By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

In seiner Serie Afro-Iran stellt der deutsch-iranische Fotograf Mahdi Ehsaei (*1989) eine Facette des Iran vor, die selbst Einheimischen weitgehend unbekannt ist: Im Süden des Landes gibt es eine ethnische Minderheit, die das Erbe ihrer afrikanischen Herkunft in Kleidungsstil, Musik und Tanz sowie in ihren mündlichen Überlieferungen und Ritualen bis heute aufrecht erhält und so die Kultur der gesamten Region beeinflusst hat. Für sein Projekt reiste Ehsaei in die südiranische Provinz Hormozgan am Persischen Golf, der Heimat der Nachfahren von Sklaven und Händlern aus Afrika. In dieser Gegend, reich and Traditionen und Geschichte, lebt einer der ethnisch vielfältigsten Bevölkerungsanteile in einer einzigartigen Landschaft. In seinem Buch präsentiert Ehsaei zahlreiche überraschende Porträts, die dem landläufigen Bild vom Iran nicht entsprechen. "Afro-Iran" zeigt vielmehr Details, die die Jahrhunderte alte Geschichte einer Bevölkerungsgruppe dokumentieren, die in der Geschichtschreibung des Iran häufig vergessen wird und die doch die Kultur des Südens entscheidend geprägt hat.

You have within you infinite promise. How big will YOU dream? This striking companion to I Am My Ancestors' Wildest Dreams celebrates Black female achievement and is perfect for fans of I Am Enough, Little Leaders, and She Persisted.

"Magnificently compelling....Lets Black girls know each time they turn the page that all of their dreams are possible." ―Angela Bassett, Award-winning Actress and Producer

I AM dope!

My crown shines bright

in all its glory.

When I dream big,

I can do anything!

In this inspiring tribute to Black girl pride and excellence, a young child discovers her place in a radiant heritage. As she meets twelve extraordinary Black women―historic and contemporary heroines who have blazed a trail for her own future success―she internalizes their strength and sets out to change the world in her own way.

Just like them, she can reach her dreams. And readers will discover that they can reach theirs too.

A bone-chilling contemporary YA horror about what happens when a Haitian American girl uses her previously hidden zombie abilities to exact revenge on the wealthy elites who’ve caused her family pain.

Brielle Petitfour loves to cook. But with a chronically sick mother and bills to pay, becoming a chef isn’t exactly a realistic career path.

When Brielle’s mom suddenly loses her job, Brielle steps in and uses her culinary skills to earn some extra money. The rich families who love her cooking praise her use of unique flavors and textures, which keep everyone guessing what’s in Brielle’s dishes. The secret ingredient? Human flesh.

Written by the storytelling duo Maika Moulite and Maritza Moulite, The Summer I Ate the Rich is a biting, smart new horror inspired by Haitian zombie lore that scrutinizes the socioeconomic and racial inequity that is the foundation of our modern times. Just like Brielle’s clients it will have you asking: What’s for dinner?

This stunning picture book takes a joyful look into the loving and long process of a hair wash day and the beautiful bond between a daughter and mother. Perfect for Mother’s Day or all year round!

I love Sundays, because Sundays are wash days. And wash days are just for us.

Filled with heartwarming illustrations, Wash Day with Mama centers on a little girl cherishing each step of their hair washing routine while Mama imparts her wisdom and stresses the importance of self-care, loving yourself, and being proud of who you are. The process of washing and taking care of Black hair takes time and effort, but this poignant story shows how it is an act of self-love and nurtures a special connection between mother and daughter.

For the Black community, washing their hair can feel like an event in and of itself, and that's why it has been christened "wash day." For many, wash day isn't just a routine, but an intimate ritual that is a symbol of self-love and pride. This self-care practice, although individual to the person, can root them in their culture and allow them to embrace generations of hair traditions. This book shows the love and care of washing Black hair and compels us to reflect on shared moments that we may take for granted.

51 achingly eloquent poems from a young Cave Canem fellow: W. J. Lofton's verses explore Black queer Southern identity, grief, love, and intimacy while enduring and witnessing unfreedom in America

W. J. Lofton writes vivid, accessible poems that channel the energy, urgency, ambitions, joys, and sorrows of a young Black queer artist. They are about love and flirtation, sweet tea and hot sauce, God and family, life and death, police brutality and extrajudicial killings. His verses honor some of the young lives extinguished by these killings—Breonna Taylor, Kendrick Johnson, Ahmaud Arbery. He also pays tribute to some of the towering figures of Black culture who have come before him—Richard Pryor, Assata Shakur. His style is endlessly propulsive, informed by some of the Harlem Renaissance greats—Langston Hughes, Gwendolyn Brooks—but also transforming that rich tradition for the present day.

This Premier Collection contains a new foreword by rapper and activist Killer Mike and is presented in a newly designed book-format edition that also includes bonus content such as sketches, layouts, interviews, and variant covers!

National Book Award-winning author Ta-Nehisi Coates (Between the World and Me) and acclaimed illustrator Brian Stelfreeze revolutionize the Black Panther mythos in this powerful graphic novel that blends high-tech futurism with the resonate themes of modern day.

The perfect entry point into the Marvel Universe anytime, anywhere.

As esteemed author and journalist Ta-Nehisi Coates brings his considerable talents to Marvel, will he usher in a new age of glory for Wakanda and its king, T’Challa, A.K.A. the Black Panther? Or will he enter the proud kingdom into its final days?

The high-tech African nation has been ravaged by outside forces, its queen has fallen and the people have turned against their king. As dissidents seek violent change, two of T’Challa’s own Dora Milaje forge their own brave path. And while outside forces pour fuel on the fire, the Black Panther recruits his own crew to aid in the struggle.

Meanwhile, on the spiritual plane, a journey of transformation begins. This is a story of a king who must find a new way to lead. Of a queen whose tale is not yet fully told. Of angels fighting for change and devils fomenting chaos. Of allies and enemies, friends and foes, love and hate. This is the story of Wakanda.

BONUS FEATURES
variant covers, 2022 Brian Stelfreeze introduction, Ta-Nehisi Coates/Ryan Coogler interview, Brian Stelfreeze interview, process/development materials, Brian Stelfreeze sketches, 2017 HC cover

COLLECTING: Black Panther (2016) 1-12

Baby and Daddy are taking a walk in their neighborhood! Read along as they say hello to their friends and celebrate their community in this next installment of the Brown Baby Parade series that's perfect for ages 0-3.

Baby’s home with Daddy.
He wants to take a walk.
They have friendly neighbors,
who like to wave and talk.

The neighborhood is bustling with friends who are planting, playing baseball, blowing bubbles, and more! Read along as Baby and Daddy say hi to them all!

Nikki Shannon Smith's soothing, rhythmic text and Tamisha Anthony's warm, welcoming illustrations pair beautifully to create heartwarming scenes of everyday life. The joyful depiction of a diverse community will allow children to see themselves and encourage them to interact with their own neighborhood!

The new book from the New York Times bestselling author of The Three Mothers.

In Erased, Anna Malaika Tubbs recovers all that American patriarchy has tried to destroy.

Patriarchy has oppressed women and denied their contributions worldwide, but the United States of America has its own unique gendered hierarchy. Dr. Anna Malaika Tubbs applies her signature blend of approachable yet rigorous analysis in this definitive and groundbreaking history of American patriarchy. She proves that humanity in the United States is determined by gender in a limited and flawed binary that is also always tied to whiteness. Tubbs shows how a fabricated hierarchy became so deeply ingrained over time that it now goes unnoticed, along with everything it intentionally conceals.

From the founding fathers to the current Supreme Court justices, from the treatment of enslaved women to the American maternal health crises, from the exclusion of women in the Constitution to the continued lack of an Equal Rights Amendment, Tubbs brings together academic research, the stories of freedom fighters both past and present, and her own experiences to reveal what is erased in the wake of American patriarchy. The system has survived by hiding the tools that are necessary to dismantle it. But Tubbs beautifully reminds us that those tools, including our intuition, courage, ancient wisdom, and power, are still well within our reach.

Erased is the story of the United States from a new perspective: one where the people who shaped this country–who have been oppressed and whose contributions have been denied–are at the center, reminding us that we can restore what has been strategically kept from us. Once again, Dr. Anna Malaika Tubbs has written a book that will be a touchstone for conversations on gender, race, and equity for years to come.

A landmark study that shows how Black residents experience and respond to the rapid transformation of historically Black places.

Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.

In We Belong Here, sociologist Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.

She's a gem.

And on an entirely different level than the women I'm accustomed to.

She's loyal and about her paper. That's why I'd sacrifice the only friendships I'd ever known, wait for however long it took her to be ready, and happily sever ties with anyone who didn't agree with or was against our union. Because the little spoiled brat that I once considered off-limits had given me a taste of her forbidden fruit and there was nothing I'd stop at to maintain the privilege of burying my seeds in her garden.

He's a friend.

And doesn't mind risking it all for me.

The truth is, I just can't get enough of him...

Serenity Allen was looking for an uneventful summer. Her plans included – work, stack her money, and stay unscathed by the hood of Los Oceania. Unfortunately, her brother’s urge to move in and save money puts a dent in her agenda.
Geoffrey Pryor is fresh out, looking to restart life quietly. For him, the game is a slippery slope that keeps beckoning him back to its shore. When a familiar spirit moves across the street and his friend gives him strict instructions, he finds himself going against everything he said he wouldn’t do.
Falling in love in Los Oceania has always been easy with the cool breeze, but does it stay or fade with the wind?

In 1912 a strange confession is given, over several nights, to a Lutheran priest who transcribes the life of a vampire who haunted the fields of the Blackfeet reservation, looking for justice.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall and what it unveils is a slow massacre, a chain of events that go back to two hundred and seventeen Blackfeet dead in the snow. Told in transcribed confessions by a Blackfeet named Good Stab, who shared the narrative of his peculiar life over a series of confessional visits, this is a bloody history of the American West that has remained untold until now.

The electrifying and intimate first novel from the author of The Collection Plate and Fruit Punch, a searing story of a young Texan woman and the family she makes with two men

“A couple years after Noon and I fall in love, we fall in love with Micah—and a couple years after that, I have both of their babies. We choose, this land and this life. We share, ourselves and our sons. We name them, Morning and Night.”

In her arresting first novel, Kendra Allen investigates love, partnership, motherhood, pleasure and the pursuit of freedom in one young woman’s defiantly unconventional terms. Rae has just returned to her family after leaving for a stretch and suddenly – that family being her two male partners and the sons, named Morning and Night, that she has mothered with each of them. In the span of one year, they will experience unfathomable depths of devastation—and joys they could never predict.
Good Morning Means I Love You follows Rae as she makes choices around sex, mothering, and partnership that are as stunning to everyone else as they are natural to herself. With pain and pleasure, she watches as her children learn to walk and give language to the world as her lovers contend with their own ideas of masculinity, personhood, and fatherhood. Along the way, Rae begins to understand the hardest and most beautiful truth: that we have only so much time on earth to make love, to make family, and to make good on the promise of this one, short life.
This is a novel of the self in all its simultaneities and a living portrait of intimacy written in poetic, bold, and sensual prose that shines a light on what it means to redefine expectation.

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay.

Respair (noun, obsolete), fresh hope after despair.

From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as “the heir apparent to Toni Morrison” (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to “Tell it straight. Tell it all.”

True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood—the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies—including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as “one of America’s finest living writers” (San Francisco Chronicle) and is a monument to hope, beauty, and personal and collective resilience.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters. This is part two of the Revive Me trilogy.

Mallory

The day Christopher Johnson decided to kill me, I already knew what it was like to die. I had already experienced it once. Having the life leeched from my body, blood stolen from my veins, oxygen pulled from my lungs.

When he decided to walk back into my life, I was in the middle of my third resurrection, healing from the loss of my brother when I was still raw from losing him.

It wasn't going well.

I guess the human heart can only stop so many times, can only take so much damage before it questions whether it's worth it to be revived. My heart is on its last leg, but even that can't stop me from seizing the chance to have him again.

Even if it's just for a little while.

Chris

Walking away from Mallory Kent is one of the hardest things I've ever done.

The devastation that marred her features that night still haunts me. Refusing to let me forget that the knife I plunged into her heart to protect her had pierced mine as well. Dogging my steps as I walked through my miserable life without her.

Coming back had always been a part of the plan. Even as I gave in to the forces hellbent on tearing us apart, I knew we weren't done. I just didn't know we'd come back together like this: under a cloud of unexpected grief with the pain of our stolen future lingering just beneath the surface.

This time together was never supposed to happen. I hadn't accounted for it when I started working to clear a path back to her, but I'm thankful for it. For the opportunity to comfort her in a way no one else can. For the chance to hold her until the demons in my life force me to walk away again.

Now in its first American edition, Dionne Brand's groundbreaking A Map to the Door of No Return has emerged as a modern classic, a highly influential exploration of "being" in the Black Diaspora.

Since its first publication in 2001, Dionne Brand's groundbreaking exploration of being in the Black Diaspora, A Map to the Door of No Return, has emerged as a modern classic. The door, in Brand's iconic schema, represents the point of rupture where the ancestors of the Black Diaspora departed one world for another: the place where all names were forgotten, and all beginnings recast. "This door," writes Brand, "is not mere physicality. It is a spiritual location . . . Since leaving was never voluntary, return was, and still may be, an intention, however deeply buried. There is as it says no way in; no return."

Through shards of history, memoir, lyrical investigation, and the unwritten experience of so many descendants of those who passed through the door, Brand constructs a map of this indelible region, culminating in an enduring expression, both definitive and seeking, of what it is to live, think, and create in the wake of colonization.

With a new preface by the author, and an afterword by Saidiya Hartman.

Grieving and starting over, a marketing research manager finds herself drawn to the one man she shouldn’t want in this soul-stirring, unconventional romance by BriAnn Danae.

Shyriq Hendrix is no stranger to success. As the heir to a legacy distillery and a man with wealth, status, and discipline, he’s built a life most would envy. But in the quiet moments when he’s not managing his multimillion-dollar empire, he’s aware that something is missing.

Then Nhuri Coleman steps into his life . . .

Nhuri has her reasons for keeping a low profile after relocating to Kansas City for a reset. After a chance encounter with Shyriq—the reserved but undeniably attractive owner of Great Hendrix Distillery—she accepts a job she hadn’t been pursuing, offered by a man who sees her worth before she’s ready to believe in it herself. She only expects a steady check and quiet routine, but instead, she experiences undeniable soul-stirring chemistry.

Their early exchanges are strictly professional. But how he watches, listens, and shows up without expectation catches her off guard. Just as their connection begins to deepen, the sudden appearance of her ex-boyfriend pulls Nhuri back into the past. Shyriq, not one to chase, finds himself wanting more than just her time—he wants her trust. And he learns quickly that loving someone who’s learned to survive alone isn’t about fixing them. It’s about staying when everything else says leave.

By the influential relationship therapist and bestselling author of Set Boundaries, Find Peace, this story will help young kids learn to express their own needs rather than people-pleasing.

Avery loves to make people happy—so much so that she often ignores her own wants and needs. If a friend's favorite color is yellow, she always gives that friend the yellow marker. If someone wants PB&J for lunch, she gives up her own sandwich.

Now, her birthday is coming up and she's having trouble deciding what to do for her party. She knows her friends would love going to an amusement park, so maybe she should ignore the fact that the rides make her feel sick. Her brother loves superheroes, so she's considering having a superhero party. Luckily, her friends help her realize it's OK to do what makes you happy—especially on your own special day. Her birthday party is her best one yet!

*Paperback Release Date - 7/21/26*

“A game-changer for workplace dynamics” ―Eve Rodsky, New York Times bestselling author of Fair Play

The author of The Memo helps you discover what you need to navigate every workplace communication challenge with confidence.

We are living in a world of broken trust, especially in the workplace. Employees have heard too many empty promises and are unmotivated. Managers are scrambling to keep eyes on direct reports in demanding environments. Nobody knows how to talk to one another. Trust is the central pillar of any functioning workplace. But without it too many of us are unhappy, fed up, and ready to walk out the door.

Minda Harts knows from years of experience as a highly sought-after workplace consultant how a lack of trust between colleagues, managers, and executive leaders is bad for business and our own professional well-being. That’s where the seven workplace trust languages come into play. Earning trust is different for every one of us. Some respond well to verbal affirmations of their contributions, while others need visibility to see how business decisions are made. By understanding the seven languages of trust―transparency, security, demonstration, feedback, acknowledgment, sensitivity, and follow-through―we can all learn to navigate conflict, be more productive, and communicate more effectively.

In Talk to Me Nice, you’ll learn what workplace trust languages work for you and how to show colleagues, managers, and direct reports that they are valued. When we’re talking one another’s languages, we can rebuild a more equitable, sustainable, and profitable workplace that works for us all.

Longtime NBC News reporter Char Adams writes a deeply compelling and rigorously reported history of Black political movements told through the lens of Black-owned bookstores, which have been centers for organizing from abolition to the Civil Rights Movement to Black Lives Matter.

In Black-Owned, Char Adams celebrates the living history of Black bookstores. Packed with stories of activism, espionage, violence, community, and perseverance, Black-Owned starts with the first Black-owned bookstore, which an abolitionist opened in New York in 1834, and after the bookshop’s violent demise, Black book-lovers carried on its cause. In the twentieth century, civil rights and Black Power activists started a Black bookstore boom nationwide. Malcolm X gave speeches in front of the National Memorial African Book Store in Harlem—a place dubbed “Speakers’ Corner”—and later, Black bookstores became targets of FBI agents, police, and racist vigilantes. Still, stores continued to fuel Black political movements.

Amid these struggles, bookshops were also places of celebration: Eartha Kitt and Langston Hughes held autograph parties at their local Black-owned bookstores. Maya Angelou became the face of National Black Bookstore Week. And today a new generation of Black activists is joining the radical bookstore tradition, with rapper Noname opening her Radical Hood Library in Los Angeles and several stores making national headlines when they were overwhelmed with demand in the Black Lives Matter era. As Adams makes clear, in an time of increasing repression, Black bookstores are needed now more than ever.

Full of vibrant characters and written with cinematic flair, Black-Owned is an enlightening story of community, resistance, and joy.

Essays on hip-hop feminism featuring relevant, real conversations about how race and gender politics intersect with pop culture and current events.

For the Crunk Feminist Collective, their academic day jobs were lacking in conversations they actually wanted—relevant, real conversations about how race and gender politics intersect with pop culture and current events. To address this void, they started a blog that turned into a widespread movement. The Collective's writings foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand.

These essays explore "Sex and Power in the Black Church," discuss how "Clair Huxtable is Dead," list "Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop," and dwell on "Dating with a Doctorate (She Got a Big Ego?)." Self-described as "critical homegirls," the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism.

In his eagerly anticipated debut as author-illustrator, Caldecott and Coretta Scott King honoree Christian Robinson brings young readers on a playful, imaginative journey into another world.

What if you
encountered another perspective?
Discovered another world?
Met another you?

What might you do?

Newsworthy wrestles with living in a culture infected by white supremacy where current media is distrusted, cursory, and impossible to escape. And yet, we yearn to know. We crave a thoughtfulness--apart from soundbites and viral videos--that plumbs deeper, one that reawakens our shared humanity by reminding us that under headlines beat all of our "pierced hearts."

A leading light in the new poetic guard, Deborah D.E.E.P. Mouton's collection is a poetic reimagining of the newspaper, collecting cutouts from the editing floor to resurrect those who would otherwise be forgotten. Not content to further sensationalize the horrors perpetrated on Black Americans by a broken justice system, Mouton boldly relays stories of police brutality by reinventing poetic form and function, reminding us that wisdom, context, and every angle of truth is what infuses information with elucidation.

Akin to An American Marriage, Newsworthy grounds the fragility and danger inherent in contemporary Black experience in an "ordinary" family: mother, father, brother (Josh), and sister (Amandla), following their near and lived tragedies against the backdrop of murdered black Americans. Amandla serves as a surrogate for all of us, regardless of skin color, morphing from naive bystander to headline herself. Alongside her, we witness the exponential compilation of threat. We learn to conceive of dread, anger, compassion, suffering, and love as survival tactics. And we uncover what we should have seen all along: that to be human in the world is to rectify its injustices. With Newsworthy, Mouton brings us news of the heart.

The first major Gullah Geechee cookbook from “the matriarch of Edisto Island,” who provides delicious recipes and the history of an overlooked American community.

The history of the Gullah and Geechee people stretches back centuries, when enslaved members of this community were historically isolated from the rest of the South because of their location on the Sea Islands of coastal South Carolina and Georgia. Today, this Lowcountry community represents the most direct living link to the traditional culture, language, and foodways of their West African ancestors.

Gullah Geechee Home Cooking, written by Emily Meggett, the matriarch of Edisto Island, is the preeminent Gullah cookbook. At 89 years old, and with more than 50 grandchildren and great-grandchildren, Meggett is a respected elder in the Gullah community of South Carolina. She has lived on the island all her life, and even at her age, still cooks for hundreds of people out of her hallowed home kitchen. Her house is a place of pilgrimage for anyone with an interest in Gullah Geechee food. Meggett’s Gullah food is rich and flavorful, though it is also often lighter and more seasonal than other types of Southern cooking. Heirloom rice, fresh-caught seafood, local game, and vegetables are key to her recipes for regional delicacies like fried oysters, collard greens, and stone-ground grits. This cookbook includes not only delicious and accessible recipes, but also snippets of the Meggett family history on Edisto Island, which stretches back into the 19th century. Rich in both flavor and history, Meggett’s Gullah Geechee Home Cooking is a testament to the syncretism of West African and American cultures that makes her home of Edisto Island so unique.