For fans of Oge Mora and Ezra Jack Keats comes a poetic and joyful tale about a young boy who runs errands with his grandfather in town, by critically acclaimed author, Gary R. Gray, Jr. (I’m From), and award-winning artist, Rahele Jomepour Bell.

“What are we doing today, Granddad?”
“How about a trip to town? Nan needs some things for dinner.”
“Let’s go!”
“How far to the market, Granddad?”
“No rush, son! We’re just spendin’ time.”

Upbeat lyricism and cheerful illustration bring to life this kid-friendly meditation on appreciating every moment—big or small—spent with the people you love.

In this inspiring guide to the power of faithful resilience, Tasha Cobbs Leonard—Grammy Award winner and Billboard’s Gospel Artist of the Decade—shares the secret that helps her persevere: When saying yes to God doesn’t make sense, do it anyway.

“Prepare to be invigorated to claim every promise, realize every dream, cast aside every excuse, and embrace every God-given desire within your heart.”—Travis and Jackie Greene, pastors of Forward City Church

Pastor, entrepreneur, and gospel music icon Tasha Cobbs Leonard tells of journeying through moments of unforeseen challenges while holding to an unshakable God and discovering that our greatest breakthroughs come when we make the courageous choice to show up and do hard things anyway. 

Tasha tells remarkable stories of experiencing this firsthand when she committed to dreams even when they seemed unrealistic, pursued adoption though it looked impossible, navigated the dynamics of a blended family despite challenges, and watched God move in each step of endurance through infertility and depression.

With true testimony and conviction, Tasha inspires you toward a bolder way of life with the promise that it will always be worth it on the other side. Along the way, she equips you with practical tools to help you 
• Dream big with God again
• Focus on God’s direction over the loudness of the world 
• Never forget God’s faithfulness, especially in the midst of your hopelessness
• Don’t let fear of failure force you to quit on your miracle too soon
• Believe firmly that no mess and no amount of pain is beyond God’s redemption

Whether you’re feeling stuck, stressed, or simply weary—there’s a more a hopeful way to live, a bolder way to believe. 

To follow God when the way seems impossible, persevere in faith even when the odds are stacked—this is what it means to “do it anyway.”

A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it.

In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others.

Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.”

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives.

These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying.

As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.

CANADA READS 2020 WINNER
SHORTLISTED FOR THE 2020 EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION
NATIONAL BESTSELLER
2020 LAMBDA LITERARY AWARD WINNER
ONE OF BOOK RIOT'S 100 MOST INFLUENTIAL QUEER BOOKS OF ALL TIME

How do you find yourself when the world tells you that you don't exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

Sumptuous and tender portraits of an empowered Black queer experience

Eric Hart Jr.’s black-and-white photo series presents more than 70 portraits focusing on the notion of power as it relates to the Black queer experience. Begun in 2019, When I Think About Power investigates and expands the contemporary reimagining of men through themed chapters. “I'm fascinated with the intersectionality and the layers of what it means to be Black in the modern day,” he has said. “From masculinity, queerness, to dress, I strive to utilize image-making in a way that displays people like myself in all of their power and all of their beauty.” Hart's approach stems from his own journey toward self-acceptance growing up in Macon, Georgia. By visually exploring the differences and similarities between himself and the men who surround him, studying the words of Black queer icons and researching the visibility of power in eras such as the Ming dynasty or ancient Egypt, Hart has created an iconography of a power that so many queer individuals seek.
The work of Brooklyn-based photographer Eric Hart Jr. (born 1999) has been published in Rolling Stone, the Washington Post, the New York Times and i-D magazine, and has been praised by artists such as Beyoncé and Spike Lee. Hart is a two-time Gordon Parks scholar, a 2022 Forbes 30 under 30 Art & Style choice, and in 2020 was named one of Men's Health magazine's “20-year-old mavericks changing America.”

When love promises warmth yet leaves only scars, how do you find your way back to yourself? How do you rebuild a heart that once believed so fiercely, only to be cracked open by disappointment?

When Love Burns Instead of Heals is a deeply intimate exploration of passion, temptation, heartbreak, and the quiet but powerful act of rising again. It follows the arc of a love story that begins with the electricity of first glances, the kind that lights up your world-and slowly descends into a storm of misunderstandings, unmet needs, and emotional unraveling. The relationship at its center is as irresistible as it is volatile, offering moments of breathtaking connection alongside wounds that cut just as deeply.

Told with lyrical prose and fearless honesty, each chapter peels back the layers of longing, illusion, and the yearning to be seen. It invites readers to witness the slow erosion of self that can happen when love turns into something sharp, consuming, or unreturned. Yet within that unraveling lies the quiet awakening that follows heartbreak-the realization that pain can carve out new spaces for truth, clarity, and rebirth.

This book is not only the story of a relationship's fall but a testament to the resilience of the human spirit. It shows how healing rarely arrives all at once but in small, tender moments-the first peaceful morning after chaos, the rediscovery of old dreams, the soft return of self-love. It reminds us that even in the ashes of what once felt sacred, beauty can take root again.

For every woman who has ever given too much of herself in love, for every person learning to loosen their grip on what no longer nurtures them, this book serves as both a mirror and a guide. It is an invitation to reclaim your voice, rebuild your strength, and trust that your heart can become whole again.

Toni Morrison, ganadora del Premio Nobel de Literatura 1993, parte de la realidad de una chiquilla desgraciada para tratar temas como el concepto de belleza impuesto, la voz femenina o la infancia truncada, y lo consigue con una historia dura y deliciosa al mismo tiempo.

Pecola es una niña pequeña que vive con sus padres y tiene una prima que se llama Claudia. Le gustan las muñecas y las caléndulas, que no le gustan a nadie excepto a ella. Pecola es negra y cree que es fea porque no se parece a Shirley Temple. Y tiene un truco para desaparecer cuando sus padres se pelean o su padre la molesta por las noches: piensa que tiene unos preciosos ojos azules, que todo el mundo admira su belleza y que las otras niñas la envidian. Pero ese sueño nunca se convertirá en realidad y Pecola seguirá atrapada en la triste vida que le ha tocado en suerte.

Reseñas:
«Una exploración de la raza y el género de la ganadora del Nobel, todo un clásico estadounidense. Con su exploración de las dinámicas entre el racismo interiorizado y la autoestima, [...] Morrison reflexiona sobre cómo la sociedad ensalza todo lo relacionado con los blancos #asociados con la belleza, la pureza y la inocencia#, algo que puede hacer mella en la autoestima de una persona y llevarla por la senda de la destrucción.»
Freddie Braun, Vogue ("6 novelas fundamentales de autores negros que deberías añadir a tu lista de lecturas"

«Toni Morrison se ha convertido en la D. H. Lawrence de la psique negra, transformando individuos en fuerzas, idiosincrasias en inevitabilidad.»
New York Magazine

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A brave new collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street.

It has been twenty-eight years since Sandra Cisneros published a book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home—in the Mexico of her ancestors and in her own heart.

Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation.

Palestine is a microcosm of the world: on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured―the perpetrators are coddled while the victims are blamed and placed on trial.

Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.

How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple demand: dignity for the Palestinian.

From one of the most electric and consequential figures to emerge from the contemporary American labor movement, the remarkable story of his battle to create the first Amazon union in the U.S. and a powerful call to arms on behalf of the working class

In the early days of the Covid pandemic, warehouse worker Chris Smalls and his colleagues continued showing up as the rest of the world was shutting down. A dedicated and experienced Amazon employee, increasingly frustrated by the inner workings of the retail giant, Smalls had already felt himself reaching a breaking point. So, when coworkers around him began falling ill, and with no transparency or assurances of safety coming from those in charge, he made the only choice left available to him. He staged a walkout with friend Derrick Palmer, eventually finding himself on the picket line without a job. But what began as a demand to keep essential employees safe in a crisis would grow into a movement devoted to achieving dignity and security for the American wage worker, sparking a groundswell of organizers at the most notable companies across the nation—including Starbucks, Trader Joe's, and Apple—and leading to lasting change for labor.

When the Revolution Comes is the riveting inside story of how a young Black man from Hackensack, NJ with little-to-no resources led a scrappy band of Staten Island warehouse workers in an improbable fight against Amazon, the second largest private employer in the U.S., and won. This epic David-and-Goliath tale traces Smalls’ dramatic story, from a childhood spent navigating his dad’s stints in and out of prison to his early pursuits of a career in music; from his years of sacrifice and economic uncertainty as a father of three, fighting a miasma of warehouse managerial politics in an effort to make ends meet, to his ascension as the leader of a new generation’s labor movement. Along the way, he details lessons learned from a life spent working paycheck-to-paycheck, advocating for those around him, and persevering in the face of adversity, and shares how those lessons helped him build the coalition that became the first-ever union of American Amazon workers.

A deeply personal and eye-opening account of the creation of the Amazon Labor Union, When the Revolution Comes is both a searing exposé of what it’s like to be working class in America today as well as the empowering story of what is possible when the overworked, underpaid, and disempowered join together, a movement born in community.

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.