A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017.
 
The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed.
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

An essential history of modern Black cinema, as led by avant-garde filmmaker, director, novelist, composer, and playwright Melvin Van Peebles.

Beg Borrow Steal, a title inspired by Black artists’ make-a-way-out-of-no-way ethos, is a stirring and remarkable deep dive into Black independent film and culture, as modeled by raconteur and iconoclast Melvin Van Peebles. Award-winning writer Santi Elijah Holley enriches the extraordinary history with interviews from today’s most innovative Black independent filmmakers and actors, such as Julie Dash, Charles Burnett, and Samuel L. Jackson, as well as Van Peebles’s published and unpublished manuscripts, critical reviews, analyses, and reflections.

Independent Black artists across all disciplines—from music and theater to literature and poetry—continue to push boundaries, challenge stereotypes, and pursue their own vision, away from traditional gatekeepers. The success of artists like Spike Lee, Barry Jenkins, Ava DuVernay, Jordan Peele, and Ryan Coogler can be traced directly to the pioneering work of Van Peebles, whose ambitious and innovative multidisciplinary artistry never yielded to anybody else’s vision but his own.

As a Black American who’d overcome poverty, discrimination, and other obstacles, Van Peebles refused to let White America take advantage of him and his talent. It’s made him a beacon for every Black auteur and independent filmmaker of the past 50 years. Sinners, Black Panther, Sorry to Bother You, Get Out, She's Gotta Have It, Do the Right Thing, Boyz n the Hood, Shaft, Superfly, Daughters of the Dust, Selma, the list goes on. It is impossible to imagine any of these culturally defining films existing, if not for the groundwork laid by Melvin Van Peebles’s 1971 Sweet Sweetback’s Baadasssss Song. It is canon in Black film.

Beg Borrow Steal is the story of the legendary man who provided the blueprint for independent Black cinema, and a tribute to the power of radical Black creativity in American art and culture.

The action guide to building serious financial power.

For too long, women have worked twice as hard to earn less than men, and women have felt emotionally broke and financially stressed. It's time for a change and time for women—especially women of color—to make bank.

In her first book, We Should All Be Millionaires, Rachel Rodgers—Black woman, mother of four kids, and self-made millionaire—shared her personal story. How she climbed from crushing debt and financial stress to wealth and abundance, running a multi-million-dollar company, and owning a blissful 57-acre horse ranch.

Her book inspired thousands of readers and listeners to construct a new attitude about money, claim their power, and build the financial security that we all need and deserve. Now, with Hello Seven, Rachel provides a practical framework to achieving seven-figure wealth.

This is the book that makes it happen. Rachel lays out the Hello Seven Growth Scale so you can identify where you fall on one of seven levels — from $0 to 7 figures — and map out the specific action steps you need to take to grow from one level to the next.

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

COMPANION TO NAACP IMAGE AWARD WINNER, BLACK GOLD
In this companion picture book to Black Gold, the NAACP Image Award winner, Laura Obuobi and Society of Illustrators’ honoree London Ladd team up to tell a story that celebrates Black life, brims with black joy, and instills an important message about Black resilience.
Black is precious.
Black is holy.
Black is powerful.
Black is many things, and its magnificence can be found all throughout the world. It’s in obsidian, in the rolling fields of calla lilies, and the birth of the universe. Most importantly, Black is a people whose strength, grace, and resilience would foster change, creativity, and a culture from which would emerge a world that would never be the same and a community whose genius continues to inspire all. Despite everything that Black people have endured, they are still present—living and thriving.
Powerhouse duo Laura Obuobi and London Ladd return with another poignant, lyrical text that celebrates all that being Black is, positively reinforcing the magnitude of possibilities that being Black can—and will—be. With its important themes, Black Is will enchant young readers with events and achievements by people in Black history and the Black diaspora, like uprisings, innovations in culture, entertainment, literature, including civil rights work by West Africans, Caribbeans, and Black Americans.

· Brimming with Black Joy: This book is magical, heartwarming, and a bright reminder that diverse stories are hopeful too. Laura has created a world where all facets of Black life, especially joy, are brought to light.
· Champion for Self-Love: This uplifting, impactful, and lyrical book will empower Black children and will inspire them to love themselves exactly as they are. This book delivers the important message that Black is beautiful and powerful.
· Bedtime Story with Lyrical, Poignant Text: Laura spins a story with language that is so rich, it is as though she has captured a dream on the page. Readers will be enthralled by this sweeping, meditative tale.
· Timely and Timeless Picture Book: This is a book that will always resonate with readers as they move on through every stage of their lives, uplifting and empowering, and is the perfect baby shower gift and graduation gift.

The true story of an anticolonial movement, a political hope dashed, and an ordinary woman who became a firebrand for Puerto Rican independence -- told in breathtaking woodcut.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

A new reissue of the acclaimed collection of essays blurring cultural criticism, memoir, even nonfiction itself, from the beloved Pulitzer Prize winner.

White Girls is about, among other things, Blackness, queerness, movies, Brooklyn, love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Eminem, Louise Brooks, and Michael Jackson. Freewheeling and dazzling, tender and true, it is an invaluable guide to the culture of our time, rendered in Hilton Als’s daring and provocative prose.

A chart-topping picture book biography about how Bad Bunny went from a small-town dreamer in Puerto Rico to one of the greatest global music icons of all time.

* A Junior Library Guild Gold Standard Selection

Right now, in any city in the world, you’ll hear the unmistakable beats of Bad Bunny’s music blasting from speakers.

A global superstar who has sold out stadiums around the world, Bad Bunny is redefining what it means to be an artist. But how did he get here? Born and raised in Puerto Rico, Benito Antonio Martínez Ocasio grew up surrounded by the rhythms and culture of reggaeton. He has not only become an icon of the genre but has transformed it by innovating its sound and challenging the machismo culture of the genre by embracing fluidity in fashion, masculinity, and the LGBTQ+ community. Could young Benito have imagined performing at the Super Bowl, making history by becoming the first artist to win Album of the Year for a project entirely in Spanish, and becoming a voice of hope for millions across the globe?

Inspiring and groundbreaking, Bad Bunny’s story is a must-have for every fan who sings along to his hits—and a reminder that breaking the rules can lead to building a legacy.

Celebrate the beautiful brown and black girls in your life with this magical and empowering ABC board book.

Tell your little one that they are magic with ABCs of Black Girl Magic. Featuring enchanting illustrations showcasing the power, beauty, and magic of black and brown girls alongside positive affirmations, this board book is a wonderful way to show your child they are loved and important.

From read alouds to bonding moments, this beautiful board book is the perfect baby shower gift, birthday present, and gift for your daughter, sister, mother, or any strong woman in your life that needs to know they are magic.

You are…

Amazing

Beautiful

Courageous

…and so much more!

From MacArthur Genius, award-winning expert on justice transformation, James Bell, Sorrow’s Kitchen presents a groundbreaking and unapologetically hopeful vision of what is possible if we center our communities and justice systems around care and wellbeing rather than punishment and control.

Weaving together powerful stories and solutions from his frontline work with justice practitioners, law enforcement officers, and community members throughout the states and around the globe, James Bell has written a book with a simple and powerful idea at its core: A justice system based on punishment makes all of us less safe. But we each have the power to reimagine and recreate justice in our communities in such a way that all of us are seen and cared for. And justice transformation begins with youth justice.

Sorrow’s Kitchen: The End of Punishment and the Beginning of True Safety delves into the deeply entrenched racial inequities within America’s justice system, tracing their roots to slavery, segregation, and systemic oppression. Through personal anecdotes, historical analysis, and a critique of current practices, James Bell exposes how structural racism has shaped the administration of justice, perpetuating cycles of harm and inequality. The metaphor of "Sorrow’s Kitchen," borrowed from Zora Neale Hurston, serves as a poignant symbol of the collective suffering endured by Black communities, while highlighting their resilience and determination to rise above systemic injustices.

A central focus of Sorrow’s Kitchen is the failure of punitive justice systems to ensure public safety or address the root causes of harm. Bell’s critiques of mass incarceration, racialized social control, and the over-policing of marginalized communities, make the argument that these approaches exacerbate inequality rather than resolve it. He advocates for a transformative vision of justice rooted in care, equity, and community-centered solutions. By centering the voices and expertise of those most impacted by systemic injustice, Sorrow’s Kitchen calls for dismantling harmful structures and replacing them with restorative practices that prioritize wellbeing and healing.

Ultimately, Sorrow’s Kitchen is a call to action, urging readers to reckon with America’s history of racial violence and to imagine a more equitable future. It emphasizes the importance of collective action, power-sharing, and authentic inclusion in reimagining justice systems that serve all people with dignity and humanity. Infused with hope and determination, Sorrow’s Kitchen challenges the status quo and inspires a vision of a society where care replaces control, and justice is truly transformative.