Hollywood icon and Emmy Award-winning Abbott Elementary actress Sheryl Lee Ralph shares the personal stories that have shaped her and the advice that has guided her throughout her life—helping readers breathe deeper, love stronger, and rise higher.

Sheryl Lee Ralph understands a truth most of us learn the hard way: There are moments in life when you must let your light shine. Moments when the noise of the world tries to mute your mic and silence your voice, dull your glow, and convince you to forget who you are. She has known those moments intimately—under the bright lights of Broadway and in the quiet hum of hospital rooms, on red carpets and in church pews. Sheryl has worn crowns and carried a few crosses, but through it all remained her unshakable faith in one simple belief: better must come. No matter how many times life knocks you down, you can rise, you must rise, reclaim yourself, and begin again.

You Better Love What You See isn’t a list of commandments to make you feel guilty, a to-do list, or the play-by-play story of an actor’s life. Filled with boundless empathy and wisdom, it’s a moving guide for anyone who wonders if they’re enough, who wants to lead with love and heal themselves, or who still battles with self-doubt.

Sheryl’s reflections draw from her life as a performer, mother, daughter, wife, sister, and above all a wise, wild woman. She shares stories about remaining determined in the face of defeat, overcoming obstacles when systemic oppression tried to keep her down, and how to find strength in every storm, including:

* Experiences from her childhood as the only girl of color in her Catholic school, to being fired from a TV role for not being “Black enough”
* Enrolling in the very first coed class at Rutgers University
* Bringing down the house with her historic Emmy Award win and acceptance speech
* And many more inspiring moments touching on themes such as faith, resilience, choosing joy, and finding purpose

Sheryl’s warm and empowering message is that, bottom line, when you look in the mirror, you better love what you see, because feeling powerful and purposeful won’t come from external accolades or approval—it starts with YOU. Her strong, authentic voice and magnetic presence are evident on every page—and readers will return to it again and again whenever their light is feeling a little dim.

New York Times bestselling author Alyssa Cole is back with another chilling thriller, set in the world of her megahit When No One Is Watching.

It was too good to be true.

Eboni Goodman has earned her Master’s in Social Work… only to be stuck delivering groceries. So when she lands a position as Administrator for an experimental village designed to reduce homelessness, she’s thrilled. Her stubborn optimism has finally borne fruit, and she is ready to change lives―starting with her own.

Except the South Jersey town isn’t exactly welcoming of their new neighbors. Eboni is determined to prove the program works, even when the hostility outside the gates is nothing compared to the glitches happening inside the village. And the only person she can rely on is Michael, a broody security guard and former local who's only recently returned to town.

As the town's buried history comes to light and strange occurrences stack up, cracks begin to show in the organization’s philanthropic facade. Eboni and Michael are pulled into a web of intrigue that threatens not just the program but everyone living there.

After all, it takes a village…

Between ancient prophecies and breaking headlines, the end times can feel like a giant puzzle with missing pieces. In this book, the hosts of the Faith & Friction podcast dig into Scripture with curiosity, humor, and a healthy dose of real talk, unpacking what's unfolding now and what could be coming next.

When the Faith and Friction crew were invited to witness the red heifer selection process (animals tied to an ancient prophecy that could ignite world-changing events), little did they know they stepped straight into a mystery thousands of years in the making. What could this sacrifice mean for believers now? And how close are we to seeing it unfold?

This book invites you into a story where the lines between ancient prophecy and modern life blur. With clear, modern language and gripping questions, it's designed to spark curiosity for anyone hungry for answers about the unseen forces shaping our time. The deeper you go, the harder it is to look away.

As the authors pull back the curtain on ancient prophecy and today's headlines, you'll:

* uncover the ancient rituals that could unlock the mysteries of the End Times;
* connect Christian and Jewish perspectives to see prophecy come alive both in history and modern day;
* dive into scripture and controversy surrounding the Third Temple, the Antichrist, the Rapture, and Tribulation;
* get sharp, modern answers to the questions that many are too afraid, or too confused, to ask;
* and step into the investigation yourself: dig deeper, challenge what you thought you knew, and gain confidence in the end times conversation.

Jesus is coming back. Do you know what to expect? Are you ready to dig into the truth and find out what's next in the cosmic story? The countdown has already started.

From the 2025 Children’s Literature Legacy Award winner, New York Times bestselling, and multiple award-winning author Carole Boston Weatherford comes a powerful nonfiction picture book that follows the individual acts of courage behind the 1955 Montgomery Bus Boycott.

In Montgomery, everyone relied on the city’s buses, but only white riders could sit in the front. If white riders needed more seats, Black riders had to give theirs up. And the white bus drivers would call the police whenever they wanted to. How could the Black community fight for their rights?

With incredible coordination and planning, Black people across the city carefully planned a boycott. When Rosa Parks was arrested after refusing to give her seat up to a white rider, they were ready to act. But, as the months drew on, everyone found themselves wondering: What would it take to end the boycott?

Award-winning team Carole Boston Weatherford and Noa Denmon unite to tell the remarkable story of the 1955 Montgomery Bus Boycott and the people who achieved justice by working together.

* Important American History: This book spotlights the collective action of the Civil Rights Movement.
* Unsung Heroes: Strength in Numbers celebrates the many people who made the long bus boycott a success.
* Impressive Back Matter: This book features an extensive timeline, along with additional information about the Montgomery Bus Boycott.

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

The riveting, darkly humorous, and deeply strange story of three roommates whose everyday struggle to survive in New York is complicated by the intestine-eating demon who haunts their apartment.

Leni was kidnapped and almost sacrificed to the devil as a child, but now she’s perfectly fine. Aside from the fact that she has four reflections in the mirror…and one of them wants her to poison people.

Emerson was a leading heart surgeon until The Incident that left his patient dead. Now he’s too sick to work, keeps finding severed fingers in his water bottles, and is followed around by a faceless Girl Scout with a creaky red wagon.

Jasper is a line cook with a criminal record, just trying to keep his chosen family together. Sure, he sees a man in the shadows who likes the taste of blood, but he’s very good at ignoring that. He would do anything for Leni and Emerson. Anything.

They’re fine. They’re normal. They’re roommates making it work in New York City.

That is, until a demon leaves his sigil on their wall.

Now, they have seven days to bring Sychar a sacrifice, or he’ll tear off their skin. Who knew demon-slaying wasn’t a valid excuse to miss work? Why are murder supplies so expensive? Just how is a low-income household supposed to afford a human sacrifice?

As their personal ghosts grow louder and Sychar’s deadline draws nearer, Leni, Emerson, and Jasper discover just how far they’ll go to protect each other.

For readers who love:
* Grady Hendrix and Stephen King
* Morally gray protector
* Haunted apartment
* Found family in danger
* Demon-slaying
* Darkly funny, deeply haunted stories

An ambitious teen enrolls at an elite science institute in Morbid Curiosities, a young adult thriller from author S. Hati.

When the Institute’s invitation arrived at my doorstep, it felt like it had been inked in my blood, sweat, and tears.

Aarya’s life plan has been set for as long as she can remember: finish high school with a bang, attend the best college she can get into, then land a prestigious biology research job. Her ticket to this dream is a one-year program at the Elizabethan Institute, the preeminent organization for life sciences in the United States, currently on the cusp of revealing a major project that could transform the worlds of biology and medicine.

But as Aarya tries to settle in to a school with sky-high academic expectations and research cloaked in mystery, it becomes clear that someone doesn’t want her there. As the scholarship student surrounded by rich, cutthroat peers who seem all too willing to torment her, she never expected to make friends, but the notes warning her to run rattle her to her core. She finds an ally in Sofia, a mysterious girl who claims to be the subject of closed-door Institute experiments and begs for Aarya’s help in discovering the Institute's true goal.

As rumors of mutated flora and fauna in the nearby city circulate and a murder investigation rocks the Institute, Aarya must navigate Sofia’s growing paranoia and her own increasingly unreliable memory to determine which classmates she can trust―and which would rather see her dead.

"A sharply intelligent, darkly fascinating academic thriller about unraveling the hard truths of who you are and who you want to be - and the final twist made me gasp out loud." ―Andrew Joseph White, New York Times-bestselling and award-winning author of Compound Fracture

An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

From the final decades of US slavery to the present, a powerful and illuminating history of a profound inequity: the special burden of infant care and loss experienced by Black women.

In the United States, Black infants are far less likely than white infants to survive their first year of life. Underlying this predicament is a history of profound loss and persistent striving, which has durably shaped Black life in America. Following generations of mothers, caregivers, laborers, and activists from the final decades of slavery to the present, Perilous Passages chronicles the intimate practices and collective strategies Black communities created and relied upon to sustain early life threatened by disease, inadequate medical care, and racialized harm.

Perilous Passages examines nineteenth-century domestic care practices that carried families through the violence of slavery and war, and traces Black eugenic ideas, the efforts of various grassroots movements, and myths and realities surrounding the 1980s panic over “crack babies.” Health professionals, legal officials, and scientific experts exerted pressure, sometimes directly―as in antimidwifery campaigns―and sometimes more subtly, through life insurance practices that devalued Black life. Wangui Muigai shows that at every turn, authorities recast infant deaths as the fault of Black women, with ongoing impact on birthing experiences and outcomes. Still, Black women and their communities have always done more than bear loss. They have produced vital knowledge about its causes, trained in specialized care, developed networks of cradle-to-grave support, and organized to reform society in ways that safeguard children.

Centering Black women’s experiences, Perilous Passages insists on visceral confrontation with the deadliness of American racism while also offering a powerful account of what makes life possible.

In this meticulously researched and vividly written account, a prominent historian reclaims a forgotten incident of racial violence in the Jim Crow South.

The Rifle and the Plough reconstructs a little-known episode from the summer of 1910, when the Black farming settlement of Sandy Beulah in East-Central Texas came under attack. White mobs waged war on prosperous Black landowners; rumors became weapons; celebration became provocation. Historian Steven A. Reich shows how the massacre unfolded and why it happened: the growing accumulation of land by Black residents, heightened racial tensions following boxer Jack Johnson’s heavyweight title victory, and white resistance to Black autonomy and public festivity, including Juneteenth. The Rifle and the Plough recovers the rise and destruction of a thriving Black community and asks why this history still matters. By linking racial violence to struggles over historical memory, land theft, and accountability, Reich speaks directly to contemporary debates about how the nation confronts its past, what justice demands of the present, and what reparative futures might yet be imagined.

59 illustrations

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Rae

Loving someone with demons is hard but leaving them is harder.

That's a lesson I learned roughly a decade ago when I left the love of my life behind. Choosing the child we made but weren't ready for over any hope for what could be. Trading in potential for reality, my dreams for motherhood and the warmth of his embrace for a cold, lonely world.

Despite how tragic it all sounds, everything turned out okay. I made peace with my decisions, soothed the ache in my heart with harsh truths that have remained firmly in tact until...well, until now.

Now, I'm back in New Haven and nothing is the way it should be. The man I left behind is not the one I keep running into around town. He's steady, dependable, stable, ready to be a father to our daughter and desperate to do more than co-parent with me.

Hunter

couldn't stop wanting Rachel Prince if I tried. Not that I ever have. Tried, that is. Why would I when she's the only good thing I've ever craved, the only addiction I've had that didn't try to destroy me?

When she left me, I wasn't mad. I didn't want her to go, but I think by the end we both knew she couldn't stay. There was too much darkness around us, and it was all emanating from me.

My addiction. My pain. My grief overshadowing hers.

I wasn't the man she needed or the partner she deserved. She did the right thing, getting out, taking our kid with her. But knowing that doesn't make it hurt any less.

It does, however, make me determined.

To keep my decade long sobriety streak going.

To make up for every day I missed of my daughter's life.

To win back the love of my life and never let her go again.