The enduring legacy of the nineteenth-century struggle for Black literacy in the American South
 
Few have ever valued literacy as much as the enslaved Black people of the American South. For them, it was more than a means to a better life; it was a gateway to freedom and, in some instances, a tool for inspiring revolt. And few governments tried harder to suppress literacy than did those in the South. Everyone understood that knowledge was power: power to keep a person enslaved in mind and body, power to resist oppression. In the decades before the Civil War, Southern governments drove Black literacy underground, but it was too precious to be entirely stamped out.
 
This book describes the violent lengths to which southern leaders went to repress Black literacy and the extraordinary courage it took Black people to resist. Derek W. Black shows how, from the beginning of the nineteenth century to the end of Reconstruction, literacy evolved from a subversive gateway to freedom to a public program to extend citizenship and build democratic institutions—and how, once Reconstruction was abandoned, opposition to educating Black children depressed education throughout the South for Black and white students alike. He also reveals the deep imprint those events had on education and how this legacy is resurfacing today.

The highly anticipated first monograph on one of the most celebrated American contemporary artists

Through portraits, social scenes, photographs, sculptures, and immersive installations, Derrick Adams has developed an artistic practice that jocundly visualizes modern Black American life. 

Equally informed by popular culture as he is by the history of modern art, Adams’s work brings the everyday experiences of Black Americans to the forefront, capturing fashionable moments of joy, resilience, and celebration. His artworks are filled with color, energy, and complexity, whether they depict intimate, everyday moments or grand, sweeping statements.

Adams’s first-ever monograph includes 150 of the most significant works from his thirty-year career, along with four newly commissioned texts from cultural luminaries. Filled with beautifully reproduced images and presented in a cloth case with a painting tipped onto the front cover, this stunning book establishes Derrick Adams as one of the most important figurative artists working today.

TWENTY-FIFTH ANNIVERSARY EDITION

The acclaimed collection of Black photography, now featuring more than one hundred photographs from twenty-first-century artists, fundamentally redefines our understanding of American history.

“If a picture truly is worth a thousand words, then Deborah Willis has given us nothing less than an epic history of Homeric proportions. Taken together, Willis’s magnificent gathering of images accompanied by her powerful narrative overturns many common ideas about black life during the last century and a half, and in so doing rewrites American history.”―Robin D. G. Kelley, from the Foreword

Originally published in 2000, Reflections in Black was the first single-volume work to collect the images of leading African American photographers―from the daguerreotype to the digital age. Through its sheer power and inherent beauty, Deborah Willis’s groundbreaking assemblage of photographs of African American life from 1840 to the present triumphantly celebrated family, endurance, and spirituality over the last two centuries as it upended stereotypes and rewrote American history. Aware that so much has changed since 2000, Willis―a world-renowned photographer, curator, and author―has now created a breathtaking twenty-fifth anniversary edition, juxtaposing hundreds of images that appeared in the original edition with 130 new ones.

As the photographic panorama unfolds, we are immersed in hugely moving glimpses of African American life, from the last generation of enslaved people to the urban pioneers of the great migrations of the 1920s, from the rare antebellum daguerreotypes of freemen to the courtly celebrants of the Harlem Renaissance, and from civil rights activists to the postmodern photographic artists of the digital age. Each photograph suggests an astonishing, often spellbinding story. Augustus Washington’s mid-nineteenth-century portraits of key abolitionist figures, for example, offer a seemingly calm window into an era known for its violence. A startling suite of J. P. Ball photographs depicts the life, death, and burial of a Black man hanged for murder in the Montana Territory. Documenting a vibrant family life and a nascent Black middle class as well as Black tenant farmers and educators, the book features James VanDerZee’s famous shot of Marcus Garvey in a Universal Negro Improvement Association parade; Addison N. Scurlock’s dignified portraits of Black intellectuals, artists, and musicians; and John W. Mosley’s World War II–era image of a young drum majorette in an Elks parade in Philadelphia. Reflections in Black also includes a stunning array of celebrity images, among them Booker T. Washington, Langston Hughes, Gladys Bentley, W. E. B. Du Bois, James Baldwin, Martin Luther King Jr., Malcolm X, John Coltrane, Billie Holiday, and a veiled Coretta Scott King, now accompanied in this edition by Michelle Obama, the Roots, and Angela Davis.

This enhanced volume, with a new foreword from Robin D. G. Kelley and a coda from Kalia Brooks, once again affirms the power of photography to reconfigure our conception of Black life in the African diaspora and American history. Featuring the works of photographers such as Albert Chong, LaToya Ruby Frazier, Lorna Simpson, Allison Janae Hamilton, Renee Cox, Carrie Mae Weems, Andre D. Wagner, and Hank Willis Thomas, this new edition is dedicated to the artists who stretch the definition of photography, creating pieces more akin to multimedia and conceptual art. Written and curated during the COVID-19 pandemic and in the aftermath of the brutal killings of George Floyd, Breonna Taylor, Ahmaud Arbery, and Tony McDade, the images that follow serve as a visual response to these unthinkable experiences as well as to the beauty of life.

Exceptionally handsome and historically consequential, Reflections in Black is not only the rare volume that can be given as a gift on any occasion but a work so significant that it has the power to reconfigure the imagination. This anniversary edition demands to be included in every American’s library as an essential part of our country’s heritage.

544 photographs

Artist and filmmaker Steve McQueen continues his exploration of colonial history and its legacies in this new book comprised of meditative photographs of Grenada’s flora. Taken on a trip to the island in the summer of 2024, these images reckon with the connections between landscape and historical trauma, studying Grenada’s plant life as permanent markers of beauty in a land ravaged by exploitation. Rendered in vivid colour, the images reflect the complex interlocking of history, heritage, and survival contained in the simplicity of the island flora. Taking as his touchpoint the late Saint Lucian poet Derek Walcott’s elegy to his mother, ‘The Bounty’, McQueen’s project adopts a similarly poetic sensibility, attuned to the resilience of the island’s landscape and the dualities of the word ‘bounty’, which alludes to both the generosity of nature and the sum paid to slave catchers. Grounded in a deep reverence for the sublime natural world, Bounty invites a visceral engagement with the silent endurance of nature despite the grim realities of human history.

A selection of the exquisite, passionate verse of the Palestinian poet Najwan Darwish, superbly translated into English

Finalist for the 2025 PEN Award for Poetry in Translation • Finalist for the 2025 Derek Walcott Prize for Poetry • Winner of the 2024 Big Other Readers’ Choice Award • Shortlisted for the 2025 PEN Heaney Prize • Longlisted for the 2025 National Translation Award for Poetry, sponsored by American Literary Translators Association

“An unvarnished view of war and its repercussions: fear, dread, devastation, and exile.”―Elisabeth Egan, New York Times Book Review
 
Born in Jerusalem in 1978, Najwan Darwish is one of the most important poets of the Arabic-speaking world. This definitive collection, which draws from five volumes published in Arabic as well as new unpublished work, brings to English-language readers a sweeping trove of Darwish’s most powerful and urgent poetry of the last decade.
 
In spare lyric verse, Darwish testifies to the brutal and intimate traumas of war, the anguished fatigue of waking up each morning in an occupied land, and the immeasurable toll of the Israeli-Palestinian conflict. While anchored in the geography of Palestine, his poetry also explores the rich artistic inheritance of the Arabic-speaking world, moving between regions, landscapes, and eras, from the glories of medieval Granada to the rippling shores of contemporary Haifa. In dialogue with poets, philosophers, and seekers from many different traditions, Darwish’s verse pulses with spiritual longing and a sense of battered, disoriented wonder―a witness to both the atrocities we visit upon one another and the miracle that we are here at all.
 
No One Will Know You Tomorrow is a tribute to the indomitability of the human spirit: its sensitive attunement to beauty and its endurance in the face of unspeakable tragedy.

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A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events -- the tribal losses of the American Indian, the tragedy of African enslavement -- and the interior, unwritten epic fashioned from the suffering of the individual in exile.