Francesca Palmer, one half of the chart-topping country music duo Whiskey Wild, has built her life on the road and in the spotlight. But when she discovers her boyfriend has been cheating, her world is turned upside down. Craving peace and clarity, Francesca retreats to her quaint hometown of Hume, Tennessee, where she hopes to find solace and rediscover herself away from the pressures of fame.
Edison Birch spent his entire life in Hume, running the local plant nursery alongside his sister. Known for his steady nature and deep connection to the town, Edison has long accepted that love might not be in the cards for him. That is, until Francesca, the girl he secretly adored in high school, returns to town, bringing a spark of excitement and possibility back into his quiet life.
When the two reconnect, their old friendship blossoms into something neither of them expected, igniting a chemistry that feels both natural and electric. As Francesca and Edison navigate their deepening relationship, the realities of her life in the public eye loom large. Francesca is torn between the career she’s worked so hard to build and the love she’s found with Edison. Meanwhile, Edison wrestles with the fear of losing the woman who’s become his heart’s greatest hope. With their worlds so vastly different, they must decide if the love they’ve found is strong enough to bridge the gap—or if it’s destined to be a bittersweet memory of a summer in Hume.

Publisher’s Note: This special edition of Love You a Little Bit includes exclusive bonus content not featured in the original release.

A comprehensive look at the early career of a rising star in contemporary Black portraiture

This is the first monograph on the practice of young American painter Khalif Tahir Thompson (born 1995), who will receive an MFA from the Yale School of Art in the spring of 2024. With several solo exhibitions and artwork in museum permanent collections, Thompson is already prolific. His paintings are populated by Black figures set in colorful, shimmering environments that sometimes resemble patchworks verging on abstraction. They incorporate multiple materials apart from oil and acrylic, including handmade paper, pearls, fabric, velvet, newspaper and leather. Whether isolated or in a group, candid or posed, each figure is imbued with an innate identity. Says Thompson of his work: "I believe painting can be a tool in considering the emotional, psychological complexity of an individual's story and identity ... I alter perception and invoke empathy towards my subjects, depicting their reality across a visceral lens."

For numerous migrants who ventured westward in the twentieth century in search of greater opportunities, the glitter of California often proved to be mere fool’s gold—promising easy riches but frequently resulting in dispossession and displacement. Poet Wendy M. Thompson is descended from two of these migrant waves—post-1965 Chinese immigrants and Black southerners of the Second Great Migration—whose presence has permanently transformed the region.

In this arresting debut poetry collection, Thompson traces the past and present of California’s Bay Area, exploring themes of family, migration, girlhood, and identity against a backdrop of urban redevelopment, advanced gentrification, and the erasure of Black communities. Traveling down both familiar highways and obscure side streets, her poems map a region where race, class, and language are just some of the fault lines that divide communities and produce periodic tremors of violence and resistance.

Confronting assimilationist myths of the American Dream, Black California Gold depicts a setting that is less a melting pot than a smelting pot, subjecting different ethnic groups to searing trials and extreme pressures that threaten to break them down entirely. Yet, it also celebrates the Black residents of the Bay Area who have struggled to sustain home and hope amid increasingly desperate conditions.

You can’t keep a sizzling little secret in a town like Peachtree Cove…

For a place that just won an award for Best Small Town, Peachtree Cove sure has a big rumor mill. And Tracey Thompson is tired of being at the center of it. She’s worked hard to make her bed-and-breakfast a success—only to have her soon-to-be ex’s very public affair with her business partner result in a shocking pregnancy…and the biggest scandal around.

If the whole town is going to talk no matter what she does, maybe it’s time that Tracey stopped trying to be perfect. Maybe she should start doing things for herself—like having a little fun. And Brian Nelson, the sexy nursery owner who supplies plants for all her special events, is more than willing to help.

Fresh out of a bad marriage, Brian is done with drama. Ever since high school, he’s admired Tracey’s strength and sass, and a friends with benefits deal sounds perfect. But now everyone in Peachtree Cove is talking. And they can all see what Brian and Tracey don’t want to admit, even to themselves…that nothing complicates a simple arrangement quite like love…

Peachtree Cove

Book 1: The Secret to a Southern Wedding
Book 2: Waiting for Friday Night
Book 3: Frenemies with Benefits

A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones.

When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pelligrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe.

With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?

We Need to Talk about Kevin as if written by Jason Reynolds and Tananarive Due meets Model Home by Rivers Solomon in an innovative twist on the haunted house novel: about a mother desperate to protect her sons from the twin specters of gun violence and otherworldly menace in their public housing project.

Nona McKinley raised three boys in the Hester Gardens section of Medford, Michigan, an impoverished community divided by those who follow their faith in God and those who turn to crime to survive. With her drug dealer husband behind bars and her eldest son shot to death at eighteen, Nona has devoted herself to ensuring her other children escape their brother’s fate.

Her second son Marcus is on the right path. He's a valedictorian heading to an Ivy League school. He can get out.

But then, strange things start happening to Nona and other residents: mysterious footsteps are heard when she’s alone, people have phantom encounters in the streets, unattended appliances go off at all hours. Even more concerning is the state of Nona’s living sons. Her youngest, Lance, is hanging around with a bad crowd, and Marcus becomes moody and secretive. Sometimes he even seems to act like a different person entirely.

Nona has her secrets too. Her affair with the married church pastor has been weighing on her conscience, but that’s not the only guilt haunting her. She fears that someone—or something— is seeking revenge for an act she made in a moment of weakness to protect her family. And now everyone in Hester Gardens must pay the price . . .

Rosewater is the start of an award-winning trilogy set in Nigeria, by one of science fiction's most engaging voices.

*Arthur C. Clarke Award for Best Science Fiction Novel, winner
*Nommo Award for Best Speculative Fiction Novel, winner

Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry, and the helpless -- people eager for a glimpse inside the dome or a taste of its rumored healing powers.

Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again -- but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Tade Thompson's innovative, genre-bending, Afrofuturist series, the Wormwood Trilogy, is perfect for fans of Jeff Vandermeer, N. K. Jemisin, and Ann Leckie.

Praise for Rosewater:

"Smart. Gripping. Fabulous!" —Ann Leckie, award winning-author of Ancillary Justice 

"Mesmerising. There are echoes of Neuromancer and Arrival in here, but this astonishing debut is beholden to no one." —M. R. Carey, bestselling author of The Girl with All the Gifts 

"A magnificent tour de force, skillfully written and full of original and disturbing ideas." —Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Time 

The Wormwood Trilogy
Rosewater
Rosewater Insurrection
Rosewater Redemption