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Gordon Parks (1912–2006)—the groundbreaking photographer, writer, composer, activist, and filmmaker—was only sixteen in 1928 when he moved from Kansas to St. Paul, Minnesota, after his mother's death. There, homeless and hungry, he began his fight to survive, to educate himself, and to fulfill his potential dream.

This compelling autobiography, first published in 1966, now back in print by popular demand and with a new foreword by Wing Young Huie, tells how Parks managed to escape the poverty and bigotry around him and to launch his distinguished career by choosing the weapons given him by "a mother who placed love, dignity, and hard work over hatred." Parks, the first African American to work at Life magazine and the first to write, direct, and score a Hollywood film, told an interviewer in 1999, "I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera."

Praise for A Choice of Weapons

"A perceptive narrative of one man's struggle to realize the values (defined as democratic and especially American) he has been taught to respect." —New York Times Book Review

"A lean, well-written memoir."—Time

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His white teacher tells her all-black class, You'll all wind up porters and waiters. What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.

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Originally published in 1971, Gordon Parks’ Born Black was the first book to unite his writing and his photography. It was also the first to provide a focused survey of Parks’ documentation of a crucial time for the civil rights and Black Power movements. Today, more than 50 years later, this expanded edition of Born Black illuminates Parks’ vision for the book and offers deeper insight into the series within it. The original publication featured nine articles commissioned by Life magazine from 1963 to 1970―some never-before published―supplemented with later commentary by Parks and presented as his personal account of these important historical moments. Born Black includes the original text and images, as well as additional photographs from each series, spreads from the 1971 book, early correspondence, reproductions of related Life articles, and new scholarly essays. The nine series selected by Parks for Born Black―a rare glimpse inside San Quentin State Prison; extensive documentation of the Black Muslim movement and the Black Panthers; his commentaries on the deaths of civil rights leaders Malcolm X and Martin Luther King, Jr.; intimate portrait studies of Stokely Carmichael, Muhammad Ali and Eldridge Cleaver; and a narrative of the daily life of the impoverished Fontenelle family in Harlem―have come to define his legendary career as a photographer and activist. This reimagined, comprehensive edition of Born Black highlights the lasting legacy of these projects and their importance to our understanding of critical years in American history. Co-published with The Gordon Parks Foundation

In 1953, Gordon Parks returned to Chicago on assignment for Life magazine to photograph the Metropolitan Missionary Baptist Church for a series on American religious life. After the success of his recent work for Life, Parks approached the Near West Side church with a decisive eye toward composing compelling images that conveyed simultaneously the universal humanity and local specificity of the religious community. This would be the first assignment for which he was both writer as well as photographer. His photographs and essay were never published by Life, yet as this book demonstrates, Parks’ visual and textual representation of Black religious life powerfully documents the dynamism of a community shaped by the Great Migration and Chicago’s industrial landscape. Parks embarked on a significant chapter of his aesthetic and conceptual development through his engagement with the pastor, the Reverend Ernest F. Ledbetter, Sr., and the members of his church. This publication features more than 65 previously unpublished photographs and contact sheets, complemented by Parks’ unseen manuscript and ephemeral material from the private collection of the Ledbetter family. A range of scholarly essays provides further insight and contextual analysis in art history, cultural geography, Black religious studies, and creative writing. Co-published with The Gordon Parks Foundation and Howard University, Washington DC

This lyrical celebration of Juneteenth, deeply rooted in Black American history, spans centuries and reverberates loudly and proudly today.

After 300 years of forced bondage;
hands bound, descendants of Africa
picked up their souls—all that they owned—
leaving shackles where they fell on the ground,
headed for the nearest resting place to be found.

Deeply emotional, evocative free verse by poet and activist Sojourner Kincaid Rolle traces the solemnity and celebration of Juneteenth from its 1865 origins in Galveston, Texas to contemporary observances all over the United States. This is an ode to the strength of Black Americans and a call to remember and honor a holiday whose importance reverberates far beyond the borders of Texas.

Leading Binnizá and Maya Ch'orti' scientist Jessica Hernandez, PhD, weaves together Indigenous knowledge, environmental science, and personal family stories in her highly anticipated follow-up to the LA Times best-seller Fresh Banana Leaves.

Not every environmental problem is a result of climate change, but every environmental and climate change problem is a result of colonialism.

Dr. Jessica Hernandez offers readers an Indigenous, Global-South lens on the climate crisis, delivering a compelling and urgent exploration of its causes—and its costs. She shares how the impacts of colonial climate catastrophe—from warming oceans to forced displacement of settler ontologies—can only be addressed at the root if we reorient toward Indigenous science and follow the lead of Indigenous peoples and communities.

Growing Papaya Trees explores:

* Energy as a sociopolitical issue
* The interconnectedness of natural disasters, sociopolitical turmoil, and forced migration
* Our oceans, our forests, and our Indigenous futures
* Moving Indigenous science from mere acknowledgement into real action
* How to nourish Indigenous roots when displaced beyond borders

Dr. Hernandez asks: what does it mean to be Indigenous when we’re separated from our lands? How do we nurture future generations knowing they, too, will have to live away from their ancestral places? She illuminates that cultures are not lost, even amid genocide, turmoil, war, and climate displacement—and shows us how to be better kin to each other against the ecological violence, colonial oppression, and distorted status quo of the Global North.

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

A nuanced profile, in image and text, of the great Black Power leader at the exhilarating moment of the movement’s ascendancy

Gordon Parks’ 1967 Life magazine essay “Whip of Black Power” is a nuanced profile of the young, controversial civil rights leader Stokely Carmichael. As chairman of the Student Nonviolent Coordinating Committee, Carmichael gained national attention and inspired media backlash when he issued the call for Black Power in Greenwood, Mississippi, in June 1966. Parks shadowed him from the fall of 1966 to the spring of 1967, as Carmichael gave speeches, headed meetings and promoted the growing Black Power movement. Parks’ photos and writing addressed Carmichael’s intelligence and humor, presenting the whole man behind the headline-making speeches and revealing his own advocacy of Black Power and its message of self-determination and love.
Stokely Carmichael and Black Power delves into Parks’ groundbreaking presentation of Carmichael, with analysis of his images and accompanying text about the charismatic leader. Lisa Volpe explores Parks’ complex understanding of the movement and its leader, and Cedric Johnson frames Black Power within the heightened political moment of the late 1960s. Carmichael’s own voice is represented through a reprint of his important 1966 essay “What We Want.”
Gordon Parks (1912–2006) was a photographer, filmmaker, musician and author whose 50-year career focused on American culture, social justice, the civil rights movement and the Black American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was awarded the Julius Rosenwald Fellowship in 1942, which led to a position with the Farm Security Administration. In 1969 he became the first Black American to write and direct a major feature film, The Learning Tree, and his next directorial endeavor, Shaft (1971), helped define a film genre.

An expanded edition of Parks’ classic account of race relations in America, with previously unpublished images and texts

This expanded edition of Gordon Parks: Segregation Story includes around 30 previously unpublished photographs, as well as enhanced reproductions created from Parks’ original color transparencies; newly discovered descriptions Parks wrote for the photographs; a manuscript of film-developing instructions and captions Parks authored with Samuel F. Yette; previously published texts by the late art historian Maurice Berger and the esteemed journalist and civil rights activist Charlayne Hunter-Gault; and a new essay by artist Dawoud Bey.
After the photographs were first presented in a 1956 issue of Life magazine, the bulk of Parks’ assignment was thought to be lost. In 2011, five years after Parks’ death, the Gordon Parks Foundation found more than 200 color transparencies belonging to the series. In 2014 the series was first published as a book, and since then new photographs have been uncovered.
In the summer of 1956, Life magazine sent Gordon Parks to Alabama to document the daily realities of African Americans living under Jim Crow laws in the rural South. The resulting color photographs are among Parks’ most powerful images, and, in the decades since, have become emblematic representations of race relations in America. Pursued at grave danger to the photographer himself, the project was an important chapter in Parks’ career-long endeavor to use the camera as a weapon for social change.
Gordon Parks (1912–2006) was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.

Featuring more than 100 artists, this landmark book charts the intricate connections between photography and the Black Arts Movement
 
The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture.
 
Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
 
Published in association with the National Gallery of Art, Washington
 
Exhibition Schedule:
 
National Gallery of Art, Washington, DC
(September 21, 2025–January 4, 2026)
 
J. Paul Getty Museum, Los Angeles, CA
(February 24–May 24, 2026)
 
Mississippi Museum of Art, Jackson, MS
(July 25–November 1, 2026)