The first volume in a major new series offering a compelling glimpse into the transformative and revolutionary world of HBCUs, that reveals the complex stories that their collections tell us.

This book, featuring objects from the museums and archives at five HBCUs—Jackson State, Tuskegee, Florida A&M, Clark Atlanta, and Texas Southern Universities—attests to the aesthetic value of African American cultural production on university campuses, the persistent development and expansion of HBCU academic programs, and the impact of student-led activism on campuses and throughout surrounding communities. Organized into four main sections, focusing on the partner institutions, arts, academics, and activism, this remarkable assembly of images will inspire readers to engage with, reflect on, and examine the unforgettable stories they represent.

The museums and archives at the five HBCUs featured tell unique stories, from detailed community histories and accounts of civil-rights era activism to premiere collections of African American art. Together, these institutions paint a powerful and multifaceted picture of African American academia and beyond.

This multi-volume series of publications stemming from the work of NMAAHC’s HBCU History and Culture Access Consortium (HCAC), is a companion publication to the exhibition that will travel to each participating institution from September 2025.

The first book to center Black artists' voices on Black aesthetics, revealing a century of evolving relationships to race, identity, and art.
 
What is Black art? No one has thought harder about that question than Black artists, yet their perspectives have been largely ignored. Instead, their stories have been told by intellectuals like W. E. B. Du Bois and Alain Locke, who defined "a school" of Black art in the early twentieth century. For the first time, Black Artists in Their Own Words offers an insightful corrective.
 
Esteemed art historian Lisa Farrington gathers writing spanning a century across the United States, the Caribbean, and the African continent—including from renowned artists Henry Tanner, Nancy Elizabeth Prophet, Romare Bearden, Wifredo Lam, Renee Cox, and many more—that reveals both evolutions and equivocations. Many artists, especially during the civil rights era, have embraced Black aesthetics as a source of empowerment. Others prefer to be artists first and Black second, while some have rejected racial identification entirely. Here, Black artists reclaim their work from reductive critical narratives, sharing the motivations underlying their struggles to create in a white-dominated art world.

The Mexican board game of Lotería is a game of chance—similar to bingo. However, in Lotería instead of matching up numbers on a game board, players match up images. 

There are 54 cards in the Lotería game, and for this short story collection you will find one unique story per card based on a Latin American myth, folklore, superstition, or belief—with a slant towards the paranormal and horrific. In this deck of cards you will find murderers, ghosts, goblins and ghouls. This collection features creatures and monsters, vampires, werewolves and more.

Many of these legends existed long before their European counterparts—passed throughout the Americas via word of mouth, collected just like the tales the Brothers Grimm. These are indeed fairy tales—Latin American fairy tales—but with a horrifying slant.

A perfect book for young readers to discover lesser-known events that have shaped Black history in the United States

The Stono Rebellion of enslaved people in 1739. Harriet Tubman's Combahee River raid in 1863. The Biloxi Wade-in to desegregate beaches in 1959. Throughout history, Black people have spoken up, protested, rebelled, and even risked their lives to gain equality. Celebrate little-known historic events like these and learn about their social impact on American history in Overlooked Milestones of Black History.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

A collection of private correspondence from one of the Harlem Renaissance’s brightest and most radical voices
 
The Jamaican-born, queer author Claude McKay (1890–1948) was a central figure of the Harlem Renaissance. His 1919 poem “If We Must Die” expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco.
 
Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay’s never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris’s Lost Generation, immerses himself in the Marseille dockers’ noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

A perfect book for young readers to discover lesser-known people who have shaped Black history in the United States.

The organizer behind the 1963 March on Washington for Jobs and Freedom. The first Black American head coach in the National Football League. The first Black female state senator from New York. Throughout history, Black people have broken barriers and protested to fight for equality. Celebrate little-known people like these and learn about the social impact of their work on American history in Unsung Voices of Black History.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

From the New York Times bestselling author of The Sweetness of Water comes a gripping story about a brother and sister, emancipated from slavery but still searching for true freedom, and their odyssey across the deserts of Mexico to escape a former master still intent on their bondage.

New Orleans, 1866. The Civil War might be over, but formerly enslaved Coleman and June have yet to find the freedom they’ve been promised. Two years ago, the siblings were separated when their old master, Mr. Harper, took June away to Mexico, where he hoped to escape the new reality of the postbellum South. Coleman stayed behind in Louisiana to serve the Harper family, clinging to the hope that one day June would return.
 
When an unexpected letter from Mr. Harper arrives, summoning Coleman to Mexico, Coleman thinks that finally his prayers have been answered. What Coleman cannot know is the tangled truth of June’s tribulations under Mr. Harper out on the frontier. And when disaster strikes Coleman’s journey, he is forced on the run with Mr. Harper's daughter, Florence. Together, they venture into the Mexican desert to find June, all the while evading two crooked brothers who'll stop at nothing to capture Coleman and Florence and collect the money they're owed. As Coleman and June separately navigate a perilous, parched landscape, the siblings learn quickly that freedom isn't always given—sometimes, it must be taken by force.
 
As in his New York Times bestselling debut The Sweetness of Water, Nathan Harris delves into the critical years of the Civil War’s aftermath to deliver an intimate and epic tale of what freedom means in a society still determined to return its Black citizens to bondage. Populated with unforgettable characters, Amity is a vital addition to the literature of emancipation.

A searing critique of medical racism and a powerful call for health-care professionals to make real change in their field, written by a leading activist and doctor

Unequal access to care. Misdiagnosis. Mistreatment. Medical gaslighting. An increasing number of studies show the profound impacts racism has on communities of color—particularly Black Americans. But these disparities in health care and wellbeing are not the result of a handful of uninformed or malicious doctors: racism in the medical system is institutional, woven into the very fabric of diagnostic criteria and even hospital infrastructure. Medicine denies fair treatment to Black patients not in error…but by design.

Drawing from extensive research, in-depth interviews with medical students and resident physicians, and over twenty-five years of experience as a medical doctor, Dr. Vanessa Grubbs argues that the reason racism in medicine continues to go unchecked is because it is in fact the standard of care. Any attempts to dismantle medical racism through “placebo” efforts such as forming diversity committees or releasing statements condemning racism will fail, she says, because they don’t address the reality of how the institution of Medicine has been, and continues to be, negligent when it comes to the treatment of Black people.

Dr. Grubbs skillfully unpacks the three core problems of how our health-care system currently considers the race of patients, which she identifies as being “race based,” “race disregarded,” and “race denied.”

* When medical diagnoses and trainings are race based, they lead doctors to make different treatment decisions for Black patients, and create a dangerous disadvantage.

* At the same time, medical textbooks and trainings may inappropriately disregard race in cases when it does matter, like failing to include pictures of how rashes may appear differently on light and dark skin—leading to misdiagnosis and death.

* And finally, many medical institutions still deny the extent to which racism is an issue at all, resulting in fewer Black physicians and disastrous outcomes for Black patients.

Calling on her medical colleagues to join her in working against the negligence of American medicine, Dr. Grubbs lays out a pathway to true equity and inclusion in health care: getting to the root of the underlying fears and insecurities that have led to racist medical negligence; recruiting and retaining a diverse physician workforce; and forcing Medicine to commit to the cultural humility necessary to rebuild, not just replaster, a broken institution.

Follow Janey on a magical journey as she searches for her missing hoop earring! A perfect picture book for fans of The Queen of Kindergarten and Hair Love.

Golden hoops are magic. That’s what Mommy says.

And Janey has always wanted her own pair of glowing golden hoops, just like the ones her mother wears.

Finally, the day comes when Janey gets her own. With her hoops, Janey can do anything. She feels like a million bucks! But when she gets home, Janey discovers that one of her hoops has gone missing.

Without her special hoops, can Janey find her magic again?

In this fun ode to the tradition of receiving a first pair of hoops, Janey experiences the beauty of inner magic and sisterhood—and learns just how far both can take her.

In this companion to Bravo!, Margarita Engle's beautiful poetry introduces young readers to lesser-known Latinos from varied backgrounds who have all shown tremendous resilience.

Prepare to be inspired by this empowering collection of poetry that tells a larger story about fortitude and community across Hispanic history. From environmental activists such as Christina Figueres to record breaking athletes like Pelé, each role model featured is a legend in their own right. There’s no better time to champion the accomplishments of this remarkable group of unsung heroes from all across Latin America!

Those profiled in this collection include Anacaona, Martín de la Cruz and Juan Badiano, Sor Juana Inés de la Cruz, Micaela Bastidas Puyucahua, Simón Bolívar, Mariana Grajales Cuello, Ana Roqué de Duprey, Julio Garavito Armero, Ramón Fonst Segundo, Christiana Figueres, Juano Hernández, Gabriela Mistral, Martín Chambi de Coaza, Marina Núñez del Prado, Noé Canjura, Nicolás García Uriburu, Pelé, and Rigoberta Menchú Tum.

A Puerto Rican trans epic that blends poetic play and speculative fiction, by a Lambda Literary Award winner

Algarabía follows Cenex, a trans being who narrates his life while navigating the stories told on his behalf. An inhabitant of a colony of Earth in a parallel universe, Cenex leads us through his years as an experimental subject, a stay in suburbia, and not-so-far-off lands as he struggles to find a name, a body, and a stable home. His song clashes variegated sources with work by cis writers on trans figures, referencing everything from Clueless to Taino cosmology within a single line.

Algarabía inscribes an origin narrative for trans people in the face of their erasure from colonial and anti-colonial literary canons, laughing at its own survival with sharp, unserious rage.

Una epopeya puertorriqueña trans que mezcla poesía y narrativa especulativa, por un ganador del Premio Lambda

Algarabía sigue a Cenex, un ser trans que narra su vida retrospectivamente mientras navega por las historias contadas en su nombre. Habitante de una colonia de la Tierra en un universo paralelo, Cenex nos conduce a través de sus años como sujeto experimental, una estancia suburbana, unas tierras no tan lejanas y su lucha por encontrar un cuerpo y un hogar estables. Su canto enfrenta textos de escritores cis sobre figuras trans con una variedad de fuentes, haciendo referencia a Clueless y a la cosmología taína dentro de un mismo verso.

Algarabía inscribe un mito fundacional para las personas trans frente a su exclusión de los cánones literarios coloniales y anticoloniales y se ríe de su propia supervivencia con una rabia pícara y aguda.

Celebrate the release of No Sense in Wishing with Lawrence Burney!

EVENT DEETS

When: Friday July 10 @ 6 PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to grab your copy of No Sense In Wishing, support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories 

ABOUT THE BOOK

A personal and analytical essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

There are moments in our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression. These moments inform how we understand the world, and ourselves, moving forward.

In a time when music is spurring Black Americans’ connection with Africans on the Continent, culture critic Lawrence Burney takes us on a journey from the streets of Baltimore to the concert halls of Lagos, reminisces on seeing his mother perform as the opening act of a Gil Scott-Heron show when he was a child, and sits at a Maryland crab feast with family, assessing how the Black people in his home state have historically improvised paths for their liberation. Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, this “powerful collection of essays” (Rolling Stone) is like an album that hits all the right notes, from a promising writer on the rise.

ABOUT THE AUTHOR

Lawrence Burney is a writer, editor, critic, and the founder of True Laurels, an independent magazine covering Baltimore’s music and culture scene. His work has appeared in publications such as New York Magazine, GQ, Washington Post and Pitchfork. He has also worked as an editor at The Fader, a staff writer at VICE, and an editor/reporter at The Baltimore Banner. His first book, No Sense in Wishing, a collection of essays, was published in July 2025 via Atria Books. His second book, Sing Back To Me, will also be published by Atria Books. Follow him on Instagram and X @TrueLaurels.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard.

Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.