WINNER of the French Voices Grand Prize, Prix Ahmadou Kourouma, and Grand Prix du Roman Métis

Mohamed Mbougar Sarr’s searing and thought-provoking debut novel, Brotherhood takes place in the imaginary town of Kalep, where a fundamentalist Islamist government has spread its brutal authority.

Under the regime of the so-called Brotherhood, two young people are publicly executed for having loved each other. In response, their mothers begin a secret correspondence, their only outlet for the grief they share and each woman’s personal reckoning with a leadership that would take her beloved child’s life.

At the same time, spurred on by their indignation at what seems to be an escalation of The Brotherhood’s brutality, a band of intellectuals and free-thinkers seeks to awaken the conscience of the cowed populace and foment rebellion by publishing an underground newspaper. While they grapple with the implications of what they have done, the regime’s brutal leader begins a personal crusade to find the responsible parties, and bring them to his own sense of justice.

In this brilliant analysis of tyranny and brutality, Mbougar Sarr explores the ways in which resistance and heroism can often give way to cowardice, all while giving voice to the moral ambiguities and personal struggles involved in each of his characters’ search to impose the values they hold most dear.

A young professor grapples with homophobia in Muslim Senegal in this searching, heart-wrenching novel from the National Book Award–longlisted author of The Most Secret Memory of Men.

A viral video makes the rounds in Dakar, showing an incensed crowd that gathers to dig up a grave and drag the corpse from holy ground. When Ndéné, a French literature teacher, watches it, he’s surprisingly affected. Who was this man, and what could he have done to deserve such a fate? The answer soon becomes clear: he was a “góor-jigéen,” one of the so-called “men-women,” the shameful label given to homosexuals, cross-dressers, or any man who lives outside the accepted norm.

Haunted by the video, Ndéné sets out to learn more. With the help of a friend who works in night life, he explores a hidden side of Dakar, away from the rigid Islam of his family and university. Although he feels a certain disgust for homosexuality, he’s moved by the suffering and resilience of the people he meets. But the further he goes, the more he doubts his own identity, threatening to become an object of suspicion and scorn himself.

A powerful, nuanced portrait of queerness in a conservative society, Pure Men asks the fundamental question of how to find the courage to be true to yourself, whatever the cost.

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Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. Saar has drawn upon family history, spirituality, astrology and politics consistently throughout her 60-year career, and all are present in the prints, drawings and found material neatly ensconced within the gridded panes of the antique window frame that is the work’s defining element.

This in-depth study by curators Christophe Cherix and Esther Adler expands our understanding of Saar’s early career and casts light on all that followed. Drawing on new research into the work’s construction and materials, and on firsthand discussions with the artist regarding the making of Black Girl’s Window and the themes behind her evocative imagery, this concise, generously illustrated volume explores one of Saar’s best-known and most iconic works.

CANADA READS 2020 WINNER
SHORTLISTED FOR THE 2020 EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION
NATIONAL BESTSELLER
2020 LAMBDA LITERARY AWARD WINNER
ONE OF BOOK RIOT'S 100 MOST INFLUENTIAL QUEER BOOKS OF ALL TIME

How do you find yourself when the world tells you that you don't exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

Award-winning Colombian author Laura Restrepo weaves contemporary themes and ancient myth in this story of star-crossed lovers in a world on the brink of collapse.

Retelling the mythical love story between the Queen of Sheba and King Solomon in the refugee camps of the present day, Song of Ancient Lovers is a sublime ode to love and desire as forces shaping human history, with power that rivals forces of destruction.

Ethereal in its weaving of the real and the mythical, the contemporary and the ancient, this is the story of Bos Mutas, a young writer traveling from South America to northern Africa in search of traces of his obsession. His research unveils the Queen of Sheba as unyielding and committed to her independence, with remarkable influence both in her time—over Solomon and all the subjects in her expansive kingdom—and on thinkers and artists across the centuries, from Thomas Aquinas to Gérard de Nerval, Frida Kahlo to Patti Smith. He also finds traces of her influence in the magic made of devastating circumstances by women he meets on his journey, especially Zahra Bayda, a Somali midwife who has taken it upon herself to show him around.

Stunning and evocative, Song of Ancient Lovers is a triumph of imagination and reverence for the spirit that connects us across boundaries of time and geography.

Translated from the Spanish by Caro De Robertis

In this sizzling modern fantasy romance, a magic-less queen intertwines her fate with a fierce Warrior, but their undeniable chemistry ignites a passionate struggle, growing hotter as their fiery personalities clash—from New York Times bestselling author Lauren Blackwood.

Queen Theora grudgingly agrees to make peace with the neighboring enemy who killed her predecessor and friend, making her the new monarch of Aranea, over a year ago. But that doesn’t mean she’s going to the negotiations unprotected.

Theora quickly selects Argos, a prickly and formidable Warrior with a ruthless reputation, to act as her bodyguard in disguise. They are technically married, but Theora has no intention of finishing the ritual that would bind their souls together. Argos is merely a means to end the conflict safely.
Argos may have his reasons for accepting this arrangement, but he refuses to be a pawn in Theora’s political games. If she wants a bodyguard, she’ll have to obey his sacred Warrior rituals, each one a show of defiance that frustrates Theora as much as it arouses her.

Theora doesn’t expect to find her temporary husband so sexy, his possessive nature so addicting. And as peace talks begin, pretending to be married and in love is not nearly as difficult as pretending she doesn’t desperately want him—all of him.

The Queen’s Bodyguard unleashes a torrent of blazing romance, set against a vibrant modern fantasy world with webs of corruption and sexy scheming.

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"You Truly Assumed is a beautiful portrayal of the multitude of ways to be Black and Muslim while navigating our contemporary world. A must-read for everyone."—Adiba Jaigirdar, author of The Henna Wars

 
In this compelling and thought-provoking debut novel, after a terrorist attack rocks the country and anti-Islamic sentiment stirs, three Black Muslim girls create a space where they can shatter assumptions and share truths.

Sabriya has her whole summer planned out in color-coded glory, but those plans go out the window after a terrorist attack near her home. When the terrorist is assumed to be Muslim and Islamophobia grows, Sabriya turns to her online journal for comfort. You Truly Assumed was never meant to be anything more than an outlet, but the blog goes viral as fellow Muslim teens around the country flock to it and find solace and a sense of community.

Soon two more teens, Zakat and Farah, join Bri to run You Truly Assumed and the three quickly form a strong friendship. But as the blog’s popularity grows, so do the pushback and hateful comments. When one of them is threatened, the search to find out who is behind it all begins, and their friendship is put to the test when all three must decide whether to shut down the blog and lose what they’ve worked for…or take a stand and risk everything to make their voices heard.

“I reached the ending with tears in my eyes—tears cued not by sadness but hope and elation.” —S. K. Ali, New York Times bestselling author of The Proudest Blue and Love from A to Z

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.