Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated.

Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry―anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.

Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.

Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.

A Friends Fund Publication.

Liz Lighty has always believed she's too black, too poor, too awkward to shine in her small, rich, prom-obsessed midwestern town. But it's okay -- Liz has a plan that will get her out of Campbell, Indiana, forever: attend the uber-elite Pennington College, play in their world-famous orchestra, and become a doctor.But when the financial aid she was counting on unexpectedly falls through, Liz's plans come crashing down . . . until she's reminded of her school's scholarship for prom king and queen. There's nothing Liz wants to do less than endure a gauntlet of social media trolls, catty competitors, and humiliating public events, but despite her devastating fear of the spotlight she's willing to do whatever it takes to get to Pennington.The only thing that makes it halfway bearable is the new girl in school, Mack. She's smart, funny, and just as much of an outsider as Liz. But Mack is also in the running for queen. Will falling for the competition keep Liz from her dreams . . . or make them come true?

A soulful collection of illuminating essays and interviews that explore Black people’s spiritual connection to the land and the climate justice crisis, curated by the acclaimed author of Farming While Black.

Author of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and treating the Earth as a home essential.

This thought-provoking anthology brings together today’s most respected and influential Black environmentalist voices. These varied and distinguished experts include Pulitzer Prize and National Book Award-winning author Alice Walker; the first Queen Mother and official spokesperson for the Gullah/Geechee Nation, Queen Quet; marine biologist, policy expert, and founder and president of Ocean Collectiv, Dr. Ayana Elizabeth Johnson; and the Executive Director of the North Carolina Association of Black Lawyers, Land Loss Prevention Project, Savi Horne. These leaders address the essential connection between nature and our survival and how runaway consumption and corporate insatiability are harming the earth and every facet of American society, including racial violence, food apartheid, and climate justice.

Those whose skin is the color of soil are reviving their ancestral and ancient practice of listening to the earth for guidance. Penniman makes clear that the fight for racial and environmental justice demands that Black people put our planet first and defer to nature as our teacher.

This stunning, poetic picture book shows how one little girl’s careful tending of a pecan tree creates the living center of a loving, intergenerational Black family.

Before her grandchildren climbed the towering tree,

explored its secret nests,

                       raced to its sturdy trunk,

                                   read in its cool shade,

                       or made pies with its pecans . . .

Nell buried a seed.

And just as, with Nell’s love and care, her tree grows and thrives—so do generations of her close-knit family.

Inspired by the pecan trees of her own childhood, Anne Wynter’s lyrical picture book, brought to life with gorgeous illustrations by Daniel Miyares, brims with wonder and love.

Based on the viral poem by Coretta Scott King honoree Junauda Petrus, this picture book debut imagines a radically positive future where police aren’t in charge of public safety and community well-being.

Petrus first published and performed this poem after the shooting of Michael Brown in Ferguson, Missouri in 2014. With every subsequent police shooting, it has taken on new urgency, culminating in the 2020 murder of George Floyd by a Minneapolis police officer, blocks from Junauda's home.

In its picture book incarnation, Can We Please Give the Police Department to the Grandmothers? is a joyously radical vision of community-based safety and mutual aid. It is optimistic, provocative, and ultimately centered in fierce love. Debut picture book artist Kristen Uroda has turned Junauda's vision for a city without precincts into a vibrant and flourishing urban landscape filled with wise and loving grandmothers of all sorts.

A multidisciplinary illustrated reader unpacking imperialist representations of Africa by promoting dialogue, memory and everyday practice, and reimagining cultural institutions and the arts—from museums to academia, from architecture to art.

In 2017, curator and art historian Anita N. Bateman and architect and professor Emanuel Admassu initiated research on the traditional positioning and mispositioning of the arts across the African continent. Where Is Africa has been an extended set of exchanges with contemporary artists, curators, designers and academics who are actively engaged in representing the continent—both within and outside its geographic boundaries. By examining artist collectives, new currents in art history and the rise of contemporary art festivals in and about Africa from the past 10 years, the project unpacks the imperialist foundations of cultural institutions and their anthropological fascination with African objects, people and places.

The interviews in Where Is Africa examine African and African-diasporic identities and spaces through questions of positionality in relation to specific disciplinary, cultural and political contexts. The texts address Afro-diasporic aesthetic practices and the curatorial, museological and artistic matrices that confront epistemologies of dominance and exclusion. The commissioned essays and images offer concise methodologies that expand or complicate issues addressed by the interviewees.

Where Is Africa is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and concept are untethered from each other.

Contributors include: Mikael Awake, Salome Asega, Tau Tavengwa, Anthony Bogues, Jay Simple, Eric Gottesman, Rebecca Corey, Aida Mulkozi, Rakeb Sile, Mesai Haileleul, Mpho Matsipa, Naiama Safia Sandy, Adama Delphine Fawundu, Rehema Chachage, Robel Temesgen, Valerie Amani, Meskerem Assegued, Elias Sime, Olalekan Jeyifous, Amanda Williams, Germane Barnes and Mario Gooden.

The humorous and heartwarming third book in the Simon B. Rhymin' series, by America's favorite rapping teacher from Chicago, will have readers bopping along to the beat as Simon joins the community basketball team.

When eleven-year-old Simon Barnes joins the basketball team, he’s so excited to be part of a neighborhood tradition. But when he shoots an AIR BALL, Simon knows he needs reinforcements. He recruits his best friend C.J. to the team and it's finally looking like the Creighton Park Panthers have a shot at breaking their four-season losing streak—until some of the other players abandon them for a better team. Now Simon isn't sure the Panthers will ever have a chance at winning. 

But with the help of his friends, a pep rally featuring epic beats, and some Creighton Park pride, maybe the team can finally prove they have what it takes not simply to win, but to be a part of something that matters.

READ MORE ABOUT SIMON AND HIS CREW:
Simon B. Rhymin'
Simon B. Rhymin' Takes a Stand

Aria is no stranger to tragedy -- as a young girl, she and her older sister and mother survived a car crash that took the lives of their father and beloved baby sister. And although relations with her remaining family are strained, she's done her best to establish a solid, normal life for herself, living in Atlanta and teaching literacy to girls who have fallen on hard times.

But now she has a secret that she's not yet ready to share with Dwayne, her devoted boyfriend, or Rochelle, her roommate and best friend: Aria is pregnant. Or so she thinks. The truth is about to make her question her every assumption and reevaluate the life she has worked so hard to build for herself...as it sends her reeling in a direction she had no idea she was destined to go.

Mic check! Learn to count with 2Pac in the Legends of Hip-Hop board book series.

Who is Tupac “2Pac” Shakur? One of the most accomplished and celebrated rappers of all time! Babies will learn where he was born, how many names he had, and about his acting career all while learning to count to twelve.

In this sizable and sturdy board book, music producer Pen Ken and three-time Emmy Award–nominated animation director Saxton Moore introduce tiny readers to some of hip-hop’s biggest and brightest luminaries with fun facts about each rapper, organized by a teachable concept.

Perfect for fans of The Story of Rap and B Is for Baller. 

In the middle decades of the nineteenth century Jeremiah G. Hamilton was a well-known figure on Wall Street. Cornelius Vanderbilt, America's first tycoon, came to respect, grudgingly, his one-time opponent. The day after Vanderbilt's death on January 4, 1877, an obituary acknowledged that "There was only one man who ever fought the Commodore to the end, and that was Jeremiah Hamilton." Hamilton, although his origins were lowly, possibly slave, was reportedly the richest black man in the United States, possessing a fortune of $2 million, or in excess of two hundred and $50 million in today's currency.

In this groundbreaking and vivid account, eminent historian Shane White reveals the larger than life story of a man who defied every convention of his time. He wheeled and dealed in the lily white business world, he married a white woman, he bought a mansion in rural New Jersey, he owned railroad stock on trains he was not legally allowed to ride, and generally set his white contemporaries teeth on edge when he wasn't just plain outsmarting them. An important contribution to American history, the Hamilton's life offers a way into considering, from the unusual perspective of a black man.

Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?

In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.

Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.

While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.

“Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

Inspired by Richard Scarry’s What Do People Do All Day?, these joyous portraits of Black men engaged in everyday life celebrate the deep roots and rich cultures of African American communities.

Have you ever wondered . . .
What do brothas do all day?
Brothas drive. Brothas dance. Brothas work. Brothas listen. And brothas love.

Scarry’s now-classic book, first published in 1968, is a richly illustrated guide to the places, jobs, and activities that defined the daily lives of grown-ups. Author-illustrator Ajuan Mance created What Do Brothas Do All Day?, like Scarry, in response to children’s innate curiosity about the activities and experiences of others, but also to meet the longing many kids have for characters and communities that look and feel like the people and places they know.

This joyous reflection of real Black men and boys engaged in everyday life is a gift for Black kids who rarely see themselves reflected in the pages of a book and an affirmation of their world and the people who populate it. From grocery shopping and waiting for a trim at the barbershop to singing, dancing, and laughing with friends, Mance captures the beauty in the ordinary, affirming the enduring strength of the Black community.

DIVERSE BOOKS FOR KIDS: This picture book features real Black men the author has observed in the world—everyday people, not models or stereotypes. One fan describes it as "just a rainbow of Black men, a beautiful rainbow of Black men."

LIBRARIAN LOVE: What Do Brothas Do All Day? began as an all-ages zine, but the author began to conceive of it as a children's book after being approached by two children's librarians.

INSPIRED BY A CLASSIC: As the author notes in the book, "I first encountered Richard Scarry’s work in the early 1970s when I was about six years old. The world of adults, with its grocery lists, PTA meetings, shopping trips, and dinner parties, seemed both tantalizingly exotic and impossibly complex. Today, those same descriptors can be applied to the ways that many people of all ages perceive Black men."

AN INVITATION: The book ends with an invitation, perhaps even a call to action: What will you do today?

Perfect for:

• Parents and grandparents seeking engaging read-aloud and read-along picture books
• Teachers and librarians looking for books featuring Black communities
• Gift for readers of Jacqueline Woodson, Kwame Alexander, Cedella Marley, and Derrick Barnes books
• Fans of Richard Scarry's What Do People Do All Day?

A moving combination of memoir, psychology, and practical tools, this book offers Black men guidance and support for reclaiming mental well-being and finding whole, full-hearted living.

Early in his career, actor Courtney B. Vance lost his father to suicide. Recently, he lost his godson to the same fate. Still, as mental health discourse hits the mainstream, it leaves the most vulnerable out of the conversation: Black men.
 
In America, we teach that strength means holding back tears and shaming your own feelings. In the Black community, these pressures are especially poignant. Poor mental health outcomes-- including diagnoses of depression and anxiety, reliance on prescription drugs, and suicide-- have skyrocketed in the past decade. Institutionalized racism, microagressions, and stress caused by socioeconomic factors have led Black individuals to face worse mental health outcomes than any other demographic.
 
In  this book, Courtney B. Vance seeks to change this trajectory. Along with professional expertise from famed psychologist Dr. Robin Smith (popularly known as “Dr. Robin”), Courtney B. Vance explores issues of grief, relationships, identity, and race through the telling of his own most formative experiences. Together, Courtney and Dr. Robin provide a guide for Black men navigating life’s ups and downs, reclaiming  mental well-being, and examining  broken pieces to find whole, full-hearted living. Self-care is an act of revolution. It’s time to revolutionize mental health in the Black community.

Winner, James Beard Foundation Book Award, 2016
Art of Eating Prize, 2015
BCALA Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association, 2016

Women of African descent have contributed to America’s food culture for centuries, but their rich and varied involvement is still overshadowed by the demeaning stereotype of an illiterate “Aunt Jemima” who cooked mostly by natural instinct. To discover the true role of black women in the creation of American, and especially southern, cuisine, Toni Tipton-Martin has spent years amassing one of the world’s largest private collections of cookbooks published by African American authors, looking for evidence of their impact on American food, families, and communities and for ways we might use that knowledge to inspire community wellness of every kind.

The Jemima Code presents more than 150 black cookbooks that range from a rare 1827 house servant’s manual, the first book published by an African American in the trade, to modern classics by authors such as Edna Lewis and Vertamae Grosvenor. The books are arranged chronologically and illustrated with photos of their covers; many also display selected interior pages, including recipes. Tipton-Martin provides notes on the authors and their contributions and the significance of each book, while her chapter introductions summarize the cultural history reflected in the books that follow. These cookbooks offer firsthand evidence that African Americans cooked creative masterpieces from meager provisions, educated young chefs, operated food businesses, and nourished the African American community through the long struggle for human rights. The Jemima Code transforms America’s most maligned kitchen servant into an inspirational and powerful model of culinary wisdom and cultural authority.

A Through-the-Alphabet Celebration of Queer History in the US, from the Publisher of the New York Times Bestseller The ABCs of Black History
 
In a beautiful picture book brimming with P for Pride, writer and poet Seema Yasmin and illustrator Lucy Kirk celebrate all the joys and challenges of queer history in the United States through lively, rhyming verse and bright, colorful illustrations.

This is a book of people, of ideas, of accomplishments and events. It’s a book about Allies and Ancestors, about Belonging and Being accepted, about Hope, Knowledge, and Love. About historic moments like Stonewall, and how it changed the world. And all about Trailblazers, like Audre Lorde, James Baldwin, Josephine Baker, Harvey Milk, Barbara Jordan, George Takei, Elliot Page, and Sally Ride.

And ultimately, it’s a book to help kids learn a different kind of ABCs—not just words like apple, ball or cat, but rather the essence of what it means to be diverse, to be equitable, to be inclusive. That no one counts unless we all count, and how we must open our eyes and ears, minds and hearts, to hear everyone’s story and understand and celebrate their experience.

In the vein of Get Out and Razorblade Tears, a feast of noir fiction and probing social commentary that asks us to consider what would happen if reparations were finally charged and exacted. Nate Evers, a young black political activist, struggles with rage as his people are still being killed in the streets 62 years after Emmett Till. When his little cousin is murdered, Nate shuns the graffiti murals, candlelight vigils, and Twitter hashtags that are commonplace after these senseless deaths. Instead, he leads 3 grief-stricken friends on a mission of retribution, kidnapping the descendants of long-ago perpetrators of hate crimes, confronting the targets with their racist lineages, and forcing them to pay reparations to a community fund. For 3 of the group members, the results mean justice; for Nate – pure revenge. Not all targets go quietly into the night, though, and Nate and his friends' world spirals out of control when they confront the wrong man. Now the leader of a white supremacist group is hot on their tail as is a jaded lawman with some disturbingly racist views of his own. As the 4 vigilantes fight to thwart their ruthless pursuers, they’re forced to accept an age-old truth: "Before you embark on a journey of revenge, dig two graves." Smoke Kings is a powerful and propulsive novel with a diverse and unforgettable cast of characters. Like Steph Cha’s Your House Will Pay it explores decades of racial tensions through a fictional landscape where the line between justice and revenge is blurred.

“These feel like images you might have dreamed, both of the kind that slip away and the ones you manage to keep tenuously in your grasp, slippery, otherworldly. . . . Before our eyes, Zanele Muholi transforms into a mother, a domestic worker, an Afrofuturist, an oracle. It’s fiction and it is not.”―Yrsa Daley-Ward, The New York Times Book Review

Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment. A powerfully arresting collection of work, Muholi’s radical statements of identity, race, and resistance are a direct response to contemporary and historical racisms. As Muholi states, “I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces―brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves―to encourage people to use artistic tools such as cameras as weapons to fight back.”

With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi’s images, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is as much a manifesto of resistance as it is an autobiographical, artistic statement.

Winner of the 2016 Man Booker Prize

Winner of the 2015 National Book Critics Circle Award in Fiction

Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

Learning new words and phrases has never been so fun—and funny! 

Taro Gomi introduces toddlers to first words in unforgettable ways: From flowers to a face, to greetings and games, this one-of-a-kind collection not only provides first-word basics but a fresh and fun-filled approach all while letting the youngest of readers “travel” to Japan through its pages. At once a first word and phrases primer and an introduction to new people and places, this content-rich collection will be treasured by kids and caregivers alike. 

A STAND-OUT GIFT: Just right for birthdays, baby showers, and any giving occasion! A one-of-a-kind art style and unique take on a first-words book for toddlers and babies make this collection a must-have as well as a treasured keepsake.

TARO IS THE BEST TEACHER: From Everyone Poops to I Know Numbers!, kids love learning from Taro Gomi! With quirky and expressive illustrations paired with first words and phrases, young children will build their vocabulary while learning about the exciting world around them. 

PACKED WITH HUMOR: With Taro Gomi's attention to detail, each page captures countless laugh-out-loud moments sure to make this book a fan favorite.

FOCUS ON FIRST WORDS AND FEELINGS: This book is a powerful and important springboard, modeling first words and providing important social-emotional learning by allowing kids to talk about their emotions and inner life.

Perfect for:
* Fans of Taro Gomi's Everyone Poops and other bestselling children's books
* Gift givers seeking a book for babies and toddlers who are starting to learn new words
* Teachers and librarians looking for fun, engaging books that teach children a wide variety of words
* Readers of Richard Scarry books, First 100 Words, and other popular alphabet and early learning books for kids

When life rewrites the story, only friendship will see them through.

After years of hard work, four best friends—Celeste, Yasmeen, Toni and Leslie—are finally on the verge of opening the bookstore of their dreams. A place where their community can find solace with an intriguing new read, a comforting beverage and book-loving friends.

But before they can cut the ribbon, their worlds are upended.

Toni receives devastating news just months before her wedding, while Celeste’s struggling marriage threatens to collapse completely. Leslie learns a shocking secret about her family, and a lotto ticket changes Yasmeen’s life—but not for the better.

As the bookstore’s grand opening fast approaches, the four women must lean on each other now more than ever to navigate their grief and uncertainty. And together, they’ll learn that sometimes, even life’s most unexpected plot twists can lead to beautiful new beginnings.

Get Ready for Kindergarten in this exciting new series for kids embarking on new adventures! Vera Ahiyya, the Tutu Teacher, knows everything your family needs to get ready... and to celebrate every precious moment!

GET READY... for an exciting new series focusing on BIG moments in the lives of kids!

It’s almost the first day of school and everyone is busy getting ready. A young girl and her parent pack a healthy lunch, fill her backpack with supplies, pick out a colorful outfit, and take a special photo . . . but is that everything she will need for her big first day?

Get your little one ready with this joyful story about what to expect on their very first day of Kindergarten!

This edition includes an adorable punch-out sign for first day photo opps!

Reignite your purpose in Christ, restore your dignity, heal your pain, transform your rest, and learn how to flourish in today’s secular world as a Black Christian woman—from Bible teacher, speaker, and psychotherapist Dr. Sarita Lyons.

Black women are the hidden figures in the church. Despite at times being rendered invisible, uninvited, and unprotected in a racist and sexist world, they are valued image-bearers and influential instruments in God’s redemptive plan.

Church Girl invites you, as a Black woman, on a journey from the garden to the present day. Your unique story as a Black woman lies within the grand narrative of Scripture, and the message of the gospel is the light, lens, and love you need to help you see and live as God intends.

Church Girl helps answer some of your most internal pressing questions:

• How do I understand my identity in light of Scripture?
• How should I think about my purpose?
• How can I thrive despite the opposition from racism and sexism?
• How are Black women hurt in the church and how can I heal?
• Why am I always exhausted from working and where can I find real peace and rest?
• How can I flourish in a secular world and live out my faith with conviction and integrity?

With compassion and wisdom, Dr. Sarita Lyons invites Black women to tackle the unique issues they face in the church with prophetic boldness, priestly compassion, a church leader’s wisdom, a counselor's insight, and a sister's relatability and love.

In Left of Karl Marx, Carole Boyce Davies assesses the activism, writing, and legacy of Claudia Jones (1915–1964), a pioneering Afro-Caribbean radical intellectual, dedicated communist, and feminist. Jones is buried in London’s Highgate Cemetery, to the left of Karl Marx—a location that Boyce Davies finds fitting given how Jones expanded Marxism-Leninism to incorporate gender and race in her political critique and activism.

Claudia Cumberbatch Jones was born in Trinidad. In 1924, she moved to New York, where she lived for the next thirty years. She was active in the Communist Party from her early twenties onward. A talented writer and speaker, she traveled throughout the United States lecturing and organizing. In the early 1950s, she wrote a well-known column, “Half the World,” for the Daily Worker. As the U.S. government intensified its efforts to prosecute communists, Jones was arrested several times. She served nearly a year in a U.S. prison before being deported and given asylum by Great Britain in 1955. There she founded The West Indian Gazette and Afro-Asian Caribbean News and the Caribbean Carnival, an annual London festival that continues today as the Notting Hill Carnival. Boyce Davies examines Jones’s thought and journalism, her political and community organizing, and poetry that the activist wrote while she was imprisoned. Looking at the contents of the FBI file on Jones, Boyce Davies contrasts Jones’s own narration of her life with the federal government’s. Left of Karl Marx establishes Jones as a significant figure within Caribbean intellectual traditions, black U.S. feminism, and the history of communism.