From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.

Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life.

As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality.

Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own.

Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

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A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.

Isaiah was Samuel’s and Samuel was Isaiah’s. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.

With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

A sweeping, multicultural family story of keen observation and the supernatural in which one man’s journey to wholeness against the collapse of the West Indies’ banana industry during the 1990s reflects the lasting impacts of colonialism, Catholicism, and immigration.

Before the gadèt-zafè came to warn his mother she would die, six-year-old Fidel knew only the everyday mystery of the Guadeloupe around him. The lush greenery, the dusty roads, the sugar cane growing and the neighbors arguing, the push and pull of love and resentment between people who rely on each other—his world is small but full. Until a few moments of violence change his life forever.

Orphaned, Fidel returns to his mother’s native Dominica and whirls from one relative and reality to another, learning pieces of his own story. His heritage is one of layered secrets and sharp divisions—between the grandmothers who love him and the aunt who wants him dead, the Catholic orthodoxy of his school and the Obeah knowledge of his grandfather, and the indigenous and the colonial. The violence he’s witnessed inhabits not only strangers but himself. The spirits of the dead visit him with advice, threats, and explanations. And when he sees a path toward happiness in Canada, he must reconcile his intense, bittersweet love of his home with the possibility of leaving it.

You have within you infinite promise. How big will YOU dream? This striking companion to I Am My Ancestors' Wildest Dreams celebrates Black female achievement and is perfect for fans of I Am Enough, Little Leaders, and She Persisted.

"Magnificently compelling....Lets Black girls know each time they turn the page that all of their dreams are possible." ―Angela Bassett, Award-winning Actress and Producer

I AM dope!

My crown shines bright

in all its glory.

When I dream big,

I can do anything!

In this inspiring tribute to Black girl pride and excellence, a young child discovers her place in a radiant heritage. As she meets twelve extraordinary Black women―historic and contemporary heroines who have blazed a trail for her own future success―she internalizes their strength and sets out to change the world in her own way.

Just like them, she can reach her dreams. And readers will discover that they can reach theirs too.

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In 1997, the image of the “Welfare Queen” dominated white America’s perceptions of Black women. Legislation was being proposed to deny benefits to children born to welfare mothers and to require insertion of birth-control implants as a condition of receiving aid. Meanwhile, a booming fertility industry was catering primarily to infertile white couples.

Dorothy Roberts’s landmark book, Killing the Black Body, made a powerful entrance into the national conversation of the era, exposing America’s systemic abuse of Black women’s bodies, from slave masters’ economic stake in bonded women’s fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s. These abuses point not only to the degradation of Black motherhood, but to the exclusion of Black women’s reproductive needs from the feminist agenda. Killing the Black Body turns twenty next year and is as relevant today as it was upon publication. In our current moment of Black Lives Matter, Between the World and Me, and authors like Chimamanda Ngozi Adichie and Roxane Gay speaking out about feminism and race, Killing the Black Body offers a vision of reproductive freedom that respects each and every American.

Unleash the superpower of being yourself. Sarah Jakes Roberts, bestselling author of Woman Evolve, will help you craft a language toward your issues with intentionality.

Stripping our minds of the expectations that inundate our world has never been more difficult. One quick scroll of our phones and we're consumed by other people's projections of how we should be feeling or responding.

The ability to determine your truth without judgment is the beginning of harnessing authentic power in Christ. When we do the work of embracing where we are, we create space for God's love to meet us in our most raw form and then polish us to shine like never before. Power does not lie in success, achievement, or performance. Power rests in humility, honesty, and the commitment to continuous growth.

Power Moves will help you to qualify whether you're living life authentically or if you've found a way to maintain status quo. It will reveal the principles required to tap into the most powerful version of who you are, then lead you in how to introduce your authentic self to the world around you. Sarah will help you

• give language to your changing needs,
• acknowledge and applaud your growth,
• refuse to bear the weight all at once or all alone, and
• release your power.

 Open your eyes to the way that God sees you and awaken your boldness to effect change in the world by living out the truth of who God says you are with confidence.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

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Are you plagued by regrets and past fears? Are you searching for a breakthrough or trying to find your true purpose? New York Times bestselling author Sarah Jakes Roberts reveals through life lessons and new insights from the story of Eve, how past disappointments, struggles, and even mistakes can be used today to help you become the woman God intended.

Who would imagine being friends with Eve--the woman who's been held responsible for the fall of humanity (and cramps) for thousands of years? Certainly not Sarah Jakes Roberts. That is, not until Sarah discovered she is more like Eve than she cares to admit.

Making her mistake in Eden, Eve became the first woman to deal with rebuilding her life in the aftermath of her past. Eve knew better, but she didn't do better. With a blend of scriptural lessons, Eve as the framework, and Sarah as your guide, you will discover and work through:

• Past issues and insecurities that haunt you
• Seeing yourself as God sees you and trusting Him with who you really are
• How to come out of darkness and pursue a real relationship with God
• Why it's important to truly care for yourself
• Setting in motion the beautiful seed that God planted in you

Everyone faces trials, and everyone will mess up. But failure shouldn't be the focus. Your focus should be not on who you were but rather on the pursuit of who you can become. In No Woman Left Behind Guided Journal, Sarah takes you deeper to help you understand that your purpose in life does not change; it evolves. This companion guided journal includes:

• Thought-provoking quotes from Sarah to inspire you to go deeper
• Guided prompts and exercises as you take steps toward discovering your evolving purpose
• Space to write your thoughts and reflections
• A beautiful foil-embellished cover and high-design interior with photography

Whether a gift for a woman you love or a self-purchase as you more deeply explore God's purpose for you, this guided journal will inspire, motivate, and offer practical steps to revolutionize your life. Your fears and insecurities may have altered your view of God, others, and yourself, but as you work through No Woman Left Behind Guided Journal, you can break through and use past mistakes to revolutionize your life. Like Eve, you don't have to live your future defined by your past.

The talented team of Robert Venditti and Olivia Stephens brings to glorious full color the novel that best-selling author Jason Reynolds called "A brilliant action adventure rooted in African American lore."

Seventh grader Tristan Strong feels anything but strong ever since he failed to save his best friend when they were in a bus accident together. All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading the month he's going to spend on his grandparents' farm in Alabama, where he's being sent to heal from the tragedy.

But on his first night there, a sticky creature shows up in his bedroom and steals Eddie's notebook. Tristan chases after it--is that a doll?--and a tug-of-war ensues between them underneath a Bottle Tree. In a last attempt to wrestle the journal out of the creature's hands, Tristan punches the tree, accidentally ripping open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world.

Tristan finds himself in the middle of a battle that has left Black American folk heroes John Henry and Brer Rabbit exhausted. In order to get back home, Tristan and these new allies will need to entice the god Anansi, the Weaver, to come out of hiding and seal the hole in the sky. But bartering with the trickster Anansi always comes at a price.

Can Tristan save this world before he loses more of the things he loves? Find out by diving into this stunning graphic novel adaptation of the original book.

Enter a new world of romantic fantasy from award-winning author N.E. Davenport—a journey of powerful magic, enemies-to-lovers, and political intrigue—as a warrior-princess and a vengeful king from rival fae courts form a fierce alliance to take down a merciless despot.

Princess of the Aether Dominion, Kadeesha wants nothing to do with fae politics. She is a warrior, first and foremost, and believes her greatest strength is leading her squadron of elite winged serpent flyers to protect her homeland. But bound since infancy to be betrothed to the Hyperion High King, ruler of all Dominions, she has no choice but to do what men have chosen for her.

Repulsed by the idea, she decides to spend one last night of freedom—in the arms of a dangerous stranger who takes her to sexual heights she’s never experienced before…but who is only using Kadeesha to set a trap for the High King.

For the High King and the kings of his six Dominions were responsible for the decimation of the Apollyon Court, and its new king, Malachi, wants his pounds of flesh.

On Kadeesha’s wedding day, Malachi and his special forces attack. Her father is killed, and Malachi wounds the High King, ultimately taking Kadeesha as hostage back to his land.

But she is no true hostage. The two form a pact: she will help lure the High King so Malachi can kill him once and for all, and he in turn will not harm Kadeesha or the Aether people. And as much as Kadeesha hates politics, she is now the Queen of her folk. Fae bonds are unbreakable…and so, perhaps, is the attraction Kadeesha and Malachi feel for each other. For even as they must publicly display their connection to provoke the High King’s jealousy, they struggle to resist the powerful allure between them in order to achieve their ultimate goals.

What began as an effort to prevent the neglect and potential loss of hundreds of African objects at the University of Texas at Austin has evolved into one of the most significant collections on campus. The art collections at Black Studies were born from the John L. Warfield Center for African and African American Studies’ Art and Archive Initiative, under the leadership of Cherise Smith, Omi L. Jones, and Edmund T. Gordon.

Today Black Studies at the University of Texas boasts approximately 900 objects from sub-Saharan Africa, over 200 contemporary works from African American and Afro-Caribbean artists, and more than 100 pieces jointly held with other collecting entities on campus, adding a diverse richness to the overall collections. Collecting Black Studies gathers and presents these holdings—including costumes, jewelry, paintings, sculptures, works on paper, and photography—and prominently features five Black artists whose work is particularly significant. Scholars and curators examine how John Biggers, Michael Ray Charles, Christina Coleman, Angelbert Metoyer, and Deborah Roberts—artists with deep relationships to Texas—contributed to the Black Studies collections, to art history, and to the culture of our state and beyond.