isn’t so great for the rest of the world, but when people come here to vacation, it’s to get away from all that.

As things outside get worse, trouble starts seeping into Karloff. First, Jay’s friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren’t leaving. Unknown to the employees, the resort has been selling shares in an end-of-the-world oasis. The best of the best at the end of days. And in order to deliver the top-notch customer service the wealthy clientele paid for, the employees will be at their total beck and call.

Whether they like it or not.

Yet Karloff Country didn’t count on Jay and his crew--and just how far they’ll go to find out the truth and save themselves. But what’s more dangerous: the monster you know in your home or the unknown nightmare outside the walls?

A new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.

"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.

Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.

Harlem’s gay ball subculture of the late 1980s is superbly documented in this trove of previously unseen photographs.

In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film Paris Is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris Is Burning documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Ballroom Scene of New York 1989–1992 is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in hundreds of Regnault's amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera.
Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings and lived in New York for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including Vanity Fair and the New York Times.

A radical new vision of the nation's founding era and a major act of historical recovery 

Featuring more than 120 writers, this groundbreaking anthology reveals the astonishing richness and diversity of Black experience in the turbulent decades of the American Revolution

Black Writers of the Founding Era is the most comprehensive anthology ever published of Black writing from the turbulent decades surrounding the birth of the United States. An unprecedented archive of historical sources––including more than 200 poems, letters, sermons, newspaper advertisements, slave narratives, testimonies of faith and religious conversion, criminal confessions, court transcripts, travel accounts, private journals, wills, petitions for freedom, even dreams, by over 100 authors––it is a collection that reveals the surprising richness and diversity of Black experience in the new nation.

Here are writers both enslaved and free, loyalist and patriot, female and male, northern and southern; soldiers, seamen, and veterans; painters, poets, accountants, orators, scientists, community organizers, preachers, restaurateurs and cooks, hairdressers, criminals, carpenters, and many more. Along with long-famous works like Phillis Wheatley’s poems and Benjamin Banneker’s astonishing mathematical and scientific puzzles are dozens of first-person narratives offering little-known Black perspectives on the events of the times, like the Boston Massacre and the death of George Washington.

From their bold and eloquent contributions to public debates about the meanings of the revolution and the values of the new nation–– writings that dramatize the many ways in which protest, activism, and community organizing have been integral to the Black American experience from the beginning––to their intimate thoughts preserved in private diaries and letters, some unseen to the present day, the words of the many writers gathered here will indelibly alter our understandings of American history. 

A foreword by Annette Gordon-Reed and an introduction by James G. Basker, along with introductory headnotes and explanatory notes drawing on cutting edge scholarship, illuminate these writers’ works and to situate them in their historical contexts.

A 16-page color photo insert presents portraits of some of the writers included and images of the original manuscripts, broadside, and books in which their words have been preserved.

A national bestseller in Canada, hailed by The New York Times as an “intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others.”

“Required reading.”—Glennon Doyle, #1 bestselling author of Untamed

A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR

What happens when we imagine loving the people—and the parts of ourselves—that we do not believe are worthy of love?

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she’s always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.

But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she’d built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems—and whether there’s a difference—she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

In this dark and seductive YA fantasy debut, perfect for fans of Fourth Wing and These Violent Delights, a siren assassin falls for a forbidden man.

Killer. Liar. Soldier. Spy.

Saoirse is a killer: Her ability to sing men to an early death makes her the top assassin in the kingdom.

Saoirse is a liar: If the royal family ever finds out she's a siren, she'll be executed immediately.

Saoirse is a soldier: As the top student at the most prestigious training academy in Kierdre, Saoirse has spent years honing herself into the perfect killing machine.

Saoirse is a spy: When her little sister is blackmailed, Saoirse takes a dangerous job to protect her-personal bodyguard to the crown prince. One misstep, and Saoirse will lose her life.

But the biggest threat of all is to her heart. Prince Hayes would call for her death in an instant if he knew the truth. But the closer Saoirse gets to Hayes, the harder it gets to resist him.

Camo, by photographer Thandiwe Muriu, is the first publication to chronicle the work of this international artist, celebrating the vibrant portraits she creates that combine cultural textiles and beauty ideologies. Muriu takes us on a colorful, reflective journey through her world as a woman living in modern Kenya as she reinterprets contemporary African portraiture. 

As the sole woman operating in the male-dominated advertising photography industry in Kenya, Thandiwe Muriu has repeatedly confronted questions around the role of women in society, the place of tradition, and her own self-perception. These experiences inspired her personal project of cultural reflection: the Camo series. Camo was the catalyst for her to push new boundaries in her photography, leading her into a deeply personal artistic journey.

The compelling, fully saturated photographs in this collection confront issues surrounding identity while seeking to redefine female empowerment through Muriu’s choice of materials. These constructed images are not digital manipulations but physical sets that incorporate African Ankara wax textiles as backdrops and custom-tailored clothing and headdresses. At the forefront of her practice is using textiles to make her subjects disappear and serve as a canvas for reflection on the question of identity and its evolution over time. Muriu also consistently reimagines common objects associated with the daily lives of Kenyans into bold accessories donned by her subjects. These objects range from hairpins to the mosquito-repellent coils she grew up using. In Kenya, an object can have multiple uses beyond its original purpose; as Muriu explains, “When you have little, you transform and reuse it.”

Throughout the book, each image is paired with an inspirational African proverb in both English and Swahili, expressing the collected wisdom of generations that continue to inspire. Proverbs such as "With a little seed of imagination, you can grow a field of hope" convey the uplifting spirit of Muriu's work that empowers women, preserves tradition, and celebrates African beauty and culture. 

A visually stunning art book and cultural touchstone, Camo is a collectible treasure as the first book to showcase the work of a rising star in the worlds of photography and art.

Fransisco ‘Faxx’ Wellington saw Crescent at Myth and knew she would become his obsession.
Their connection created a soul tie he wasn’t prepared for. But secrets and hidden agendas reveal themselves, leaving Faxx teetering on the edge of darkness that only Cresent can pull him from.

Crescent ‘Cent’ Johnson is questioning the authenticity of her connection with Fransisco. Deep-seated doubts and insecurities from her past plague her heart, casting a shadow over their vibrant connection. Forced into close proximity with him, it begins to get harder and harder to hide her sordid past. She doesn’t want the ghost of her past to show up on his doorstep, but it already looks like she’s too late.
Will they be able to deal with their individual demons and prove their connection can stand strong through it all?

Lakyn ‘Link’ Moore is determined to ensure he forgets all things Mala, but a chance encounter at Myth as the Black Wolf changes everything. Standing before a woman, lying with her hands tied above her head, waiting for him. When he heard the safe word was ‘Kite,’ that could be explained away, but when the woman lying before him moaned his name, he knew exactly who lay behind the mask. Payback was the sweetest revenge, and Link would ensure that payback included making Malikita remember the name “The Black Wolf.”

Malikita ‘Mala’ Samuels was living a lie she couldn’t escape.
Her heart beats only for Link, a man who had intensely captured her soul when they were teens. Their connection was undeniable, and while their love blossomed, promises were made, only to be broken. At eighteen, Mala found herself trapped in a web of obligations and deceit, torn between her desires and the damning evidence that her now fiancé, Charles, held against Link. Mala’s heartache grew with each passing day, torn between the love she craved and the fear of the consequences that would bury them.

Will Mala risk it all, defy Charles, and embrace a love that burned with an intensity that could never be extinguished? Or will she sacrifice her own happiness to keep the man she loves safe?

*** This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults. ***

In Sisters of the Yam, bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self recovery and political resistance. Both an expression of the joy of self healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

From the authors of Black Boy, Black Boy comes a new inspiring picture book about self-esteem for black girls, drawing on the history of role models who came before them!

Dear girl, Black girl, rise up, it's time.

It's a new day and a chance to shine.

From the first black female Vice President of the United States Kamala Harris to three-time Olympic gold medalist Wilma Rudolph, civil rights activist Rosa Parks, and the first black female astronaut Mae Carol Jemison, there are so many inspirational women in Black history. An uplifting and beautiful introduction to the strong women who have shaped history, Black Girl, Black Girl encourages young Black girls to rise with passion and to trust in their fierce spirit and magnificent grace. 

Black Girl, Black Girl is perfect for those looking for:

* uplifting books for kids
* Black history books for kids
* joyful books for empowerment

How philosophy can teach us to be less anxious about being anxious by understanding that it’s an essential part of being human

Today, anxiety is usually thought of as a pathology, the most diagnosed and medicated of all psychological disorders. But anxiety isn’t always or only a medical condition. Indeed, many philosophers argue that anxiety is a normal, even essential, part of being human, and that coming to terms with this fact is potentially transformative, allowing us to live more meaningful lives by giving us a richer understanding of ourselves. In Anxiety, Samir Chopra explores valuable insights about anxiety offered by ancient and modern philosophies—Buddhism, existentialism, psychoanalysis, and critical theory. Blending memoir and philosophy, he also tells how serious anxiety has affected his own life—and how philosophy has helped him cope with it.

Chopra shows that many philosophers—including the Buddha, Kierkegaard, Nietzsche, Freud, and Heidegger—have viewed anxiety as an inevitable human response to existence: to be is to be anxious. Drawing on Karl Marx and Herbert Marcuse, Chopra examines how poverty and other material conditions can make anxiety worse, but he emphasizes that not even the rich can escape it. Nor can the medicated. Inseparable from the human condition, anxiety is indispensable for grasping it. Philosophy may not be able to cure anxiety but, by leading us to greater self-knowledge and self-acceptance, it may be able to make us less anxious about being anxious.

Personal, poignant, and hopeful, Anxiety is a book for anyone who is curious about rethinking anxiety and learning why it might be a source not only of suffering but of insight.

Do you want to reach your professional goals and prioritize your well-being?

Discover the perfect balance of work and self-care with the help of Vex King and Kaushal, the bestselling authors of The Greatest Self-Help Book (is the one Written By You).

The husband and wife duo are back with a game-changing six-month daily planner that introduces you to the power of mindful planning, every day.

You will discover effective planning techniques, such as setting a Power Hour, the 50–10 method and time blocking, alongside health trackers, affirmations and mindful activities to help you take care of your well-being. Each month, you will have the opportunity to answer reflective questions and fill in a work–life balance wheel so you can follow your progress.

It is time to embark on your own mindful journey and embrace one day and one moment at a time, for ultimate peace and positivity.

The complete early work of the renowned poet—available for the first time ias a Harper Perennial Modern Classic. . . . “Nikki Giovanni is one of our national treasures.”—Gloria Naylor

Ackowledged by Oprah WInfrey as “one of the 25 women who changed her life,” Nikki Giovanni is a living legend. When her poems first emerged during the Black Arts Movement in the 1960s, Giovanni immediately became one of the most celebrated, controversial, and influential poets of the era. Today, Giovanni remains one of the most commanding and luminous voices to grace our political and poetic landscape.

This omnibus includes her first seven volumes of poetry from her early years, 1967 to 1983: Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds. A timeles classic, it is both a refelction of the changes in her own life and an evocation of a nation’s past and its present.

The remarkable story of Edward McCabe, a Black man who tried to establish a Black state within the United States.

In this paradigm-shattering work of American history, Caleb Gayle recounts the extraordinary tale of Edward McCabe, a Black man who championed the audacious idea to create a state within the Union governed by and for Black people — and the racism, politics, and greed that thwarted him.
 
As the sweeping changes and brief glimpses of hope brought by the Civil War and Reconstruction began to wither, anger at the opportunities available to newly freed Black people were on the rise. As a result, both Blacks and whites searched for new places to settle. That was when Edward McCabe, a Black businessman and a rising political star in the American West, set in motion his plans to found a state within the Union for Black people to live in and govern. His chosen site: Oklahoma, a place that the U.S. government had deeded to Indigenous people in the 1830s when it forced thousands of them to leave their homes under Indian Removal, which became known as the Trail of Tears.
 
McCabe lobbied politicians in Washington, D.C., Kansas, and elsewhere as he exhorted Black people to move to Oklahoma to achieve their dreams of self-determination and land ownership. His rising profile as a leader and spokesman for Black people as well as his willingness to confront white politicians led him to become known as Black Moses. And like his biblical counterpart, McCabe nearly made it to the promised land but was ultimately foiled by politics, business interests, and the growing ambitions of white settlers who also wanted the land.
 
In Black Moses, Gayle brings to vivid life the world of Edward McCabe: the Black people who believed in his dream of a Black state, the white politicians who didn't, and the larger challenges of confronting the racism and exclusion that bedeviled Black people's attempts to carve a place in America for themselves. Gayle draws from extraordinary research and reporting to reveal an America that almost was.

A guide to the art of journaling—and a meditation on the central questions of life—by the bestselling author of Between Two Kingdoms, with contributions from Hanif Abdurraqib, Jon Batiste, Salman Rushdie, Gloria Steinem, George Saunders, and many more

“The Book of Alchemy proves on every page that a creative response can be found in every moment of life—regardless of what is happening in the world.”—Elizabeth Gilbert, author of Eat Pray Love

From the time she was young, Suleika Jaouad has kept a journal. She’s used it to mark life's biggest occasions and to weather its most ferocious storms. Journaling has buoyed her through illness, heartbreak, and the deepest uncertainty. And she is not alone: for so many people, keeping a journal is an essential tool for navigating both the personal peaks and valleys and the collective challenges of modern life. More than ever, we need a space for puzzling through.

In The Book of Alchemy, Suleika explores the art of journaling and shares everything she's learned about how this life-altering practice can help us tap into that mystical trait that exists in every human: creativity. She has gathered wisdom from one hundred writers, artists, and thinkers in the form of essays and writing prompts.Their insights invite us to inhabit a more inspired life.

A companion through challenging times, The Book of Alchemy is broken into themes ranging from new beginnings to love, loss, and rebuilding. Whether you’re a lifelong journaler or new to the practice, this book gives you the tools, direction, and encouragement to engage with discomfort, ask questions, peel back the layers, dream daringly, uncover your truest self—and in doing so, to learn to hold the unbearably brutal and astonishingly beautiful facts of life in the same palm.

Also includes essays from: Martha Beck • Nadia Bolz-Weber • Alain de Botton • Susan Cheever • Lena Dunham • Melissa Febos • Liana Finck • John Green • Marie Howe • Pico Iyer • Oliver Jeffers • Quintin Jones • Michael Koryta • Hanif Kureishi • Kiese Laymon • Cleyvis Natera • Ann Patchett • Esther Perel • Adrienne Raphel • Jenny Rosenstrach • Sarah Ruhl • Sharon Salzberg • Dani Shapiro • Mavis Staples • Linda Sue Park • Nafissa Thompson-Spires • Jia Tolentino • Lindy West • Lidia Yuknavitch • And many others

When two best friends' hobby of crashing weddings takes a deadly turn, they’re forced to embark on a road trip of survival in this addictive thriller.

How well do we really know our friends?

As the only Black women at an antebellum-themed wedding, Kayla and Zorie should’ve known this heist was doomed from the start. They should never have come, but when their financial situation became dire, they agreed to hit one last wedding.

Jaded and cynical Kayla has spent the last decade trying to fix her life since an angsty teen prank led to her arrest. Now, with her housekeeping job at a subpar hotel and her disappointing, Cinderella-esque relationship with her dad and obnoxious stepsister, she hates the life she’s built. Her only bright spots are her best friend, Zorie, and their favorite weekend pastime of crashing weddings to steal the money and pawn the gifts. But what started as a lark has evolved into a greedy obsession, making each wedding haul riskier than the last.

While trying to avoid the angry bride and groom, Kayla and Zorie's getaway takes a gruesome turn and suddenly the “Wedding Crasher Killers” are national news. The best friends are forced to hit the road to dodge the authorities, but their escape plan leaves behind a bloody trail of destruction from Georgia all the way to the bayou. As past grudges resurface, Kayla realizes that the best friend she thought she knew is more dangerous than she could ever have realized.

Sharp, unpredictable, and madcap from start to finish, Love You to Death is the most fun—and deadly—road trip you’ll ever take.

Scripps National Spelling Bee champ, New York Times bestselling author, and Sports Illustrated Sports Kid of the Year Zaila Avant-garde shares her love of sports in this level 1 Step Into Reading book. Perfect for children just beginning to read.

Be a soccer star. Kick, kick, score! Bounce a basketball. Bounce, bounce, soar!

New readers will find playful encouragement in this easy reader that sings out about the joy of playing sports. Wth ample rhyme and helpful repetition, Zaila Avante-garde takes readers on a boisterous romp through the wide world of sports, showing cheerful scenes of baseball, swimming, running, gymnastics, and more.

Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired with picture clues help children decode the story.

Discover the reigns of twelve African queens and warriors from across the continent in this immersive and pioneering history.

Njinga Mbande. Nana Yaa Asantewaa. Makobo Modjadji VI. Ranavalona the First.

These queens and warriors ruled vast swathes of the African continent, where they led, loved, and fought for their kingdoms and people. Their impact can still be felt today, and yet, beyond the lands they called home, so few of us have ever heard their names.

In When We Ruled, historian Paula Akpan takes us into the worlds of these powerful figures, following their stories and how they came to rule and influence the futures of their people. Through deep research and discovery, Akpan will uncover new truths and grapple with uncomfortable realities, allowing us to be immersed in countless moments of bravery, intrigue, and, for some, the unraveling of their rule.

With reigns spanning from pre-colonial Nigeria to the rich lands of Rwanda, and from Ancient Egypt to apartheid South Africa, these rulers shed new light on gender politics in these regions, showing how women were celebrated and revered before colonizing powers took hold, and continued to be long after.

In this game-changing narrative of twelve lives, Akpan takes us on a spellbinding, enrapturing, and immersive history that is nothing short of revelatory.

A RUSA Award-winning novel!

The first book in a new culinary cozy series full of sharp humor and delectable dishes—one that might just be killer....

When Lila Macapagal moves back home to recover from a horrible breakup, her life seems to be following all the typical rom-com tropes. She's tasked with saving her Tita Rosie's failing restaurant, and she has to deal with a group of matchmaking aunties who shower her with love and judgment. But when a notoriously nasty food critic (who happens to be her ex-boyfriend) drops dead moments after a confrontation with Lila, her life quickly swerves from a Nora Ephron romp to an Agatha Christie case.

With the cops treating her like she's the one and only suspect, and the shady landlord looking to finally kick the Macapagal family out and resell the storefront, Lila's left with no choice but to conduct her own investigation. Armed with the nosy auntie network, her barista best bud, and her trusted Dachshund, Longanisa, Lila takes on this tasty, twisted case and soon finds her own neck on the chopping block…

Married For Money

Raimond Le Veq needed to marry to gain his inheritance and restore the fortunes of the House of Le Veq, the proud Black New Orleans family whose wealth had been ravaged by the War Between the States. Still wounded by the double-cross of the only woman he ever came close to loving, he gave the choice of bride to his mother. But he never be expected that she would pick Sable Fontaine--the beautiful former slave he could not allow himself to trust again.

Freed By Passion

Betrayed and sold to a cruel neighbor, Sable did whatever it took escape. With the spirits of her royal African ancestors guiding her, she made a bold bid for freedom, and won. But along the way she had to hurt the charming Union Major Le Veq, who had romanced her and championed her. Now fate has brought them back together in a marriage of convenience. Can she convince Raimond she was never a Rebel spy, and that this time, she'd choose him above all else?

As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have―“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine).

When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”

From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events―while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

“A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”―Mat Johnson, award-winning author of Invisible Things

“Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph…In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”―Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone